Four sonatas from the middle period of this exceptional yet undeservedly overlooked composer reveal a distinctive musical voice, where echoes of Rachmaninoff's and Grieg's mature Romanticism intertwine with the shimmering colours of Impressionism and the refined sensibility of the English tradition. Though these works make undeniable virtuoso demands, it is their melodic and harmonic imagination that commands the foreground: long-breathed phrases, subtle expressive nuance, and richly intriguing sonorities. The recording brings together distinguished instrumentalists associated with the Academy of Music in Kraków, whose interpretations are marked by brilliance, passion, and a palpable sense of discovery as they illuminate the beauty, individuality, and enduring artistic value of Bowen's music.

This is the first album in the discography of the National Wind Orchestra in Lubin, an ensemble founded in 2019. It features works by composers regarded among the most important contemporary creators of music for wind orchestra. Among them are also authors who write music for film, television, and advertising, which is reflected in numerous illustrative motifs that stimulate the imagination. The compositions reveal the immense sonic and expressive potential of the symphonic wind orchestra, transporting listeners into a fantastical world inspired by colors, the seasons, underwater life, and the magical scenery of the mountains. The music is aesthetically rooted in the tradition of sweeping film suites, where powerful brass fanfares intertwine with subtle woodwind motifs, enriched by the sound of harp and percussion instruments. Joyful, lively themes in Hounds of Springs, the dramatic chase in Ride, and the gentle, carefree mood of Whispers from Beyond together form a colorful kaleidoscope of emotions and impressions. Under the baton of Sebastian Perlowski, the National Wind Orchestra in Lubin captivates with it's sound, energy, technical virtuosity, and an excellent sense of style at the intersection of classical and film music.

The Detmold Horn Players, led by Michael Höltzel, their legendary founder and director as well as influential teacher, present Hubertusmesse (St. Hubert's Mass), one of the very first recordings by the Detmold-based audiophile label MDG. The outstanding sound, technical craftsmanship, and, above all, musical quality of these sensational works for parforce horns, including several historical hunting fanfares from Bohemian, French, and Austrian traditions, are something quite extraordinary and vouch for the consistency with which MDG has been inspiring music lovers and sound enthusiasts around the world ever since.

This album features a stunning collection of works, including compositions from the past few decades that highlight the extraordinary talents of the Flaubinette Trio. One standout piece is by Roman Czura, written exclusively for the trio, with a title that directly references their name. It's the only work on the album that incorporates contemporary techniques, blending aleatoric elements with striking motifs, all expertly structured in a classical three-part form. The rest of the repertoire is equally captivating, with an uplifting character and harmonies that dance around an expanded tonality, avoiding harsh dissonances. Influences from dance music, burlesque, and impressionism subtly emerge throughout, creating a unique, engaging sound. Each composition is an opportunity to experience the rich timbre and dynamic range of the wind instruments, showcasing their expressive capabilities in every note. The varied textures, intricate melodies, and sophisticated dialogues between instruments offer a platform for virtuoso performances by the Flaubinette Trio and pianist Magdalena Dus, who joins them in the final track. Passionate about chamber music, the Flaubinette Trio has earned numerous international accolades and maintains an exceptional level of musical synergy. Their longstanding collaboration is palpable, delivering an unforgettable listening experience that celebrates both technical mastery and musical intimacy.

After a remarkable debut in Vienna's Musikverein back in 2023, "The Philharmonic Brass" released their first album "Overture!" conducted by Tugan Sokhiev. Under Riccardo Muti's conductorship, the group reached a new peak in it's young career and launched the acclaimed album 'Italiana!' in spring 2025. To meet the highest audiophile standards, Supreme Classics is now re-releasing the first album, "Overture!" as a Hybride SACD and digitally in Dolby Atmos. "Overture!" includes virtuoso arrangements of some of the best-known overtures including Verdi's La Forza del Destino and Gershwin's Cuban Overture.

This album features 20th-century compositions where the flute plays the leading role. Eldin Burton's Sonatina, one of his few works, has become a staple of the flute repertoire. The outer movements are marked by a playful, joyful character, contrasted with the serene, subdued middle movement. The Sonata by Srul Irving Glick, making it's Polish premiere on this album, incorporates elements of traditional Jewish music, enhanced by rich melodies and harmonies based on frequent modulations. This is a hallmark of the Canadian composer's style. The final piece is Three Watercolors by the French flutist and composer Philippe Gaubert. These miniature works, for flute, piano, and bassoon, combine influences from Impressionism, program music, and Iberian traditions. The performers on this album are award-winning soloists, teachers, and outstanding chamber musicians, which is reflected in their nuanced and light interpretations.

On 9 January 2026, conductor Shea Lolin presents Frisson, an exciting new album of music for woodwind orchestra and his third recording with the principal woodwind players of the Czech Philharmonic (Gramophone's Orchestra of the Year 2024). Frisson follows the release of the ground-breaking Twisted Skyscape, the first album devoted entirely to new music for woodwind orchestra, and Chromosphere, which focused on contemporary repertoire. Frisson marks Shea Lolin's 20-year involvement with the woodwind orchestra and celebrates it's evolution from the early eighteenth-century genre of Harmoniemusik - formal ensemble music for pairs of winds - to it's modern form. The album features a superb programme of arrangements for woodwind orchestra by Shea Lolin, all originally commissioned by the Bloomsbury Woodwind Ensemble. He expands Franz Krommer's exquisite Octet - Partita in F Major, Op. 57, and Richard Strauss's youthful Serenade, Op. 7, creating a broader sonic landscape while maintaining their essence. Also included is Cécile Chaminade's beloved Concertino, Op. 107, arranged for woodwind orchestra and featuring young Glaswegian flautist Fiona Sweeney, who makes her debut with the Czech Philharmonic on this release. Completing the album is More Gordian Knots by Guy Woolfenden OBE, a spirited reimagining of Purcell's music for The Gordian Knot Unty'd, written during Woolfenden's remarkable 40-year association with the Royal Shakespeare Company.

This album offers a compelling snapshot of more than a century of Polish composers' contributions to the solo trombone repertoire. The program brings together works in which neoclassical clarity and sophisticated harmonic language intertwine with a neo-romantic spirit-rich in lyrical themes, virtuosic brilliance, and subtle references to folk traditions. Performed by outstanding musicians closely associated with the Poznan concert scene, these interpretations highlight the distinctive warmth, elegance, and expressive power of brass instruments in a refined classical setting.

The dazzling and spectacular sonority of the "trumpet and organ" duo was etched into contemporary history by the splendid recordings made starting in the 1960s for the label "Erato" by Maurice André and Marie-Claire Alain. Since then, a plethora of performers on both instruments have explored - with varied outcomes - works composed for their ensemble, transcribed and adapted music written for other instruments, and encouraged composers to expand the repertoire. The duo Santi-Arlotti, already established by their concert fame, stands out for their meticulous research and the originality of their musical proposals, which have been appreciated since their first CD, released in 2017 for Tactus (TC850003). This album was entirely dedicated to variations on famous opera themes (Verdi, Rossini, Bellini, Donizetti, Dall'Argine) composed by Arban, Forestier, Zanichelli, Cacciamani, Rossari, and Spiga. Their repertoire is the fruit of passionate research, as evidenced by the beautiful Concerto by Bortolotti, drawn from a precious Bolognese manuscript and skillfully adapted for the organ by Marco Arlotti, presented in this recording.