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Ervin Nyiregyhazi In Performance - 1972-1982

Music and Arts Programs of America

$19.99 Jan 28, 2010

Live recordings, 1972-1882. Ervin Nyiregyházi (1903-87) is largely forgotten today, but he was one of the greatest and most idiosyncratic pianists of the twentieth century, and his eccentric personality and bizarre career have few parallels in the history of music. These late concert recordings, all but four released here for the first time, are representative of Nyiregyházi's art, and should help to rehabilitate a lost genius whose reputation has rarely matched his artistic stature.

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Ervin Nyiregyhazi In Performance - 1972-1982
Music and Arts Programs of America Jan 2010
CD
$19.99

GREAT LIVE PERFORMANCES

GOOD TIME

$13.99 Sep 29, 2023

Buddy Rich's commanding presence behind the drum kit is legendary, his reputation as a bandleader, unmatched. With this collection of live recordings, get ready to be swept away by the brilliance, skill, and impeccable showmanship of a true maestro. Featuring collaborations with Lionel Hampton, Oscar Peterson, Count Basie and Horace Silver along with a classic Louis Armstrong and Ella Fitzgerald duet, this remarkable collection of tracks captures the raw power and virtuosity of one of the greatest jazz musicians in history, bringing you front and center to witness the sheer mastery and improvisational genius of Buddy Rich. His thunderous rolls, lightning-fast fills and infectious grooves combine to showcase his unparalleled ability to drive his band to new heights, making each performance an unforgettable spectacle to behold.

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GREAT LIVE PERFORMANCES
GOOD TIME Sep 2023
CD
$13.99

Rachmaninov: Piano Concerto No 3 / Berman, Abbado
Sony Masterworks Jan 2010
CD
$17.99

ESSENTIAL JAZZ CLASSICS - Iconic Performances from the Best
Gift of Music Feb 2005
CD
$18.99

RARE PERFORMANCES 1962-1991

VESTAPOL

DVD

$22.99 Apr 08, 2003

This DVD captures almost 30 years of rare performances from 1962 to 1991. Barney is seen playing in a trio setting, solo and with his friends - jazz guitarists Herb Ellis and Charlie Byrd. These performances capture the unique artistry of this great American musician.

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RARE PERFORMANCES 1962-1991
VESTAPOL Apr 2003
DVD
$22.99

WOW RECORDED LIVE IN PERFORMANCE AT CHILDE HAROLD

RESONANCE RECORDS

$17.49 Dec 06, 2024

Wow! Live At The Childe Harold is a stunning, powerful and passionate performance by the legendary singer and songwriter Al Jarreau, captured at his first appearance in Washington, D.C. in August of 1976. Previously unreleased and originally recorded for WHFS radio in Washington, D.C., the tape remained tucked away for nearly 50 years until now. This exhilarating and driving performance highlights Jarreau at an amazing time in his career, swinging for the fences.

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WOW RECORDED LIVE IN PERFORMANCE AT CHILDE HAROLD
RESONANCE RECORDS Dec 2024
CD
$17.49

Best of Beegie Adair: Jazz Piano Performances

GREEN HILL PROD.

$10.49 Jan 22, 2021

18 signature jazz trio performances of iconic jazz pianist, Beegie Adair. For more than 20 years, Beegie Adair has been a legacy artist in the Green Hill Music catalog producing 23 top jazz recordings that have delighted listeners around the world. With her lyrical style, her intimate touch, and her expertise in interpreting the American songbook, Ms. Adair has cemented her standing in the jazz community as one of the all-time greats.

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Best of Beegie Adair: Jazz Piano Performances
GREEN HILL PROD. Jan 2021
CD
$10.49

BEST OF BEEGIE ADAIR: SOLO PIANO PERFORMANCES

GREEN HILL PROD.

$12.99 Jul 10, 2020

2020 release. Solo piano performances. Pianist Beegie Adair (pronounced B-G) has accompanied such legendary performers as Chet Atkins, Johnny Cash, and Dolly Parton, and worked with such entertainers as Neil Diamond, Mama Cass Elliott, and Peggy Lee in her position as in-house pianist for The Johnny Cash Show for ABC-TV. Adair serves as adjunct professor in jazz studies at Vanderbilt University's Blair School of Music and currently teaches singers repertoire at the Nashville Jazz Workshop.

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BEST OF BEEGIE ADAIR: SOLO PIANO PERFORMANCES
GREEN HILL PROD. Jul 2020
CD
$12.99

Mabel Mercer: Previously Unreleased Live Performances
Harbinger Records Jan 2013
CD
$18.99

Julian Bream Live Performances & Broadcasts, Vol. 2

Doremi

$40.99 Sep 17, 2021

Julian Bream, who passed away in August 2020, is the finest classical guitarist in the second half of the 20th century. DOREMi is proud to release this tribute to his wonderful artistry. The program of works for lute and guitar solo and in a variety of ensemble settings, never before released, offers a remarkable panorama of Bream's magnificent playing between 1956 and 1965, including performances from the 11th, 16th, 17th, and 18th Aldeburgh Festivals, the 18th Edinburgh International Festival, a 1956 Broadcast House recital, and two studio broadcasts. The repertoire ranges from Josquin des Pres to Dowland and other Elizabethans, to Baroque lutenists, and contemporary British composers. We hear a very early version of Britten's "Nocturnal", songs accompanying Peter Pears and Carmen Prietto, a Haydn string quartet, and the Concierto de Aranjuez.

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Julian Bream Live Performances & Broadcasts, Vol. 2
Doremi Sep 2021
CD
$40.99

CLASSIC JAZZ PERFORMANCES
MALACO RECORDS Apr 2000
CD
$12.49

IN PERFORMANCE

WOUNDED BIRD RECORDS

$11.99 Jan 22, 2021

Oregon is a jazz group formed in 1971 who performed and made recordings for the next 40 years. The members of Oregon were Ralph Tower (guitar, piano, French horn, flugelhorn) Collin Walcott (sitar, tabla, tympani) Glen Moore (bass, violin, flute, piano) & Paul McCandless (oboe, flute, English horn soprano sax, bass clarinet). They made many, many albums over the years, their early works being recorded for the Vanguard label. In Performance was originally released on Elektra Records in 1980. At 74 minutes, this two record set fits nicely onto one compact disc. Due to popular demand we are making this CD available again.

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IN PERFORMANCE
WOUNDED BIRD RECORDS Jan 2021
CD
$11.99

Beethoven: Mödlinger Tänze / Gaigg, L'orfeo Barockorchester

CPO

$18.99 Jul 25, 2006

The kind of ‘popular’, socially functional dance music which is quite prominent in the work of, say, Haydn and Mozart plays a less central role – for all kind of obvious reasons – in the output of Beethoven. But such music does exist, and here is a fine, richly enjoyable anthology of it.

The twelve German Dances (WoO 8) were written for the annual masked ball of the Pension Society of Viennese Painters, held on 14th November, 1795. The society had a tradition of commissioned distinguished composers to write new music for the ball – Beethoven’s predecessors included Haydn and Dittersdorf. The young Beethoven’s contribution is, by his standards, rather slight in nature, but the dances have real charm and are not without a degree of sophistication. No.6, for example, employs some unexpected accents over a pseudo-rustic drone in a manner that is quite engaging. No.5 has some pleasant writing for the clarinets; no.10 makes entertaining use of the piccolo and of the triangle and tambourine in a kind of alla turca idiom. No.12 has a surprising coda, with a solo for posthorn, before a rather grand conclusion – so grand, indeed, that it must surely have taken the dancers by surprise!

The six minuets (WoO 9) belong to the same period, but are for strings alone (supplemented here by a harp). They are simple pieces, pleasantly melodic and largely unambitious in execution. In no.3 the alternations between pizzicato and arco are attractive; in no.5 the triplet accompaniment by the second violins has a particular grace.

Beethoven’s 12 contredanses (kontretänze) (WoO 14) were again written for the ballrooms of Vienna, a few years after the earlier sets of dances. They are lively and politely brilliant. In some of them one seems to detect touches that belong to Beethoven rather than just to the genre in which he was writing. It is certainly interesting to note that the seventh and the 11th dances share material with Beethoven’s ballet music The Creatures of Prometheus; the seventh is also echoed in the final movement of the Eroica.

The final set of dances on this CD belongs to a later period. The eleven ‘Mödlinger’ dances were, it seems likely, written in the wooded suburb of Vienna which bears that name, in 1819. That, we should remind ourselves, is the year of the Hammerklavier sonata and of the commencement of the Ninth symphony. These, in short, are the work of a fully mature Beethoven. Beethoven had real financial problems at this time, so it may well be that these dances were written for primarily commercial reasons; but it would, I think, be wrong to imagine that Beethoven didn’t take their composition at all ‘seriously’. Certainly they are far more sophisticated than the dances considered so far. They explore a range of forms – there are four waltzes, five minuets and two ländlers. There is a genial smile to all of the music; there are plenty of sparkling passages as, quite without condescension, Beethoven writes wonderfully accessible music. But it is also music that gets better at second and third hearings. These are delightful, small-scale masterpieces, in their own way just as worthy of attention as the far greater works that Beethoven wrote at much the same time.

The performances of L’Orfeo Barockorchester, playing on period instruments and directed by Michi Gaigg, are exemplary. The sense of scale is perfectly judged, distinctions of tempo and rhythm are clear but unexaggerated; the sound of the winds is particularly well-blended and the strings play with zestfully clear articulation. The sense is of an orchestra that sounds as though it is enjoying its work and is eager to share its own pleasure. One doesn’t often get the chance to hear these dances – and one certainly doesn’t often get the chance to hear them played so well, with both energy and sensitivity.

-- Glyn Pursglove, MusicWeb International

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Beethoven: Mödlinger Tänze / Gaigg, L'orfeo Barockorchester
CPO Jul 2006
CD
$18.99

Minkus: La Bayadere / Royal Ballet

Opus Arte

DVD

$34.99 Feb 22, 2011

Ludwig Minkus
LA BAYADÈRE

Marius Petipa’s exotic ballet, set in legendary India, is a story of love, death and vengeful judgement. Natalia Makarova’s sumptuous recreation of Petipa’s choreography, with atmospheric sets by Pier Luigi Samaritini and beautiful costumes by Yolanda Sonnabend, stars Tamara Rojo as the Bayadère (temple dancer) Nikiya, CarlosAcosta as Solor, and Marianela Nuñez as Gamzatti whose alluring presence challenges Solor’s love for Nikiya. Filmed in High Definition and recorded in true surround sound.

‘There wasn’t a single physical gesture that didn’t mean something, that didn’t speak of love trying and failing to blossom.’ -- The Daily Telegraph

Solar – Carlos Acosta
Gamzatti – Marianela Nuñez
Nikiya – Tamara Rojo
The High Brahmin – Gary Avis
Rajah – Christopher Saunders
Magdaveya – Kenta Kura
Solor's Friend – Valeri Hristov

Royal Ballet
Royal Opera House Orchestra
Valeriy Ovsyanikov, conductor

Natalia Makarova, choreographer

Recorded live from the Royal Opera House, January 2009

- Tamara Rojo on dancing La Bayadère
- Leanne Cope and Francesca Filpi on the corps de ballet
-Tamara Rojo and Carlos Acosta rehearse with Alexander Agadzhanov
- Natalia Makarova on choreographing La Bayadère

Picture format: NTSC 16:9 anamorphic
Sound format: LPCM Stereo / DTS 5.0
Region code: 0 (worldwide)
Menu languages: English
Subtitles (Bonus): English, French, German, Spanish
Running time: 166 mins
No. of DVDs: 1

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Minkus: La Bayadere / Royal Ballet
Opus Arte Feb 2011
DVD
$34.99

BRAHMS: COMPLETE ORCHESTRAL MUSIC

ELOQUENCE AUSTRALIA

$39.25 Aug 23, 2019

Kurt Masur's burnished readings of Brahms's orchestral music with the Gewandhausorchester Leipzig, issued as a Limited Edition box with Original Jackets. Hardly less than with it's founder, Felix Mendelssohn, the Leipzig Gewandhaus grew up with Brahms conducting and playing. For a sense of heritage, the orchestra boasts a Brahms tradition second to none. In the words of Kurt Masur, their Kapellmeister for over a quarter of a century, 'if they play Brahms, you can say it's still authentic'. Eloquence has compiled the Brahms recordings they made together between 1973 and 1981 for both the East-German Eterna label and Philips. Together they form the most comprehensive documentation yet issued of a musical relationship between composer, conductor and ensemble that was uniformly distinguished by deep understanding and affection. From the keyboard lion's roaring of the First Piano Concerto to the rage and reconciliation of the Third Symphony and the mellow reflections of the Double Concerto, Masur and the Leipzigers present Brahms in the round. 'Tradition is everything to the Gewandhaus,' said Masur. 'It's what gives us our identity. It's why we sound like ourselves and not like any other orchestra.' The bedrock of that sound is a strong, unified string section with a density of timbre that supplies all the required weight for the post-Beethovenian drama of the First and Fourth symphonies. Masur maintained a narrow, brightly illuminated palette of wind tone-colours that lends a ruddy glow to the more pastoral tones of the Second as well as the rustic orchestrations of the Hungarian Dances and the oboe-led slow movement of the Violin Concerto. The 1978 recording of the concerto finds it's soloist Salvatore Accardo on his most honeyed and alluring form, contrastingly partnered in the Double Concerto by the gruffer, more outspoken tones of the cellist Heinrich Schiff. Masur and the Gewandhaus made several recordings of the piano concertos; Eloquence returns to the earliest and least-familiar of them, made with the American pianist Misha Dichter in 1977 when he was a peerless exponent of Liszt, in performances that grab the listener by the scruff of the neck and never let go.

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BRAHMS: COMPLETE ORCHESTRAL MUSIC
ELOQUENCE AUSTRALIA Aug 2019
CD
$39.25

DIE WALKURE

DEUTSCHE GRAMMOPHON

$36.49 Oct 09, 2020

The full glory of Karajan's "beautiful, dramatic reading" (High Fidelity) of Die Walk�re is revealed by Blu-ray technology. Half a century later, this recording still offers up surprises, especially now when fans can hear it at it's very best. "Listen to Gundula Janowitz and Jon Vickers in Act 1 and be seduced" (Limelight). Blu-ray Audio in DTS-HD Master Audio 2.0. The CDs are produced from Emil Berliner Studios remastering. Clamshell Box; 106pg booklet with libretto in German and English. 4CDS/1BR

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DIE WALKURE
DEUTSCHE GRAMMOPHON Oct 2020
CD
$36.49

COMPLETE POLYDOR 78S

ELOQUENCE AUSTRALIA

$20.92 May 07, 2021

Collected for the first time - Erich Kleiber's rare recordings with the Staatskapelle Berlin and the Berliner Philharmoniker made for Polydor/Grammophon and newly remastered for this release. Erich Kleiber's appointment to the musical directorship of the Staatsoper Berlin in 1923 proved to be the making of his career. Hired on the strength of a single Fidelio, he thrilled audiences and critics with performances of unparalleled vigour and intensity. He soon began recording for the short-lived Vox company (not to be confused with the later US label) but in 1926 he agreed a contract with the Grammophon label, building on his regular season of orchestral concerts which were interspersed with opera performances. Here, newly remastered by Mark Obert-Thorn and issued complete for the first time in any format, is that Grammophon legacy of Kleiber's Berlin years with both the Staatskapelle and the celebrated Berliner Philharmoniker. Beginning modestly enough with four of Mozart's German dances - to fill two sides of a 78rpm record - the scope of the sessions expanded to take in complete symphonies by Beethoven (No. 2), Schubert (No. 8 'Unfinished') and Dvorak (No. 9 'From the New World') alongside much popular repertoire such as the incidental music to Rosamunde and A Midsummer Night's Dream and the overtures to William Tell and Die Fledermaus. Many of these recordings were not marketed or reviewed abroad despite their artistic excellence, but Kleiber's 1928 account of 'Vltava' from Ma vlast soon gained classic status. No wonder, now, when listening again to the moonlit interlude and Kleiber's gently flowing pulse, his superb balancing of parts which transcends the limitations of the technology and makes a nonsense of his apparent reluctance to record. Alternative versions of 'Vltava', as well as the second take of a side from the 'New World' Symphony which became Kleiber's final Grammophon album (recorded in May and August 1929) are also presented. Alan Sanders provides an extensive note, and Mark Obert-Thorn provides a background to the sources for these recordings.

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COMPLETE POLYDOR 78S
ELOQUENCE AUSTRALIA May 2021
CD
$20.92

Wayne Mcgregor: Chroma, Infra, Limen / Royal Ballet [blu-ray]

Opus Arte

Blu-Ray

$39.99 Apr 26, 2011

This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.

Also available on standard DVD

The diversity of Wayne McGregor’s astonishing talent is demonstrated through Chroma, Infra and Limen, each created for The Royal Ballet, for whom he is resident choreographer. Intimate yet universal, light yet dark, frenetic yet lyrical, McGregor pursues his passion for exploring the inner workings of the human body and mind, his many-layered and beautiful dances providing visual, sensual and kinaesthetic stimulus for the viewer.

"…Wayne McGregor's Infra: sumptuous beauty and shimmering possibility" The Telegraph

Chroma
Federico Bonelli, Ricardo Cervera, Tamara Rojo
Mara GaleazzI, Sarah Lamb, Steven Mcrae, Laura Morera
Ludovic Ondiviela, Eric Underwood, Jonathan Watkins
Edward Watson

Orchestra of the Royal Opera House
Conductor: Daniel Capps
Music: Joby Talbot , Jack White III

Infra
Leanne Benjamin, Ricardo Cervera, Yuhui Choe
Lauren Cuthbertson, Mara Galeazzi, Melissa Hamilton
Ryoichi Hirano, Paul Kay, Marianela Nuñez, Eric Underwood
Jonathan Watkins, Edward Watson
The Max Richter Quintet
Director: Jonathan Haswell
Music: Max Richter

Limen
Leanne Benjamin, Yuhui Choe, Mara Galeazzi, Melissa Hamilton, Sarah Lamb, Marianela Nuñez Leticia Stock, Akane Takada, Tristan Dyer, Paul Kay Brian Maloney, Steven Mcrae, Ludovic Ondiviela, Eric Underwood, Edward Watson

Orchestra of the Royal Opera House
Director: Barry Wordsworth
Music: Kaija Saariaho

Recorded live from the Royal Opera House
Infra: 13th & 14th November 2008
Chroma: 10th & 11th June 2010
Limen: 13th & 17th November 2009

Duration: 01:38:00
Regions: All Regions
Picture Format: 16:9 Anamorphic
Sound Type: 2.0LPCM + 5.1(5.0) DTS
Subtitles: French/German/Spanish

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Wayne Mcgregor: Chroma, Infra, Limen / Royal Ballet [blu-ray]
Opus Arte Apr 2011
Blu-Ray
$39.99

SCHUMANN & GRIEG: PIANO CONCERTOS

WARNER CLASSICS

$17.28 Jul 05, 2024

Being someone who is rather awful at dancing, the only way I can explore the medium of dance is through music making! This programme idea came about from two contrasting elements: my love of Rameau's Gavotte & Doubles and Ravel's La Valse.... Seeing as dance is often collaborative I am thrilled to have been joined by the wonderful pianist Alexandre Tharaud in some eclectic, lesser known works by Reynaldo Hahn. I am thrilled to release this project!" -Martin James Bartlett Ravel leads the dance with three works in Martin James Bartlett's enticing programme of French piano music. The perspective of La Danse extends back from the 20th century to the 18th century, also encompassing works by Rameau, Couperin, Debussy and - with the participation of guest artist Alexandre Tharaud - Reynaldo Hahn. "This programme idea came about from two contrasting elements," explains Martin James Bartlett, "my love of Rameau's Gavotte et six doubles and Ravel's La Valse. Both these French masterpieces, from different ends of the musical timeline, led to this programme of music inspired by the dance." Welcoming Martin James Bartlett's previous Warner Classics album, Rhapsody, Gramophone wrote: "This showcases an outstanding keyboard talent at the top of his game," while the Sunday Times enthused that, "Throughout, Bartlett's touch is alternately carefree and rigorous. A delight.

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SCHUMANN & GRIEG: PIANO CONCERTOS
WARNER CLASSICS Jul 2024
CD
$17.28

150 German Folksongs / Prey, Schreier, Dresden Kreuzchor, Thomanerchor Leipzig

Capriccio

$21.99 Aug 30, 2011

A festive concert of great voices, this Volkslied-Edition offers on 5 CDs the most famous and most beloved German folksongs, performed by well known singers like Hermann Prey, Peter Schreier, and famous choirs, especially boys choirs, such as the Dresden Kreuzchor, Thomanerchor Leipzig and the Regensburger Domspatzen. A well done edition for all friends of choir music offered for a verys special price!

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150 German Folksongs / Prey, Schreier, Dresden Kreuzchor, Thomanerchor Leipzig
Capriccio Aug 2011
CD
$21.99

WOLF: ITALIANISCHES LIEDERBUCH

ELOQUENCE AUSTRALIA

$10.45 Sep 20, 2019

Perhaps no pair of singers on record has interpreted this cycle of 46 songs with such natural accomplishment as Irmgard Seefried and Dietrich Fischer-Dieskau. They made this recording near the end of the 1950s - at the height of Seefried's career and near the start of Fischer-Dieskau's, and it's qualities of both freshness and delight in response to the text and vocal beauty have stood the test of time. The singers performed the cycle together live at the 1958 Salzburg Festival to an ordering devised by the pianist for the occasion and Seefried's regular accompanist, Erik Werba. In the DG studios a few months later, however, Fischer-Dieskau was joined by his own regular instrumental partner at the time, Jorg Demus. Meanwhile the subtly different responses of both pianists - Werba fuller-toned than Demus, whose pointed articulation owes something to his work on 'period' instruments - offer food for both thought and pleasure. Without attempting to concoct a storyline, Werba's ordering allows the poetry's depictions of woman and man to contrast with and complement each other. A spirited opening group is followed by one which is predominantly lyrical, illustrating the need for love, the woman's surrender and then wavering, a manly longing for death, a farewell, and appeal to sworn fidelity. The closing section juxtaposes a declaration of love, humor, mockery, caricature, resignation and finally boasting, with the soprano's jubilant 'confession' that she has 21 lovers. All four musicians fully bring to life the emotions of elation, joy, anger and irony in Wolf's songs. Fischer-Dieskau's second recording (with Elisabeth Schwarzkopf and Gerald Moore for EMI) is justly famous in it's own right, but the magic of this DG recording lies in the unaffected ease of his partnership with Seefried.

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WOLF: ITALIANISCHES LIEDERBUCH
ELOQUENCE AUSTRALIA Sep 2019
CD
$10.45

SCHUBERT TREASURES

DEUTSCHE GRAMMOPHON

$21.49 Jun 26, 2026

RUDOLF BUCHBINDER / SCHUBERT TREASURE On his album Schubert Treasures, Rudolf Buchbinder celebrates his 80th birthday this year by turning to a composer whose music has accompanied him for decades. On it, the legendary pianist performs Schubert's piano dances to mark this milestone in his remarkable career. These miniatures open fleeting glimpses into a mysterious cosmos, poised between the polished parquet of Vienna's ballrooms and something almost transcendent. With esprit, spontaneity and the authority of a career spanning nearly seven decades, Buchbinder brings these worlds vividly to life.

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SCHUBERT TREASURES
DEUTSCHE GRAMMOPHON Jun 2026
CD
$21.49

Mix & Match

J. Strauss Jr.: Die Fledermaus / Armstrong, Allen [Blu-ray]

Opus Arte

Blu-Ray

$26.99 May 27, 2008

*** This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD or HD DVD players. ***

3223070.az_J_STRAUSS_II_Die.html

J. STRAUSS II Die Fledermaus • Vladimir Jurowski, cond; Pamela Armstrong ( Rosalinde ); Thomas Allen ( Eisenstein ); Håkan Hagegård ( Dr. Falke ); Pär Lindskog ( Alfred ); Malena Ernman ( Prince Orlovsky ); Lyubov Petrova ( Adele ); Ragnar Ulfung ( Dr. Blind ); Artur Korn ( Frank ); Udo Samel ( Frosch ); Reneé Schüttengruber ( Ida ); Glyndebourne Ch; London PO • BBC/OPUS ARTE 7004 (Blu-ray Disc: 198:00) Live: Glyndebourne 8/17/2003

& Cast & costume galleries. The Genesis of the Waltz. The Architect Returns. Interviews. Frosch interlude

This pretty-much-perfect production of Strauss’s pretty-much-perfect operetta is an ideal specimen to demonstrate the visual and sonic virtues of the Blu-ray medium. The Glyndebourne staging is a feast to watch: the sets and costumes are lavish, the dancing accomplished. Opus Arte’s 24-bit PCM sound is way better than anything you’ve ever heard on a traditional DVD, both the stereo version and the spacious multichannel that puts the listener in the middle of the appreciative audience who experienced the real thing in Sussex back in August of 2003.

Director Stephen Lawless has moved the setting of Die Fledermaus ahead a few decades to around 1910, the Vienna of Sigmund Freud and Gustav Klimt. (Eisenstein’s dressing gown, in fact, is a facsimile of Klimt’s The Kiss .) This Fledermaus is clearly viewed as a play that happens to have awfully good music, and Lawless and Daniel Dooner have created new dialogue for the production. In the hands of an ensemble of terrific singing actors, the texts never impede the headlong momentum of this comic masterpiece.

What a cast! Pamela Armstrong, as Rosalinde, handles the part vocally quite well but is equally concerned with her character’s development: when she dresses up as someone else, Eisenstein’s wife discovers her “real self” (as the soprano puts it in one of the disc’s “extras”). Thomas Allen notes that the high tessitura of his role was a bit of a challenge—it sure doesn’t sound it—but his comic timing is impeccable and the man can actually dance. As Dr. Falke, Håkan Hagegård gives his character an edge: the practical joke that Eisenstein played on him months before the curtain rises for act I has deeply wounded him, and Falke is serious about getting revenge. Singing Alfred in an appropriately seductive manner is Swedish tenor Pär Lindskog who, like Allen, is obviously quite a versatile artist. You’d never know from this performance that the guy also sings Siegfried and Parsifal.

The kudos go on. Lyubov Petrova’s rendition of Adele’s big second-act aria is a showstopper and Malena Ernman is utterly convincing as the terminally bored and sexually ambiguous Orlovsky. It’s a surprise every time Ernman starts to sing and her voice jumps up an octave or two. The smaller parts—Dr. Blind, Frank, Ida, Frosch—are all covered quite well.

Vladimir Jurowski takes the music very seriously (as, the notes remind us, did Gustav Mahler) and his leadership of the LPO is spirited and knowingly inflected. To accompany the curtain calls, Jurowski conducts a rousing “Radetzky March.” Opus Arte provides subtitles in English, French, German, Spanish, and Dutch. There’s a generous supply of extras, including cast and costume “galleries” and brief featurettes on the history of the waltz and the new (in 1994) opera house at Glyndebourne, as revisited by the architect who designed it. We also get observations on Fledermaus from Armstrong, Allen, Hagegård, Jurowski, and director Lawless and, to close, some shtick, mostly about champagne, by Udo Samel, the actor who has the speaking role of the jailer Frosch.

Yes, this one’s on my Want List.

FANFARE: Andrew Quint

Picture Format: 1080i High Definition, NTSC 16:9
Sound Format: 2.0 / 5.0 PCM Audio
Region Code: 0 (All Regions)
Menu Languages: English
Subtitles: English, French, German, Spanish, Dutch
Running Time: 198 min

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J. Strauss Jr.: Die Fledermaus / Armstrong, Allen [Blu-ray]
Opus Arte May 2008
Blu-Ray
$26.99

Bach: Orchestral Suites

Brilliant Classics

$13.99 May 26, 2015

Can one ever tire of the dancing inspiration that animates these four portmanteau collections which have delighted both serious and casual listeners ever since Bach compiled them for use in social occasions as the 30-something Kapellmeister at the briefly enlightened court of Prince Leopold of Cöthen, exulting in the multifarious influences which he had absorbed and could place at the service of a compositional mind of unequalled intellectual brilliance yet always conscious of his music’s need to entertain, to give delight as well as accompany the sober thoughts of his congregations?

Not, at any rate, in these performances from a virtuoso German ensemble hailing from Bach’s own part of the world and masterminded by a superb trumpeter-turned-conductor who well understands the exuberant, public character of these suites, their occasional purposes, for all that in such moments as the famous Air from the G major Suite, No.3, they appear to take on a more confiding aspect, drawing the listener in before dispelling the tension with another jolly minuet or charming sarabande.

This generously filled CD presents the complete Orchestral Suites (Overtures) by J.S. Bach. Bach’s Suites count among his most popular and most frequently performed works, they are quintessential Bach: majestic, noble, tender and full of energy. They contain some of Bach’s evergreens: the Air from the 3rd Suite and the Badinerie from the 2nd Suite.

Played by the Virtuosi Saxoniae conducted by trumpeter-conductor Ludwig Güttler, modern instruments in Historically Informed Performance Practice, the best of both worlds. - Brilliant Classics

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Bach: Orchestral Suites
Brilliant Classics May 2015
CD
$13.99

WAGNER: DAS RHEINGOLD (ORIGINAL SOURCE SERIES)

DEUTSCHE GRAMMOPHON

Vinyl

$148.49 May 01, 2026

According to Karajan's own account, it was during the summer of 1965, while he was working on Boris Godunov, that he had a vision of the future: "I suddenly sensed a burning desire to stage and conduct Wagner in Salzburg." His dream, very much in the spirit of Wagner himself: "My baton shall teach future ages which road they have to take." The Original Source Series from Deutsche Grammophon features celebrated recordings reissued on vinyl. Remastered by the renowned Berlin-based Emil Berliner Studios using 100% pure analogue techniques to create versions of the highest possible audio quality. Produced on 180g virgin vinyl by Optimal and housed in deluxe gatefold editions, featuring additional photos and/or recording documentation. For the first time, OSS will use the original stereo master 2-track tape as source. Starting with 4-track in 2023 and expanding to 8-track in 2024, the year 2026 will see the first 2-track OSS release.

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WAGNER: DAS RHEINGOLD (ORIGINAL SOURCE SERIES)
DEUTSCHE GRAMMOPHON May 2026
Vinyl
$148.49