This 2021 winner of Postive Feedback's Writer's Choice Award for it's reel-to-reel edition, recorded in 1982 by the legendary Mack Emerman, documents an underrepresented chapter of Monty Alexander's recording output, live at Fort Lauderdale's Club Bubba. It's Monty at his best, with a great band and incredibly high-energy performance! Now available as a 200-gram 45 RPM double LP set! Recorded live at Bubba's Jazz Restaurant in Fort Lauderdale, Florida on August 6, 1982. 'The more of these albums the 2xHD label uncovers, remasters and releases, the more you appreciate the work it's doing in letting us rediscover superb performances. These live recordings, taken from pianist Monty Alexander's own collection and made in August 1982 at a Florida 'Jazz Restaurant', were captured by engineer Mack Emerman, founder of Criteria Studios - home of many a big-selling recording. Here we find a tight quartet featuring bassist Paul Berner, Duffy Jackson on drums and extra percussion from Robert Thomas, Jr. Performing truly spirited, generous 92 minutes of an exceptionally well-recorded and finely remastered performance. You really don't have to be a beard stroking Jazzer to enjoy this. An ear for a great recording of fine performances will do.' - 5/5 stars, Andre Everard, Hi-Fi News & Review Monty Alexander - Love You Madly 200-gram 45 RPM double LP set 2xHD mastering on Nagra equipment by Rene Laflamme Lacquers cut all-analog at Bernie Grundman Mastering on tube cutting equipment Tracklist: Side A Arthur's Theme Blues For Edith Side B Love You Madly Samba de Orfeu Side C Reggae Later SKJ Side D Fungii Mama
After his storied stint with Ray Charles and years of solo LPs on Atlantic, Hank came to Kudu in the '70s. This funk-soul-jazz delight from '75 teams his sax with Bob James, Randy Brecker and Pepper Adams among others; the title Stevie Wonder tune joins Sho Is Funky; Groovy Junction; Jana, and more!
A New Heaven - Korndorf: Hymn Ii & Iii / Lazarev, Bott
Sony Masterworks
CD · 1 disc
$17.99Mar 05, 2009
Who is Nikolai Korndorf? Have no fear, if the name is unfamiliar to you at present the ensuing popularity (which I’m sure this disc will attract) will have it tripping off the tongue as readily as Gorecki, Part, Schnittke or Tavener. For the uninitiated (and that included myself prior to hearing this release) Korndorf was born in Moscow in 1947 and started out as an 'avant-garde' composer, but (and here’s where he shares similarities with the names listed above) he suddenly changed to a more tonal, simple and above all spiritual style in the early 1980s. In 1991 he moved to Vancouver, Canada, and since then his music has been steadily gaining admirers and exponents in the West.
Sharing the same title, and possibly general sentiments, Korndorf’s three orchestral Hymns would appear to constitute a cycle but, as Korndorf himself has said, he prefers that they should not be performed or considered as such. However, this debut disc offers us Hymns II and III, though I would strongly echo the composer’s wishes and urge listeners to program a suitable break before moving from Hymn II to III. In terms of musical style the works presented on this disc share much in common with Gorecki’s Third Symphony – slow moving, seamless textures, minimal material, peaking climaxes and, in Hymn III, an ethereal, wordless soprano part. If anything Korndorf’s music is even more static than either Gorecki or Part, and generally the impression is of vertical rather than linear movement – walls of ‘bell-like’ pulsating chords dominate and seem to suggest a kind of ‘summoning prelude’ to a great event – Korndorf himself would suggest perhaps the dawning of a new spiritual age.
Hymn III was composed in response to a commission by the Kohler-Osbahr Foundation for a piece in honour of Gustav Mahler, and there are certainly Mahlerian echoes to be found here – not least the off-stage trumpets heard at the beginning and the high sustained string texture which recall the First Symphony. Generally speaking, if you have enjoyed the sound world of Gorecki and Part then you will probably enjoy discovering Korndorf too. As for the performances, the BBC Symphony Orchestra play this music with great conviction and the soprano solo in Hymn III is beautifully delivered by Catherine Bott.
