Marek Janowski presents his first purely-orchestral Schubert recording, together with the Dresdner Philharmonie, performing the composer’s two final, groundbreaking and most famous symphonies. While the two movements of the “Unfinished” symphony in B Minor reach a level of perfection despite the work’s apparent incompleteness, Robert Schumann praised the “Great” symphony in C Major for its “heavenly length”. Janowski’s interpretation combines a sense of tradition with vitality and intensity.

Marek Janowski is one of the most celebrated conductors of our time. After having recorded Schubert songs in orchestrations by Reger and Webern with the tenor Christian Elsner in 2015, Janowski now adds this symphonic Schubert album to his impressive Pentatone discography, following complete recordings of Bruckner, Brahms and Beethoven’s symphonies, several works by Richard Strauss, as well as Wagner’s ten mature operas. He works together with the Dresdner Philharmonie, with whom he already released complete recordings of Beethoven’s Fidelio (2021), Puccini’s Il Tabarro and Mascagni’s Cavalleria rusticana (both 2020).

Violinist Alena Baeva joins Alpha Classics for several recordings, starting with an album of chamber music with pianist Vadym Kholodenko, her favourite partner. Together they offer an eclectic and unusual programme of Schubert's fearsome and magnificent Fantasy for violin and piano, composed a year before his death… This is followed by Stravinsky's joyous and boisterous miniatures in a collection entitled Divertimento, proposed as an abridgement of the ballet Le Baiser de la fee (The Fairy's Kiss). Olivier Messiaen composed a Fantaisie for his first wife, the violinist Claire Delbos, but the work was not published until 2007. Die Marchenbilder by Schumann complete the programme. Initially a pupil at the Moscow Conservatory, Alena Baeva later left Russia and was taught by Shlomo Mintz, Mstislav Rostropovich, Boris Garlitsky and Seiji Ozawa. At just 16, she won the Grand Prize in the Henryk Wieniawski International Competition, and many other prizes followed. Alena Baeva plays the Guarneri del Gesù "ex-William Kroll" of 1738. Ukrainian pianist Vadym Kholodenko was awarded the Van Cliburn Gold Medal in 2013.

Lebensmuth is the final episode of Signum Quartett’s acclaimed Schubert trilogy, in which early and late string quartets are combined with song arrangements created by the group’s violist Xandi van Dijk. Schubert’s First String Quartet in G Minor, written when he was 13, already reveals his inclination to bold and unexpected moves. His last String Quartet in G major, D. 887 veers between a profound examination of personal trauma and a blazing triumph over adversity, and it is this resilience of spirit which is further highlighted by songs such as ‘An die Musik’ and ‘Lebensmuth’, pieces that courageously embrace life and all the beauty it offers. The Signum Quartett is frequently hailed as one of the most adventurous and outstanding ensembles of today. The quartet’s first Pentatone recording Aus der Ferne (2018) won an Opus Klassik 2019 award, as well as a diapason d’or, and was followed by Ins stille Land (2020).

Brad Mehldau presents The Folly of Desire, a song cycle inquiring the limits of sexual freedom in a post-#MeToo political age, together with tenor Ian Bostridge, one of the greatest song interpreters of our times. Setting poetry by Blake, Yeats, Shakespeare, Brecht, Goethe, Auden and Cummings, Mehldau’s music shifts seamlessly between a jazz idiom and Classical art song, and the work explores a theme as timeless as it is topical. The stylistic diversity of this project is underlined by adding a selection of jazz standards, as well as a Schubert lied.

Grammy®Award winning jazz pianist Brad Mehldau has recorded and performed extensively since the early 1990s, and makes his Pentatone debut with The Folly of Desire. His performances and compositions convey a wide range of expression. Ian Bostridge is one of the most celebrated tenors and lied interpreters of his generation. His Pentatone recording of Schubert’s Winterreise (2019) was crowned with the ICMA Vocal Music Award 2020. Bostridge has also released Die schöne Müllerin (2020), Schwanengesang (2022) and Respighi Songs (2021) with the label.

Star pianist Pierre-Laurent Aimard presents Ländler, a collection of delightful dances composed by Franz Schubert. Rustic and cheerful, these miniatures display a fascinating side of Schubert’s musical persona. Their simplicity is deceptive, as these dances are frequently shaken up by Schubert’s harmonic wandering soul, yet remaining lyrical, picturesque, and tuneful. For Aimard, there is a kinship between Schubert’s Ländler and Kurtág’s Játékok, pieces that he often performs side by side, sharing a combination of playfulness and Modernism that also calls the great twentieth-century miniaturist Anton Webern to mind. By avoiding almost any repetition, Aimard evokes a sleepwalker’s journey rather than a series of dances.

A renowned champion of twentieth-century music, Pierre-Laurent Aimard has released multiple acclaimed albums in his exclusive contract with Pentatone, including Messiaen’s Catalogue d’Oiseaux (2018) and Visions de l’Amen (2022), along with Beethoven’s Hammerklavier Sonata & Eroica Variations (2021). He also joined Tamara Stefanovich in Etudes and Frames (2023), with music by Vassos Nicolaou, and recorded Bartók's Piano Concertos with the San Francisco Symphony and Esa-Pekka Salonen (2023).

On its second CD, the piano duo Neeb presents works that illustrate the beginning of an auspicious period in the life of various composers: Full of creative energy, Max Reger threw himself into creative work after surviving years of health and mental strain. Franz Schubert fared similarly after an attack of syphilis, who, in addition to a permanent position at Esterházy Palace, was even inspired to new creative vigour by a secret love. Johann Sebastian Bach was motivated to write new concert repertoire by conducting the high-calibre Collegium Musicum, while Rachmaninov overcame his depression with the Suite op. 17, which had prevented him from composing for three years after the failure of his first symphony. The piano duo Neeb illuminate these emotional worlds in their intelligent interpretation - with creative imagination and effervescent joy of playing.