Trane's adventurous 1960 release, the first to feature solely his own compositions. Remastered from the original tapes, this landmark of modern jazz is further enhanced with 4 alternate takes. Includes the title track; Cousin Mary; Countdown; Spiral; Syeeda's Flute Song; Naima, and Mr. P.C.

Recorded in NYC in the midst of Dexter’s great come back to the USA Biting The Apple was awarded the Grand Prix du Disque Diamant of 1978 by the Montreux Jazz Festival. “Biting The Apple being recorded around the same time as his “Homecoming” (CBS) album sounds much better with strong backing by pianist Barry Harris, bassist Sam Jones and drummer Al Foster.” (Oakland Tribune) 180g Audiophile Vinyl

In the summer of 1965 Dexter Gordon spent most of his evenings performing at Jazzhus Montmartre packed with his loyal fans. Five of these evenings were broadcasted by the Danish Radio and SteepleChase is making them all available for the first time. This CD captures high-spirited Dexter on the third night. This CD captures high-spirited Dexter on the third night.

After a short stay in New York, Dexter returned to his favourite city of Copenhagen in June 1965 and resumed his career’s best and most productive period. This is the first volume of magnificent live performances from Dexter’s favourite club “Jazzhus Montmartre” in 1965.

Another historical recording from one of the most prolific groups in jazz. Recorded live in Montreaux, in 1974, Kabalaba captures the Art Ensemble during a very strong period for the group. With Muhal Richard Abrahams featured as a special guest, this is a very rare treasure. Kabalaba was originally released on vinyl independently on the Art Ensemble's own label (AECO) in the 70's and reissued on CD in limited quantities. This is the first time that this treasure will be widely available.

Dexter Gordon’s most creative and prolific years were spent in Europe in the 1960s and the first half of 1970s. Right until the great homecoming (to USA) of 1976 Dexter had performed frequently in Copenhagen’s famous Montmartre Jazzhus. Many of the nights were broadcasted by Danish Radio and later released by this label (The Dexter In Radioland series). This latest Gordon album recorded 1974 is special because of the fact that - except for a few tracks which were broadcasted - that night the whole concert of the evening has never been made available to the public before. And Dexter makes this concert even more special with his display of relaxed yet intense power of creativity. On Dexter’s 2004 release Loose Walk SCCD 36032 Chris Kelsey of JazzTimes wrote, “…the gritty soulfulness of his playing reminds us just how much we miss the greats of his generation. They don't make 'em like this anymore.”

Since his SteepleChase debut with pianist Hal Galper on an album entitled "Reach Out" (SCCD 31067) in 1976, drummer Billy Hart and label have kept a long, productive relationship. This release marks his 68th recording and his 1st leader album for SteepleChase. Billy Hart has not only been the company's most recorded drummer but also one of the most influential voices in the label’s creative decision making. “… Hart is widely regarded as one of the most capable of modern-jazz drummers…” (The New Grove Dictionary of JAZZ)

C. Andrew Hovan of AllAboutJazz once observed, “What has marked all of Stryker's previous SteepleChase sides has been his penchant to not repeat formats or ideas. Each session sports a different group of musicians and the material covers new ground.” Mr. Hovan’s observation proves true here on Stryker’s latest recording of mesmerizing organ quintet with repertoire raging from Michael Jackson to Clifford Brown together with his originals. “(Stryker) combines tradition and modernity in equal balance, arranges with skill and imagination, teases optimum performances from associates with good-natured relish, and plays the blues with deep felt conviction.” (Mark Gardner – from the liner notes)

Super deluxe box set includes the remastered album on CD in vinyl replica sleeve, companion audio on two CDs in card wallet, remastered album on 180gm vinyl in a sleeve replicating first pressing, companion audio on double 180gm vinyl, high-def audio digital download card of all content, hard bound, 72+ page book filled with rare and previously unseen photos and memorabilia and high quality print of the original album cover. The first 30,000 of which will be individually numbered. The appropriately titled Coda was Led Zeppelin’s final album of studio recordings. Released in 1982, it was comprised of eight unreleased tracks recorded between 1970 and 1978. It peaked at #6 on the album charts and has been certified platinum in the U.S. Coda is the only Led Zeppelin deluxe edition to include two companion discs, featuring 15 tracks recorded between 1968 and 1974. The oldest song in the collection is also perhaps the most interesting. The frenetic blues jam Sugar Mama was recorded in 1968 at Olympic Studios during sessions for the band s eponymous debut. The song was completed but never officially released until now. Baby Come On Home from the same session is also included in the set. Also included is the previously unreleased St. Tristan s Sword, a rollicking instrumental recorded during the Led Zeppelin III sessions in 1970.

Jazzhus Montmartre in the summer of 1965 Dexter Gordon spent most of his evenings performing at Jazzhus Montmartre packed with his loyal fans. This is the fourth volume from those unforgettable five evenings taped by the Danish Radio and made available for the broader audience for the first time by SteepleChase. “…. absolutely essential live transcriptions…” (Mark Gardner)

Limited double 180gm vinyl LP pressing. Upon it's release in the summer of 1971, Shaft became the first double album of original studio material released by an R&B artist. The album peaked at #1 on The Billboard 200 chart, and spent sixty weeks on the chart despite Stax bootlegging their own album. In a long career full of triumphs as a singer, songwriter, musician, producer, actor and soul-music visionary, Shaft was the pinnacle for Hayes. The theme shot to #1, the album hit #1 and stayed on the pop charts for well over a year and the sound of it all not only defined blaxploitation, but also helped usher in the sound of the '70s. It's still a powerful experience, one that's best served here: Theme from Shaft and the hit Do Your Thing join Ellie's Love Theme, No Name Bar, Soulsville, Cafe Regio's, and the rest of this essential classic.

Ronnie Cuber (b. Dec. 25, 1941 in Brooklyn, New York), recognized as one og the most important baritone saxophonists in jazz today, has been composing, arranging and leading his own groups since 1959. His powerful command of the instrument led him to perform and record with amazing array of influential artists in almost all thinkable range of musical spectrum. Yet, this is the very first of basic jazz trio album by Ronnie Cuber, which should have a special place in his discography. “There is not one of his records that contains any half-hearted playing or musical skating. When he plays, it’s serious creative business and he tells a story. If you pick up anything under Cuber’s name, you’re guaranteed a winner …. This recording, ”Ronnie”, released on SteepleChase records, is one of the most vivid and personal saxophone playing ever done on a baritone saxophone. This CD is a shining example of Cuber’s big, beefy baritone sax tone and a fluent technique that is a one of a kind match between the gritty, down-home feeling of R&B and the advanced harmonies of bebop.” (JazzTimes on SCCD 31680 “Ronnie”)

Vinyl LP pressing. 'You Should Be Here' is the second and debut commercial mixtape by American singer and songwriter Kehlani. 'You Should Be Here' features guest appearances from Lexii Alijai, Chance the Rapper, and BJ the Chicago Kid. Mixed by Joe Fitzgerald, the mixtape predominately features production by Jahaan Sweet, along with production from JMike, Madmax, Geoffro Cause and Ted Digtl, among others.