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Rachmaninoff: Liturgy of St John Chrysostom / Putninš, Estonian Philharmonic Chamber Choir
BIS · Feb 2022SACD$21.99 -
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Rachmaninoff: Russian Easter Vesper Mass, Liturgy / Robev, Popsavov
Capriccio · Feb 2009CD + DVD$27.99 -
![Sheehan: Liturgy of St. John Chrysostom / Saint Tikhon Choir [CD + Blu-Ray Audio]](//arkivmusic.com/cdn/shop/files/3856958-2626918.jpg?v=1786650453&width=800)
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Sheehan: Liturgy of St. John Chrysostom / Saint Tikhon Choir [CD + Blu-Ray Audio]
Cappella Records · Oct 2020CD + Blu-Ray$32.99 -
Rachmaninov: Liturgy of St. John Chrysostom
-- New York Times
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Another disc of absolutely stunning quality from the Kansas City Chorale and their clearly inspirational conductor Charles Bruffy. I have written elsewhere of the extraordinary control and tonal blend that this choir achieves and those qualities are amply on display here. But to think that technique is a substitute for passion and power would be quite wrong because they are present in abundance too.
Although far from rare in the CD catalogues now, Rachmaninov’s two great settings of the Russian Liturgy; the Liturgy of St. John Chrysostom Op.31 and the All-night Vigil Op.37 still come as something of a surprise to listeners brought up on Brief-Encounter Piano Concertos. Both these settings are big pieces; the work currently under review running to over an hour and a half. As an opus it sits with Isle of the Dead and the Piano Concerto No.3 before and the first sets of Piano Preludes and Études-Tableaux afterwards. So this can be seen as being central in a period of great musical fertility. I am far from being expert on the subtleties of the way in which the Russian liturgy is set. But from my position of textual ignorance this is quite glorious. Other recordings I have heard have always been performed by Eastern European choirs recorded in cavernous basilicas where the great booming resonance adds to the religious theatricality implicit in the music. Prior to listening to this recording I have to admit that I wondered if a small professional choir from the Midwest United States would be able to emulate this sound-world. I need not have worried – again I cannot speak about how idiomatic their Russian pronunciation is – but the fervour and ecstatic quality to the singing is all I could have hoped for. Normally, the choir consists of just 24 voices split into four even groups. Wisely I think, for this recording, they have drafted in an additional three bass voices as well as having the extensive Protodeacon solos taken by Father Andre Papkov who is a long-time expert in the music of the Russian Orthodox Church. Also, the three recordings I have heard by the choir have each been made in a different Kansas Church. It sounds as if the present venue for this recording has been chosen to mimic the longer resonance mentioned above. Whether that is a function of the venue or the engineering or both I think it is a wise choice and one that works very well. My other concern was the scale of the choir. The composition was conceived with the Moscow Synodal Choir in mind. This comprised 50 boys and 30 men – not far off three times the size of the choir here and significantly with no women’s voices. I am sure that for some the all-male choir would be authentically essential but when the upper parts are sung with the purity and sheer tonal beauty as they are here it’s a trade-off I am happy to make. Also, there is no lack of power when the music requires.
I find it very hard to select movements let alone moments in this performance that are highlights – the inspiration and execution run at a high level throughout. One thought I would share is the brilliance with which the choir adapt their internal balance between sections. Take the very opening of the first disc, over the calls to prayer from the Deacon and Celebrant the choir intone ‘Lord have mercy’ – Papkov’s sepulchral bass is supremely evocative but it is the blend of the main choir that amazes me every time I return to it. It grows from the lower lines – a prayer gradually ascending from the depths of darkness and doubt. As the higher voices are gradually added there is a glorious unfurling and widening of the choral range yet nothing is forced there is a natural evolution that is hypnotically compelling. Or try the second movement Bless the Lord, O My Soul. Here it is the alto line which carries the melody initially. The way the sopranos create a halo of light around the lead line and the bass provides the firmest and deepest of supports is breathtaking. The engineering and production by Nimbus’s unnamed team is exemplary – the atmosphere for this kind of work perfectly captured and the voices of the soloists placed ideally within the main choral group. The resonance of the St. John’s Centre in Kansas is clearly present without blurring detail. Part of the theatricality of this music is when great waves of choral exalting wash and blur over the succeeding wave – try 1:30 into the Little Liturgy (track 3) and you will hear what I mean.
It is not a mode of listening to music that I often promote – but this is such a life-enhancing, spirit-lifting disc that listened to in the quiet of an evening in a room with the lights turned down it is heaven on earth as far as I am concerned. I have been listening to a sequence of Nimbus discs recently and it has struck me how consistently high their production and presentation values are. A case in point with this disc; a superbly performed disc of fascinating repertoire, supported by discreetly excellent engineering. But this is aided and supported by presentation that includes a really excellent essay by Vladimir Morosan who is an expert on Rachmaninov’s sacred choral music. I am sure I am not alone in finding that part of the whole home-listening experience is having a good detailed liner-note to read to complement the performance. Now here I’m getting into rather more retentive issues; I do like the fact that Nimbus print their booklets on high quality paper! I know it does not really matter a jot but I appreciate it! A tiny quirk though; I wonder why the text was given in English only? A transliteration at least would have helped the non-Russian-speaking listener keep a closer track on where exactly we were in the liturgy at any given moment.
There are several fine other recordings available but this pair of discs will grace any collection. For those with an interest in sacred music or just choral singing of the very highest order this is a most beautiful if not essential recording.
-- Nick Barnard, MusicWeb International
RACHMANINOV: LITURGY OF ST.JOHN CHRYSOSTOM OP.31
Rachmaninoff: Liturgy of St John Chrysostom / Putninš, Estonian Philharmonic Chamber Choir
The music of the Russian Orthodox Church was an essential part of Sergei Rachmaninoff’s musical background. As a boy he was deeply moved by the sound of St Petersburg’s cathedral choirs, and phrases reminiscent of liturgical chant permeate his music. His Vespers has long been admired as a summit of Russian liturgical music. It has unfortunately tended to overshadow the Liturgy of St John Chrysostom, his earlier large-scale sacred composition. Named after the fourth-century Archbishop of Constantinople and Church Father, the Liturgy consists of a sequence of prayers, psalms and hymns, which are sung or chanted by the different participants in the service. Rachmaninoff did not make use of any existing chants (as he would later do in his Vespers), but chose to reflect their style and spirit with music entirely of his own. The sonorities he creates is rarely achieved by plain four-part writing: instead the voices are frequently divided, solos emerge from the choir, and the range of textures shows great imagination. The Liturgy is here performed in the warm acoustics of the Niguliste Church in Tallinn by the Estonian Philharmonic Chamber Choir – listed among the ten best choirs in the world by the BBC Music Magazine in 2020 – conducted by Kaspars Putninš.
REVIEW:
Rachmaninoff himself esteemed this work highly, and when it receives the careful performance it gets here, it is indeed lovely. Choral music in the Baltic countries maintains a very high level of quality, and this small choir is arguably the jewel in the crown. Note that some online sources designate this as a reading of "excerpts," but it is not; Putniņš omits only some short responsorial sections, including one short movement, in accordance with the preference of modern editors. A wonderful performance of this Rachmaninoff masterwork.
-- AllMusicGuide.com (James Manheim)
Rachmaninoff: Russian Easter Vesper Mass, Liturgy / Robev, Popsavov
RACHMANINOFF Vespers . Liturgy of St. John Chrysostom 1 & • Georgi Robev, cond; Miroslav Popsavov, cond; 1 Bulgarian Natl Ch; Sofia Orthodox Ch 1 • CAPRICCIO 7010 (3 CDs: 173:21)
& DVD, “Mystery of the East” (75:00)
This Liturgy of St. John Chrysostom was hailed as the longest version on records (18:6, where I misspelled the conductor’s name) and the Vigil (Vespers) was warmly received when new (20:1), so this makes a valuable coupling. The Liturgy has been offered in varying lengths because the litanies are repetitive but often abbreviated. The recently reissued Martin Best version (32:4) offered as much as could be fitted onto one CD. Popsavov, like Polyansky (16:6), Milkov (16:6), Kocsis (19:6), and Bruffy (20:4), requires two discs in order to extend the litanies and the Cherubic Hymn, which are drastically (some would say mercifully) abbreviated in the single-disc versions. Yet here Popsavov is 12 to 20 minutes longer than any of the other two-disc versions, so it is the logical choice if you want more than Best offers. Another reason to go for this one is the rich Slavic voices of the choir, so satisfying in this music. Best’s choir was as good as the non-Slavic choirs get, but this is extraordinary.
Robev’s Vespers was rated right next to the classic Sveshnikov version, high praise indeed. Like the Liturgy , it was issued without texts or translations, and it had the minor fault of titling the work “Russian Easter Vesper Mass,” both Easter and Mass being incorrect terms. In a box that costs little more than one full-priced single CD, it is no surprise that the texts are still lacking. If you are unfamiliar with the Orthodox liturgy, this is a serious lack, but if you can supply for the lack of texts, this has a claim on your attention for the extended length of the Divine Liturgy.
The DVD included here arrived more recently as a separate issue but never received a review. The two sections of the program were made in Tomsk (Siberia) and Sofia (Bulgaria) in May 2002, but the notes, which are abridged from the original booklet, write only about Tomsk. The city was built in 1604 and the monastery of Our Lady and St. Alexei was built at once. The city also has the tomb of Tsar Alexander I, who, after his reputed death in 1825, is widely believed to have lived in Tomsk as Feodor Kusmich. He died in 1864 (the Britannica of 1911 called him Fomich and gave his date of death incorrectly as 1870) and was canonized by the Russian Orthodox Church in 1984. The documentary 45-minute segment on Easter at Tomsk is narrated with a generic background of liturgical singing, while the 30-minute concert in Sofia (Hristov, Rachmaninoff, Tchaikovsky, Kedrov) has the camera moving from the choir to the church interiors in familiar fashion. The Tomsk segment is expertly done, giving a real understanding of life in a Siberian city where the Orthodox faith appears to be strong. At the price, this is quite a generous offering.
FANFARE: J. F. Weber
![Sheehan: Liturgy of St. John Chrysostom / Saint Tikhon Choir [CD + Blu-Ray Audio]](http://arkivmusic.com/cdn/shop/files/3856958-2626918.jpg?v=1786650453&width=800)
![Sheehan: Liturgy of St. John Chrysostom / Saint Tikhon Choir [CD + Blu-Ray Audio]](http://arkivmusic.com/cdn/shop/files/91WCT5Wa9tL.jpg?v=1786650453&width=800)
Sheehan: Liturgy of St. John Chrysostom / Saint Tikhon Choir [CD + Blu-Ray Audio]
A 2021 GRAMMY Nominee for Best Choral Performance!
** Physical package includes CD and Pure-Audio Blu-Ray with high-resolution and surround formats, and video selections of the world premiere concert and complete liturgical performance. **
Benedict Sheehan’s landmark setting of the Divine Liturgy of St. John Chrysostom in English grows out of the tradition of the great Russian liturgy settings by Rachmaninoff, Gretchaninoff, and Tchaikovsky. Reminiscent of medieval Eastern chant, minimalism, American folk singing, and the high tradition of Western church music, it is also hailed by Metropolitan Tikhon of the Orthodox Church in America as “a new milestone for Orthodoxy in America.”
Sheehan’s sweeping and virtuosic a cappella Liturgy represents a fresh and vibrant voice for choral music today.
The Saint Tikhon Choir was founded in 2015 by Benedict Sheehan, the group’s artistic director, and Abbot Sergius of St. Tikhon’s Monastery. It is the first professional vocal ensemble connected with an Orthodox monastery in America, founded with a mission to foster and build up the American Orthodox choral tradition at the highest artistic level.
ABOUT THE RECORDING
Sheehan’s Liturgy is the first of four planned releases on Cappella Records produced by multi-GRAMMY® Award winner Blanton Alspaugh and the engineering team at Soundmirror. Soundmirror’s outstanding orchestral, solo, opera, and chamber recordings have received more than 100 GRAMMY® nominations and awards, with releases on every major classical label.
This is also the first release of The Saint Tikhon Choir on Cappella Records. The Choir recently recorded a collaboration on Naxos with three other choirs and the Orchestra of St. Luke’s conducted by Leonard Slatkin, which debuted at #1 on Billboard. They also previously recorded the sacred works of Benedict Sheehan for Saint Tikhon’s Monastery Press.
The 2-disc deluxe set features both CD and PureAudio Blu-ray™ media with high-resolution 2.0 Stereo and 5.0 Surround versions (DSM192K/24bit), recorded in DSD and downloadable to audio servers and devices. The Blu-ray™ also contains three video performances: two concert selections from the world première performance and the complete liturgical première sung at St. Nicholas Orthodox Cathedral in Washington, DC. The accompanying booklet provides an extensive essay by the composer, the full text of the Divine Liturgy, and beautiful photography.
BENEDICT SHEEHAN
![Sheehan: Liturgy of St. John Chrysostom / Saint Tikhon Choir [CD + Blu-Ray Audio]](http://arkivmusic.com/cdn/shop/files/3856958-2626918.jpg?v=1786650453&width=400)
