Without doubt, this French domestic release is the finest single disc of Poulenc concertos available, better even than the composer's recordings, and that's saying a lot. They have everything: style, spirit, a vivid sense of fun, a touch of sentiment that never turns maudlin, and that ability to change moods every few bars that Poulenc always requires. In the Concerto for Two Pianos Eric Le Sage and Frank Braley have a field day tossing phrases back and forth, or hauntingly recreating those gamelan sounds that infiltrate the work at critical moments (particularly at the end of the first movement). From the delicious, faux-Mozartian central Larghetto to the jazzy finale, the players relish every nuance. It's a blast.
Here, as in the other two works, conductor Stéphane Denève perfectly captures the wry, "sec" quality of Poulenc's orchestral writing with vivacious rhythmic underpinning and crystal clear textures. La Sage's interpretation of the Piano Concerto simply wipes the floor with the competition. He's one of the few artists who knows how to savor the music's salon ambience without wallowing, and the tempos he and Denève choose are ideal. Aubade, an odd ballet/concerto that has been frequently recorded, seldom satisfactorily, for once enjoys an accompaniment as characterful and involving as the piano part, with terrific contributions from the solo winds. The final couple of minutes are simply magical. Beautifully clean, well-balanced sonics round out this enticing picture. Let's hope RCA makes this release available internationally. It's unbeatable. [5/12/2005]
--David Hurwitz, ClassicsToday.com
