This CD contains the material Hawkins recorded for Al Benson's Parrot label in Chicago. Discographical details about these tracks remain incomplete but it seems all items were made in Aug. 1953 - despite various other recording dates found in reference-books and biographies. He was playing a residency at the "Toast of the Town" club in Aug. 1953 when Benson seized the opportunity to record for his new label. Only 4 tracks were actually issued on 45/78s - incidentally one with a romantic typo: "I'll Follow My Secret Heart" appeared as "I'll Follow My Sacred Heart!" Benson obviously tried to experiment, yet neither the vocal choir nor the organist helped Hawkins a lot. It seems that a 10" or 12" LP was originally planned but Benson never issued it. Tracks: I'll See You Later - What a Difference a Day Made - I'll Follow My Sacred Heart - Blue, Blue Days - Flight Eleven - Modern Fantasy - Confessing' - September Song - You Can't Take That Away from Me - Should I - Last Stop - Lullaby of Birdland - Get Happy - Out of Nowhere - Blue Lou - Stompin' at the Savoy - Just You, Just Me.

NTSC Region 0. This release presents an impressive concert by a true all star combo. Recorded in London in 1964, the event brings together a group of veteran musicians with distinguished careers behind them. Featuring Coleman Hawkins, Harry Edison, Jo Jones, Sir Charles Thompson, Jimmy Woode and George Arvanitas. As a bonus to this amazing performance a complete short film made in Brussels by Coleman Hawkins backed by Jimmy Woode on bass, French pianist George Arvanitas, as well as American drummer Kansas Fields. The most unusual tune is Hawkins unaccompanied opening improvisation as he was the first musician to commercially record an unaccompanied tenor saxophone solo. Featured performances include 'September Song', 'What's New', 'WIllow Weep for Me' and more. Impro-Jazz. 2006.

Digitally remastered edition of this release by the Jazz legend. Coleman Hawkins' the Hawk Swings is's set originally issued on Crown. It shows the pioneer of Jazz saxophone was as relevant in the early 1960s as he was in the '20s/'30s. High quality Hard Bop with a bluesy edge, this record features a line-up of musicians familiar to those who read the backs of Blue Note and Prestige LPs: Ossie Johnson drums, Thad Jones on trumpet, George Duvivier on bass and the excellent Don Costa on piano and vibes. Boplicity.

Classic recording from the most influential tenor sax player in the history of modern jazz, Coleman Hawkins, performing a selection of jazz standards. Also featured are Hawk originals "Red Beans," "Hawk Eyes" and "Through for the Night". Digitally remastered.

Hawk Talk is a superbly rich and lush album. Hawkins displays a real sensitivity to classical music and, perhaps more than any other album, displays a variety of musical timbres. Highlights include the melancholic ballad "Lonely Tenor" and the sultry "Whisper to Me".

Coleman Hawkins - "Coleman Hawkins and Confreres (Verve Acoustic Sounds Series)". Released in 1958 on Verve, Hawkins playing is particularly confident and eloquent throughout the set. His group of "confreres" on the session is fortified by the Oscar Peterson Trio along with sit-in guests, including Hank Jones (piano), Herb Ellis (guitar), and Roy Eldridge & Buck Clayton (trumpet) among others. The relaxed atmosphere of the session is particularly noticeable in the title, "Sunday," in which Roy Eldridge comes into the limelight with a brilliant solo. Coleman Hawkins' voluminous, supple sound which had a great influence on the styles of so many horn players who followed is best heard after Roy's solo in "Honey Flower." Verve Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Coleman Hawkins was a hugely influential exponent of the tenor saxophone in jazz, being widely regarded as the first artist to establish the instrument as an essential component of the genre's sound. Beginning his career in the early days of jazz in the late '20s, he became a major figure during the swing and big band eras spanning WWII, but also made a significant contribution to the bebop scene into the 1950s. His distinctive but highly adaptable style and sound enabled him to perform over the years in small bands and large orchestras alike both as sideman, leader and featured soloist, and this collection draws on examples of all those elements of his career, from his early recordings with Fletcher Henderson's Orchestra in 1927 through to bebop sessions alongside lush recordings with strings in the mid-'50s. It's a great value 48-track 2-CD, and along the way, there are contributions from many great names of the genre, too numerous to list here, but including Miles Davis, Dizzy Gillespie, Glen Miller, Benny Goodman, Cozy Cole, J.J. Johnson, Charlie Christian, Benny Carter, and many more. It's a worthy addition to the Fabulous label's Jazz Legends series. It does not duplicate any tracks included on our existing Fabulous label Coleman Hawkins CD 'Bean Soup' (FABCD 136).

Rare live performances from 1950-1958 featuring Bean a.k.a. Coleman Hawkins with such sidemen as Pee Wee Russell, Charlie Shavers, J.C. Higginbotham and others. Includes some of his best-known tunes, too- Body and Soul; the Man I Love, and a seven and a half minute rendition of Avalon !

Vinyl LP pressing. As critic Nat Hentoff makes clear, Coleman Hawkins and Ben Webster were larger than life. Formidable, even forbidding presences, they revealed a depth of feeling in their playing that spoke of their vast life experiences, as great writers or painters speak through their work. Recorded in 1957.