Preserved in three different libraries, the Marciana in Venice, the Library of the Naples Conservatory, and the State and University Library in Hamburg, the six cantatas that make up this world-premiere recording were composed by Benedetto Marcello in the early 18th century. These are thus youthful works, quite interesting for the originality of their writing, which helps us understand why their author was so highly regarded during his lifetime - even called the "prince of music" - and also by posterity, as he managed to blend his personal sensibility with lessons drawn from tradition and the influences of a life rich in cultural encounters. The compositional structure of these works - less known than his concertos and theatrical works - follows the traditional format of alternating recitatives and arias. However, this does not prevent the author from experimenting with innovative solutions, particularly in the treatment of the voice. Typical of Marcello's style is a certain inclination toward the bizarre, with the use of harmonies that can sound "estranging," sudden modulations, chromaticism, augmented sixth chords, and the melodic interval of the diminished fourth. In some passages, he even seems to anticipate the models of the "sublime" style theorized in the mid-to late 18th century.
Porpora: Dalla Reggia di Flora Cantatas / Grifone, Musica Perduta
Brilliant Classics
CD
$13.99Jan 03, 2020
A previous album of cantatas by Nicolo Porpora on Brilliant Classics attracted glowing international reviews, flinging wide open ‘a window on a world generally known only in appearance and from a superficial listening of its flourishes and ornaments, but in reality very concrete and aesthetically complex and articulated.’ (Gothic Network) Now comes a sequel, from a different, equally talented Italian early-music ensemble with an established track record on Brilliant. This album also contains several world premiere or first modern recordings, making available a wider appreciation of Porpora’s dramatic and elaborately decorative vocal idiom. Porpora’s cantatas present an embarrassment of riches to the enterprising performer and the adventurous listener. There are so many that a path must be picked, a theme chosen. For this album, Mvsica Perdvta focus their attention on the subject of flowers and plants, which seems to have inspired the composer to notable artistic heights. Flora’s Realm, ‘Il Reggio di Flore’, stands in for love in the real world, but it also presents a fertile ground for expressive metaphors to be illustrated with instrumental colours and delicately entwining vocal lines. These particular cantatas were newly edited for performance from manuscript sources based in Naples – Porpora’s home city – and Brussels and London. One of the most renowned singing teachers of his day, Porpora had an expert knowledge of the human voice, and these secular cantatas also contain moments of extraordinary pathos, underpinned by great technical skill and remarkable virtuoso élan. Mvsica Perdvta is a flexible chamber group with a particular interest in musicological research. Its Brilliant Classics albums have won praise for their stylish performances and excellent recordings. ‘Sound quality is very good indeed. These days, Brilliant's engineers reliably outperform those of so many bigger labels by some distance… An all but exemplary product.’ (Zuccari, Cello Sonatas, 94306: MusicWeb International)
The music of CPE Bach makes complex stylistic demands of the performer like little else of it's time, the extraordinary drama and intensity tempered by Enlightenment elegance and the influence of the Baroque. Marc-Andre Hamelin's performances set new standards in this endlessly absorbing repertoire.
His 18 piano sonatas can be described as the secret stars of Wolfgang Amadeus Mozart's extensive oeuvre. They were often important areas of experimentation, which in Mozart's short biography describe a development from early rococo to classical maturity, in which he explored new compositional techniques and then later transferred these to the larger genres. This is exemplified by the three works now recorded by Amy Lin in her familiar sensitive manner: the Sonata K. 333 emphasizes the lyrical and pastoral. In K. 284, the 18-year-old composer establishes the alternation between 'quasi-tutti' based on the orchestral writing and soloistic passages in dialogue-like interplay. The famous C minor Sonata K. 457, which Beethoven admired so much, shows a completely different, darkly dramatic tone and thus Mozart's fascinating stylistic diversity in this genre as well.
Tharaud records Beethoven for the first time! Beethoven's last three sonatas, Nos. 30, 31, 32, composed 1820-22 They are considered some of the most difficult works in the repertoire The NY Times said "[Alexandre Tharaud] imbued the opening of Beethoven's Sonata No.31 (Op. 110) with a poetic introspection..." Arte broadcast of Alexandre performing Beethoven In advance of the Beethoven 2020 anniversary year
The esteemed American pianist Anne-Marie McDermott has played concertos, recitals and chamber music in hundreds of cities in the United States, Europe and Asia. Recent collaborations include recitals with her violin partner, Nadja Salerno Sonnenberg, chamber music with the piano quartet, Opus One, and concertos with the New York Philharmonic, Philadelphia Orchestra, and Dallas Symphony Orchestra in Vail, Colorado. Ms. McDermott's upcoming recordings for Bridge include a series of Mozart concertos, and the new Poul Ruders Piano Concerto No. 3, "Paganini Variations", recorded with the Odense Symphony Orchestra. On the present release, McDermott has once again chosen the sonatas of Haydn, making this her second volume of the composer’s work for Bridge Records. “We have waited a long time for an American pianist of this stature.” (Gramophone) “She’s one of the great American pianists of her generation.” (The Philadelphia Inquirer)
One of Canada’s fastest rising and most promising young artists, 23-year-old violinist Blake Pouliot was the Grand Prize winner of the 2016 Orchestre symphonique de Montréal (OSM) Manulife Competition. Mr. Pouliot has been described by the Toronto Star as “one of those special talents that come along once in a lifetime,” and after his performance of the Korngold Violin Concerto at his OSM debut under conductor Vasily Petrenko in February 2017, he was described by Montréal’s La Presse as “Clearly. Absolutely. Undoubtedly virtuoso...” On this first album, violinist Blake Pouliot and pianist Hsin-I Huang perform works by two great French composers of the first half of the 20th century – Maurice Ravel and Claude Debussy – who both wrote sonatas for violin and piano. And while both are mature and refined masterworks, they nevertheless give the musicians an opportunity to show their sensitivity and virtuosity.
Pianist Natalia Ehwald's debut album on Prospero Classical is dedicated entirely to the composer Franz Schubert. In addition to a selection of his (mainly early) landler and waltzes, the artist has chosen the late piano sonatas in A major, D664, and B flat major, D960. Both sonatas are characterised by their profound emotionality and unusual and pioneering harmonies. Particularly noteworthy is the fusion of lyrical melodies with complex structural elements that emphasise Schubert's singular mastery. They also show a remarkable development in form and expression, making them a high point in Schubert's oeuvre.
Though the origin of Bach's sonatas for flute and harpsichord is uncertain there has also been considerable debate about their genre. The first three are often called "Sonaten auf Concertenart" - sonatas in concerto style - a hybrid genre that became popular between 1720 and 1740, so Bach may have been deliberately experimenting with form in these works. The Sonata in E-Flat Major, BWV 1031, with its lovely Siciliano, is perhaps the most popular of the flute sonatas, holding a special place in the repertory, but all offer a fascinating insight into Bach's use of the sonata genre and a wealth of inventive music.
Georg Philipp Telemann is undoubtedly one of the composers who wrote the most parts for the recorder. No wonder, as he had mastered the instrument since his childhood and provided it with rewarding parts not only in chamber music, but also in orchestral and vocal works. The young Portuguese recorder player Joao Francisco Tavora studied in Porto and Leipzig and presents works for recorder by Telemann in various scorings, which show off his extraordinary playing technique and interpretative skills to their best advantage.
She questions the simplicity in this program of "simple" piano sonatas and demonstrates her virtuosity by filling the few notes with as much musicality as possible. Shows different interpretations and styles of the genre "Sonatine" with works by Beethoven (No. 25, op. 79), Reynaldo Hahn (IRH90), Ravel (M. 40), Mozart (KV 545), Hermann Goetz (No. 1, op. 8) and Nikolai Medtner (op. 56)
So far and yet so near. The harmonies and the virtuosity: that is what the two composers Sergei Rachmaninoff and Carlos Guastavino have in common. "Even though at first glance the geographical distance between them was immense, their approach to the piano was strikingly similar," remarks Martin Klett. In both composers he loves the Romantic element- paired with attractive simplicity in one case, with ambitious piano artistry in the other. "I don't think one could even say if this music is by Guastavino or Rachmaninoff! It's somewhere in between, and thus provides a smooth, perfect transition- the ideal piece to play before the Rachmaninoff sonata." (Klett) Martin Klett has made a name for himself as a solo pianist and chamber musician. Ever since winning the International Johannes Brahms Competition and the German National Music Competition, he has become a welcome guest at prestigious music festivals.
