The Guesthouse is about collaboration, inclusion, and the essence of welcoming which is the essence of an open door. It's my most ambitious project to date, sonically and compositionally. It involves so many incredibly talented people: some are in the front, playing music together with me, offering their insight, time, effort, and love, and some incredibly talented and hardworking people are behind the scenes, facilitating, allowing, and inspiring me to keep pushing forward. Musically speaking, the color palette on The Guesthouse is huge. It introduces many musical guests that I admire deeply: MARO, Immanuel Wilkins, Michael Mayo, and many more. It includes lyric writing for the first time, electronic instruments, guitars, trumpets, flutes, flamenco musicians, in-depth production work, my quartet, solo piano, odd meter explorations, improvisations, songs with no time, strings, two pianos conversing and more and more and more.. I dove as deep as I could into these deep waters. The result is my attempt to turn the creative chaos that lives in mind mind into one coherent artistic statement, always having a simple melody as a thread that tells the story of this collective. Shai Maestro Shai Maestro (b. 1987) is one of the most inventive and influential pianists of his generation. Since debuting with his own trio in 2011, he has developed a distinctive musical voice that is fluid, expressive, and profoundly lyrical. His artistry has made him a defining figure in contemporary jazz, merging improvisation, composition, and global influences into a sound that is both cinematic and deeply personal. Maestro began studying classical piano at the age of five and discovered jazz at eight through the recordings of Keith Jarrett and Oscar Peterson. At nineteen, he joined bassist Avishai Cohen's trio, co-writing the acclaimed Gently Disturbed and performing worldwide. In 2011, he formed his own trio, recording six albums that solidified his reputation as a singular voice in modern jazz. His years with ECM Records, under the guidance of Manfred Eicher, placed him among the lineage of pianists such as Keith Jarrett, Paul Bley, and Chick Corea. With drummer Ofri Nehemya and bassist Jorge Roeder, he recorded his first ECM album "The Dream Thief", later joined by trumpeter Philip Dizack for the second - "Human", both expanding the expressive language of the modern jazz quartet. Today, Maestro continues to evolve artistically with a new quartet featuring keyboardist Gadi Lehavi, drummer Ofri Nehemya, and bassist Jorge Roeder. Gadi, the new wild card in the group, brings a distinctive energy and vision; his presence as another pianist opens fresh possibilities for dialogue, texture, and experimentation between two keyboards. This lineup functions as a powerful, cohesive engine driving Maestro's musical exploration, blending jazz improvisation with modern production into a sound that is organic, cinematic, and forward-looking. In 2025, Maestro signed a long-term partnership with the Paris-based label naive records, a defining milestone that opened an expansive new chapter in his artistic life. The collaboration with naive marked a moment of renewal and bold creative ambition, setting the stage for a period of profound exploration. The first fruit of this partnership was his solo piano album, Solo: Miniatures & Tales. Introspective and deeply personal, it revealed the most intimate side of Maestro's artistry; a work of quiet reflection, nuance, and restraint. This album stands in deliberate contrast to the broader, outward-looking vision of his forthcoming project, The Guesthouse, highlighting the duality at the heart of Maestro's creative world: the tension between introspection and expansion. In March 2026, Maestro will release The Guesthouse, a record that features Portuguese singer MARO alongside Immanuel Wilkins, and Michael Mayo. The album represents a bold leap forward, combining the sensitivity of modern jazz with electronic sound design and the harmonic depth of classical music. The Guesthouse creates a lush, cinematic space where boundaries dissolve, embodying Maestro's exploration of openness and collaboration.
PEOPLE. PLACES.' is the result of a personal process of professional rediscovery and artistic redefinition. I arrived in Europe in 2019 thinking of myself as a guitarist who composes, and life circumstances led me to see myself now as a composer who plays the guitar. I have been making music since I was four years old, and the guitar was the instrument that, during my teenage years, led me to decide to become a musician and through which I became a professional, an artist. Composing, on the other hand, better represents the meaning music has for me today: as an expressive and revolutionary tool, for change, transformation, and development. - Martin laies
Two of the most distinctive voices in Dutch jazz join forces: harmonica virtuoso Hermine Deurloo and guitarist Anton Goudsmit. What begins as a playful exchange between lyricism and groove unfolds into a concert full of unexpected twists, inventive improvisations, and idiosyncratic compositions-plus recognizable covers. Rooted in Amsterdam's jazz scene, they combine melodic power with unpredictable energy. The warm, storytelling sound of Hermine's harmonica is the perfect counterpoint to Anton's unstoppable guitar playing: a creative whirlwind with irresistible groove, humor, and a unique musical signature. Together they take you on a ride filled with stories, rhythm, playfulness, and emotion-sometimes whisper-soft, then exuberant and explosive. Anton Goudsmit (guitar/compositions) enchants with inventiveness, infectious joy, and a groove that immediately draws the audience in. Hermine Deurloo is praised for her warm, lyrical tone and virtuosic, melodic storytelling style. She has performed with a wide range of artists-from Steve Gadd and Mike Bodde to the Metropole Orchestra-and refuses to be boxed into a single genre.
Composer and guitarist Marcus Klossek, long recognized as a distinctive voice on the Fender Telecaster, presents Blink 7, the latest chapter in a band whose sound has evolved steadily from his long-running Electric Trio. Rooted in clarity, dynamic contrast, and a deep sense of interaction, the project reflects more than fifteen years of close musical collaboration. At the core of the ensemble are Carsten Hein on bass and Derek Scherzer on drums, longtime partners with whom Klossek has refined a highly responsive and nuanced group language. With Blink 6, this foundation expanded into a sextet, joined by three prominent figures from Berlin's jazz scene: Nikolaus Neuser, Ignaz Dinne (tenor saxophone), and Anke Lucks. The enlarged group quickly developed a strong collective identity, equally at ease with precise structure and open improvisation. Blink 7 continues this collaboration and introduces a new and distinctive voice: Korean vocalist Chamin. Appearing on three tracks-Go Not, Another One Beyond, and Unexpected Return-she sings and partially speaks Korean lyrics written by herself. Her voice adds a new layer of texture and expression, expanding the ensemble's tonal range and interacting organically with the instrumental voices rather than standing apart from them. In contrast to Blink 6, which was composed before the musicians were chosen, all eight compositions on Blink 7 were written specifically for this lineup. Klossek shaped each piece around the individual strengths and musical personalities of the players. "I knew what everyone could bring to the music," he explains. "That allowed me to write more precisely for the sound of the band." The result is music that unites clear compositional intent with the intuitive understanding that comes from long-standing collaboration. The album opens with Violet Shift, a rhythmically intricate piece built from interlocking patterns that suggest mechanical precision while maintaining an organic flow. Go Not begins with Chamin's whispered voice, creating an atmosphere of quiet tension and ambiguity. Ephyra (Third Dance) unfolds with a restrained, melancholic beauty, while Half Past Never features one of Klossek's most unrestrained guitar solos-raw, spontaneous, and unpredictable. On Another One Beyond, Chamin's voice further broadens the ensemble's harmonic space, while Begin Again, Swift highlights the band's agility, moving fluidly between tightly woven rhythms and open, airy phrasing. Glass Bridges introduces otherworldly sounds from Carsten Hein, blending acoustic bass with electronic elements. The closing track, Unexpected Return, brings the album to an energetic conclusion, driven by rhythmic momentum as Chamin's voice merges seamlessly with the horn section. Blink 7 captures a band at a mature and confident stage, balancing detailed composition with freedom and collective improvisation-music shaped as much by individual voices as by the shared identity they have built together.
This album is a collection of musical portraits - intimate sketches shaped by memory, place, and human connection. It reflects the soundscape of Alexander Ruess' upbringing near the Baltic Sea, the people who accompanied him along the way, and the impressions gathered through travel and encounter. At it's core, the music is deeply personal. Fur Opa is dedicated to Ruess' grandfather, who never played an instrument yet supported his musical journey unconditionally, driving him to countless lessons and proudly claiming responsibility for his grandson's talent. Sangen Fra Havet is an homage to the Baltic Sea and the Danish coastline, whose quiet vastness and shifting moods echo throughout the record. Cornflower draws inspiration from the vivid blue flower that grew at the edges of rural fields - a favorite of Ruess' maternal grandfather - symbolizing memory, landscape, and rootedness. The album balances composition and spontaneity. Interlude, the only fully improvised piece, captures the natural interplay between guitar, double bass, and drums, allowing the music's energy to unfold organically in the moment. Throughout the record, lyrical melodies meet open forms, creating space for both narrative clarity and collective expression. Recorded in Berlin with longtime collaborators Luca Curcio and Sebastian Merk, the trio's sound is defined by trust, subtle interaction, and shared musical intuition. A special highlight is the appearance of trombonist Nils Landgren on Fur Opa, whose music was a formative influence on Ruess' childhood and whose presence adds a distinctive warmth and depth to the album. Ultimately, this record is a dedication - to family, mentors, friends, and places that shape who we become. It is an expression of gratitude and belonging, rendered through sound
RVB Quartet They bring a mix between rock and jazz which results in a refreshing sound. Interaction, improvisation and groove are the main ingredients that ensure vibrant compositions and crisp live performances. Hamabiwa The quartet feels like kings when they can play like children and let loose on their instruments. Hazel, Bibi, Marius (the little one) and Walt are the inspiration for this album.
Jaggat is a band that builds virtuosic sound bridges between chamber jazz and musical traditions from around the globe. Spanish, Indian, Arabic, African, and Latin American influences merge into a powerful and cohesive sonic tapestry, transcending cultural boundaries. The name Jaggat-derived from Sanskrit for "world"-reflects the ensemble's mission: uniting the rich sounds of diverse cultures into a captivating musical journey rooted in openness and respect for diversity. Their new album demonstrates how tolerance and cultural exchange can give rise to something truly new and beautiful-in music as in society. By weaving together global rhythms, melodies, and traditions, Jaggat creates a sound that is unmistakably their own. At the heart of this musical dialogue are original compositions by guitarist Markus Conrad and double bassist Caspar van Meel, seamlessly intertwined yet unmistakably marked by their individual voices. Percussionist Afra Mussawisade enriches the music with his unique instrumentation, laying down both a vibrant groove and a refined sonic foundation. Whether performing as a trio or expanding into a quartet with guest violinist Christoph Konig, Jaggat unfolds a colorful and wide-ranging spectrum of sound. Their music reveals that diversity not only enriches but also inspires.
This album celebrates how tolerance and cultural exchange can lead to something new and beautiful, both in music and society. In every culture, the soul finds new ways to dance. Step into the circle-where sound is not judged, but joined. "Playing in a trio like this has been a dream of mine for a long time. I've always been fascinated by music from all sorts of cultures. With Jaggat, we're blending genres in a way that feels really natural - it's not just a patchwork. There are rich harmonies, beautiful melodies, cool grooves, and some odd meters thrown in. I love that it all comes together as one cohesive sound." - CASPAR VAN MEEL "Jaggat is a unique blend of various musical styles-including classical music, jazz, world music, flamenco, and Indian music-all fused into a tasteful and vibrant mélange. It was a great joy to play and record this album with these fantastic musicians." - Markus Conrad "Music is a reflection on our society and the times we live in. These compositions express how we live nowadays in Europe. All cultures are represented and are melting in a beautiful way, at least in art and music. That's what I love about this project!" - AFRA MUSSAWISADE
AMARe is a musical tribute to the sea, to love, and to the ever-shifting tides of inspiration between Brazil and Europe. The title blends a mare (the tide) and amar e (to love is), capturing the album's essence: movement, emotion, and surrender. Vocalist Celine Rudolph, pianist Henrique Gomide, and guitarist João Luis Nogueira come together in an intuitive dialogue where Brazilian rhythms and jazz improvisation meet in perfect flow. The trio moves seamlessly between original compositions and fresh interpretations of classics by João Donato, Gilberto Gil, Toninho Horta, and Candeia. Each track resonates with freedom and connection whether in the poetic depth of Itacimirim, the rhythmic interplay of Toca da Arara, or the quiet beauty of Preciso Me Encontrar. AMARe is not a reconstruction but an organically grown musical language where tradition and modernity converge. With guest appearances by Toninho Horta and Teco Cardoso, this is a contemporary ode to Brazilian music authentic, exploratory, and timeless.
GingerBlackGinger, the daring and authentic project centered around Belgian double bass player Yannick Peeters, has entered a new chapter. They are now joined by American avant-garde alto saxophonist Tim Berne. Their new album, titled Smalltalk Code, will be released in February 2026 by Challenge Records (NL). "Tim is a hero of mine, a great example when it comes to music composition. I didn't even dare ask him to join at first. This project is going to be unique; I don't know of many bands with two alto saxophones. I'm excited to see the dynamic form between Tim and Frans Van Isacker. Tim has such a strong personality, he has a great impact on our sound. The fact that Tim and Tom Rainey have played together before means there was an element of trust there from the beginning." - Yannick Peeters GingerBlackGinger is made up of Yannick Peeters (BE) on double bass (Jakob Bro, Frank Vaganée, Chris Joris, Mark Feldman, Jim Black, Joshua Redman, Hank Roberts); Frederik Leroux (BE) on guitar (Flat Earth Society, Ruben Machtelinckx, Joachim Badenhorst, Lander Gyselinck, Steven Delannoye); Frans Van Isacker (BE) on saxophone and clarinet (Tom Malmendier, Quentin Stokart, Ottla, Chantal Acda & The Atlantic Drifters); Tom Rainey (US) on drums (Fred Hersch, Ingrid Laubrock, Mary Halvorson, Mark Helias, Joey Baron, Jim Black); and now Tim Berne (US) on saxophone (Paul Motian, Bill Frisell, Hank Roberts, John Zorn, Marc Ducret, Michael Formanek, Craig Taborn). These are personalities with a vision: creative, stubborn people who won't settle for mediocrity; restless spirits who keep looking for new sounds, contexts, and like-minded people, and are therefore the ideal partners in crime for Peeters. In January 2024, the band released their debut album GingerBlackGinger. This album combines elaborate soundscapes, brief bursts of energy, and mesmerizing grooves. In May of 2025, Yannick Peeters was given carte blanche by Bozar. She took the opportunity to invite her personal musical hero Tim Berne to join the band for the recording of a new album and a live show. The result of this journey into new musical adventures is the album Smalltalk Code, to be released in February 2026 by Challenge Records (NL).
Em Julho is the second album by singer Elsa Johanna Mohr and guitarist Flávio Nunes, following their 2023 debut Passadinha. Recorded in Bonn in August 2025, the album brings together Brazilian classics and original songs in an intimate, warm setting shaped by voice, guitar, and subtle rhythmic detail. The repertoire moves from "Água de Coco" and "Tico-Tico no Fubá" to Mohr's own compositions, including "Beijo da Lua," "Jaguar," and the title track "Em Julho." Drawing on Mohr's deep connection to Brazilian language and culture and Nunes's virtuosic seven-string guitar playing, Em Julho blends Música Popular Brasileira, singer-songwriter intimacy, and jazz-inflected elegance. The result is a musical summer of warmth, longing, and Brazilian joie de vivre-light, lyrical, and transportive.
Armenian piano virtuoso Tigran Hamasyan returns with Manifeste, out February 6, 2025-a powerful fusion of jazz, progressive rock, and Armenian folk. Recorded across five countries, the album blends rhythmic complexity, cinematic depth, and spiritual intensity, featuring longtime collaborators and the Yerevan State Chamber Choir. Manifeste is a bold declaration where the human, digital, and sacred unite in sound. Following The Bird of a Thousand Voices, Hamasyan continues his artistic exploration with Manifeste (2025)-a bold, multi-dimensional statement recorded between 2023 and 2025 across studios in Yerevan, Athens, Moscow, Los Angeles, and beyond. Entirely composed and produced by Hamasyan, Manifeste fuses his signature rhythmic complexity and spiritual depth with a more cinematic soundscape, where Armenian folk roots, progressive rock intensity, and choral mysticism intertwine. The album unfolds like a ritual sequence-from the meditative "Prelude for All Seekers" to the powerful "National Repentance Anthem. " Collaborators include longtime partners Marc Karapetian (bass) and drummers Arthur Hnatek, Arman Mnatsakanyan, Matt Garstka, and Nate Wood, alongside contributions from cellist Artyom Manukyan, trumpeter Daniel Melkonyan, guitarist Nick Llerandi, and the Yerevan State Chamber Choir conducted by Kristina Voskanyan. Each piece radiates Hamasyan's fascination with transcendence and transformation, whether through the fiery rhythmic drive of "Dardahan" and "Ultradance, " the haunting choral layers of "One Body, One Blood, " or the intimate dedications "Years Passing (For Akram)" and "A Window from One Heart to Another (For Rumi). " In Manifeste, Hamasyan brings together the human, digital, and sacred-a declaration of unity through sound, where modern technology meets ancient resonance. In addition to awards and critical acclaim, Hamasyan has built a dedicated following worldwide, as well as praise from Herbie Hancock, Brad Mehldau, and the late Chick Corea. "With startling combinations of jazz, minimalist, electronic, folk, and songwriterly elements. Hamasyan and his collaborators travel musical expanses marked with heavy grooves, ethereal voices, pristine piano playing and ancient melodies. You'll hear nothing else like this. " (NPR)
Here We Are finds acclaimed jazz vocalist Lori Williams at the heart of a soulful, cross-continental collaboration with top-tier European jazz artists. Born out of friendships from the Poysdorf Summer Jazz Workshop, the album blends original songs and timeless standards with Brazilian grooves, romantic ballads, and classic swing. Williams' warm, expressive voice shines across each track whether delivering heartfelt lyrics or improvising with grace and nuance. Backed by a band that listens and responds as one, Here We Are is a celebration of connection, creativity, and the joy of making music together.
