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Albeniz: Piano Music - Espana; Deseo; Zortzico; Yvonne En Visite!

Naxos

$9.99 ~~$19.99~~ Save 50% Nov 11, 2014

Volume 6 of this complete edition focuses in the main on Albéniz’s richly varied, early salon style. + It includes the dazzling Chopin influenced Vals Champagne, the Estudio de concierto which rivals Liszt for virtuosity, and the famous Tango from España: Seis hojas de Álbum, a set which conjures up Spain in its rhythms, harmonies and sense of drama. + Written a year before the composer’s death, Yvonne en visite! includes a humorous scene during a pupil’s reluctant performance, while the Marcha militar is Albéniz’s earliest work, composed at the age of eight.

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Albeniz: Piano Music - Espana; Deseo; Zortzico; Yvonne En Visite!
Naxos Nov 2014
CD
~~$19.99~~ $9.99

V1: MUSIQUES DE DANSE DU MONDE

Frémeaux

$74.99 Jul 01, 2011

Throughout the ages, people have danced to the rhythms of music, and dancers have always expected musicians to perform at their artistic best. In their exchanges, dancing – music’s authentic physical representation – has today developed into an entirely separate art-form. Jazz, rock, tango – and many other major forms of musical expression now familiar in concerts, shows or films – would doubtless have never existed if dancing hadn’t been music’s primary function. To reach the body, heart and soul at the same time, music composed and played for dancing fully requires all of music’s qualities. This collection of dances from around the world – an anthology selected by specialists in each one of these styles – proves how true this is, thanks to the best titles in dance-history. The selections here, sorted by aesthetic form, were chosen with one thing in mind: to show the relationship between dancing and music. Noël HERVe & Patrick FReMEAUX

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V1: MUSIQUES DE DANSE DU MONDE
Frémeaux Jul 2011
CD
$74.99

Lysight & Piazzolla: Seas8ns / Astoria

Antarctica

$16.99 Feb 10, 2023

Between 1965 and 1970, Astor Piazzolla composed the 'Four Porteño Seasons' or 'Four Seasons of Buenos Aires', for his New Tango Quintet. It is an evocation of the different atmospheres of the Argentinian capital depending on the different seasons. The atmosphere of each piece is never utterly joyful or completely sad, which is also one of the characteristics of tango music: tragedy and joy go hand in hand and intertwine. Four Seasons (2016) for accordion, violin, cello, double bass, percussion and piano was composed at the request of accordionist Christophe Delporte for the Astoria Ensemble, to which it is dedicated. The titles of the four movements that make up this work are deliberately enigmatic, but each refer to a particular season. It's for the audience to guess which and why.

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Lysight & Piazzolla: Seas8ns / Astoria
Antarctica Feb 2023
CD
$16.99

Unexpected America

Genuin

$20.99 Mar 07, 2025

With the energy of a jet engine, violinist Oscar Bohorquez and pianist Frank Braley dive into a whirlwind exploration of unknown and thrilling American repertoire. Duos by Paul Schoenfield, William Bolcom, Aaron Copland, Mike Mower, and Brazilian composer Mozart Camargo Guarnieri - blessed with a name as remarkable as his music - bring the rhythmic vitality of the Americas into your living room. From jungle and desert-infused melodies to the spirit of tango, samba, rumba, square dance, and New York jazz clubs, this album offers a wonderfully vibrant and captivating musical experience.

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Unexpected America
Genuin Mar 2025
CD
$20.99

Forgotten Dances

Signum Classics

$15.99 ~~$20.99~~ Save 25% Sep 06, 2024

His ninth solo album on Signum Records, Alessio Bax combines exceptional lyricism and insight with consummate technique and is without a doubt "among the most remarkable young pianists now before the public" (Gramophone). Here he presents an album of works for dancing, including tangos and waltzes spanning three centuries. Featuring composers such as J S Bach, Manuel de Falla and Franz Liszt a variety of cultures are showcased in this album for solo piano, and features contributions to an arrangement by Bax himself.

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Forgotten Dances
Signum Classics Sep 2024
CD
~~$20.99~~ $15.99

Schifrin: Piano Works / Conti

Grand Piano

$9.99 ~~$19.99~~ Save 50% Nov 10, 2017

Listen to the Naxos Podcast to learn more about this release

Lalo Schifrin, the internationally renowned composer of classic film and TV scores such as Bullitt, Dirty Harry and Rush Hour, has collaborated with fellow Argentinian pianist Mirian Conti for this collection of his complete works for solo piano to date, including several world premières. A unique arrangement of the famous theme to Mission: Impossible is included, as well as his most recent compositions: the two richly sensuous tangos, and the powerful Jazz Sonata, composed especially for Conti.

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REVIEWS:

Conti’s performances connect well with the rhythmic vitality of Schifrin’s music, ably delivering the gorgeous melodic content and rich, extended jazz harmonies. The recording features a crisp, dry acoustic that allows for good clarity. Those listeners who love Schifrin’s film work but are less familiar with his other endeavors will likely find a lot to enjoy here as well.

– Film Score Monthly

Some of the music is extremely difficult to play but is played with panache and dexterity. I enjoyed most of the music; all of the pieces are engaging and interesting. For Schifrin’s fans this is a must. For the rest of us, it’s entertaining. The sound is excellent.

– American Record Guide

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Schifrin: Piano Works / Conti
Grand Piano Nov 2017
CD
~~$19.99~~ $9.99

Orchestral Music - GADE, J. / PIAZZOLLA, A. / RODRIGUEZ, G.
Avie Records Sep 2005
CD
$20.99

Trio d'Ante play Astor Piazzolla & Enrique Arbos
Gramola Records Aug 2010
CD
$20.99

Sierra: Piano Works / Ovalles

IBS Classical

$17.99 Jan 13, 2023

A student of Ligeti, Roberto Sierra is the most prominent Latin American composer on the international scene. If the Piezas Íntimas were for me the concentrated version of Roberto’s language, the Aphorisms are 28 fragments that live up to their name, each of them being a short sentence proposing what for me are Roberto’s compositional principles in their purest and most concise version - each of them exploring the dynamic and sonic range of the instrument in a matter of seconds. His Sonatas, as I began to study them, opened me up to a world full of completely fresh sonorities, structures and approaches. The Sonatas span a world from Central Europe, where their structure strengthens in the second half of the 18th century, to the region of Latin America and the Caribbean in the 20th and 21st centuries, where sonata movements contained Afro-Caribbean elements linked to sudden appearances of elements as different from each other as flamenco, salsa, pasodoble or tango, followed by slow movements that seem like improvisations (despite the exactness with which they have been written), filled with nocturnal music, an aria da capo that loses its original rhythm and becomes “out of balance”.

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Sierra: Piano Works / Ovalles
IBS Classical Jan 2023
CD
$17.99

Le Chanteur / Roberto Alagna

Sony Masterworks

$11.98 Oct 23, 2020

For the first time in his career, Roberto Alagna is devoting an entire album to the great and beautiful French chanson. Alagna is passionate about music from all over the world and this time he is offering us a veritable declaration of his love for his French musical heritage: “Le Chanteur” introduces listeners to this legacy in a different way through the whole wealth of the various genres and diverse foreign influences that have helped to shape this medium’s identity.

The album features swing, jazz, gypsy jazz, the lamento, the waltz and the tango and through its highly personal approach to these songs, it conveys the tenor’s tremendous passion for music which, full of character, is instinct with vitality and feeling. The result is a formidable tribute to the unforgettable melodies that we all know and that we have all hummed to ourselves. It is also an homage to their illustrious interpreters and composers.

The album includes, among others, “La Chanson des vieux amants”, “Padam, padam”, “Les feuilles mortes”, “C’est un mauvais garçon”, “Mon pot’ le gitan”, “Nuages”, “Adieu mon pays” and “Domino”.

“This is the first time that I have made a recording devoted entirely to the French chanson […]. Reading between the lines of this repertoire, I wanted to throw light on the whole range of different genres and on the more or less remote musical influences that are now an integral part of the identity and legacy of French music. […] This foray into a world unlike that of my normal lyrical and classical repertoire, in a genre where listeners may not necessarily expect to find me, has a particular appeal for me. […] Be that as it may, this is a recording in which I hope that listeners will sense the infinite pleasure that I myself have felt in exploring these different styles and – thanks to the instrument that is my voice – allowing audiences to discover my passion and love of this music and to share those feelings with the greatest possible number of listeners.” Roberto Alagna

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Le Chanteur / Roberto Alagna
Sony Masterworks Oct 2020
CD
$11.98

Glorvigen: Violent Tenderness; Kykelipi; Polaco / Glorvigen, Quatuor Diotima

LAWO Classics

$18.99 Aug 12, 2022

After having worked on several pieces for bandoneon and orchestra in recent years, I felt the urge to present some of my chamber music. All music featuring the bandoneon inevitably conjures up associations with tango, and yes, my music is no exception, most apparent here in my works for bandoneon and string quartet, Violent Tenderness and Polaco. In opposition to these two works it was important for me to find as much contrast within the ensemble and the works as possible. So I landed on piano, cello, baritone voice and bandoneon in my ensemble GLO2020, for the piece Kykelipi, with lyrics by Jan Erik Vold. My aim is to expand the repertoire of the bandoneon by bringing in new sources of inspiration such as French chansons, German ‘lieder’, soul, contemporary music, Norwegian lyric and folk music, and even the Polish national anthem.

I’ve also brought in a new percussion instrument, the lurk. The desired result is to create something completely fresh where the listener can recognize the bandoneon sound and the tango rhythms but also be knocked out by the modern tonality, unpredictable chord combinations, the madness, humor, as well as some serious existential questions. Since I’m known to often use somewhat dissonant intervals such as tritones and seconds, I jokingly call my music TANGST (a combination of the words tango and angst). This can easily be translated into other languages too, such as Tanguish (in English), Tangústia (in Spanish), Tangoisse (inFrench) and Tansia (in Italian). Let me stress though, that this music is Tangst con brio or Tangst giocoso! (Per Arne Glorvigen)

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Glorvigen: Violent Tenderness; Kykelipi; Polaco / Glorvigen, Quatuor Diotima
LAWO Classics Aug 2022
CD
$18.99

Faz Tempo

ARC Music

Vinyl

$24.99 Nov 08, 2024

Rooted in the choro tradition, Alvorada's rich compositions embrace rhythms from across Brazil, including samba, xote, bossa nova and baião, tinged with further influences from jazz, tango and more. Faz Tempo pushes traditional expectations with it's bold and intricate arrangements, endlessly varied textures, and breathtaking improvisations and interplay - all transmitted with an infectious joy and soulfulness.

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Faz Tempo
ARC Music Nov 2024
Vinyl
$24.99

Miguel Del Aguila / Salon Buenos Aires

Bridge Records

$18.99 Oct 13, 2009

Miguel del Aguila has for several years now been making quite a name for himself throughout the Americas. He has been a prize-winner of awards such as the Kennedy Centre Friedheim. He was Composer-in-Residence with the New Mexico Symphony Orchestra. However his music has hardly ever percolated beyond America.

This is not the first CD to contain some of his music but I believe it’s the first to be devoted entirely to him. He has been described as a composer of “turbulent fantasy” and the anonymous booklet notes here comment that in his music there is “captivating interplay, even fertile tension, between Classical formal balance and Romantic excess”. I have to say that this Uruguayan composer is a typical example of cross-over, not though manufactured, but with a real living and genuine language so beloved of those for whom modern music normally takes too much concentration time.

The opening work is infectious and clever. “Charango Capriccioso” is built gradually from a very still and quiet start to a manic climax via repeated and obsessive syncopated rhythmic patterns. It then peters out after massive chords to a thoughtful and forgiving coda. The recording seems a little choked when the music is at its most wild. Perhaps the volume is tricky to adjust at the beginning; nevertheless this piece creates a promising opening impression.

The second work ‘Presto II’ is an enlarged version of the finale of his Second String Quartet which Aguila wrote whilst living in Vienna where the form is considered to be ‘sacrosanct’. Apparently its performance was reviewed as “not serious” by the local press. It is frenetic and spends most of its time in 7/8 time. It finds time to take a bow towards 1920s Jazz. It also contains ‘col legno’ and ‘sul pont’ effects and ends with a shout from the players. Good fun.

I have to describe ‘Life is a dream’ as a heroic failure, despite the fact that it is quite original and at times catchy. The composer has translated a poem by Pedro Calderon del Barca (1600-1681) about the meaning of life. This is narrated, practically twice - incidentally there are two narrators; the female not named - at varying points during the work’s progress. The “reality” is represented on stage but there is a “distant reality ... personified by the first violin who finlly joins the on-stage performers.” There is then a dance - “a dysfunctional jota” - with the evocation of guitars. There’s a flavour of Andalusia and the Phrygian mode present throughout old Spanish music is much in evidence. It is a complex tapestry of a work and one hearing I felt was probably quite adequate. However for the purposes of this review I listened again and, sadly, found it even less revealing.

If you felt, as I did that Aguila is the musical grandson as it were of Astor Piazzolla then ‘Salon Buenos Aires’ will add further ‘confirmation’. The first movement is a Samba, which in addition to the rich instrumental mix adds some (uncredited) disembodied, vocalising, and demonstrates what we are told in the booklet notes that “The three movements comprise a nostalgic musical portrait of 1950s Buenos Aires” which “springs from the composer’s childhood memories”. The middle movement grows from and ends in mist but builds to a powerful climax. This is a ‘Tango to Dream’ transition. Its thickly contrapuntal middle section would have benefited from more air around the players. In fact the recording as a whole is rather too close for comfort at times. This is the longest movement but we move on to an irritating - to this reviewer anyway - ‘Obsessed Milonga’. I should not have been surprised because the notes quote the newspaper the Wiener Zeitung as describing the composer as “of obsessive vitality”. A Milonga is incidentally an earlier Uruguayan tango form. The flute leads off manically with the melody and the other players repeat it in various keys for the next four minutes.

If I have been a little luke-warm so far then all changes with the last work. ‘Clocks’ is for piano quintet and the composer might well have called it ‘A Clock Museum’. This is original, colourful and pleasing. It falls into six sections. The first 'Shelves of Clocks’ sets up a ‘tocking and a ticking’ with the use of a polyphony of very high pizzicatos and harmonics. There are sharp staccato piano notes. In movement two, ‘Midnight Strikes’ there are clangorous, resonant chords. The third is ‘The Old Clock’s tale’ which is romantic and generally slightly ‘Hollywood’ in effect. ‘Sundial 2000BC’ is great fun incorporating some rugged rather primeval vocal work with which we might associate Roman ritual. It features a 3+3+2 dance rhythm. ‘Romance of Swiss Clocks’ makes a fascinating contrast being rather twee and flecked with bon-bons. Finally there is the longest movement, the riotous ‘The Joy of keeping time’ based on various South-American dance rhythms. This ends with the clocks in an empty museum indulging in something near to a musical orgy.

The whole disc is played with great enthusiasm. I’m not mad on the recording quality as mentioned above but the booklet is useful with photos and succinct musical asides.

-- Gary Higginson, MusicWeb International

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Miguel Del Aguila / Salon Buenos Aires
Bridge Records Oct 2009
CD
$18.99

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PIAZZOFORTE
DUX Apr 2007
CD
~~$21.99~~ $10.99

Dance With Me / Hannigan, Ludwig Orchestra

Alpha

$20.99 Mar 11, 2022

This album celebrates dance music, from waltz to tango, from slow foxtrot to quickstep, from samba to jive. Seventy years of music rooted in the 1920s, assembled by the enthusiastic musicians of the Ludwig Orchestra, who have taken to playing them at festivals, alongside their usual programs devoted to Stravinsky or Schoenberg, to get the audience dancing – a phenomenal success story that now becomes an album, Dance with me!

For this project, the Ludwig musicians naturally turned to a partner dear to their hearts, Barbara Hannigan, with whom they recorded Crazy Girl Crazy (Alpha 293), which received a Grammy Award in 2018, in collaboration with composer-arranger Bill Elliott. The trio has reformed here: ‘I was thrilled to go back to this aspect of my musical roots, to reawaken special memories of singing and playing keyboards with a dance band in Nova Scotia’, says Barbara Hannigan. ‘Couples were smiling and dancing to tunes like Moonlight Serenade and In the Mood with a few polkas thrown in towards the end of the evening.’ The Canadian soprano performs four songs, including "I could have danced all night," "Moonlight Serenade," and Kurt Weill’s famous and moving "Youkali."

More musicians round out the guest-list for the party – the trumpeter Lucienne Renaudin-Vary and the Berlage Saxophone Quartet. Dance with me: an invitation to feel happy and light-hearted, quite an achievement these days . . .

REVIEW:

The tautness of the Ludwig Orchestra’s playing – augmented in four dances by the Berlage Saxophone Quartet – echoes that of the best bands of the big band era, and the arrangements are not only effective but cleverly detailed.

-- Gramophone

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Dance With Me / Hannigan, Ludwig Orchestra
Alpha Mar 2022
CD
$20.99

FANDANGO

HERB ALPERT PRESENTS

$13.99 Sep 09, 2016

FANDANGO - Released 20 years after the Latin-inspired "The Lonely Bull", this album marks a return to a Hispanic sound. Alpert had wanted to do something to commemorate the 20th anniversary of his first hit, so he traveled to Mexico and made a recording intended solely for the Latin-American market. However, his interest was kindled by the diversity and quality of the local musicians, and he decided to record an entire album there. Additionally, research revealed that his hit "Rise" had not made an impact on his Tijuana Brass fanbase, and he wanted an album that bridged the gap between his more contemporary sound and his previous mariachi-influenced style. Remastered from the original analog tape mixes and presented with their original, iconic artwork!

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FANDANGO
HERB ALPERT PRESENTS Sep 2016
CD
$13.99

American Classics - Anderson: Orchestral Favourites / Hayman

Naxos

$19.99 Feb 01, 2002

Leroy Anderson's music once was so ubiquitous that anyone with even cursory contact with broadcast media could not help hearing it. So don't be surprised--especially if you're over 30--if you find your ears perking up quite often in recognition as you play this delightful disc. Those of us who played in high school bands and orchestras no doubt will have vivid memories of Bugler's Holiday or Trumpter's Lullaby, but for most listeners this collection will serve to attach names to tunes heard for years in supermarkets and shopping malls--tunes such as The Syncopated Clock, The Girl in Satin, and Blue Tango. Anderson applied his classical training to his love of jazz, which, combined with his uncanny instinct for good tunes helped him create a long series of "pops" hits. He was equally adept in both worlds, whether the European-style waltzing of Belle of the Ball (with its "blue note" trio), or the straight-from-the-dance-hall Jazz Pizzicato.

The disc opens with the Serenata (a cheeky knockoff of Gershwin's Cuban Overture) and closes with the ever-popular Sleigh Ride, here freed from those goofy lyrics and sounding more like its true self: a fine composition that can be enjoyed whatever the time of year. Anderson had a particular flair for musical depictions of everyday objects, such as the aforementioned clock, or the typewriter, or even sandpaper (in the Sandpaper Ballet). Whether object, animal (The Waltzing Cat), or body part (March of Two Left Feet), Anderson never abandoned his operative principle: make music fun! Richard Hayman's long experience in this specialized genre shows in his high-spirited, rhythmically smart, tonally tangy realizations with his orchestra. If you've been finding yourself bereft of smiles lately, purchase this Naxos disc and you'll get a whole hour's worth.
--Victor Carr Jr., ClassicsToday.com

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American Classics - Anderson: Orchestral Favourites / Hayman
Naxos Feb 2002
CD
$19.99

Piazzolla Stories / Lucienne Renaudin Vary

WARNER CLASSICS

$17.28 Apr 09, 2021

Piazzolla - what a journey! His music has so many sides to it. Throughout his life he was exposed to such a rich and varied stream of influences. This homage to Piazzolla, while of course including compositions by him, also references those influences (here I'm thinking of Nadia Boulanger and Alberto Ginastera, with whom he studied). Piazzolla's output is rich not only in terms of the styles he explored but also the different instrumental ensembles he played with. I was keen to reflect this eclecticism by way of a number of different line-ups: trumpet solo, with orchestra, with string quartet, and as duet partner." (...) I would also like to thank my two guest artists: Thibaut Garcia, for his wonderful guitar playing and his friendship and the great Richard Galliano for being with us. It was very moving to perform his Tango pour Claude alongside him.

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Piazzolla Stories / Lucienne Renaudin Vary
WARNER CLASSICS Apr 2021
CD
$17.28

PIAZZOLLA: Oda para un hippie
Profil Jul 2005
CD
$10.99

Songbook / Jan Vogler, Ismo Eskelinen

Sony Masterworks

$11.98 Jun 14, 2019

Jan Vogler's new album was recorded in a small studio in New York. He teamed with the fantastic Finnish guitarist Ismo Eskelinen for this recording.

"Songbook" presents partly pieces originally written for cello and guitar such as 3 Nocturnes by Friedrich Burgmüller (1806-1874) and the first movement of the Sonata for Guitar and Cello by Brazilian composerRadamés Gnattali (1906-1988).

"Songbook" also features several famous works in arrangements for guitar and cello: Cantabile by Niccolò Paganini (1782-1840), the Gymnopédie No. 1 by Erik Satie (1866-1925), the Suite Popular Española byManuel de Falla (1876-1946) as well as the famous Aria from Bachianas Brasileiras by the most famous South American composer Heitor Villa-Lobos (1887-1959). The arrangement of Paganini's Cantabile appears on this album as a world premiere recording on guitar and cello. Also the Gymnopédie No. 1 by Satie is newly arranged for this recording by Jan Vogler himself.

The album also includes several movements from Histoire du Tango - one of the most famous compositions by the world's foremost composer of tango music, Astor Piazzolla (1921-1992). One of these movements, Bordel 1900, is as well a world premiere recording on guitar and cello.

Another first recording on this album is the arrangement of a world famous hit, Moon River by Henry Mancini (1924-1994). Winning an Academy Award for Best Original Song, Moon River has been indeed covered and recorded in hundreds of versions; but it's arrangement for cello and guitar has been recorded for the first time by Vogler and Eskelinen for this album.

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Songbook / Jan Vogler, Ismo Eskelinen
Sony Masterworks Jun 2019
CD
$11.98

Schulhoff: Piano Works, Vol. 1
Grand Piano Mar 2012
CD
$19.99

Piazzolla: Buenos Aires - Arrangements for Violin & String Orchestra

Naxos

$9.99 ~~$19.99~~ Save 50% Apr 26, 2024

All the arrangements on this album are of instrumental works that Astor Piazzolla composed for his Quinteto Nuevo Tango. Most prominent is the Vivaldi-inspired Las cuatro estaciones porteñas reimagined in concerto style for solo violin and string orchestra by Leonid Desyatnikov. The seven other companion pieces are heard here in world premiere recordings of arrangements by conductor Ken Selden, who leads the Martingale Ensemble.

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Piazzolla: Buenos Aires - Arrangements for Violin & String Orchestra
Naxos Apr 2024
CD
~~$19.99~~ $9.99

Gambensonaten 2.0 - for cello & accordion

Gramola Records

$24.99 Jun 20, 2025

While there is no doubt today that this music originates from Bach, due to numerous deviations from the usual viola da gamba music of his time, it is considered likely that he originally had a different ensemble in mind, or that these works existed in other instrumentation before he adapted them for the viola da gamba. This was a common practice then, just as it makes sense today to arrange "classics" for all kinds of other instruments, preserving their original character while simultaneously creating possibilities for new tonal aspects. It was in precisely this spirit that Kurt Gold and Reinhard Latzko arranged Bach's sonatas for their instruments. In Astor Piazzolla, we encounter one of Argentina's most prominent and innovative musicians, who stands out as a bandoneon player, composer and founder of the "Tango Nuevo". This category includes "Le Grand Tango", which was commissioned in 1982 by the Russian cello virtuoso Mstislav Rostropovich.

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Gambensonaten 2.0 - for cello & accordion
Gramola Records Jun 2025
CD
$24.99

SOL Y VIDA

DEUTSCHE GRAMMOPHON

$15.49 May 10, 2019

2019 release. Sol y vida is Elina Garanca'sjourney to the South, from Spain to Italy and Latin America, and is her first album focusing entirely on non core-classical repertoire. Featuring jewels of Latin American song repertoire like Piazolla's Yo soy Maria, originally part of a tango operita and Gracias a la vida, one of the most covered Latin American songs in history both featuring guitarist Jose Maria Gallardo del Rey in new intimate arrangements. Many of the popular pieces have mainly been sung by tenors, like "Core 'ngrato", which was probably written for Caruso or the popular Neapolitan songs "Torna a surriento" or "Canto napoletano".

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SOL Y VIDA
DEUTSCHE GRAMMOPHON May 2019
CD
$15.49

Fandango - Inspiracion

Perfect Noise

$17.99 Jul 18, 2025

Rarely heard Fandangos combined with known Fandangos. Unique arrangements & improvisation. Unique instrumentation: trombone, recorder, guitar, harpsichord, guitar, percussion. Early music approach to the origins of the popular dance "Fandango"

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Fandango - Inspiracion
Perfect Noise Jul 2025
CD
$17.99