This release explores the works of British composer John Taverner (1944-2013). Taverner is particularly noted for his output of religious music. His "The Protecting Veil" was recorded by Steven Isserlis and became a best selling album, and his "Song for Athene" was performed at the funeral of Princess Diana. Matthew Owens is the Organist and Master of the Choristers of Wells Cathedral. Owens is responsible for the choral tradition of daily worship at Wells Cathedral, and has also toured widely and recorded extensively with the Choir. In 2011, the Choir was named by a Gramophone international jury as the best choir in the world with children, and the sixth best overall. This release features multiple world-premiere recordings, most of which were commissioned especially for the choir. Among these are the "Preces and Responses" as well as "They Are All Gone into the World of Light".
Buxtehude: Eine Lübecker Abendmusik / Roland Wilson, Et Al
CPO
CD
$18.99Aug 28, 2007
BUXTEHUDE Benedicam Dominum. Gott hilf mir. Wie wird erneuet. Wo soll ich fliehen hin? Mein Gemüt erfreuet sich. Herr ich lasse dich nicht. Ihr lieben Christen • Roland Wilson, cond; La Capella Ducale; Cologne Musica Fiata • cpo 777318 (78:18 Text and Translation)
This collection of unfamiliar cantatas of Dietrich Buxtehude includes two first recordings, Benedicam Dominum and Wo soll ich fliehen hin?; the program concludes with the most familiar one of the group, recorded five times before. (With reference to first recordings, colleague Brian Robins in 30:6 overlooked previous recordings of BuxWV 82 on Vox, Hungaroton, and Ricercar, and of BuxWV 25 on Metronome, neither included here.) If the familiar Ihr lieben Christen concludes the program, the first recording of the stunning Benedicam Dominum opens it. Perhaps it has been neglected because of the required forces, six choirs to be placed in the six balconies of the Lübeck church. The text from Psalm 33 (34) lends itself to a festive treatment using trumpets and drums, and the composer takes full advantage of the sonorities of the instruments. This is a real addition to the composer’s discography, and it’s worth noting that two other recordings of the piece were made at almost the same time, the sort of thing that happens in an anniversary year such as this.
Gott hilf mir, on a German text from Psalm 68 (69), is superior to older recordings under Günter Graulich and Martha Johnson, while Wie wird erneuet, a non-Scriptural poem, can be heard in Ton Koopman’s three-disc box (11:4). Wo soll ich fliehen hin? is the other first recording, a poetic text in the same style as the previous piece. Mein Gemüt erfreuet sich is also in Koopman’s box, and Herr ich lasse dich nicht has been recorded with Helmut Rilling’s group and the Ricercar Consort. Among those who have given us the concluding work, Koopman stands out for the boxed set.
The comparison of three of these performances with those duplicated by Koopman is instructive. Wie wird erneuet is more brilliant, more jubilant here than Koopman rendered it, his trumpets more restrained, his singers more subdued. Mein Gemüt erfreuet sich is a similar expression of rejoicing that Wilson, with a more forceful bass soloist, captures more effectively than Koopman. Ihr lieben Christen, like the other two duplicated here, uses the verb “rejoice” with trumpets and trombones in the first line, but Koopman again finds less to rejoice about, and he is slower in all three of these works. Wilson’s superiority in these works makes me eager to hear his new Das jüngste Gericht on Sony, not issued over here yet but a work that contrasts in mood with these pieces. This generous collection is well worth hearing, a splendid contribution to the anniversary.
Celebrated in his time as a 'man of great worth', who 'really knew how to play well and compose well', Annibale Padovano's modern-day neglect doesn't reflect the high regard in which he was held. Cinquecento deliver flawless accounts of two major Mass settings as they might have been heard in Karl II's Habsburg court.
Among the various recordings of H.v. Karajan of Beethoven's Missa Solemnis and Mozart's Requiem (no less than 4 for each of them), the 1958 and 1961 recordings stand out among critics as perhaps his most important interpretations of this repertoire. The Missa, never released by EMI, was made available by Testament more than 20 years ago. It has not been available on the market for some time. It is actually one of the most extraordinary interpretations of Beethoven's religious masterpiece, also due to the extraordinary sound quality achieved by the Columbia technicians of the time. Mozart's Requiem was Karajan's first recording of this work. Even this production, which has always been available in the DG catalogue, is currently very difficult to find.
Cavalli: Missa 1660 (Grande messe vénitienne pour la paix fr
Château de Versailles Spectacles
CD
$20.99Mar 01, 2019
Mazarin managed to sign the Treaty of Paris which validates the future Peace of the Pyrenees, and therefore the marriage of Louis XIV with the Infanta of Spain in 1660. In the context of these celebrations, the French ambassador in Venice, commissions a mass from Cavalli the greatest composer of his time. He thus composed this sumptuous Missa performed in January 1660 in the Basilica of San Giovanni e Paolo and brought together the best voices and most famous musicians around viols, violins, cornets and trumpets in a spatialization in the Venetian custom. In this recording, Benjamin Chénier takes on this chef d'oeuvre which celebrates France and Louis XIV with brilliant soloists and a strategy of spatialization in the Royal Chapel which recreates the splendid sound of 1660.
Ludwig van Beethoven: Missa Solemnis - Mass in C Major - Chr
Haenssler Classic
CD
$24.99Apr 17, 2020
In celebration of Ludwig van Beethoven's anniversary year, Helmuth Rilling, alongside the Gachinger Kantorei Stuttgart and the Bach-Collegium Stuttgart, present these brilliant recordings of the composer's sacred works- the Missa Solemnis, the Mass in C major, and the Christus am Olberge op. 85. The recordings are some of Rilling's finest interpretations, recorded during the 1990s in Liederhalle Stuttgart, one of the most acoustically pleasing venues in Europe. These individual releases garnered worldwide acclaim and are now available in this special-issue triple album set. Helmuth Rilling, born in 1933 in Stuttgart, is a conductor, teacher and ambassador for Bach's music throughout the world. In 1954 Helmuth Rilling founded the Gächinger Kantorei, followed in 1965 by the Bach Collegium Stuttgart as it's instrumental partner. His intensive study of the works of Johann Sebastian Bach dates from this period. He has also contributed to the rediscovery of Romantic choral music and promotes contemporary music by regularly commissioning compositions.
