New Vienna is the fourth concert recording to be released from Keith Jarrett's final European solo tour. It follows Munich 2016, Budapest Concert and Bordeaux Concert. Keith Jarrett's 2016 return to the Austrian capital brought the flames of inspiration to another historic location with lively acoustic properties, the Golden Hall of the Musikverein, where, at the start of the previous century, Schoenberg, Berg and Webern had premiered works that challenged and changed the course of modern music. New Vienna, shaping it's new music in the moment, is near-encyclopedic in scope. The album is issued as Keith Jarrett turns 80.

Keith Jarrett/Gary Peacock/Paul Motian - "At The Deer Head Inn: The Complete Recordings". "The music has the dash and the unabashed lyricism of Keith Jarrett's best work," wrote Stereophile in a rave review of the first selection from the intimate Deer Head Inn live recording, capturing Jarrett's spontaneous, and in retrospect historic, return to the Pennsylvanian venue of his early years, alongside Gary Peacock (bass) and Paul Motian (drums). The second release, titled The Old Country and released 30 years after the first volume in 2024, was met with equal acclaim - The Guardian's John Fordham called it, "song-based jazz-imagining at it's best." Keith Jarrett: "I think you can hear on this tape what jazz is all about." Here, both albums are combined and released on vinyl for the very first time. The Complete Recordings are spread across 4 LPs in two tip-on gatefold jackets and framed by a deluxe slipcase. There won't be a second print-run of this boxset, limiting it strictly to this edition.

The Koln Concert 2-LP / gatefold sleeve / booklet / printed signature - the groundbreaking recording of Keith Jarrett's improvised solo concert at the Cologne opera house - has attained legendary status since it's 1975 release. An iconic album and an essential document of the era, few live recordings in any idiom have been celebrated as widely. In the liner essay included in the 50th Anniversary Edition of the album, the concert's context is outlined in detail. Recorded on January 24, 1975 and originally released on November 30 the same year, The Koln Concert was produced by Manfred Eicher. For the 50th anniversary, the special edition 2-LP is released in a high-quality tip-on-gatefold sleeve with a glued-in, 8-page booklet featuring a new liner essay in German and English, as well as original and new photos. Includes an art print with a photo and printed signature by Keith Jarrett.

Keith Jarrett is one of the few jazz superstars whose concerts sell out almost immediately, wherever he plays. Keith is much more than just a jazz musician. Through an exploration of his life and work, and close encounters with the man himself, this documentary offers an exceptional opportunity to examine the contrasting worlds of jazz and classical music. At the same time it is a fascinating and analytical portrait of a remarkable musician whose interests and influences range from jazz, ethnic and folk music, to Bach, Mozart, Stravinsky and Samuel Barber. The film explores, through a collage of interviews and performance, the complete range of Keith Jarrett's life and work. Great archive material is interweaved with original and richly detailed filmed interviews, not only with Keith himself, but with all the musicians he has played with over the years, as well as with members of his family, tour managers and other close musical and recording associates. "Keith Jarrett - The Art of Improvisation" - produced and directed by Mike Dibb, in collaboration with Jarrett's biographer Ian Carr - is the first ever major documentary about Keith Jarrett, made with the full co-operation of Jarrett himself.

Keith Jarrett's account of Carl Philipp Emanuel Bach's W�rttemberg Sonatas is a revelation. "I'd heard the sonatas played by harpsichordists, and felt there was room for a piano version," says Jarrett today. This outstanding recording, made in 1994 and previously unreleased, finds the pianist attuned to the expressive implications of the sonatas in every moment. Recorded at Keith Jarrett's Cavelight Studio in May 1994, the album includes liner notes by Paul Griffiths. 2 CD.

When several of the greatest minds in modern music join forces, the result is a genre-defying masterpiece. MEMORY OF TOMORROW brings together the virtuosic talents of marimbist Mika Stoltzman, bassist Eddie Gomez, pianists Geoffrey Keezer and Anders Wihk, vibraphonist Mike Mainieri, clarinetist Richard Stoltzman, and drummer Steve Gadd, who doubles as the producer of this all-star album. From the soulful melody of Eric Clapton's Layla to the infectious groove of Gadd's The Duke, the ensemble reimagines iconic works by several of modern history's most celebrated artists, from Sting to Chick Corea and more. A stunning blend of jazz, classical, and contemporary influences, this album is a celebration of virtuosity at it's finest.

CD reissue. This single disc drawn from the At The Blue Note box embodies all the characteristics that made Jarrett's trio for many listeners the preeminent group in all of jazz. The qualities of respect for the material and the freedom to take liberties with it co-exist here as Jarrett, Peacock and DeJohnette play, with amazing gracefulness, the standards "Autumn Leaves", "Days of Wine and Roses", "You Don't Know what Love Is" and "When I Fall In Love", plus Keith's tunes "Bop-Be" and "Muezzin".

Keith Jarrett's album, Book of Ways, was recorded on July 14, 1986 in Ludwigsburg, Germany. Rather amazing is the great variety of sound and rhythm - Jarrett played alternately one or two instruments simultaneously. Beyond unmistakable echoes of lute music and Japanese koto, the whole range of modes of expression the clavichord is capable of is being fathomed out. All this has been supported by studio techniques, which recorded the sound of the instrument with rarely heard intensity.

2019 live release. A solo concert from Keith Jarrett - recorded on the last night of a 2016 European tour at Munich's Philharmonie - finds the great improvising pianist at a peak of invention. Creating a spontaneous suite of forms in the moment with the assurance of a master builder - interspersing touches of lyricism between pieces of polyrhythmic and harmonic complexity - he delivers one of his very finest performances. The audience hangs on every note, every nuance, and is rewarded with tender, magical encores.