Shostakovich was known for his fun-loving attitude during his early years as a composer. The colourful incidental music for The Shot - reconstructed by Mark Fitz-Gerald from the original piano scores - vividly evokes the raucous life of experimental youth theatre in Leningrad during the late 1920s. This carefree world had changed dramatically by 1934 when Shostakovich completed his music for The Human Comedy - a work that creates a charming atmosphere of Parisian escapism. Discarded movements from his first opera The Nose form an entire orchestral suite. The programme concludes with Mark Fitz-Gerald's reconstruction of the March of the Anarchists, transcribed by ear from the film The Vyborg Side.

Nikolay Roslavets was one of the great musical innovators of the 1920s, described by Stravinsky as "the most interesting Russian composer of the 20th century," but vilified by the Soviet regime on account of his constant experimentation. His Piano Trio No. 4 is notable for it's romantic and passionate spirit and complex polyphony. Shostakovich's Piano Trio No. 2 is one of the most harrowing and revered of all his chamber works. The Piano Trio No. 1, a remarkable composition for a 16-year-old student, is a work of romantic intensity cast in a musical language recognisably that of Shostakovich.