80-GRAM VIRGIN VINYL - THE COMPLETE ALBUM + 4 BONUS TRACKS. The Girl from Ipanema was the first album by Antonio Carlos Jobim and features a dozen instrumentals arranged by Claus Ogerman, whose work would mark the beginning of a lifelong musical relationship with Jobim. Of the album's twelve songs, almost all are jazz standards. The opening track The Girl from Ipanema is believed to be the second most recorded song in history, the first being The Beatles' Yesterday. The album was inducted into the Latin Grammy Hall of Fame in 2001. In 2007, Rolling Stone Brasil ranked it number 58 in "The 100 greatest Brazilian music records".
Herb Alpert is back to share some happiness and cheer during that favorite time of year! This holiday season, HERB is releasing the third Christmas album of his long and illustrious career. Entitled CHRISTMAS TIME IS HERE, this new album is chock full of holiday classics. Listen to Herb's take on beloved carols like "Jingle Bells", "Winter Wonderland", "Greensleeves", and "Sleigh Ride". And enjoy original spins on other recognizable hits like Mariah Carey's "All I Want For Christmas Is You", Rodgers & Hammerstein's "My Favorite Things", and Nat King Cole's "The Christmas Song". And of course, the title track, made famous by the iconic 1960s A Charlie Brown Christmas holiday special: "Christmas Time Is Here". Break out the eggnog, hang your holly, and get ready to celebrate another beautiful Christmas with Herb Alpert!
PORTRAITS OF CUBA reflects the musical odyssey of Paquito D'Rivera, a unique blend of Cuban and Jazz music that re-affirms both the artist's Cuban roots and his love for the American art form. Far beyond the realm of popular music, it is a jazz musicians's tribute to the enduring legacy of Cuba, beautifully orchestrated by arranger and conductor Carlos Franzetti and impeccably performed by Mr. D'Rivera and eighteen seasoned musicians, each with a proven track record of excellence. PORTRAITS OF CUBA was recorded live without overdubbing at St. Peter's Episcopal Church in New York City over a two day period in February of 1996, using a single, high resolution microphone set-up, capturing the beautiful and natural reverberation of the old church. As Producer David Chesky explained in 2025: "At Chesky, the goal for me was to make the best-sounding recordings we could. It was about pursuing the perfect sound." The selections encompass almost ten decades of Cuban music and are set to be reissued on SACD Hybrid Stereo and 180g One Step Pressing Vinyl LP.
Captured in it's entirety during a singular night at the SFJAZZ Center's Miner Auditorium, AO VIVO is an intimate and vibrant portrait of multi-GRAMMY® winner Eliane Elias in her element. Performing alongside her stellar quartet-guitarist Leandro Pellegrino, drummer Rafael Barata, and bassist Marc Johnson-Elias delivers a masterclass in the rich rhythmic spectrum of Brazil, from high-octane samba and bossa nova to baiao and Afro-Brazilian grooves. The repertoire draws from Elias's GRAMMY-winning and nominated discography-including Mirror Mirror, Made in Brazil, and Quietude-while introducing a fresh arrangement of Jobim's "A Felicidade." Featuring works by iconic composers like Antonio Carlos Jobim, Ary Barroso, and Dorival Caymmi, the album also highlights Elias's own evocative composition "At First Sight" and a piece by the celebrated Armando Manzanero. With 33 albums and over 500 million streams to her credit, Elias continues to define the intersection of jazz brilliance and classical sophistication. AO VIVO captures the unmistakable elegance and exhilarating energy of a world-class artist sharing an authentic, high-level musical dialogue with a live audience.
Brazilian songstress Rosàlia de Souza joins forces with pianist Peter Rosendal (Denmark), bassist Craig Earle (Canada), and drummer Jonas Johansen (Denmark) to form Rosàlia de Souza Quarteto 55º, presenting their self-titled debut album of twelve tracks, set for release on November 14, 2025, on Storyville Records. This vibrant ensemble blends Brazilian, North American, and Scandinavian musical traditions into a fresh, irresistible sound. After three years of sold-out concerts, the album promises a musical experience that radiates energy, sophistication, and joy. The album balances original compositions with Brazilian classics, brought vividly to life with guest appearances. Hans Ulrik's saxophone enriches the opening Samba Do Amor Que Não Existe, the classic O Negócio É Amar, and the reflective Dormilhão, while Flemming Agerskov contributes flugelhorn on Maria and trumpet on Sugar Reef. Tracks such as Choro Sambado and Dorme, Dorme Meu Menino showcase the quartet's fluid interplay and Rosàlia's agile phrasing, highlighting a unique blend of bossa nova elegance and jazz spontaneity. Named after Copenhagen's latitude, 55º reflects the group's geographical and cultural meeting point, where diverse traditions converge. Born in Rio de Janeiro in 1966, Rosàlia de Souza is recognized worldwide as one of the most compelling interpreters of samba, bossa nova, and Brazilian music traditions. With thirteen albums to her name, she has collaborated with icons such as Marcos Valle and Roberto Menescal, bringing the essence and refinement of 1960s Rio into the present. Her performances are infused with silk-smooth vocals, precise control, and a modern sensibility, bridging deep-rooted Brazilian tradition with explorations into jazz. The trio supporting Rosàlia adds distinctive character and depth. Peter Rosendal blends folk, world, and jazz influences, enriched by his extensive experience living and recording in Brazil. Craig Earle anchors the group with a warm, agile, and virtuosic bass sound. Jonas Johansen, whose career spans more than four decades and over 200 albums, brings orchestral precision and a truly global perspective to the music. After years of international performances, Rosàlia de Souza Quarteto 55º is ready to bring their unique sound to the global stage, inviting audiences everywhere to experience Brazilian jazz reimagined through cross-cultural collaboration.
AMARe is a musical tribute to the sea, to love, and to the ever-shifting tides of inspiration between Brazil and Europe. The title blends a mare (the tide) and amar e (to love is), capturing the album's essence: movement, emotion, and surrender. Vocalist Celine Rudolph, pianist Henrique Gomide, and guitarist João Luis Nogueira come together in an intuitive dialogue where Brazilian rhythms and jazz improvisation meet in perfect flow. The trio moves seamlessly between original compositions and fresh interpretations of classics by João Donato, Gilberto Gil, Toninho Horta, and Candeia. Each track resonates with freedom and connection whether in the poetic depth of Itacimirim, the rhythmic interplay of Toca da Arara, or the quiet beauty of Preciso Me Encontrar. AMARe is not a reconstruction but an organically grown musical language where tradition and modernity converge. With guest appearances by Toninho Horta and Teco Cardoso, this is a contemporary ode to Brazilian music authentic, exploratory, and timeless.
