Vinyl LP pressing. Blue Note Tone Poet Series. Jackie McLean's music weaved in and out of the avant-garde throughout the 1960s with the brilliant 1963 inside-out dates One Step Beyond and Destination... Out! Eventually leading to full-throated free jazz of the 1967 dates New and Old Gospel (featuring Ornette Coleman on trumpet) and 'Bout Soul. Demon's Dance, which was recorded in December 1967, found the alto saxophonist maintaining a decidedly post-bop edge with a spirited quintet comprised of trumpeter Woody Shaw, pianist LaMont Johnson, bassist Scott Holt, and drummer Jack DeJohnette. The six-song set presented a pair of tunes each by McLean, Shaw, and composer Cal Massey with highlights including McLean's churning title track, Shaw's tuneful bossa "Sweet Love of Mine," and Massey's brightly swinging "Message from Trane" in tribute to the great John Coltrane who had passed away early that year. But the album's most striking feature may be the unforgettable cover artwork by Mati Klarwein whose work also graced the cover of Miles Davis' Bitches Brew.
Thibaut Garcia is one of the most acclaimed classical guitarists of his generation, praised for a playing style that combines virtuosity and poetic sensitivity. Born from a deep artistic friendship with guitarist Antoine Morinere, this album offers a fresh take on Bach's masterpiece Goldberg Variations, now reimagined for two guitars. The arrangement, from Garcia and Moriniere themselves, is the result of a full year of work during which, quoting the artists, they focused on "how to adapt the keyboard work for two guitars, while preserving the illusion of a single performer". Twin guitars helped in their artistic endeavour: the album is recorded on two guitars cut from the same tree, and realized especially for the project by French luthier Hugo Cuvillier.
Vinyl LP pressing. 2020 release. Gautier Capucon is recognised the world over as one of the most charismatic, enchanting and exuberant musicians performing today. He receives consistently high critical praise for his performances with the major orchestras and conductors across the globe, as well as for his recital and chamber music work at many of the world's most prestigious venues and festivals. A prolific recording artist, he records exclusively for Erato.
In 1937, a Viennese antiquarian sells a comprehensive lute tablature, which then ends up in Lviv in today's Ukraine. For decades, the tablature is out of reach and subject to wild speculation. Today, it once again reveals European Renaissance masterpieces, presented here on this album. Bernhard Hofstötter's lute playing has been described as "adeptly combining technical ease with a masterful sense of phrasing" (Lute Society of America) and demonstrating "a refined rhythmic sensibility and understanding" (International Record Review). His recordings of the music of the 18th century lute virtuoso Silvius Leopold Weiss have been hailed as containing "some of the most sympathetic and beautiful Weiss-playing yet committed to disc" (Gramophone). To date, Hofstötter has published four solo albums which shine an imaginative and colorful light on the lesser known musical landscapes of the 17th and 18th centuries. His recordings have been met with international critical acclaim.
Christian McBride solidifies his role as the champion of the past, present and future of jazz with his GRAMMY® Award-winning Big Band's new album in tribute to Jimmy Smith, Wes Montgomery and Oliver Nelson. Featuring special guests Joey DeFrancesco and Mark Whitfield, "For Jimmy, Wes and Oliver" honors the historical legacy of the jazz legends who shaped the soul of music for generations to come.
'With this edition, Julia Fischer sets a new standard for Ysaye. This cycle has never been heard with such expressive truthfulness and technical flawlessness. It is a referential thing in purely musical terms. Added to this is brilliant sound engineering and a rarely flawless pressing quality. Bravo.' (onlinemerker)
Miles Davis - "Miles '55: The Prestige Recordings". Miles '55 offers a deeper look at 1955, the year in which jazz icon Miles Davis formed his first great quintet (John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones) and established his influential sound. This 3-LP set on 180g vinyl collects 16 tracks remastered from the original analog tapes by GRAMMY-winning engineer Paul Blakemore, with lacquers cut by Kevin Gray. Included are new liner notes by GRAMMY-winning music historian Ashley Kahn and session notes by Dan Morgenstern. Limited Edition.
Before jets and a proliferation of festivals made European appearances by American jazz musicians commonplace, it was not unusual for a trans-Atlantic tour to be preceded by six months of publicity. But such was not the case in November 1950, when Charlie Parker's arrival in Sweden literally took some fans by surprise. The trip was made on such short notice that booking negotiations virtually continued until his day of departure from the States. Rumors of impending visits from Parker had circulated from time to time, but so exciting was the prospect that one dared not believe them. Given the scarecity of live jazz in Europe at that time, and the fact that Charlie Parker, the Messiah of modern jazz, was already achieving legendary status, it was preordained that this visit would be a particularly memorable one. We hope this live album proves to be as exciting to listeners now as it was to the approximately one thousand people who crowded into the dance hall of Folkets Park in Halsingborg and the seventy-five who were lucky enough to attend the session that followed all those years ago.
Classic 1974 from The Godfather of Fusion. This is the 1st studio album from The Eleventh House which was a jazz fusion group of the 1970s, led by the guitarist Larry Coryell. The album is Known as Coryell's "Finest Achievement". This deluxe package will include an OBI strip, gatefold album jacket, printed inner sleeve, original record labels and specialty color vinyl. Clear, Blue/Purple/Clear Swirl Color Vinyl
Sahib Shihab's career started in the late 1930's where he would play for the likes of Luther Henderson and Roy Eldridge while studying at the Boston Conservatory. During the 1940's Shihab played with many of the greats from this period, including Thelonious Monk, Art Blakey, Miles Davis and many more. Especially his work with Monk proved to be important as it marked the switch from alto to baritone saxophone. The present release was recorded alongside Kenny Drew, Niels-Henning Orsted Pedersen, and Jimmy Hopps in Copenhagen in 1971, and features a programme of works mostly by Shihab. "Most of the compositions are by the leader, starting with the exotic blend of hard bop and African rhythm, featuring Shihab's dancing soprano sax and Pedersen's bass solo. Drew switches to organ and Pedersen makes a relatively rare appearance on electric bass on the funky "Sentiments". The leader switches to baritone sax for Drew's exuberant ballad "Extase". (Ken Dryden)
This is the 11th album guitarist Doug Raney recorded for SteepleChase. Doug was born August 29, 1956 in New York. His father was the guitar legend Jimmy Raney. Doug died May 1, 2016 in Copenhagen, Denmark of heart failure at age 59.
The superb rapport between the fluid swing of Doug Raney’s guitar, which is often likened to the phrasing of saxophone players and the sharp and percussive piano of Ben Besiakov made this recording “eminently interesting.” (Jazz Magazine) “A very significant, excellent album!” (Jazz Hot)
Released in 1995, Sarala marked it's time by generating a genuine enthusiasm for Mandingo music, encouraging many Western musicians to go to Mali and explore this music at it's very source. Fruit of the reunion of Hank Jones (an African-American musician and one of the most gifted pianists of his generation) and Cheick-Tidiane Seck (a reputed arranger, band-leader, songwriter and multi-instrumentalist from Mali) the album is a symbiosis - one of the spirit and the heart - of two genres.
'Pieces' is the meeting of two generations - The experienced and mature: the trumpeter Palle Mikkelborg and the guitarist Bjarne Roupé and the two young and ready: Anton Langebæk on bass and the percussionist Benjamin Barfod. Bjarne Roupé Trio had been with Langebæk and Barfod for a while, and when Palle Mikkelborg was set to play a concert for Jazz Grooves at JB10 in Næstved, it was obvious that the four musicians worked together this evening. It became a success and the musicians took the initiative to use the recordings for this release. Here it is: 'Pieces: Generations at Sunrise' - five well-chosen compositions with Roupé's overview and broad sounds, Langebæk's pulsating bass, Barfod's distinctive percussion and Mikkelborg's trumpet and flugelhorn on top. We get extremely personal renditions of John Coltrane's "Naima" and the Abez classic "Nature Boy". A Swedish folk melody, "Saudi", with a beautiful guitar intro and more of the same sonorous element in the opening track "Witchi-tai-to", which is carried on by Barfod's gubal. The fine little theme is presented only at the end. Coltrane's great ballad "Naima" is performed for the first time in the history of music with sansula. In the collectively composed and arranged "Pieces", there are fanfares with electronics underneath, and Langebæk rounds off with a very solid bass solo. "Nature boy" gets new and very beautiful life with Mikkelborg's horn followed by a very well-playing Roupé.
Released in 1995, Sarala marked it's time by generating a genuine enthusiasm for Mandingo music, encouraging many Western musicians to go to Mali and explore this music at it's very source. Fruit of the reunion of Hank Jones (an African-American musician and one of the most gifted pianists of his generation) and Cheick-Tidiane Seck (a reputed arranger, band-leader, songwriter and multi-instrumentalist from Mali) the album is a symbiosis - one of the spirit and the heart - of two genres.
Vinyl LP pressing. An iconic recording of Sir John Barbirolli dedicated to Edward Elgar's masterpiece, the 'Enigma Variations', together with the 'Cockaigne Overture', all performed with passion by Barbirolli and the Philharmonia Orchestra. Remastered from original tapes in 24-bit/192kHz.
Alfred Lion considered pianist/composer Andrew Hill as unique as Thelonious Monk and documented Hill's music with a fervor. Recorded in 1964 with a quartet of modern jazz visionaries - Bobby Hutcherson, Richard Davis & Elvin Jones - Judgment! Was the third classic album Hill recorded in a 5-month period that also produced Black Fire and Point of Departure. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
The internationally acclaimed 12 Ensemble return with their third studio album Metamorphosis, recorded at the iconic Abbey Rd studios. From the divine nature of transformation to alien visions of new worlds and rebirth, the conductor-less 12 Ensemble explore Renaissance hymn reborn as futuristic prayer, ancient Japanese ritual, otherworldly operatic arias and a monumental elegy that sees the ensemble harness it's biggest forces to date. This deluxe double-vinyl package has been created in collaboration with celebrated Art Director Ben Ditto, featuring photography by Greta Ilieva. Recorded in London's Abbey Road Studio 2, this high-quality edition is pressed in France from a bespoke lacquer cut by Cicely Balston. Presented in a double gatefold package with gold-foil embossing and UV gloss to the front cover, the record includes a foreword by author Charlie Fox and liner notes by Hugh Morris. The luxury 300g cover contains two slide-out double-sided record sleeves featuring further artwork from the series, and a double-sided foldout poster on 150g fine-art paper.
John Eliot Gardiner will celebrate his 80th birthday on 20th April 2023. On 7th April, we are releasing a 64-CD boxset including his complete Erato Recordings, and are also celebrating this wonderful conductor with two of his most emblematic albums to be released on vinyl: Purcell's King Arthur and Handel's Water Music. As John Eliot Gardiner converted his Monteverdi Orchestra to early instruments in the mid-1970s and renamed it the English Baroque Soloists, he engaged his magnificent instrumentalists, choir and a host of first-class soloists in the most emblematic works by "the Greatest Genius we [England] ever had": Henry Purcell! The reception was unanimously enthusiastic and led Diapason magazine to say: "Gardiner's reading of Purcell, dramatic, hyper-refined, sometimes burning, overwhelming, at all times enchanting, cannot escape the discography of the enlightened music lover. Purcell himself is there!" King Arthur was first staged at the Dorset Garden Theatre in London in mid-1691. It proved to be the most popular and enduring of all Purcell's stage works, and enjoyed revivals throughout the eighteenth century and beyond.
The 24 preludes for cello solo by Mieczyslaw Weinberg have a particular history. Composed in the late sixties for Mstislav Rostropovich, he never actually played them. Their musical language is aphoristic, often brutal, provocative in it's inner conflict. It contains many different gestures and is very intense. To perform these preludes might have been problematic in the Soviet Union back then. Gidon Kremer has adapted the Preludes for solo violin and this is the world premiere recording of his adaptation. In his concerts, Kremer often plays them to projections of works by the Lithuanian photographer Antanas Sutkus in the background. This album was recorded at Paliesiaus Dvaras in Lithuania in December 2017.