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William Youn Plays Mozart Sonatas, Vol. 2

Oehms Classics

$9.99 ~~$19.99~~ Save 50% Jul 10, 2015

Following CD releases for Sony Korea and ARS Productions, the first of pianist William Youn’s CD series of Mozart’s piano works was released by Oehms Classics in 2013, and honored with the Pizzicato Supersonic Award (Luxembourg). Now, Oehms Classics and William Youn proudly present the second album in their Mozart series. The press has praised the Korean pianist William Youn (b. 1982) as a “genuine poet” with a “bravura technique of touch”. In 2011 he was honored with the Bavarian Art Promotion Prize in his chosen home city of Munich.

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William Youn Plays Mozart Sonatas, Vol. 2
Oehms Classics Jul 2015
CD
~~$19.99~~ $9.99

Tartini: 30 Sonate Piccole, Vol. 2, Sonatas Nos. 7-12

Toccata

$10.49 ~~$20.99~~ Save 50% Jan 28, 2014

• These sonatas of Giuseppe Tartini (1692–1770), form the most important composition for solo violin after Bach.
• At six hours in duration, it is the largest integrated work for the instrument.
• Peter Sheppard Skærved's discography stretches from Telemann to many of the works written for him. He is the leader of the Kreutzer Quartet and Viotti Lecturer at the Royal Academy of Music, London.
• ‘(an) opportunity to hear all of the sonatas. Recommended.’ Robert Maxham, Fanfare

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Tartini: 30 Sonate Piccole, Vol. 2, Sonatas Nos. 7-12
Toccata Jan 2014
CD
~~$20.99~~ $10.49

Domenico Scarlatti: Complete Piano Sonatas, Vol. 12

TACET Musikproduktion

$21.99 Mar 20, 2026

Who would have thought at the beginning of the great Scarlatti adventure 15 years ago that there would be no CD at the end? The four of us, who sail the two-voiced oceans of the world in the Scarlatti boat, certainly not: Captain Christoph Ullrich at the steering wheel (keyboard), Gerd Finkenstein in the engine room (grand piano), me as radio operator (recording), and Thomas Seedorf (scientific support and texts) in the crow's nest. All old white men with weathered faces. Well, the CD is still alive. But the project needs another two years... We're going to see it through! Who knows, maybe it will be the last serious big complete edition ever produced for this medium? Then, among many other things, it will also be a tribute to the days when you could still hold what you loved in your hands. Our current position: Domenico Scarlatti wrote 555 piano sonatas. This is volume 12 of 17. Volumes 14 and 15 are already available, a total of 12 double and 2 triple CDs so far. Volumes 13 (already recorded, not yet released), 16 (30 sonatas), and 17 (12 sonatas) are still missing. This means that 513 of the 555 sonatas have been recorded and 477 released. There are still 42 left to go to the home port. We are getting closer to our goal! There are so many interesting, admirable, and thought-provoking aspects to this opus! It would fill books. But we'll save that for the end. Turn these 30 new sonatas into an Advent calendar! Or a January calendar. Every day is unique; every day deserves a different sonata by Domenico Scarlatti!

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Domenico Scarlatti: Complete Piano Sonatas, Vol. 12
TACET Musikproduktion Mar 2026
CD
$21.99

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Prokofiev: Piano Sonatas, Vol. 3

SOMM Recordings

$20.99 Jun 24, 2016

This release is the third and final installment in the critically-acclaimed recording of the complete Piano Sonatas of Sergei Prokofiev by pianist Peter Donohoe. This album is dedicated entirely to the ‘War Trilogy,’ which are three piano sonatas that Prokofiev composed consecutively during World War II. The pieces show the horrors and reflections of what Soviet Russia referred to as the “Great Patriotic War.” The central sonata in the trilogy, No. 7, is regarded by many as his most famous and brilliant piano work. The finale of the piece depicts the grit and ferocity of the Russian attacks on the Nazi army. Peter Donohoe has long been a masterful interpreter of Russian music. He first recorded the Seventh Sonata in 1982, then again in 1991. “Prokofiev was creating these major works throughout his career- all of them are major and some are still underrated and I am delighted to have had the chance of recording the complete cycle at last.” (Peter Donohoe)

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Prokofiev: Piano Sonatas, Vol. 3
SOMM Recordings Jun 2016
CD
$20.99

Eberl: Piano Sonatas & Variations / Nagoya

Brilliant Classics

$6.99 ~~$13.99~~ Save 50% Jan 21, 2022

Born in Vienna in 1765, Anton Eberl lived a quieter life than Mozart, and his music does not court the scandal or venture to the expressive extremes of his contemporary, friend and mentor. After Mozart’s death in 1756, Eberl toured with his widow Constanze Mozart and her equally accomplished sister, Aloysia Lange, before Eberl married a third talented soprano, Maria Anna Scheffler, and the pair moved to Saint Petersburg, which at the time was establishing an artistic court to rival any of the capitals of Europe. Eberl worked there as Kapellmeister to the Russian royal family for a decade (1796-1805) before moving back to Vienna. Only two years later, at the height of his reputation, Eberl caught scarlet fever and died at the age of 41. By then Eberl had also become well acquainted with Beethoven. Sayuri Nagoya’s personal selection from Eberl’s keyboard output encompasses the earlier and later stages of his career, beginning with a set of variations on ‘Bei Männern’ from Die Zauberflöte which was composed within months of the Singspiel’s premiere at the Theater an der Wien. Dating from a year or two after Mozart’s death, the Sonata Op.1 was originally published under his name, and Eberl’s Sonatina Op.5 (1796) likewise inhabits a Mozartian grammar. By the time of the G minor Sonata Op.27, however, Eberl had developed a bolder and more dramatic idiom of keyboard writing, doubtless also under the influence of the intervening decade of technological innovation which brought about instruments with a wider compass and broader dynamic range. The C major Sonata Op.43 opens with a grand introduction before launching into an Allegro of high contrasts. The album leaves the listener with a full appreciation of Eberl’s gifts as well as a tantalizing sense of where his talents might have taken him next.

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Eberl: Piano Sonatas & Variations / Nagoya
Brilliant Classics Jan 2022
CD
~~$13.99~~ $6.99

Haydn: Piano Sonatas, Vol. 2 / Rabinovich

First Hand Records

$29.99 Jul 16, 2021

The present release is the second volume of Roman Rabinovich’s complete cycle of Haydn Piano Sonatas. Rabinovich has performed throughout Europe and the United States in venues such as London’s Wigmore Hall, Leipzig’s Gewandhaus, the Great Hall of the Moscow Conservatory, and the Millennium Stage of Kennedy Center in Washington DC. Lauded as ‘a master of tone-color’ (International Piano, 2018), Rabinovich made his Israel Philharmonic début under the baton of Zubin Mehta at age ten. He was a top prize winner at the 12th Arthur Rubinstein International Piano Master Competition in 2008.

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Haydn: Piano Sonatas, Vol. 2 / Rabinovich
First Hand Records Jul 2021
CD
$29.99

Ariosti: Stockholm Sonatas Vol 1 / Harris, Morton, Georgi

BIS

$21.99 Jun 01, 2006

Attilio Ariosti (1666-1729) was a singer and organist, as well as a cellist and composer. When his name appears today, however, it is usually in connection with the viola d'amore. Ariosti was famous as a virtuoso performer on this instrument, but he also composed for it. The chamber works for viola d'amore which have survived are his Collection of Lessons and the Recueil de Pièces pour la Viol d'Amour, comprising 21 solos - really sonatas in all but name. Together they form the largest single set of baroque works for the viola d'amore. During Ariosti's lifetime these works probably circulated in manuscript copies. That the solos of the Recueil survive at all is thanks to a young music student, Johan Helmich Roman, later known as the father of Swedish music, who copied them in the late 1710s and brought them home with him to Stockholm. In his initiated liner notes, Thomas Georgi, one of today's finest exponents of the viola d'amore, gives an interesting introduction to Ariosti and the instrument, including the various tunings and notational system that are associated with it. This disc, the first of three, contains the six Lessons of the Collection, produced by Ariosti in order to promote the viola d'amore in England, his new home. Five of them appear as in the original, whereas Thomas Georgi has combined the sixth with four movements from the Recueil de Pièces, to form two sonatas - 'Stockholm Sonatas'. A fascinating opportunity to enjoy a rarely heard instrument, expertly supported by Lucas Harris and Joëlle Morton, two of North America's finest baroque instrumentalists.

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Ariosti: Stockholm Sonatas Vol 1 / Harris, Morton, Georgi
BIS Jun 2006
CD
$21.99

Sonatas with Varied Reprises, K. 279–284

Evil Penguin

$16.99 Nov 07, 2025

In 1775 Leopold Mozart made an offer to publisher Breitkopf in Leipzig: to print an opus of keyboard sonatas by his son mit veranderten Reprisen, following the famous example set by C. P. E. Bach. Breitkopf declined, but after 250 years the idea still resonates: what might Wolfgang Amade´ Mozart's Sonatas with Varied Reprises have sounded like? Played on a highly responsive Stein fortepiano, Tom Beghin's reconstituted score of K. 279-284 (Munich, 1775) provides a captivating answer-one that challenges our familiarity with six classics of the repertoire, while also paying tribute to Mozart's supreme improvisational skills.

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Sonatas with Varied Reprises, K. 279–284
Evil Penguin Nov 2025
CD
$16.99

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Liszt: Sonata in B Minor, S 178 / Badura-Skoda

Gramola Records

$20.99 Sep 01, 2017

Three events were decisive for Paul Badura-Skonda’s beginnings: Furtwangler and Karajan hired the still unknown musician for their concerts in Vienna in 1949. By standing in for the sick Edwin Fischer at the Salzburg Festival in 1950 he became an international star. Major tours as a soloist followed. Further highlights in his career were his first tour of Japan, where he appeared in Tokyo alone 14 times, and the first, highly successful tour through the Soviet Union in 1964, which was followed by many other tours. In 1979, Paul Badura-Skoda was the first Western pianist to perform in China after the Cultural Revolution. In the Mozart jubilee year 1991, he played the cycle of all Mozart’s sonatas in Paris, Vienna Munich, Madrid, Tokyo, Hong Kong, etc. Paul describes his performance of the B minor Sonata by Franz Liszt from March 29, 1965 in the Carnegie Hall in New York as “one of the most inspired achievements of my career as a pianist.” To confront a perficious and nasty critique two weeks before in the same venue, Badura-Skoda played as unleashed, with an enormous energy, fuelled in part by internal fury. This concert recording which is to an extent owed to that heat of the moment is being published now, featuring a second interpretation of the same Sonata, a studio recording made in the Mozartsaal of the Vienna Konzerthaus six years later. This version is more controlled and, in the calmer passages, more internalized and contemplative than the New York interpretation. Let it be up to the listener to decide which of the two versions is the preferred one.

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Liszt: Sonata in B Minor, S 178 / Badura-Skoda
Gramola Records Sep 2017
CD
$20.99

Beethoven: Piano Sonatas, Op 2, 101 & 106 / Paavali Jumppanen

Ondine

$18.99 Feb 25, 2014

BEETHOVEN Piano Sonata Nos. 1; 2; 3; 28; 29, “Hammerklavier” • Paavali Jumppanen (pn) • ONDINE 1248 (2 CDs: 143:37)

It has become a fairly common practice to program very early and very late Beethoven on the same recital. The purpose is obvious, but always useful; to compare and contrast the evolution of Beethoven’s style. Some pianists will point to the differences more starkly by emphasizing the strong Classical roots of the three opus 2 sonatas, as compared to the mystical Romanticism of the mighty final sonatas, including the massive “Hammerklavier.” The young Finnish pianist Paavali Jumppanen opts for an approach that seeks the commonality in the music, extracting kernels of that mysticism in the first sonatas, and emphasizing the Classical beauty and structure that still resides in the sprawling worlds of late Beethoven.

Jumppanen enhances this sense with generally leisurely tempos, which allow him to render textures with alluring clarity and balance, as well as pearly tone. The gentle pace of his playing is significant, because it flies in the face of the historicists who are keen to observe the metronome markings that Beethoven meticulously applied to his works, even years after they were composed (the metronome was patented in 1815). I am not one of those reviewers who normally lists competing timings, but in the case of Jumppanen’s “Hammerklavier” first movement, for example, the numbers are striking. He clocks in at 12: 08. No pianist in my collection comes close to such a crawl. Richter, 10: 35. Ashkenazy, 10:40. Horszowski, 11:39. Taub, 9:12. And the speed king, Schnabel, who attempts to hit the metronome marking of the composer, a remarkable 8:45.

These are not performances that carefully avoid the infusion of the performer’s personality. Jumppanen puts a certain gloss on the music that historically minded listeners might find off-putting, as I normally would. I also generally prefer this music a bit on the brisk side, although it is silly to expect performers to slavishly follow the metronome markings, which, for any number of reasons (and mere speculation) may not be accurate. But there is no denying the beauty of this playing. Jumppanen is no cookie-cutter pianist, and if my caveats do not bother you, there is much to enjoy here. Ondine’s beautiful recorded sound is no little bonus.

FANFARE: Peter Burwasser

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Beethoven: Piano Sonatas, Op 2, 101 & 106 / Paavali Jumppanen
Ondine Feb 2014
CD
$18.99

Weinberg: Complete Music For Solo Cello Vol 2 / Josef Feigelson

Naxos

$19.99 Jan 25, 2011

Emotional Soviet solo cello. If that’s what you’re looking for, this is hard to beat.

Mieczyslaw Weinberg’s solo cello sonatas are considerably more interesting than his preludes for the same instrument, which I reviewed here a few months ago. They aren’t a direct response to Bach, but very much Weinberg himself, a voice not far removed from Shostakovich’s, but with occasional added flavors of Jewish melody and jazz.

These sonatas are all very much of their composer: recognizably Soviet, emotionally quite austere, harmonically bittersweet. But they are written fluently and there are terrific moments: the transition from slow movement to impassioned finale in Sonata No 2, the uncommonly charming allegretto in No 3, the ethereal muted presto of the same sonata, and the otherworldly original andante to No 4, in which cellist Josef Feigelson (who also wrote the excellent notes) points out traces of Hindemith.

On the other hand, this music won’t have mass appeal. The occasional grayness of the writing — we don’t quite have Shostakovich’s emotional range here — and the fact that Weinberg’s style appears not to have changed very much between 1964 and 1986 means that this is the kind of disc you only put on the stereo when you’re in a very specific mood, or if you’re a very specific listener. That isn’t true of Weinberg’s stunning cello concerto, a rich, generous masterwork which works through a series of lush tunes in one broad emotional circle, and I think that my slight bitterness here may be due to the fact that I was expecting something along those lines and didn’t get it. The cello concerto is currently only available on Brilliant, in its live Rostropovich box, though Chandos has recorded a similarly good cello fantasy so there may be hope.

Josef Feigelson recorded this disc, and its companion, as a compendium of Weinberg’s complete cello music in the 1990s, very shortly after the composer’s death - learning the sonatas from the original manuscripts. Certainly his playing here is not to be faulted, and, as was true of the first volume, a more impassioned advocate of the music is hard to imagine. The sound is not too close, the cello tone full and darkly rich. Weinberg’s masterwork for the instrument remains the astonishing Cello Concerto, but these sonatas are very good in their way too. If you’ve been waiting for moody Soviet solo cello work, your ship has come in.

-- Brian Reinhart, MusicWeb International

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Weinberg: Complete Music For Solo Cello Vol 2 / Josef Feigelson
Naxos Jan 2011
CD
$19.99

Vivaldi: Opera II - Sonate 7/12 per violino e basso continuo
Tactus Jan 1995
CD
$21.99

Sonatas for Viola; Fairy Tale Pictures

Gramola Records

SACD

$26.99 May 15, 2026

If you happen to come to Frankfurt, especially in the first half of winter, please let me know. I would also come, either inviting Muhlfeld or bringing a viola part - for two clarinet sonatas that I would like Mrs. Schumann to hear. The unpretentious pieces would not disturb our comfort - but it would be nice! This is what the 61-year-old Johannes Brahms wrote to his friend, the violin virtuoso Joseph Joachim, on October 14, 1894. Even this brief note indicates the composer's early intention to have his two sonatas, Op. 120, performed alternatively by a wind instrument or the viola. Proving that these works are much more than 'unpretentious', Salzburg violinist and violist Thomas Albertus Irnberger, together with his long-standing piano partner Michael Korstick present a late new focus of Brahms's. The subsequent "Marchenbilder", Op. 113, by Robert Schumann mark another pinnacle of the viola-piano repertoire.

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Sonatas for Viola; Fairy Tale Pictures
Gramola Records May 2026
SACD
$26.99

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Sammartini: Trio Sonatas / Noferini, Iannetta, Canino
Tactus Jan 2005
CD
$21.99

Bach: Sonatas and Partitas, Vol. 1 / Zimmermann

BIS

SACD

$21.99 Feb 04, 2022

Also available: Bach: Sonatas and Partitas, Vol. 2 / Zimmermann

Since the mid-1980s, Frank Peter Zimmermann has earned recognition as one of the leading violinists, admired not only for his technical skill and interpretive intelligence, but also for his versatility in a wide-ranging repertoire. His extensive discography spans from Bach concertos and Beethoven sonatas to works by composers such as Ligeti, Magnus Lindberg and Brett Dean. But during the four decades that Zimmermann has been making recordings, he has never previously recorded Bach’s Sei solo, the six sonatas and partitas for solo violin which form an absolute pinnacle in the repertoire for the instrument. As he now takes on these works, it is with great respect for the task at hand – Zimmermann compares them to ‘a mighty tree, which protects me and crushes me at the same time’, the music giving him hope and strength at the same time as it confronts him with his limits as a violinist. On this first disc of two he offers us Sonata No. 2 in A minor, as well as the D minor Partita No. 2 with the iconic Chaconne and Partita No. 3 in E major.

REVIEW:

Zimmerman’s interpretations are the most impressive I have heard in recent years. The tone is magnificently focused, occasionally throaty but without excessive vibrato.

-- BBC Music Magazine

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Bach: Sonatas and Partitas, Vol. 1 / Zimmermann
BIS Feb 2022
SACD
$21.99

VIOLIN SONATA, OP. 18 (VINYL)

Gramola Records

Vinyl

$37.99 Mar 10, 2015

- Richard Strauss' Sonata for Violin and Piano in E flat major op. 18 is a work with a Janus face, illustrating the past and the present and pointing ahead to the future. - It mirrors the composer's musical roots, such as in the second movement which contains references to Beethoven's 'Pathetique' and Schubert's Der Erlkönig, whilst the first and final movements are influenced by Schumann, on the one hand, and express Strauss' current enthusiasm for Wagner's Tristan, on the other. - By contrast, the hidden allusions to his own tone poem Don Juan show the way the composer wanted to go in the near future.

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VIOLIN SONATA, OP. 18 (VINYL)
Gramola Records Mar 2015
Vinyl
$37.99

Schubert: Piano Sonata in D Major, D. 850 & 3 Klavierstücke,

Genuin

$20.99 Apr 08, 2016

Paul Badura-Skoda is not only a world renowned pianist, but is also a Schubert expert. For this release, Badura-Skoda presents Schubert’s Sonata in D major D 850 “Gastein Sonata”, and 3 Klavierstucke D 946. This is Badura-Skoda’s 13th CD with GENUIN.

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Schubert: Piano Sonata in D Major, D. 850 & 3 Klavierstücke,
Genuin Apr 2016
CD
$20.99

Soler: Sonatas For Harpsichord Vol 1 / Gilbert Rowland
Naxos May 1996
CD
$19.99

Bach: 6 Suites For Cello Solo; 3 Sonatas For Cello & Harpsichord; Boccherini: Cello Concerto
Doremi Apr 2012
CD
$53.99

Beethoven: The Complete Sonatas / Brautigam

BIS

SACD

$89.99 Nov 11, 2014

This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.

The 32 Piano Sonatas by Ludwig van Beethoven are often referred to as the ‘New Testament’ of the keyboard literature, following on the ‘Old Testament’ of J.S. Bach's 48 preludes and fugues in the Well-Tempered Clavier. Composed over a period of almost three decades, from 1795 to 1822, the sonatas constitute a fascinating panorama of an artistic career which underwent numerous changes – not to say upheavals – but nevertheless remained remarkably consistent. Ever since the first recording of the entire cycle, by Artur Schnabel in the 1930s, a number of the world's leading pianists have given us their performances of this monumental collection on disc. One of the latest cycles is that of Ronald Brautigam, released on single discs between 2004 and 2010. Performed on the fortepiano, as part of a series of Beethoven's complete solo keyboard works, Brautigam's recordings have been described as ‘riveting’, ‘compelling’ and ‘revolutionary’. The eight discs with the 32 sonatas are now being released as a boxed set, along with a ninth disc containing the early, unnumbered sonatas. Contributing factors to the ‘refreshing directness’ that reviewers have experienced in these performances are the widely praised recorded sound and the carefully selected instruments, built by Paul McNulty after originals from 1788-1819 by the foremost Viennese makers of fortepianos. For this boxed set, the original SACD format has been retained – along with the possibility of listening to the performances in surround – thus offering the opportunity of sharing the experience of one reviewer: ‘One has almost the impression of being a contemporary of Beethoven’s: one of the first, infinitely startled – not to say shocked – witnesses to this music’ (Süddeutsche Zeitung).

-----

REVIEW:

Much of the playing here is sensational. Notice the pronounced rhetorical emphasis yet intensely focused dotted rhythms in the Pathétique’s introduction, or the revelatory continuity from one variation to the next in Op 14 No 2’s uncommonly quick central movement. Those who think that even Brautigam’s sturdy fortepiano cannot approximate an orchestra should check out Op 22’s first movement, where the full-bodied octaves and brilliantly judged ‘Rossini’ crescendo just before the recapitulation make a pulverising impact.

And what about the Moonlight finale’s controlled fury and slashing momentum that remain musical to the core, or how those Op 10 No 1 and 2 finales rock and roll while retaining maximum linear clarity? Few others rightly feel Op 10 No 3’s Minuet as one beat to a bar and effectively spin out the left-hand counterlines. Among the heroic middle-period works, perhaps Brautigam’s Waldstein and Appassionata make a cogent case for period instruments in regard to textural differentiation between registers, shorter pedal resonances, and being able to truly perceive rather than merely infer each pitch within low-lying chords and runs, abetted by Brautigam’s subtle yet expressively powerful tempo modifications and telling accents.

Brautigam’s late sonatas are never less than masterful.

– Gramophone

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Beethoven: The Complete Sonatas / Brautigam
BIS Nov 2014
SACD
$89.99

Jeajoon Ryu: Sonatas Nos. 3

DUX

$19.99 May 01, 2026

The album features a sonata written especially for Arto Noras, one of today's greatest cellists, presented as a gift for his 80th birthday. The violin sonata is likewise dedicated to it's performer-an exceptional Korean violinist held in high esteem by Krzysztof Penderecki, Ryu's mentor and artistic patron. The Korean composer's music speaks in a highly personal voice, blending echoes of Romanticism and Impressionism. Together, these two works invite listeners to savor the sheer beauty of sound and the dazzling virtuosity that define the artistry of all four performers.

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Jeajoon Ryu: Sonatas Nos. 3
DUX May 2026
CD
$19.99

Mix & Match

PROKOFIEV, S.: Piano Sonatas Nos. 2, 7 and 8
Naxos Aug 1994
CD
$19.99

J. S. Bach: Sonatas for Violin and Harpsichord

Arcana

$29.99 Nov 28, 2025

On one side, Francesco Corti, one of the most internationally acclaimed harpsichordists and protagonist of five acclaimed albums released by the Arcana label. On the other, Ilya Gringolts, making his debut for the same label: a violinist of extraordinary versatility, committed to contemporary music but also animated by a deep passion for the Baroque repertoire and historically informed performance. Proof of this is his recording of Locatelli's Il labirinto armonico (2021), which was awarded the Diapason d'Or and selected as Editor's Choice by Gramophone. Two artistically different but complementary personalities, united for years in a successful partnership, tackle a milestone of chamber music: the first great example of concertante sonatas for keyboard and melodic instrument. Completing the programme is Tertia deficiens, a piece by contemporary composer and Baroque violinist Andrew McIntosh (Grammy nominee), commissioned specifically for this project with the aim of creating an evocative bridge between past and present.

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J. S. Bach: Sonatas for Violin and Harpsichord
Arcana Nov 2025
CD
$29.99

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V3: Complete Sonatas- Keyboard
Channel Classics Jan 2006
SACD
$21.99

Scarlatti: Complete Keyboard Sonatas, Vol. 27 / Gallo

Naxos

$9.99 ~~$19.99~~ Save 50% Jul 14, 2023

From the virtuoso Essercizi (K.12 and 15) to the touching cantabile eloquence of the Sonata in G major, K.144, most of the repertoire on this album consists of lesser-known works incorporating elements of dance forms from Spain and Portugal, with the Sonata (Fuga) in D minor heard here in its world premiere recording.

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Scarlatti: Complete Keyboard Sonatas, Vol. 27 / Gallo
Naxos Jul 2023
CD
~~$19.99~~ $9.99