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D. Scarlatti: Sonatas

Brilliant Classics

$13.99 Jun 07, 2019

Played by the right hands, the astonishing freshness of invention of Scarlatti’s sonatas emerges with no less brilliance on the piano than his intended harpsichord. So why not the organ, too? In fact, Scarlatti probably intended only three of his 555 surviving keyboard sonatas specifically for an organ. Yet even on the instruments of his own time, in churches and chapels across Europe and especially his native Italy and adopted home of Spain, the palette of colors offered by a well-appointed organ brings these vibrantly colored works to life without any fear of them being obscured by clouds of bass pedal or resonance. Organist Nicola Reniero explains that his selection of 19 sonatas concentrates on particularly intricate or individual examples of polyphony and fugue where the organ’s diversity of register and color may be thought to excel. He does so, however, without neglecting the principle that in Scarlatti’s music almost everything is vocal and theatrical: the introduction is like the curtain that rises; the themes are the characters, and the various sections of the piece are like scenes of a wordless drama. Reniero has chosen to avoid the kind of echo effects which would be a conventional way to introduce contrast between phrases: “I have tried instead to emphasize the originality of the harmonies or the characters of famous themes.” The album closes with the most spectacular of all Scarlatti’s fugues, K417 in D minor. It is a stunning piece not only on account of the frenzied finale and the unexpected change of scene that comes about halfway through the piece, but above all for the boundless energy that pervades it throughout. For this new recording, Reniero plays the organ of the Duomo di Desenzano in the town of Garda, a two-manual instrument first reconstructed by the Serassi Brothers and then restored and partially rebuilt by Marco Fratti in 2014.

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D. Scarlatti: Sonatas
Brilliant Classics Jun 2019
CD
$13.99

COMPLETE PIANO SONATAS

TACET Musikproduktion

$23.99 Apr 29, 2014

This 2CD set represents the first release on TACET of what will ultimately become a complete recordings project of Domenico Scarlatti's 555 keyboard sonatas. Pianist Christopf Ullrich, a prolific recording artist whose embarked on other projects of this or similar kinds, sets out in this extended journey with 30 Essercizi and 12 Sonatas.

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COMPLETE PIANO SONATAS
TACET Musikproduktion Apr 2014
CD
$23.99

Scarlatti: Sonate a due clavicembali

Tactus

$21.99 Nov 21, 2025

For many decades, students of Domenico Scarlatti, including me, have been debating about the relationship between most of Scarlatti's Sonatas and Flamenco dance. Silvia Rambaldi and Andreina Di Girolamo deserve our praise for presenting a practical demonstration that moves beyond the boundary of words, uniting dance and harpsichord performance, by means of the collaboration of the dancer Rita Marchesini, who is an expert on both Baroque and Flamenco dance. And since very often within certain Sonatas there is an alternation between the Andalusian style and the Italian one, the dancer, with her performance, demonstrates that it is possible to "play" with both styles appropriately. (Emilia Fadini) This interesting production on the harpsichord sonatas "encrypted" by Domenico Scarlatti is accompanied by a DVD rom containing the video of the sonatas for two harpsichords filmed in the performance "La festa dorata dell'anima", in which Rita Marchesini (historical dance and flamenco) and Alberto Rodriguez (Andalusian guitarist) join the harpsichordists Andreina di Girolamo and Silvia Rambaldi in this "field demonstration" of the influence of Italian and Spanish dance on the works of the great composer. The comments in the interview with the late Emilia Fadini are not to be missed.

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Scarlatti: Sonate a due clavicembali
Tactus Nov 2025
CD
$21.99

Mix & Match

Neri: Instrumental Sonatas / Voces Suaves, Concerto Scirocco

Arcana

$20.99 Apr 14, 2023

Born in Bonn around 1620 to Veronese parents, Massimiliano Neri was choirmaster at the Ospedaletto and organist at St. Mark's in Venice, where he published his first volume of Sonatas and Canzonas. He presented his second collection of Canzonas and Sonatas to the Emperor Ferdinand III in Vienna in 1651, later becoming Kapellmeister to the Prince-Elector of Cologne in Bonn in 1664. His affections, however, remained Italian: he married the Florentine singer and composer Caterina Giani in 1654. Many of Neri's compositions suffered extensive war damage in various periods; important musicological reconstruction has recovered parts of them that would otherwise have been lost forever.

Here, Concerto Scirocco offers a comprehensive selection of pieces that range from small groups to polychoral ensembles, all of which have a magnificent and typically Venetian opulence. The monograph is enriched by three motets, two by Neri and one by Caterina Giani, performed in collaboration with Voces Suaves; it provides a vivid portrait in sound of a greatly-valued 17th-century composer.

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Neri: Instrumental Sonatas / Voces Suaves, Concerto Scirocco
Arcana Apr 2023
CD
$20.99

D. Scarlatti: Sonatas

Fra Bernardo

$20.99 Jan 29, 2016

In the light of his later music, it is by no means difficult to imagine Domenico Scarlatti strolling under the Moorish arcades of the Alcazar or listening at night in the streets of Seville to the intoxicating rhythms of castanets and the half oriental melodies of Andalusian chant. To them Saracen of his Sicilian ancestry and Neapolitan childhood must have responded. (Ralph Kirkpatrick, Domenico Scarlatti)

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D. Scarlatti: Sonatas
Fra Bernardo Jan 2016
CD
$20.99

Cimarosa: Complete Piano Sonatas, Vol. 1 / Candela
Dynamic Jan 2016
CD
$18.99

Ferrari: Sonatas & Balletti / Neonato

Brilliant Classics

$13.99 Apr 27, 2018

The keyboard works of Giacomo Gotifredo Ferrari (1763-1842) represent a synthesis of the styles circulating around Europe at the turn of the 19th century. The sonatas on this album, from his Opp. 9, 10 and 12 collections, reveal both his admiration for Mozart and his own tendencies towards Classicism, in dialogue with the French galant style, with the melodic traits of the Italian operatic style, and with the virtuosic formulae of the innovative piano music associated with Muzio Clementi. The six Balletti are more modest in scale and probably intended for domestic use by amateurs. On the other hand, the Caprice Op.8 undoubtedly addresses the power and dynamic range of the new piano, with an innovative, unresolved conclusion on the dominant. Born in the Trento region of Italy, Ferrari studied music in Verona and could play the flute, oboe, violin, viola and double bass by the age of twenty. He became friends with both Paisiello and Thomas Attwood, the friend and contemporary of Mozart, whose quartets dedicated to Haydn made a deep impact on the young Ferrari. Having written operas in Naples, in 1792 he moved to London, where he met Haydn and Clementi and quickly became a leading singing teacher, with the Princess of Wales among his pupils. It was there that he achieved his most lasting professional success. He wrote a pair of piano concertos, and about 50 sonatas. The instrument used in this recording is a replica of a five-and-a-half octave 1804 Walter und Soehne fortepiano, built by Paul McNulty in 2008. Like Ferrari, Stefania Neonato hails from the Trento region; she is now professor of fortepiano at the Musikhochschule in Stuttgart, and her activities in teaching, performance and recording are concentrated on Classical-era music for fortepiano.

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Ferrari: Sonatas & Balletti / Neonato
Brilliant Classics Apr 2018
CD
$13.99

Novecento Guitar Sonatinas / Porqueddu

Brilliant Classics

$23.99 Jul 05, 2019

This survey is the sequel to comparably comprehensive Brilliant Classics collections of 20th-century guitar preludes and sonatas. The sonatinas included take their place as part of a long process of study conducted by Cristiano Porqueddu over the past few years. The high percentage of world premiere recordings - more than half of the entire tracklist - should give a good idea of how the research was conducted: as with the two previous releases, space has been given to those works that rarely appear either in concert or on record, in order to give voice to a considerable amount of excellent music almost completely ignored. Porqueddu made a longlist of over 60 sonatinas by 20th-century and by living composers, before narrowing down the final choice to the 17 performed here. Before Porqueddu, of course, there was the pioneer of modern guitar performance a century ago, Andres Segovia, who commissioned and inspired countless composers to write for him. One of those was the English composer Cyril Scott, and while Segovia expressed some misgivings about the result – ‘I’m not head over heels about it’, he wrote to his friend Manuel Ponce – the three-movement Sonatina makes a fine test of any guitarist’s musicianship and effectively inhabits the Spanish guitar tradition with its mysterious slow introduction and hypnotic central, Flamenco-style slow movement. The sonatinas by Mark Delpriora, Carlos Surinach and Albert Harris are no less compressed in expression, using the sonatina form to pack ideas into ten minutes that would occupy half an hour in the hands of lesser composers. The seven works of Angelo Gilardino are more expansive, though full of character, testifying to the unique relationship between composer and performer: Porqueddu himself. The pieces by Alberto Franco and Franco Cavallone were also composed with Porqueddu in mind, while the Sonatina Lirica by Segovia’s English pupil John Duarte is a hidden gem. ‘a most compelling collection from five composers, none of whom were guitarists… coruscating variety, fine recorded sound and lovingly shaped playing.’ (MusicWeb International). ‘Porqueddu’s work is once more of excellent quality and shows how he is able to create individual interpretations of contemporary repertoire.’ (Seicorde).

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Novecento Guitar Sonatinas / Porqueddu
Brilliant Classics Jul 2019
CD
$23.99

Del Cinque: Sonatas for 3 Cellos / Minasi, Vidoni, Baù, Vallerotonda, Buccarella

Arcana

$20.99 Jun 24, 2022

During his long life, the priest, nobleman, poet, and painter from Rome, Ermenegildo del Cinque (1700–73) wrote over 100 sonatas for two cellos and eighteen pieces for three cellos. Although he was a dilettante di musica, he was the most prolific composer of cello music of all time. Yet despite the fact that he also composed cantatas, a serenata and some sacred music, and was a renowned cellist in Rome, he remains virtually unknown today, even among cellists. This recording, made in the theatre of the Palazzo Altemps in Rome where del Cinque often performed, rescues some of these extraordinarily beautiful compositions from oblivion. The architect of this rediscovery is Ludovico Minasi (principal cellist of Il Pomo d’Oro, among other ensembles), who here leads a team of exceptional bass instruments featuring two recent winners of the MA Brugge competition, Andrea Buccarella and Teodoro Baù, along with the lutenist Simone Vallerotonda (a musician with long-standing ties to Arcana) and the cellist Cristina Vidoni.

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Del Cinque: Sonatas for 3 Cellos / Minasi, Vidoni, Baù, Vallerotonda, Buccarella
Arcana Jun 2022
CD
$20.99

Wolf-Ferrari: Dreams & Drama - Violin Sonatas Nos. 1-3 / Delle Donne, Baldini

Naxos

$9.99 ~~$19.99~~ Save 50% Apr 23, 2021

Ermanno Wolf-Ferrari's reputation rests largely on his operas, but the instrumental music he composed at the beginning and end of his career deserves a wider currency. The influence of Brahms can be detected in the First and Second Violin Sonatas, though Wolf-Ferrari's distinctive long-breathed melodies and chromatic flow are clearly present; the dramatic and expressive Second also includes references to Wagner's Tristan. With it's neo-Bachian figuration, passages of intense melancholy and uplifting operatic fantasy, the final Third Sonata is an enigmatic work, and unlike any other in the repertoire.

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Wolf-Ferrari: Dreams & Drama - Violin Sonatas Nos. 1-3 / Delle Donne, Baldini
Naxos Apr 2021
CD
~~$19.99~~ $9.99

Piatti: Complete Cello Sonatas / Curtoni, Miglietta

Brilliant Classics

$8.99 ~~$17.99~~ Save 50% May 27, 2022

A capacious library of Baroque-era works bears the name of the Italian cellist Alfredo Piatti (1822-1901) as an assiduous and pioneering editor, arranger and promoter of music for his instrument. Much less familiar are Piatti’s own original pieces. This is the first modern recording and the only available collection on record of all six sonatas by a man hailed by Liszt as ‘the Paganini of the cello’. Ever true to his word and generous, Liszt presented Piatti with a replacement instrument after the Italian had been forced to sell his cello, having fallen into reduced circumstances. Piatti played with him in concert, as he did with Joseph Joachim and many other luminaries of mid-19th-century Europe. Of all his own music, Piatti was apparently proudest of the sonatas. They were written over an eleven-year period begun in 1885, during the last part of Piatti’s creative life, long established as a celebrity of musical life in Victorian London. He gave the first performances of each one at the series of Popular Concerts, and to huge acclaim. While many virtuosos have written for their own instruments, the cello sonatas of Piatti stand out for their artistic confidence, their balance of extroversion and well-wrought sensitivity to form.

All the Sonatas embody qualities associated with Piatti, especially in the handling of melody, which is distinctly operatic in its lyricism. The slow movements share the passion that Verdi put into the lead characters of his operas. In terms of construction they are also highly varied, while remaining true to the traditions of cantabile and display which underpin his Italian heritage. Born in 1987 in Piacenza, the cellist Lamberto Curtoni introduces this new recording of Piatti’s sonatas with an invaluable survey of the works within the context of their times and their place in the composer’s career.

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Piatti: Complete Cello Sonatas / Curtoni, Miglietta
Brilliant Classics May 2022
CD
~~$17.99~~ $8.99

Cervetto: 6 Sonatas for 3 Violoncellos / Zeller, Frezzato

MV Cremona

$19.99 Jun 02, 2017

Six Sonatas or Trios for three Violoncellos or two Violins and a Bass, is the title of op. 1, published in London by Giacobo Basevi Cervetto between 1741 and 1745 circa. To the modern ear, it is curious to hear the terms sonata and trio referred to as synonyms: in fact, the genre – which in effect did experience a certain confusion regarding the terminology – is known today as the sonata a tre. As Cervetto was a cello concert musician, it is not surprising that his sonatas were composed for three violoncellos (two cellos and bass); the alternative of playing them with two violins was probably dictated by commercial reasons in order to interest a vaster public. We maintain that it is important to rediscover these sonatas who are little known to the public of today. These wonderful and unusual Sonatas are played on original instruments by Martin Zeller & Marco Frezzato.

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Cervetto: 6 Sonatas for 3 Violoncellos / Zeller, Frezzato
MV Cremona Jun 2017
CD
$19.99

Handel: Flute Sonatas

Profil

$20.99 Mar 11, 2016

Dorothea Seel brings us on this recording a historically informed performance of Handel’s flute sonatas. Performing on flauto traverso, Ms. Seel is accompanied by Luca Gugliemi on Cembalo. Dorothea Seel is a critically acclaimed performer. “…Dorothea Seel was a graceful and gentle flute soloist” (New York Times) “…with quite breathtaking athletic playing and hauntingly elegiac moments.” (Gramophone Magazine, Awards Issue 2014)

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Handel: Flute Sonatas
Profil Mar 2016
CD
$20.99

Sammartini: Trio Sonatas / Noferini, Iannetta, Canino
Tactus Jan 2005
CD
$21.99

Merula: Canzoni overo sonate concertate per chiesa e camera, libro terzo / Ensemble L'Aura Soave

MV Cremona

$19.99 Oct 06, 2017

Tarquinio Merula, born in 1595, moved to Cremona at a very early age where he spent the better part of his life. His fame as organist and composer brought him to work in other important Italian cities (he was organist in Bergamo and Lodi and active in Venice and Warsaw), but always with appointments lasting only a few years: evidently the musical climate in Cremona had nothing to envy far more important cultural centers. A highly respected musician, he was a prolific writer of collections of madrigals, organ pieces and instrumental music. The wonderful sonatas of op. XII, some recorded for the first time on this release, are played by Ensemble L’Aura Soave on original instruments.

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Merula: Canzoni overo sonate concertate per chiesa e camera, libro terzo / Ensemble L'Aura Soave
MV Cremona Oct 2017
CD
$19.99

SAINT-SAENS SONATES ET TRIO

ERATO

$17.28 Jan 08, 2021

2021 marks 100 years since the death of Camille Saint-Saens, one of the acknowledged masters of French music. Pianist Bertrand Chamayou, violinist Renaud Capucon and cellist Edgar Moreau salute him with this album of three of his finest chamber works: the Violin Sonata No 1, Cello Sonata No 1 and Piano Trio No 2. "These are splendid works," says Bertrand Chamayou, "but only relatively rarely performed and recorded. This is essential French Romantic chamber music and French performers of our generation have a duty to share it with audiences."

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SAINT-SAENS SONATES ET TRIO
ERATO Jan 2021
CD
$17.28

Dall'abaco: Violin Sonatas / Sasso, Insieme Strumentale Roma
Stradivarius Mar 2006
CD
$18.99

Tartini: Trio Sonatas / Il Demetrio

Brilliant Classics

$13.99 Jun 14, 2024

With 37 confirmed trio sonatas to his credit, Giuseppe Tartini is the most important Italian composer of his generation for this type of repertoire. It may seem odd therefore that these works have been so sorely neglected; indeed, as of 2022 only around 20 per cent of the repertoire had been recorded and a critical edition had yet to be published. This state of affairs was largely due to confusion regarding sources, with many divergent interpretations and uncertainties regarding the dates of the handwritten scores. Some order has been brought to this originally chaotic situation by the research carried out by Juan Mariano Porta from 2018 to 2022 as part of his doctoral studies, the result of which was the inclusion of the trio sonatas in the upcoming publications of the Edizione Nazionale delle Opere di Giuseppe Tartini, with advance materials made available to the Il Demetrio ensemble for recording. Giuseppe Tartini dedicated almost all his energy to his chosen instrument, the violin. His established corpus of works currently numbers 200 sonatas for violin and bass, 150 violin concertos, 37 trio sonatas, a handful of concertos for other instruments, and a small number of quartet sonatas and vocal compositions. Production of the trio sonatas began in the composer's late-mature years, and their style would seem to correspond to Tartini's final compositional period, described as a Drang nach absoluter Musik [urge for absolute music], which began around 1750 without a clear line of demarcation from what came before and continued until the composer's death. The trend was towards simplicity, partly deriving from Tartini's desire to put his theoretical speculations into practice. The trio sonatas no longer feature the virtuoso passages of earlier works. They present a binary form with regular phrasing. Their harmonic rhythm is slow, with the violins mainly proceeding in parallel triplets. The function of the bass is relegated one of harmonic support. This recording contains the sonatas G1, D1, d1 A1, A2, A3, A6, and a1, which date to Tartini's final compositional sub-period. They are little-known pieces, most of them hitherto unpublished.

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Tartini: Trio Sonatas / Il Demetrio
Brilliant Classics Jun 2024
CD
$13.99

Danzi, Mendelssohn, Weber: Sonatas, Etc / Neidich, Levin

Sony Masterworks

$17.99 Jun 30, 2008

Neidich plays on a modern reconstruction of an 1810 clarinet, Levin on an 1825 piano, and the gains are naturally most evident in the work which gives the closest ear to sonorities, Weber's Grand duo concertani. He wrote it for himself and his much-admired friend Heinrich Baermann, and it is not a clarinet sonata but exactly what it says, music for two virtuosos. The lighter piano textures are of great benefit in those passages where there is a danger of a modern piano overwhelming the clarinet. This is striking in the slow movement (where a long solo passage for the piano is also built into the music), but also in some of the dizzy figuration in the finale where the piano's right-hand speeds along in thirds beside the clarinet, especially with the piano taking the upper third. The virtuosity seems to hold no terrors for these skilled players, and they bring a suitably Weberian note of sinister darkness to the Andante and a witty flash to the final Rondo. The phrases are often very long: close recording means that Neidich's snatched breaths are very audible, and so are puffs in the middle of phrases suggesting that, unusually for a clarinettist, he is using the technique of 'circular breathing' (refilling the lungs through the nose while continuing to play with the reservoir of air in the mouth).

Danzi's Sonata is an amiable piece that shares with Weber's Duo an interest in giving the two partners equality by occasionally silencing the clarinet. It is charmingly invented, though not as forward-looking in manner as some of his music. Mendelssohn's Sonata is a good deal less evenly inspired than much of the music written in his dazzling teens, with some empty passagework that seems to be on automatic pilot in the outer movements contrasting with striking developmental sections where the composer takes the controls again. Much the most remarkable movement is the Andante, a curiously haunting little song first played on unaccompanied clarinet and charmingly deployed throughout the movement.

-- JW, Gramophone [9/1995] Review of Sony 64302

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Danzi, Mendelssohn, Weber: Sonatas, Etc / Neidich, Levin
Sony Masterworks Jun 2008
CD
$17.99

Weber: Sonate a mandolino e basso

Tactus

$21.99 Aug 07, 2026

The 12 Sonatas for mandolino and continuo by Francesco Weber represent one of the most interesting collections of compositions for the baroque mandolino that have come down to us. Despite his German surname clearly suggesting German ancestry, Francesco Weber, was an Italian lutenist / theorbist / mandolinist and composer, whose career was mainly in England. My research started from his will - drawn up in London under the name of John Francis Weber on April 13, 1745 - and proved several months after his death on June 5, 1751, in which the 'Republic of Genova' is often mentioned concerning assets and family properties. The 5-course mandolin used for this recording was built in Genoa in 1717 by Andrea Weber (1658-1740). It is the only surviving example by this maker, and one of the very few surviving Genoese baroque 'mandolinos.' It is an instrument recently discovered in a private collection, therefore completely unknown even to early mandolin experts, before this recording. An even more extraordinary aspect that distinguishes this disc is the fact that it represents a truly exceptional case - perhaps unprecedented at least in the field of early plucked string instruments - in which the music of a composer is recorded using an instrument built by his father.

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Weber: Sonate a mandolino e basso
Tactus Aug 2026
CD
$21.99

Mix & Match

Tartini: "Diavolo" - 6 Violin Sonatas / Chandler, La Serenissima

Signum Classics

$20.99 Mar 22, 2024

The latest instalment from baroque ensemble La Serenissima. Often compared to Vivaldi, Giuseppe Tartini was a famous virtuoso violinist and highly respected teacher, and is best known for the sonata “Il Trillo del Diavolo” (The Devi’s Trill) which is legendary for both its story and for its fiendish level of technical wizardry.

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Tartini: "Diavolo" - 6 Violin Sonatas / Chandler, La Serenissima
Signum Classics Mar 2024
CD
$20.99

Besseghi: Sonate Da Camera, Op. 1 / Opera Qvinta [2 CDs]

Tactus

$29.99 Sep 04, 2020

The instrumental ensemble Opera Quinta, directed by Fabrizio Longo, violin soloist of the team, adds an important element to the inexhaustible rediscovery of the eighteenth- century Italian heritage. The sonatas op. 1 by Angelo Michele Besseghi - composer of which, unfortunately, only few biographical information has reached us - were published in 1710, openly paying homage to the edition of his much more famous countryman who ten years earlier would have marked the course of European violin history: the Opera 5 by Arcangelo Corelli. Period ensemble Opera Quinta is violinist Fabrizio Longo, gambist Rosita Ippolito, lutenist Fabiano Merlante, and keyboardist Valeria Montanari.

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Besseghi: Sonate Da Camera, Op. 1 / Opera Qvinta [2 CDs]
Tactus Sep 2020
CD
$29.99

Somis: Sonate da camera, Op. 2

Tactus

$21.99 Sep 11, 2015

It is safe to say that Giovanni Battista Somis has by now been completely forgotten, this despite the great profoundness of his works, rather highly regarded up to the first years of the 20th c. This edition unearths his second opus, formed of twelve three-part sonatas, each characterized by an initial slow movement followed by two fast ones. These compositions combine the great cantabile quality of the Italian style with a sparkling virtuoso inventiveness. Played and interpreted by violinist Roberto Noferini with the basso continuo realization of Chiara Cattani.

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Somis: Sonate da camera, Op. 2
Tactus Sep 2015
CD
$21.99

Corelli: Opera III: Sonate a tre 1689
Tactus Jan 1998
CD
$21.99

Paganini: Centone Di Sonate / Gianfranco Iannetta, Walter Zanetti

Tactus

$21.99 Nov 06, 2020

The Centone di Sonate M.S. 112 is the last organic collection of sonate for violin and guitar composed by Paganini. The drawing up of this work, which is formed of 18 sonate evenly divided into three booklets (marked a, b and c) as was customary for a publication, probably began in Prague towards the end of 1828 and went on for several 11 years, during Paganini’s tour in Europe. It seems likely that the title Centone was attributed to the manuscripts after the composer’s death, during an operation of rearrangement of the unpublished material, with the purpose of generally indicating a collection of various pieces. Gianfranco Iannetta on violin and Walter Zanetti on guitar offer us the first six sonatas of the collection in a recording that for the first time is based solely on Paganini's autographed manuscripts.

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Paganini: Centone Di Sonate / Gianfranco Iannetta, Walter Zanetti
Tactus Nov 2020
CD
$21.99