During Paganini´s lifetime (1782–1840), there were rumors that Paganini had sold his soul to the Devil. His violin technique was so astonishing, his performance style so exuberant and his appearance so, well, demonic that there could be no other explanation. With modern medical knowledge, it now seems more likely that he had Marfans and Ehlers-Danlos syndromes, allowing him to stretch his hands in ways no one else could. Whether or not he had natural advantages, Paganini changed the course of violin playing, as Pavel Šporcl explains: “He was the best – a magician of the violin. He became a global star – the tabloid newspapers gossiped about him and told readers to sell everything to buy a ticket to see him. He also did so much to advance violin playing and repertoire. Violin technique and the way we play today are largely due to Paganini.” Pavel Šporcl and his famous blue violin are celebrated around the world. He is considered in the ‘royal line’ of Czech violinists, having been taught by the legendary teacher Vaclav Snitl (himself taught by Jaroslav Kocian) as well as by Itzhak Perlman, Eduard Schmieder and Dorothy DeLay. Šporcl whose iconic blue violin was created by leading contemporary instrument maker Jan Spidlen, has done a great deal to popularise classical music in his country – having sold more than 230,000 albums and frequently appeared on television, including his recent documentary series on the great Czech violinists of yesteryear, and his regular top-rated program introducing children to music.

The concerto, with its soloist thrilling and moving an audience with the support of an orchestra, has been one of the most popular musical forms for over 300 years. Now imagine a concerto for two instruments: twice the virtuosity and twice the expression! While Antonio Vivaldi was one of the first composers to investigate the possibilities of this format in his more than 500 concertos, he didn’t compose a single one for double bass. This recording rectifies Vivaldi’s omission and offers arrangements of two of his double concertos as well as one of his best-loved arias: Vedrò con mio diletto from the opera Il Giustino. A little more than century later, Giovanni Bottesini, the Paganini of the double bass, captivated first Europe and then the rest of the world, displaying a dazzling virtuosity in his numerous compositions that highlight the unique qualities of the instrument. For his second disc on the BIS label, Rick Stotijn, a tireless advocate of his instrument and its endless possibilities, has joined forces with his friends Johannes Rostamo, Olivier Thiery and Bram van Sambeek. Supported by Camerata RCO, a string ensemble from the Amsterdam Concertgebouworkest, they perform concertante works from these two Italian composers: Doppio espressivo!