Hansel and Gretel is a Fairy Tale Opera, which Engelbert Humperdinck brilliantly composed in 1892. The charming melodies make it an opera that children enjoy. However, it's wonderful music is for everyone. The libretto was written by Adelheid Wette, Humperdinck's sister, and is based on the famous Grimm brothers' fairy tale of the same name. The Salzburg Marionette Theatre created a fascinating production with renowned singers and highly skilled puppeteers. Established in 1913, the Salzburg Marionette Theatre is one of the oldest continuing marionette theaters in the world. The ensemble performs a large repertoire of operas, ballets, and other productions for both children and adults, exclusively using marionettes.

Donizetti’s Don Pasquale represents the high point of the Italian buffa tradition, a sparkling comedy using characters from commedia dell’arte in ways that are entertaining, witty and playful. It was the work selected by the Vienna State Opera for its 1977 tour through Austria. Starring famous singers like the bass Oskar Czerwenka, the great lyric tenor Luigi Alva and, on the cusp of international fame, Edita Gruberova (soon to become the ‘queen of bel canto’) – this filmed performance, in colour and sung in German, showcases an outstanding ensemble at the height of its powers.

Also available on Blu-ray

Jean-Baptiste Lully’s Atys, a tragédie en musique, became known as the ‘king’s opera’ due to Louis XIV’s fondness for it. The work stands as a testament to the Sun King’s courtly refinement, as well as his moves to make France the center of European artistic culture. The opera’s themes of romantic dilemmas and ultimate tragedy, set amidst the poetic atmosphere of Ovid’s classical mythology, create the perfect vehicle for a narrative filled with dramatic intensity combined with a myriad of moving and expressive arias and duets. William Christie conducts this acclaimed production – hailed by The New York Times as being ‘as satisfying as it is bold’.

REVIEW:

The role of Atys is physically as well as vocally taxing, but is here superbly realised by the German tenor, Bernard Richter, while the French soprano, Emmanuelle De Negri, is an excellent Sangaride, with the creamy voice of the mezzo, Stephanie D’Oustrac, as Cybele completing the love triangle. The cast list is large, and with the Compagnie Fetes Galantes providing the dancers, the stage is at times totally filled. The reviews at the time of filimg (2011) were suitably euphoric regarding the casting, and equally of the presence of the period instrument orchestra, Les Arts Florrissants, with the idiomatic conducting of William Christie. The filming itself is immaculate in its ideal mix of full stage and close-up images, while the sound quality is gorgeous.

– David's Review Corner (David Denton)

In November 1949, at the age of eight, Idil Biret entered the studios of ORTF (Radiodiffusion Television Francaise) in Paris and made her first recordings; these were works by Couperin, Bach, Beethoven and Debussy. In the following decades she made nearly 100 LPs and CDs, released on ten record labels (Pretoria, Vega, Decca, Atlantic/Finnadar, Pantheon, EMI, Naxos, Marco Polo, Alpha, BMP) and many recordings for radio and television stations around the world. These included the complete piano works of Brahms, Chopin and Rachmaninov as well as the Sonatas of Boulez and the Etudes of Ligeti. The Idil Biret Archive (IBA) is now bringing together her past and present recording; as the copyrights are obtained, old recordings no longer available commercially are being released together with her new recordings. The transcriptions by Liszt of Beethoven's Symphonies, originally recorded for EMI, and the newly recorded 32 Sonatas and all the Piano Concertos of Beethoven were released by IBA and also made available in a box set. All the Piano Concertos of Liszt, Tchaikovsky, Schumann and Grieg and the nine LPs recorded for Atlantic/Finnadar in New York which include works by Boulez, Webern, Berg, Ravel and Stravinsky were also released. The present album features Beethoven’s Piano Sonatas Pathetique, Moonlight, Waldstein, and Appassionata. IBA is distributed worldwide by Naxos.

When Il trittico premiered at New York's Metropolitan Opera in December 1918, Gianni Schicchi became an immediate hit. The libretto is based on an incident mentioned in Dante's Divine Comedy. The action in Puccini’s Gianni Schicchi takes place in Buoso Donati’s bedroom in 13th-century Florence, immediately after his death, as his greedy relatives feign grief and search for his will. The mood shifts to anger when the relatives discover that they have been disinherited. They seek out the clever and resourceful Schicchi to make a counterfeit will. Schicchi, however, turns their scheme against them, bequeathing most of the dead man’s fortune to himself while the relatives, all parties to the crime of forgery, are forced to sit by silently. The aria O mio babbino caro is one of Puccini's most popular arias for soprano. Bruno de Simone plays the character of Gianni Schicchi. As Italy's finest basso buffo, he is perfect for this role. Puccini completed the score on 20 April, 1918, eight months before the scheduled premiere. At that performance it was presented as the third part of a trilogy of newly written one-act operas by Puccini billed as Il trittico (The Triptych); the first two were Il tabarro (The Cloak) and Suor Angelica (Sister Angelica). Il tabarro was a dark tragedy and Suor Angelica a sweet one, so by closing with Gianni Schicchi Puccini rounded off the night with a high-spirited comic farce. Critical reaction at the time judged that Gianni Schicchi was “an uproarious delight”, and it was the most favorably received of the three.