A world-premiere recording. Maestro Mikhail Pletnev conducts his own, never before published composition: the 14 Memoires musicales (2024). He set his childhood memories to music in 14 musical images that captivate the listener like a colorful kaleidoscope. Mikhail Pletnev's trumpet concerto is dedicated to trumpeter Sergei Nakariakov, who is also the soloist in this concert recording.
First performed in Rome in 1934, now ignited to spectacular effect in Berlin. The timeless, rarely performed drama about witch-hunts, power games between wife and husband, mother-in-law and daughter-in-law and prejudice is brought to life in a captivating way on the stage of the Deutsche Oper. Impressive singing and colossal tableaux accompany a story of intrigue, power struggles and an affair between stepmother and son in Ottorino Respighi's last great opera. Surrounded by political struggles, the characters become entangled in personal conflicts that mercilessly lead to catastrophe and end with a cruel outcome at the stake.
Spectacular western movies and moments to remember from and with the Maestro himself. Ennio Morricone composed over 400 scores for cinema and television, as well as over 100 classical works. This concert from 2004 with the Munchner Rundfunkorchester is one of the very few recordings where he conducts his own music. The album contains a representative collection of his most famous film music including The Good, the Bad and the Ugly, Once Upon a Time in the West, A Fistful of Dynamite, Once Upon a Time in America, Cinema Paradiso, The Untouchables and many more.
Explore distant galaxies with the Danish National Symphony Orchestra. These legendary film soundtracks from the world of science fiction will transport you to the infinite vastness of space with epic sounds and powerful choirs. Experience the music from Dune, Star Wars, Star Trek, and many other masterpieces: enjoy stirring solo passages and majestic themes with outstanding soloists Sinne Eeg, Isabel Schwartzbach, David Bateson, and Kristoffer Appel.
In this program, the DNSO let's you experience the fascinating world of John Williams' music in a concert that brings cinema to life. From the epic fanfares of Star Wars to the magical sounds of Harry Potter and E.T. to the touching melodies of Schindler's List, this program spans an impressive arc between adventure, fantasy, and deep emotion. An evening full of goosebumps, big emotions, and unforgettable film music that awakens memories and ignites new enthusiasm.
In this program, the DNSO let's you experience the fascinating world of John Williams' music in a concert that brings cinema to life. From the epic fanfares of Star Wars to the magical sounds of Harry Potter and E.T. to the touching melodies of Schindler's List, this program spans an impressive arc between adventure, fantasy, and deep emotion. An evening full of goosebumps, big emotions, and unforgettable film music that awakens memories and ignites new enthusiasm.
With his powerful voice and unmistakable stage presence, Anthony Clark Evans presents a dazzling panorama of the great 19th-century baritone repertoire on this recording. The program ranges from the passionate drama of Italian verismo to the elegance of French opera and the exalted sound world of Richard Wagner. Evans opens with Leoncavallo's famous Prologue from Pagliacci, a programmatic manifesto of verismo, and continues with Giordano's searing denunciation "Nemico della patria" from Andrea Chenier and Puccini's dark scene from Il Tabarro. Donizetti and Offenbach provide melodic refinement and brilliant color from the Italian and French traditions, while Thomas's drinking song from Hamlet adds charm and lightness. Particular highlights are the Wagner arias - the intimate "Song to the Evening Star" from Tannhauser and the great scene of the Dutchman - where Evans's voice reveals both lyrical depth and dramatic radiance. The program concludes with central Verdi roles, from Rigoletto to Il Trovatore and Luisa Miller, showcasing the full range of Italian bel canto drama.
The Big Band of the Deutsche Oper Berlin is celebrating it's 20th anniversary and dedicating itself to French jazz. During the German occupation, it stood for freedom and resistance, and in the post-war period it became the soundtrack of existentialism and an expression of the attitude to life of an entire generation. In the nightclubs of Saint-Germain-des-Pres, musicians such as Miles Davis and Sidney Bechet met Jean-Paul Sartre, Simone de Beauvoir, and Boris Vian. For many jazz musicians from the USA, Paris became a place of longing beyond racial segregation and the McCarthy era. The Deutsche Oper Berlin Big Band celebrates the spirit of those years with music by Michel Legrand, Jacques Brel, Boris Vian, and Django Reinhardt.
Lucia di Lammermoor is one of the most iconic works of the bel canto repertoire, showcasing Gaetano Donizetti's masterful blend of lyrical beauty and dramatic intensity. Based on Walter Scott's novel The Bride of Lammermoor, the opera tells a haunting tale of love, political rivalry, and psychological collapse. At it's heart lies the tragic heroine Lucia (Lisette Oropesa), caught between familial duty and a forbidden love, whose descent into madness culminates in one of the most famous and demanding scenes in all of opera-the legendary 'mad scene'. What sets Lucia di Lammermoor apart is it's emotional depth paired with extraordinary vocal virtuosity. The opera demands immense technical precision, agility, and stamina from it's singers. Lucia's role, in particular, is a tour de force for any soprano, requiring crystalline coloratura, seamless legato, and the ability to convey both fragility and inner turmoil.
