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Tubin: Chamber Music

MDG

SACD

$24.99 Jan 09, 2026

To mark the 120th anniversary of Estonia's national composer Eduard Tubin, this exuberant chamber music programme, including two world premiere recordings, traces Tubin's life, which is clearly marked by the dramatic upheavals of the 20th century. Early works side by side with late compositions show deep insights into the artist's soul - we hear his inner struggles, his development and his joys in top-class interpretations by pianist Kart Ruubel and her twin sister Triin, violin, as well as Xandi van Dijk, viola and Theodor Sink, cello.

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Tubin: Chamber Music
MDG Jan 2026
SACD
$24.99

Mix & Match

Mahler: Symphony no. 2 / Sir Simon Rattle, BRSO

BR Klassik

$19.99 Oct 16, 2026

For more than 50 years, Sir Simon Rattle, Chief Conductor of the Bavarian Radio Chorus and Symphony Orchestra, has devoted himself intensely to the deeply personal, emotional, and autobiographical music of Gustav Mahler. Mahler conceived his symphonies as all-encompassing universes that reflect the full spectrum of human life. He famously said: “To me, a symphony means using every available technical resource to build a world.” To guide both orchestra and audience through these profoundly moving musical worlds, no conductor is better equipped than Sir Simon Rattle.

Mahler's “Resurrection Symphony” explores one of humanity's most profound existential questions: the meaning of life. From the opening movement, originally titled “Totenfeier” (“Funeral Rite”), to the finale, in which the soloists and chorus proclaim “Aufersteh’n wirst du!“ (“You shall rise again!”), Mahler grapples with joy and suffering. The Second Symphony’s dramatic contrasts, emotional intensity, richly coloured orchestration, and crowning choral finale have made it one of his most beloved works.

Now released on CD by BR-Klassik, the Munich performance of the symphony from March 2026 brings together a stellar cast in a superb interpretation of one of the defining masterpieces of the Late Romantic symphonic repertoire. Gustav Mahler wanted his Second Symphony to exceed any known format - and he also wanted it to tackle the key questions of existence: "Why have you lived? Why have you suffered? Is everything just one enormous, terrible joke? We have to solve these questions in some way if we want to carry on living," said the composer. Similar questions preoccupied him throughout his life, and with a special intensity during his time as an opera conductor in Hamburg. The Second Symphony, also referred to as the "Resurrection Symphony", is a complete expression of Mahler’s existential struggle; both its form and its overpowering sound make this utterly clear.

The symphony took several years to compose – it was written between 1888 and 1894. In September 1888, the first movement – which at this point still bore the title "Totenfeier” (“Funeral Rite”) – was already complete. The second and third movements were not written until 1893 and Mahler only completed the entire work in 1894. Like most of Mahler’s symphonies, the work follows a "Per aspera ad astra" pattern (“through difficulties to the stars”). Starting with a funeral march in the main theme of the opening movement - the passing of a life full of vigour, pain, blows of fate, and only a few brief and beautiful moments - the symphony concludes with a triumphant resurrection movement.

The premiere of the complete symphony took place on December 13, 1895 in Berlin under Mahler's direction; previously (on March 4 of that year) he had already performed the first three movements. The premiere of the Second Symphony thus took place after that of the Third. The reactions were initially subdued, but today the work ranks as one of the most popular of Mahler’s symphonies.

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Mahler: Symphony no. 2 / Sir Simon Rattle, BRSO
BR Klassik Oct 2026
CD
$19.99

Haydn: London Symphony No. 99 - Harmoniemesse

Coro

$10.49 ~~$20.99~~ Save 50% Nov 01, 2019

The Handel and Haydn Society continues it's acclaimed Haydn exploration on CORO with one of the composer's last major works - the dramatic and sumptuous Mass in B-flat major more commonly known as the 'Harmoniemesse' because of it's use of a full wind band. It is accompanied on this album by the Symphony No. 99 in E-flat major - one of Haydn's twelve 'London' symphonies composed between 1791 and 1795 when London was the indisputable musical capital of Europe. Handel and Haydn Society is America's oldest continuously operating arts organisation. Harry Christophers has been Artistic Director since 2008 during which time the Society has released 12 recordings on CORO including Haydn's Creation, all six of his 'Paris' Symphonies, Mozart's Requiem and Handel's Messiah, and a Christmas album - 'Joy to the World' - celebrating America's favourite festive tunes.

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Haydn: London Symphony No. 99 - Harmoniemesse
Coro Nov 2019
CD
~~$20.99~~ $10.49

PAINTERS WINTER

AUM FIDELITY

Vinyl

$28.64 Jul 23, 2021

LP includes 4 of the 5 CD tracks & includes download card featuring all 5 tracks / stickered noting this. Painters Winter features the trio of William Parker - bass, trombonium, shakuhachi; Daniel Carter - reeds, trumpet, flute; and Hamid Drake - drums. Carter & Parker have been perpetual space-ways traveling companions since first meeting & immediately beginning to channel music together in early 1970s NYC. Their work together in Other Dimensions In Music with Roy Campbell & Rashid Bakr for well over two decades manifest in bountiful music for the ages. They have recently been featured together in similar majestic open form on the album, Seraphic Light. Here, Carter again brings the full assembly of instruments he has for decades been a master of: trumpet, alto & tenor saxophones, clarinet and flute. Likewise, Hamid Drake is a musician's musician; one of the most in-demand drummers in the world. He is in command of a vast lexicon of drum languages, learned and absorbed directly. Drake & Parker launched their devoted "two-man big band" partnership in 2000 and haven't stopped since. In trio with Daniel Carter, they've created one previous album together, Painters Spring, released that same year. Regarding this album's title, Parker elucidates, "It speaks to those who paint with sound, in different landscapes, to celebrate the coming of the seasons: winter spring summer and autumn. Acknowledging the entire universe of world jazz music. Discovering the undiscovered." And from his liner notes, "The music on this album is a tribute to the flow of rhythm as melody and pulsation. Laced with the joy and the bounce, the dance and the heartbeat. Giving a nod to all the music that has ever passed through us. Sounds we both listened to while breezes and big green kites we called leaves sailed above the trees."

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PAINTERS WINTER
AUM FIDELITY Jul 2021
Vinyl
$28.64

PROFESSOR'S STRUT

DELMARK

$15.70 Sep 18, 1993

Professor Eddie Lusk mastered the keyboards while still in his teens at his father's south side church. That enduring spiritual base remained at the heart of the Professor's blues until his tragic 1992 passing at the age of 43. While he played with numerous blues and soul greats (Junior Wells, Z.Z. Hill, Luther Allison, Koko Taylor, Syl Johnson, the Soul Stirrers), Professor Strut was his only American release under his own leadership. (Previously deleted:6/1/05. Original release date:8/16/93)"Makes US see, even feel, the passion, joy and intensity of the blues. It is these uninhibited images that the unique vitality of the Chicago blues world shines through". - Rolling Stone.

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PROFESSOR'S STRUT
DELMARK Sep 1993
CD
$15.70

Witchdoctor’s Son

SteepleChase

Vinyl

$45.99 Oct 31, 2025

“...Witchdoctor’s Son contains the most infectious, buoyant, gleeful music...the interaction between Pukwana and Tchicai’s vastly differing phrase sensibilities is one of the joys of this recording...” (Lange, Down Beat) “...from Dyani’s most consistently inventive period...” (The Penguin Guide To JAZZ) The timeless brilliance of jazz with the remastered edition of Johnny Dyani's Witchdoctor's Son, originally recorded in 1978 brings together musicians from South Africa, Denmark, and Brazil, blending their unique styles with the rich heritage of American jazz. The presence of John Tchicai, a stalwart of the New York jazz scene, adds depth to this remarkable record. The music is deeply rooted in South African traditions, with themes composed by Johnny Dyani and Dudu Pukwana, and traditional tunes arranged by them. The spirit of Africa, especially the Xhosa world, is a constant presence throughout the album.

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Witchdoctor’s Son
SteepleChase Oct 2025
Vinyl
$45.99

Manuscripts Don't Burn / Inna Faliks

Sono Luminus

$9.49 ~~$18.99~~ Save 50% May 17, 2024

Manuscripts Don’t Burn is a famous line in Bulgakov’s Master and Margarita – the retelling of Faust, the 20th-century cult novel of an artist surviving in a Totalitarian regime, the love story, the burlesque with giant, vodka-drinking cats, and vampiric theater administrators.

I first read the book as a kid, growing up in Soviet Odesa. I took it with me when my parents and I immigrated, as Jewish refugees running from antisemitism, through Austria and Italy, to the United States. Crossing the border, I worried that guards would discover my book, and I would be severely punished. Throughout the years, the book played a role in my life. My childhood best friend from Odesa reread the book in adulthood and decided to find me - we are now together for 20 years, with two kids. I read the book to my mother as she was dying from brain cancer.

Bulgakov’s novel weaves through my own newly published memoir, Weight in the Fingertips - A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, October 2023). I consider this very personal recording to be something of a mirror image to my memoir, as it intertwines the literal images from Master and Margarita with more autobiographical themes and layers.

The five premieres, written for me and recorded here, are vastly different in styles and aesthetic. The understated, elegant Master and Margarita Suite by Veronika Krausas complements the wild, theatrical, brooding and extended techniques-filled “Manuscripts Don’t Burn” by Maya Miro Johnson. Mike Garson’s Psalm to Odesa, an improvisatory ballad, with bits of my own improvisation based on a well-known Odesan song, sets off “Voices” by Ljova, a piece for piano and historical recordings of Jewish cantorial and klezmer music. Both take me back to my home city, currently under vicious attack, like the rest of Ukraine. The poetry I recite, sing and hum while performing the four-movement Godai - the Four Elements - is rounded off by the propulsive bravura whirlwind of Hero. Fasil Say’s Black Earth takes the listener on a journey from Odesa across the Black Sea - a Turkish ballad and jazzy beats alternate with improvisatory melisma of a Turkish lute, played on muted strings of the piano. The rarely heard Notturno of Fanny Mendelssohn connects a gifted female voice to the others on this disc, as well as, perhaps, to the dark, impassioned character of Margarita. In Master and Margarita, “Manuscripts Don’t Burn” is spoken by Satan when he retrieves the manuscript of a novel presumed burnt – and in Clarice Assad’s “Godai”, Steve Schroeder’s poem depicts the loss of a manuscript in a fire.

The lieder of Schubert, transcribed for solo piano by Liszt, riffs on the mythical and the Faustian lore found also in Master and Margarita: Gretchen (Margarita) at the spinning wheel, a mystical love story by the sea, a monstrous Elf King and the death of a child, of innocence, of joy - one’s worst fear.

This collection of music speaks to my love of dialogue between music and words. As in my Music/Words series, where I pair poets with musical programs in the form of a recital/reading, the connections between text and sound here are not just literal but emotional, based on memory, intuition, dreams, and hopes.

- Inna Faliks

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Manuscripts Don't Burn / Inna Faliks
Sono Luminus May 2024
CD
~~$18.99~~ $9.49

Four Piano Sonatas

Challenge Classics

$16.99 Aug 28, 2026

This new recording by pianist Matthieu Idmtal shines a fresh light on the piano sonatas of Joseph Haydn, revealing a composer of boundless imagination, wit, warmth and emotional depth. Far from the often predictable image of Classical elegance, these works unfold as vibrant musical conversations filled with surprise, humour, tenderness and dramatic intensity. Especially in the hands of Idmtal who is a refined piano poet! Drawn to Haydn's music during a deeply personal and reflective period, he discovered in these sonatas a source of comfort and renewal - 'a balm for the soul, an antidote to melancholy.' Through four carefully chosen sonatas, he invites listeners into Haydn's endlessly inventive world. Recorded at the outstanding Westvest90 studio in Schiedam, The Netherlands - renowned for it's exceptional acoustics and warm, natural sound - this album captures both the intimacy and theatrical energy of Haydn's music with remarkable clarity and depth. Idmtal's sensitive and deeply personal interpretations bring new life to these masterpieces, from the sparkling wit of the late sonatas to the darker, near-Beethovenian intensity of the Sonata in B minor. The result is a recording that not only celebrates Haydn's genius, but also reaffirms the timeless joy, humanity and emotional richness at the heart of his music.

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Four Piano Sonatas
Challenge Classics Aug 2026
CD
$16.99

IN CHICAGO

ERMITAGE

Vinyl

$21.49 Mar 28, 2025

Cannonball Adderley Quintet in Chicago is revered among jazz aficionados as an essential document of late 1950s hard bop. It captures two of the greatest saxophonists in jazz, Adderley and Coltrane, at a time when they were both at a creative peak. The album is a vital recording from a golden era in jazz, featuring a rare and electric partnership between two saxophone giants. It's hard bop foundation, infused with hints of modal jazz, places it among the most important recordings of it's time. The album was recorded the February 3, 1959 during a time when Adderley was playing as part of Miles Davis' group, and it captures the quintet during a pivotal moment in jazz history. On Cannonball Adderley Quintet in Chicago, you can hear Coltrane at a transitional stage, balancing between his earlier bebop style and the modal, more avant-garde approaches he would later pursue. His interaction with Adderley is fascinating because it blends his dense harmonic language with Adderley's more traditional, bluesy approach. Cannonball Adderley had been recruited by Miles Davis in 1957, joining what would become one of the most influential jazz groups of all time. Adderley's style was deeply rooted in the blues, and he brought a strong sense of soulfulness and swing to the Davis group. While Davis' style was often cool and restrained, Adderley's alto saxophone was the opposite: robust, fiery, and emotional. Adderley's command of the instrument was remarkable, and his ability to balance technical prowess with a highly accessible, bluesy feel is on full display throughout Cannonball Adderley Quintet in Chicago. His solos are expressive and lyrical, often imbued with a sense of joy and exuberance. This makes for a perfect contrast to Coltrane's playing, which at this point was becoming more dense and harmonically complex

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IN CHICAGO
ERMITAGE Mar 2025
Vinyl
$21.49

Les Contes D'Hoffmann

UNITEL Edition

Blu-Ray

$45.99 Oct 10, 2025

Offenbach goes Hollywood: Mariame Clement's production of Les Contes d'Hoffmann transforms ist titular character into a storyteller of a different kind. The different acts, which are based on short stories by E.T.A. Hoffmann, take the audience on a journey through the world of cinema, from a 70s sci-fi flick over a costume drama to a feverish experimental sequence. The three love interests Olympia, Antonia and Giulietta are portrayed by American soprano Kathryn Lewek, who "impresses with brilliantly assertive coloratura, melting cantilenas and pulsating drama" (Drehpunktkultur). At the centre of this tragic tale of unrequited love is Hoffmann himself, stepping into the role of a script writer and film director in this production. The incredibly charismatic Benjamin Bernheim "splendidly cele brates the invasive tragedy of his character. Sound, expression and presence could not be better combined" (Der Standard). Kate Lindsey, who portrays the muse disguised as Hoffmann's friend Niklausse is a joy to watch and listen to as she "absorbs Clement's energy of ideas and gilds her vocal tour de force with scenic exuberance" (Der Standard). An opera evening that spans the emotional spectrum from hilarious comedy to deeply felt heartbreak.

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Les Contes D'Hoffmann
UNITEL Edition Oct 2025
Blu-Ray
$45.99

20th Century Harpsichord Concertos / Vinikour, Speck, Chicago Philharmonic

Cedille

$19.99 Jun 14, 2019

Acclaimed, multiple Grammy-nominated harpsichordist Jory Vinikour partners with renowned conductor Scott Speck and the award-winning Chicago Philharmonic for an exciting program of modern harpsichord concertos. Featuring the premiere recording of American composer Ned Rorem’s neoclassical 1946 Concertino da Camera, the album also includes English composer Walter Leigh’s charming, brief Concertino for Harpsichord and Strings, Czech composer Viktor Kalabis’s substantial, tour de force Harpsichord Concerto, and contemporary composer Michael Nyman’s wild Concerto for Amplified Harpsichord and Strings — a real sonic blockbuster. Recognized as one of the outstanding harpsichordists of his generation, Jory Vinikour has cultivated a highly-diversified career that takes him to the world’s most important festivals, concert halls, and opera houses as recitalist and concerto soloist, partner to many of today’s finest instrumental and vocal artists, coach, and conductor.

REVIEW:

For imaginative choice of repertoire married to sterling performances, this has got to be one of the outstanding discs of 2019. Yes, there are great 20th-century harpsichord concertos besides those of Poulenc, Martin, Falla, and Martinu. Jory Vinikour has chosen four. Let’s get right to the music, which spans a 60+ year period, from the Walter Leigh Concertino of 1934 to Michael Nyman’s virtuosic Concerto for Amplified Harpsichord and Strings of 1995. The Leigh is charming, busy, neoclassically English, and nine minutes of pure joy. Nyman’s concerto is considerably more substantial and full of surprises. The various sections play continuously, organized around a central tango followed by a thrilling cadenza for the soloist that Vinikour plays marvelously.

In between these two works, we have the world-premiere recording of Ned Rorem’s early Concertino da Camera for harpsichord and seven instruments, already recognizably his own voice in its French elegance and distinctively beautiful harmonies. The most substantial and serious work, however, is Viktor Kalabis’ Concerto Op. 42. Written for his wife, the legendary Czech harpsichordist Zuzana R?ži?ková, the piece is a deeply intimate, often troubled work that haunts the memory. The harmonic palette is acerbic but always expressive, and the writing for strings in combination with the solo keyboard is just exquisite–perfectly judged and finding an amazing range of color despite the limited forces employed. Again, Vinikour plays with great sensitivity and feeling, especially in the central Andante.

The accompaniments provided by the Chicago Philharmonic under Scott Speck are ideally calibrated, while the engineering balances the harpsichord(s) perfectly against the larger ensembles. Vinikour also deserves a shout-out for selecting instruments that invariably suit the music, and sound attractive in their own right. You can play the entire 75-minute disc without ever tiring of the solo timbres. As I already said, this is surely one of the discs of the year.

– ClassicsToday.com (David Hurwitz)

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20th Century Harpsichord Concertos / Vinikour, Speck, Chicago Philharmonic
Cedille Jun 2019
CD
$19.99

BOUNCE

Intuition

$18.99 Nov 03, 2017

Music is a timeless force, constantly ebbing and flowing, a steady sea of sound. At once reliable and unpredictable, there are few people who personify the ever changing and evolving nature of music- of Jazz in its freer forms in particular- better than Gunter Hampel. Going on eighty at the time of this live recording, he plays bass clarinet, vibes, flute and saxophone, and contributed all of the compositions here. “It is important to never stop learning, to stay curious,” he says during the interview at the end of this album. “And that’s why the joy never left- and then you get to be so old doing this.” Born in Gottingen, Germany, Hampel has been living and playing Jazz around the world for more than seven decades, befriending and recording with likeminded masters such as Anthony Braxton, Marion Brown, Steve McCall, Leo Smith, John Tchicai, Archie Shepp, John McLaughlin, as well as Miles Davis, Charles Mingus or Thelonious Monk. The concert starts from the back, literally, with Hampel and his “Berlin-New York Quartet” with Johannes Schleiermacher on sax and flute, Bernd Oezsevim on drums, and his daughter Cavana on vocals, entering the venue from the rear of the auditorium and making their way to the stage in a Conga line to the aptly titled “Kindred Spirits.”

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BOUNCE
Intuition Nov 2017
CD
$18.99

NOW THAT'S WHAT I CALL AN ERA: ALBUMS 1980-1984

UNIVERSAL UK

$24.99 Jun 06, 2025

NOW Music is very proud to present the second of our 'Now That's What I Call An Era' releases. 'The Albums 1980 1984' celebrates 72 iconic albums that were released between 1980 and 1984, featuring a magnificent track from each - and none of them UK hit singles! Most of the albums being highlighted produced huge hit singles that have become both synonymous with the decade and enduringly popular - but these albums are of such a high quality - forever part of the artist's legacy - that other tracks could have equally become hits - and some have become as well-loved by fans as the singles, and have for many artists always been an established part of their live shows. This 72-track 4-CD comes with a 'hardback book' that includes a 28-page booklet featuring a track-by-track guide. Essential Tracks From Iconic Albums... This 4CD set opens with a trio of tracks from stunning debuts: 'A Ray Of Sunshine' from 'Fantastic', the 1983 debut album from Wham, 'Lemon Firebrigade' from Haircut 100's 'Pelican West', and the sumptuous 'Show Me', the opening track from 'The Lexicon Of Love' from ABC. Huge 1983 albums are up next from Culture Club, with 'Black Money' from 'Colour By Numbers', and 'This City Never Sleeps' the closing track on 'Sweet Dreams (Are Made Of This)' from Eurythmics. Another epic closer from Alison Moyet with 'Where Hides Sleep' from her solo debut 'Alf' is followed by 'Frankie's First Affair' from another 1984 debut, 'Diamond Life' from Sade. Roxy Music's 1982 'Avalon' included 'The Space Between', whilst Japan with 'Talking Drum' from 'Tin Drum' leads a stellar run of iconic albums from Duran Duran, Spandau Ballet, Heaven 17, Ultravox and The Human League with 'The Things That Dreams Are Made Of' from 1981's hit-packed 'Dare'. The first disc closes with Donna Summer from her Quincy Jones produced 1982 eponymous album, Tina Turner with the opening track from her landmark 1984 release 'Private Dancer' and Bruce Springsteen from his 1980 double classic 'The River', while the final track 'Mystery Achievement' was the final track on the Pretenders debut 'Pretenders' released just two weeks into 1980 - and sounding as fresh today as it did over 45 years ago. Wham! Are back opening CD2 with 'Heartbeat' from 1984's 'Make It Big' - an album that housed multiple #1 singles. Soft Cell are featured next with 'Secret Life' from their remarkable debut 'Non- Stop Erotic Cabaret', and a track that would be a #1 10 years later as a cover version, 'Young At Heart', is featured from Bananarama's 1983 debut 'Deep Sea Skiving'. A run of superb synth pop including Nik Kershaw, Howard Jones and Bronski Beat follows, before a couple of r&b influenced tracks from Shalamar, from their hit-filled 'Friends' album and Imagination from 'In The Heat Of The Night'. New-wave pop from Toyah, Kim Wilde and Culture Club come ahead of a couple of great covers: - 'Are You There With Another Girl?' from Mari Wilson, and Carmel's take on 'Tracks of My Tears' from 1984's 'The Drum Is Everything'. Next up a masterful jazz-influenced collaboration between The Style Council & Tracey Thorn, ahead of the title track from Paul Simon's 'Hearts And Bones', and a beautiful ballad 'Turn Out The Light' from Joan Armatrading's 1980 'Me Myself I' - all leading to the closing song, the title track from Paul Young's 1983 #1 'No Parlez'. CD3 opens with a stellar line up of the era's most sophisticated pop. Leading off with the timeless 'The Chauffeur' from Duran Duran's enormous second album 'Rio', before 'Taking Islands In Africa' a stand-out from Japan's 'Gentlemen Take Polaroids'. Tears For Fears made their album debut in 1983 and the title track from 'The Hurting' is featured along with a great pop moment, 'Black Night White Light' from Frankie Goes To Hollywood's 1984 debut 'Welcome To The Pleasuredome'. Orchestral Manoeuvres In The Dark are up next alongside Laurie Anderson from 'Big Science', The Cure from 'Seventeen Seconds' and Joy Division from 'Closer'. U.S. Alt-pop tracks from R.E.M. and The Psychedelic Furs come ahead of synth led gems from Blancmange, China Crisis and The Associates. 1981's biggest selling album in the UK was 'Kings Of The Wild Frontier' from Adam & The Ants and 'Ants Invasion' taken from it is featured next along with The Teardrop Explodes from 'Kilimanjaro', Echo & The Bunnymen with 'Crystal Days' from 'Ocean Rain', The Jam from 'Sound Affects', and Aztec Camera with 'We Could Send Letters' from their 1983 debut album 'High Land, Hard Rain', whilst the discs' sign-off is from Nick Heyward with the gorgeous 'The Day It Rained Forever' from his fantastic solo debut 'North Of A Miracle'. The final disc kicks off with a run of classic synth led epics: New Order open with 'Age Of Consent' from their second album 'Power, Corruption And Lies', and 'Hard Times', from the 1982 remix album from The Human League using the name The League Unlimited Orchestra. Visage released their second album 'The Anvil' in 1982 and the title track is up next along with three more title tracks: Simple Minds with 'New Gold Dream (81/82/83/84)' from their brilliant 1982 release, Talk Talk with 'The Party's Over' from the same year, and The Fixx with 'Reach The Beach' - from their 1983 second release which gave them a Top 10 U.S. album. In 1984, David Sylvian released his first solo album 'Brilliant Trees', and from it the outstanding and atmospheric 'Nostalgia' shares a jazz-infused sophistication with 'Almost Blue', up next from Elvis Costello & The Attractions. The Cure released their fifth album 'The Top' in 1984, and it's opening track 'Shake Dog Shake' features ahead of 'Angels On The Balcony' from Blondie, featuring their signature sound and taken from 1980's 'Autoamerican' - and from the same year - Dexys Midnight Runners from 'Searching For The Young Soul Rebels'. In 1982 The Clash released 'Combat Rock', and 'Overpowered By Funk' is included. Next up are The Police with their fusion of post punk and 'reggae rock', from their 1980 #1 album 'Zenyatta Mondatta' with 'When The World Is Running Down, You Make The Best Of What's Still Around', followed by Grace Jones' breathtaking version of 'Nightclubbing'. The opening track 'Tyler' from UB40's acclaimed 1980 debut 'Signing Off' comes ahead of the closing tracks, both of which featured on albums released on the influential 2-Tone label; The Selecter with the title track from 1980's 'Too Much Pressure', and The Specials with their cover of 'Enjoy Yourself (It's Later Than You Think)', the opening track on their 1980 album 'More Specials'. 72 fantastic tracks - A sampler of the iconic albums that represent an incredible period of creativity and originality: NOW That's What I Call An Era : The Albums 1980 1984.

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NOW THAT'S WHAT I CALL AN ERA: ALBUMS 1980-1984
UNIVERSAL UK Jun 2025
CD
$24.99

ROOTS

WARNER CLASSICS

$17.28 Jan 13, 2023

With Roots, his first Warner Classics album, violinist Nemanja Radulovic draws on a diversity of cultures in a musical tour of the world. Roots has it's roots in the pandemic. "Throughout this period I had the time to think profoundly about music... When the lockdown started I tried to create music, tried to practise, but I couldn't." As a listener, the music that really made Serbian-born Nemanja feel alive - in addition to Mozart - was music that reflected the traditions of it's place of origin. "I realised how much music could connect people, through it's sheer joy," he says. "I realised that there was one thing I could offer to a world that lockdowns had forced behind new borders. And that was to reconnect it all through music... through world music, which is the basis of classical music." He takes his journey in the company of his own ensemble, Double Sens, whose members come from both France and the Balkans. "The pieces selected for this album are very personal. My wish is that each of you discovers a world without borders through this music."

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ROOTS
WARNER CLASSICS Jan 2023
CD
$17.28

Prairie: Starshine

ARC Music

$20.99 Oct 28, 2022

A wildly creative and joyful exploration of traditional Taiwanese culture. The music of A Moving Sound is the result of a deep commitment to making art entwined with spiritual practice. Starshine celebrates life and our journey through it. This album features original compositions weaving folk and traditional opera, from earthy to transcendent, joy to suffering, all enhanced with stunning vocals and the rich textures of traditional Taiwanese instruments. “A Moving Sound is one of the most original outfits working in the world music arena today. An inspired marriage of Taiwanese traditional sounds and Western pop experimentation that forges an important new musical dialogue.” (Tom Pryor)

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Prairie: Starshine
ARC Music Oct 2022
CD
$20.99

ELEMENTALS

HIGHNOTE

$16.63 Mar 09, 2018

2018 release. It will come as no surprise to fans of Azar Lawrence that his life's work is to bridge the gap between his listeners and the Elementals (the spiritual essences of the four elements earth, air, fire and water). For over four decades he has unstintingly explored music as a healing force, and the mystical connections between past and future, myth and fact, the physical world and that which is beyond. Lawrence hopes that in a holistic sense, Elementals encourages a spiritual awakening. "All of this music is healing music; that's our whole concept is to heal and uplift," he explains. "If it's delivered and received on the right level, it will raise our own vibrations and bring us in touch with those higher spirits that respond when the music is pure with love and joy." It also happens to be an intensely powerful and swinging recording.

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ELEMENTALS
HIGHNOTE Mar 2018
CD
$16.63

GONE BUT NOT FORGOTTEN

CRISS CROSS

$19.99 Jun 10, 2014

Johnathan Blake, one of the most in-demand drummers of his generation, hasdone stellar work as a member of the Tom Harrell Quintet, the Mingus Big Band, the Kenny Barron Trio and many others. Having brought his fire and agility to two Criss Cross sessions by trumpeter Alex Sipiagin, Blake now offers his first Criss Cross album as a leader, Gone, But Not Forgotten.The lineup is sparse but tremendously explosive - how could it not be, with evolving tenor saxophone masters Mark Turner and Chris Potter paired alongside Ben Street on bass.As the title suggests, Gone, But Not Forgotten takes inspiration from greats in the jazz world who are no longer with us. That can be a somber subject, but Blake and his quartet convey a sense of the unbridled joy and invention that marks jazz improvisation at his highest levels. Such is the lesson taught by the departed players Blake has chosen to honor: Charles Fambrough, Trudy Pitts, Sid Simmons, Cedar Walton, Jim Hall, Mulgrew Miller, Paul Motian, Frank Foster, Frank Wess and Eddie Harris.

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GONE BUT NOT FORGOTTEN
CRISS CROSS Jun 2014
CD
$19.99

Pictures without an Exhibition

Centaur Records

$15.99 Apr 10, 2026

There is a very special connection in the collaboration between composer and performer. While this connection most often exists through the veil of life and death, I have been blessed with the joy of working with a living composer. I began exploring the piano music of Gregory Mertl in 2015 when I first learned and performed his Souffle et Contresouffle and subsequently Pears on a Sill. I have always felt a deep emotional connection to the music that I perform, and I was immediately drawn to Greg's musical language. We were introduced by a mutual friend and have happily remained musically connected. It is because of this friendship that Pictures Without an Exhibition came into being, and it is truly one of the greatest gifts I have ever received. The sheer scope and imagination behind it are so far beyond anything I could have dreamed of when I commissioned him to write a piece for me in 2019, and I am hopeful that the musical world will delight in it as deeply as I have.

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Pictures without an Exhibition
Centaur Records Apr 2026
CD
$15.99

Mix & Match

NOW THAT'S WHAT I CALL AN ERA: ALBUMS 1980-1984

UNIVERSAL UK

$20.99 Jun 06, 2025

Essential Tracks From Iconic Albums... This 4CD set opens with a trio of tracks from stunning debuts: 'A Ray Of Sunshine' from 'Fantastic', the 1983 debut album from Wham, 'Lemon Firebrigade' from Haircut 100's 'Pelican West', and the sumptuous 'Show Me', the opening track from 'The Lexicon Of Love' from ABC. Huge 1983 albums are up next from Culture Club, with 'Black Money' from 'Colour By Numbers', and 'This City Never Sleeps' the closing track on 'Sweet Dreams (Are Made Of This)' from Eurythmics. Another epic closer from Alison Moyet with 'Where Hides Sleep' from her solo debut 'Alf' is followed by 'Frankie's First Affair' from another 1984 debut, 'Diamond Life' from Sade. Roxy Music's 1982 'Avalon' included 'The Space Between', whilst Japan with 'Talking Drum' from 'Tin Drum' leads a stellar run of iconic albums from Duran Duran, Spandau Ballet, Heaven 17, Ultravox and The Human League with 'The Things That Dreams Are Made Of' from 1981's hit-packed 'Dare'. The first disc closes with Donna Summer from her Quincy Jones produced 1982 eponymous album, Tina Turner with the opening track from her landmark 1984 release 'Private Dancer' and Bruce Springsteen from his 1980 double classic 'The River', while the final track 'Mystery Achievement' was the final track on the Pretenders debut 'Pretenders' released just two weeks into 1980 - and sounding as fresh today as it did over 45 years ago. Wham! Are back opening CD2 with 'Heartbeat' from 1984's 'Make It Big' - an album that housed multiple #1 singles. Soft Cell are featured next with 'Secret Life' from their remarkable debut 'Non- Stop Erotic Cabaret', and a track that would be a #1 10 years later as a cover version, 'Young At Heart', is featured from Bananarama's 1983 debut 'Deep Sea Skiving'. A run of superb synth pop including Nik Kershaw, Howard Jones and Bronski Beat follows, before a couple of r&b influenced tracks from Shalamar, from their hit-filled 'Friends' album and Imagination from 'In The Heat Of The Night'. New-wave pop from Toyah, Kim Wilde and Culture Club come ahead of a couple of great covers: - 'Are You There With Another Girl?' from Mari Wilson, and Carmel's take on 'Tracks of My Tears' from 1984's 'The Drum Is Everything'. Next up a masterful jazz-influenced collaboration between The Style Council & Tracey Thorn, ahead of the title track from Paul Simon's 'Hearts And Bones', and a beautiful ballad 'Turn Out The Light' from Joan Armatrading's 1980 'Me Myself I' - all leading to the closing song, the title track from Paul Young's 1983 #1 'No Parlez'. CD3 opens with a stellar line up of the era's most sophisticated pop. Leading off with the timeless 'The Chauffeur' from Duran Duran's enormous second album 'Rio', before 'Taking Islands In Africa' a stand-out from Japan's 'Gentlemen Take Polaroids'. Tears For Fears made their album debut in 1983 and the title track from 'The Hurting' is featured along with a great pop moment, 'Black Night White Light' from Frankie Goes To Hollywood's 1984 debut 'Welcome To The Pleasuredome'. Orchestral Manoeuvres In The Dark are up next alongside Laurie Anderson from 'Big Science', The Cure from 'Seventeen Seconds' and Joy Division from 'Closer'. U.S. Alt-pop tracks from R.E.M. and The Psychedelic Furs come ahead of synth led gems from Blancmange, China Crisis and The Associates. 1981's biggest selling album in the UK was 'Kings Of The Wild Frontier' from Adam & The Ants and 'Ants Invasion' taken from it is featured next along with The Teardrop Explodes from 'Kilimanjaro', Echo & The Bunnymen with 'Crystal Days' from 'Ocean Rain', The Jam from 'Sound Affects', and Aztec Camera with 'We Could Send Letters' from their 1983 debut album 'High Land, Hard Rain', whilst the discs' sign-off is from Nick Heyward with the gorgeous 'The Day It Rained Forever' from his fantastic solo debut 'North Of A Miracle'. The final disc kicks off with a run of classic synth led epics: New Order open with 'Age Of Consent' from their second album 'Power, Corruption And Lies', and 'Hard Times', from the 1982 remix album from The Human League using the name The League Unlimited Orchestra. Visage released their second album 'The Anvil' in 1982 and the title track is up next along with three more title tracks: Simple Minds with 'New Gold Dream (81/82/83/84)' from their brilliant 1982 release, Talk Talk with 'The Party's Over' from the same year, and The Fixx with 'Reach The Beach' - from their 1983 second release which gave them a Top 10 U.S. album. In 1984, David Sylvian released his first solo album 'Brilliant Trees', and from it the outstanding and atmospheric 'Nostalgia' shares a jazz-infused sophistication with 'Almost Blue', up next from Elvis Costello & The Attractions. The Cure released their fifth album 'The Top' in 1984, and it's opening track 'Shake Dog Shake' features ahead of 'Angels On The Balcony' from Blondie, featuring their signature sound and taken from 1980's 'Autoamerican' - and from the same year - Dexys Midnight Runners from 'Searching For The Young Soul Rebels'. In 1982 The Clash released 'Combat Rock', and 'Overpowered By Funk' is included. Next up are The Police with their fusion of post punk and 'reggae rock', from their 1980 #1 album 'Zenyatta Mondatta' with 'When The World Is Running Down, You Make The Best Of What's Still Around', followed by Grace Jones' breathtaking version of 'Nightclubbing'. The opening track 'Tyler' from UB40's acclaimed 1980 debut 'Signing Off' comes ahead of the closing tracks, both of which featured on albums released on the influential 2-Tone label; The Selecter with the title track from 1980's 'Too Much Pressure', and The Specials with their cover of 'Enjoy Yourself (It's Later Than You Think)', the opening track on their 1980 album 'More Specials'. 72 fantastic tracks - A sampler of the iconic albums that represent an incredible period of creativity and originality: NOW That's What I Call An Era : The Albums 1980 1984.

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NOW THAT'S WHAT I CALL AN ERA: ALBUMS 1980-1984
UNIVERSAL UK Jun 2025
CD
$20.99

Goldmund Quartett

Berlin Classics

$19.99 Mar 14, 2025

Step into the world of Felix Mendelssohn Bartholdy's timeless chamber music, masterfully brought to life by the Goldmund Quartet. This album captures the emotional breadth of Mendelssohn's compositions-from the youthful passion of his String Quartet No. 2 in A minor, Op. 13 to the profound grief of the String Quartet No. 6 in F minor, Op. 80, written after the loss of his sister. The Goldmund Quartet's nuanced interpretation also shines in their adaptation of Mendelssohn's Songs Without Words, where joy, reflection, and romantic melancholy are seamlessly expressed through their exquisite string playing. Celebrated for their technical brilliance and heartfelt sensitivity, the Goldmund Quartet invites you to rediscover Mendelssohn's music-a journey through love, loss, and hope that bridges the past and the present.

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Goldmund Quartett
Berlin Classics Mar 2025
CD
$19.99

Schubert: Octet, D 803

PENTATONE

$14.99 ~~$19.99~~ Save 25% Apr 10, 2026

Schubert's Octet in F Major, D 803 stands as one of the crowning achievements of chamber music - an expansive, symphonic vision distilled into eight voices. For the Scharoun Ensemble Berlin, this masterpiece lies at the very heart of their artistic identity. Founded in 1983 by members of the Berlin Philharmonic Orchestra, the ensemble takes it's name from Hans Scharoun, architect of the Berlin Philharmonie, whose Kammermusiksaal has been their musical home since their very first public performance - and the venue of this recording. Shaped by decades of deep familiarity, the Octet reveals Schubert's entire emotional world: joy and exuberance, tenderness and nostalgia, fear and defiance, all unfolding across what violinist Rachel Schmidt calls "one glorious hour of music" that portrays an entire life. This new recording marks a significant moment in the ensemble's history. Having performed the Octet close to 500 times and recorded it once before, the Scharoun Ensemble now returns to it's signature work to document a new generation of players, with founding member and double bass player Peter Riegelbauer. Captured in the Philharmonie's Chamber Music Hall, the performance combines interpretative maturity with renewed freshness, allowing Schubert's extraordinary range of colour and dramatic depth to shine. With it's intimate connection to place, tradition, and living musical continuity, this recording offers a definitive and deeply personal account of one of the most beloved works in the chamber repertoire.

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Schubert: Octet, D 803
PENTATONE Apr 2026
CD
~~$19.99~~ $14.99

TIME GONE OUT

INTAKT RECORDS

$18.35 May 31, 2019

For almost 20 years, Sylvie Courvoisier and Mark Feldman have been continuously redefining the dialogue between Western and American music, improvisation and composition, tradition and modernity. The most diverse playing attitudes and atmospherics network in the alert reactions of the two players - dance, world-weariness, liberating noise, shrill jumping cascades, the confession of simple beauty. Their latest live release was described by the Frankfurter Allgemeine Zeitung (FAZ) as one of the "original productions in jazz history". A duo that stands or falls with a special togetherness and a duo that lives from the spectacular playing, the immense technique, the grandiose joy of playing and the art of improvisation. The new album Time Gone Out, recorded at the Oktaven Audio studio in New York, is a culmination of many years of collaboration. The album shows how her music has freed itself from any reference and plays in radical singularity: between power and restraint, energy and fragility, energy and softness. This precious art speaks in the present about the present, about our time and wanders into a distant, unpredictable future.

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TIME GONE OUT
INTAKT RECORDS May 2019
CD
$18.35

NOW THAT'S WHAT I CALL AN ERA: ALBUMS 1980-1984

UNIVERSAL UK

Vinyl

$53.99 Jun 06, 2025

Essential Tracks From Iconic Albums... Opening with a trio of tracks from stunning debuts: 'A Ray Of Sunshine' from 'Fantastic', the 1983 debut album from Wham, 'Lemon Firebrigade' from Haircut 100's 'Pelican West', and the sumptuous 'Show Me', the opening track from 'The Lexicon Of Love' from ABC. Huge 1983 albums are up next from Culture Club, with 'Black Money' from 'Colour By Numbers', and 'This City Never Sleeps' the closing track on 'Sweet Dreams (Are Made Of This)' from Eurythmics, plus another epic closer from Alison Moyet with 'Where Hides Sleep' from her solo debut 'Alf' completes the first side... flip the lp over and Wham! Are back with 'Heartbeat' from 1984's 'Make It Big' - an album that housed multiple #1 singles. Howard Jones had a huge debut album with 'Human's Lib', with 'Equality' featuring here... Donna Summer is up next with 'Protection' from her Quincy Jones produced 1982 eponymous album alongside Tina Turner with the opening track from her landmark 1984 release 'Private Dancer' and Bruce Springsteen from his 1980 double classic 'The River', whilst the first LP closes with 'Angels On The Balcony', featuring their signature sound, taken from Blondie's 1980 release 'Autoamerican'. LP2 opens with a stellar line up of the era's most sophisticated pop. Leading off with the timeless 'The Chauffeur' from Duran Duran's enormous second album 'Rio', before 'Taking Islands In Africa' a stand-out from Japan's 'Gentlemen Take Polaroids'. Tears For Fears made their album debut in 1983 and the title track from 'The Hurting' is featured along with a great pop moment, 'Black Night White Light' from Frankie Goes To Hollywood's 1984 debut 'Welcome To The Pleasuredome'. 1981's biggest selling album in the UK was 'Kings Of The Wild Frontier' from Adam & The Ants and 'Ants Invasion' taken from it is featured next along with Echo & The Bunnymen with 'Crystal Days' from 'Ocean Rain', and the side signs-off with the gorgeous 'The Day It Rained Forever' from the fantastic solo debut 'North Of A Miracle' by Nick Heyward. Over on the other side The Cure open with 'Play For Today' from their second album 'Seventeen Seconds', followed by Joy Division from their second 'Closer', with 'Isolation'. The opening track 'Tyler' from UB40's acclaimed 1980 debut 'Signing Off' comes ahead of Grace Jones' breathtaking version of 'Nightclubbing' and The Police with their fusion of post punk and 'reggae rock', from their 1980 #1 album 'Zenyatta Mondatta' with 'When The World Is Running Down, You Make The Best Of What's Still Around'. The last two tracks on LP2 were featured on albums released on the influential 2-Tone label; The Selecter with the title track from 1980's 'Too Much Pressure', and The Specials with their cover of 'Enjoy Yourself (It's Later Than You Think)', the opening track on their 1980 album 'More Specials'. The final LP opens with a superb line-up of tracks from hugely influential albums: Spandau Ballet open with 'Reformation' from their 1980 debut 'Journeys To Glory', followed by Ultravox with 'New Europeans' from 'Vienna', The Human League with 'The Things That Dreams Are Made Of' from 1981's hit-packed 'Dare' and 'Secret Life' from Soft Cell's remarkable debut 'Non-Stop Erotic Cabaret'. Heaven 17 are up next from 'The Luxury Gap' followed by Simple Minds with the title track 'New Gold Dream (81/82/83/84)' from their brilliant 1982 album - and Orchestral Manoeuvres In The Dark with 'She's Leaving' from 'Architecture And Morality' closes the side... Turning over to the final side, opener 'Mystery Achievement' was the final track on the Pretenders debut 'Pretenders' released just two weeks into 1980, and second album highlights follow: 'Harborcoat' featured on R.E.M.'s 'Reckoning', and 'Age Of Consent' opened New Order's second album 'Power, Corruption And Lies'. The final three tracks are all stellar examples of the era's most sophisticated pop; Roxy Music's 1982 'Avalon' included 'The Space Between', and in 1984 David Sylvian released his first solo album 'Brilliant Trees', and from it the outstanding and atmospheric 'Nostalgia' shares a jazz-influence with the final track, a collaboration between The Style Council & Tracey Thorn 'The Paris Match' taken from The Style Council's 1984 album 'Cafe Bleu'. 40 fantastic tracks - A sampler of the iconic albums that represent an incredible period of creativity and originality: NOW That's What I Call An Era : The Albums 1980 1984.

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NOW THAT'S WHAT I CALL AN ERA: ALBUMS 1980-1984
UNIVERSAL UK Jun 2025
Vinyl
$53.99

A tiempo real: A New Take on Spanish Tradition

ARC Music

$11.99 ~~$23.99~~ Save 50% Aug 24, 2018

Viguela have been dedicated to traditional music from the center of the Iberian Peninsula for thirty years. In 2014 Viguela began reviewing their own approach to the interpretation of traditional music, taking a step further in recovering their archaic musical language- focusing on the person's interpretation and musicality rather than techniques taught at academies. They perform not only at renowned festivals such as WOMAD in 2017 but also on the streets of Spain. As a 100% acoustic band, Viguela can bring their street "ronda" to any place and sing to your public face to face. "... one of the greatest folk groups from the heart of Spain... " (World Music Central) "... Filled with creativity, optimism and joy." (Folkways) "... Full of reality, human presence, intensity- musically and technically perfect." (Mazurkas of the World Festival)

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A tiempo real: A New Take on Spanish Tradition
ARC Music Aug 2018
CD
~~$23.99~~ $11.99

MEET YOU AT THE JAZZ CORNER OF THE WORLD 2

BLUE NOTE RECORDS

Vinyl

$32.99 Nov 15, 2019

Vinyl LP pressing. The legendary NYC jazz club Birdland was sacred ground for drummer Art Blakey who recorded 3 live albums for Blue Note at the venue between 1954-1960: A Night at Birdland, At the Jazz Corner of the World, and Meet You at the Jazz Corner of the World. This last date featured one of the greatest lineups of Blakey's powerhouse outfit The Jazz Messengers with Lee Morgan on trumpet, Wayne Shorter on tenor saxophone, Bobby Timmons on piano, and Jymie Merritt on bass.

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MEET YOU AT THE JAZZ CORNER OF THE WORLD 2
BLUE NOTE RECORDS Nov 2019
Vinyl
$32.99