“Bud was a genius piano player–the best there was of all the bebop piano players.” - Miles Davis “If I had to choose one single musician for his artistic integrity, for the incomparable originality of his creation and the grandeur of his work, it would be Bud Powell. He was in a class by himself" – Bill Evans Bud Powell 1962 is something we at SteepleChase have been obsessed with for a while. The previous release SCCD 36040 “Bud Powell 1962 Copenhagen” was from the recordings made at the Danish Radio Concert Hall and Jazzhus Montmartre. What we have here is from the same year from the fabled Golden Circle where SteepleChase’s 5-volume releases At The Golden Circle come from. The Swedish part of this release were recorded two days prior to those SteepleChase releases. Bud Powell travelled on to Oslo Norway the same year to perform some memorable tracks captured here before going back to USA for the last time.

This rare Guthrie recording is a fluke of sorts in that it's existence is linked somewhat ironically to the fortuitous collection of folklore on what today is considered an outmoded and virtually obsolete recording technology: wire recordings. The two wire recordings on which these historic performances were found were lost for more than half a century. Discovered in a storage closet in the Florida home of Paul Bravemian, the wire recordings were donated to the Woody Guthrie Archives in 2001.

Black Sabbath made a two-pronged comeback in 1980 and 1981 when Ronnie James Dio joined their ranks as their new lead singer for the platinum albums, Heaven And Hell and Mob Rules. On the 1982 Mob Rules U.S. tour, they decided to record shows to create the first official Black Sabbath live album. The recordings capture the ferocious chemistry and dark magic that defined this incarnation of Black Sabbath with thrilling live versions of recent tracks like "Neon Knights," "The Sign Of The Southern Cross," "Voodoo," and "Children Of The Sea." The album also honored the band's original lineup with Dio-led versions of Sabbath classics like "Paranoid," "War Pigs," "Iron Man," and "N.I.B.". Although it was hailed by influential heavy metal magazine Kerrang! As "one of the greatest live albums of all time" in 1983, the band was never completely satisfied with the original mix. Now we are able to present a fresh, new 40th anniversary mix of the entire album, remixed from the original analog multi tracks by longtime associate of the band, Wyn Davis. The packaging will also include a 40-page hard back book featuring a newly commissioned 12,000-word essay, the new remix as a double LP, as well as the original double album, newly remastered in 2022 by Andy Pearce.

Black Sabbath made a two-pronged comeback in 1980 and 1981 when Ronnie James Dio joined their ranks as their new lead singer for the platinum albums, Heaven And Hell and Mob Rules. On the 1982 Mob Rules U.S. tour, they decided to record shows to create the first official Black Sabbath live album. With material drawn evenly between songs written with Ronnie as well as older classics such as "War Pigs" and "Iron Man," when Live Evil was released at the end of 1982, it represented an accurate and powerful memento of Black Sabbath Mk2 on their second world tour. Although it was hailed by influential heavy metal magazine Kerrang! As "one of the greatest live albums of all time" in 1983, the band was never completely satisfied with the original mix. Now we are able to present a fresh, new 40th anniversary mix of the entire album, remixed from the original analog multi tracks by longtime associate of the band, Wyn Davis. The packaging will also include a 40-page hard back book featuring a newly commissioned 12,000-word essay, the new remix as a double LP, as well as the original double album, newly remastered in 2022 by Andy Pearce. The CD edition will also be four discs, with a 60-page hardback book.

Limited 180gm vinyl LP pressing. One of the truly timeless albums in soul music history and the one that launched the career of Isaac Hayes, putting him firmly on the map as a musical force to be reckoned with and a source on musical inspiration for generations to come. After writing and performing for Stax for years, Hayes broke out as a solo artist with this 1969 #8 smash. This sea of strings, funk and sensual vocals pave the way for '70s soul: his hit versions of "Walk On By" and "By the Time I Get to Phoenix" and more featuring the Bar-Kays. Craft. This new vinyl reissue, complete with replica old-school style tip-on jacket, features audio remastered from the original analog tapes by leading engineer Dave Cooley.

Dinah Washington - As Duke Ellington would have said, Dinah Washington was "beyond category." Subtle and inventive enough to hold an honored place in the jazz pantheon yet tough and forceful enough to command the attention of blues, R&B and rock n' roll audiences.

Dinah Washington - As Duke Ellington would have said, Dinah Washington was "beyond category." Subtle and inventive enough to hold an honored place in the jazz pantheon yet tough and forceful enough to command the attention of blues, R&B and rock n' roll audiences.

“…The late Whitney Balliett dubbed jazz as "the sound of surprise". Well, Jack Walrath surprises us here on every selection. He deals in the unexpected and delivers it to us with a flowing flourish - and no concessions.” (Mark Gardner- from the linernotes) “Jack Walrath not only displays tremendous trumpet playing, a rich and varied approach to composition and wonderful band, he also puts something into this fantastic CD that's missing from too much new jazz: a sense of fun and humor. That's not to say that it isn't sensitive and touching at times—"An Hour Blessed" is arguably as gorgeous as anything ever recorded…” (Francis Lo Kee – allaboutjazz-New York)

The first of The Art Ensemble of Chicago's renowned trio of albums for BYG's Actuel series now returns in a deluxe edition. Housed in a CD gatefold digi-sleeve that echoes the vibe of the original LP, it includes a 16-page booklet and an inner printed wallet, along with a new and insightful essay by renowned author & music journalist John Masouri. This album is the Art Ensemble's most celebrated release, capturing the American avant-garde jazz collective at their most sensational, provocative, and startlingly original in a historic June 1969 session at Studio Saravah in Paris. Recorded in the aftermath of widespread anti-government protests and student riots, this album showcases what happens when four highly intuitive and accomplished musicians-driven by Black Nationalism and dreams of liberation, and armed with an array of diverse instruments-let their inspiration run free. The tracks on A Jackson in Your House challenge us to view music in a different light-not just as a source of entertainment, but as enlightenment, wonderment born of togetherness, courage, beauty, and surprise, all mixed with terrifying honesty.

In Kehlani's words: "A crash, in any form, is the peak height of the moment. It isn't the anxiety of the before, or the lament after. It is the ever so imperative present. A space with no reminisce, no remorse, and no after thought. CRASH IS HERE. At my most free, most fun, most loud, most fueled, so far."CRASH notably marks Kehlani's first full-length release in over two years, since the release of her chart topping album, blue water road in 2022. LP-CRASH (Apple Color)

Walrath calls this his first in 26 years on this label “Ballroom”, “…it’s swinging and you can dance to it..”… The way how jazz started. “Welcome back, Jack, to SteepleChase! It’s a terrific return, and listeners will want many more entries from this singular talent…” (Mark Gardner – from the liner notes)

The Essential is a testament to Melody Gardot's enduring artistry. This collection spans 14 years of her career and includes 25 tracks that showcase the breadth of her musical abilities. Featuring selections from her six studio albums, remixes, live recordings and previously unreleased tracks, the album captures the essence of Gardot's talent. Highlights include her multilingual performances, emotive renditions of classics like Elton John's "Love Song," and live recordings that convey the raw honesty of her concerts. Each track offers a glimpse into the diverse emotional landscapes Gardot can traverse, making The Essential a rich and compelling portrait of an artist whose music speaks for itself.

For this latest and the fifth album on SteepleChase Ronnie Cuber brought his working band to the studio to appraise the classic BeBop repertoire, “proving in the process the viability of material that has weathered more than 60 years and still sounds super hip and contemporary” (Mark Gardner). On Cuber’s previous release “RONNIE (SCCD 31680) Ken Drydon of AllAboutJazz wrote, “This is his fourth CD for Steeplechase and one of his best sessions.” and London’s Sunday Express commented, “it is the intelligence and subtlety of his playing that shines through …An astonishingly lyrical player on that most unforgiving of instruments…” “Ronnie Cuber is a baritone sax player strong enough to bring out the lyricism of the weighty instrument.” (Aaron Cohen – Downbeat)

The legendary baritone saxophonist Ronnie Cuber is, as Bill Milkowski of JazzTimes observes, “ still very much on top of his game at age 70”. One summer night of the famed Berlin JazzFest of 2008 finds Ronnie and his group in a relaxed and joyous mood backed by the responsive and enthusiastic audience. “An astonishingly lyrical player on that most unforgiving of instruments … It is the intelligence and subtlety of his playing that shines through…” (Sunday Express UK on Ronnie SCCD 31680) “…while Cuber’s ability to blow over the changes remains unquestioned, it’s his restrained approach and melodic penchant…… that come as a welcome surprise. We all knew Cuber could wail with unparalleled authority, we just didn’t know he could sing so pretty on his big horn.” (Bill Milkowski – JazzTimes on Boplicity SCCD 31734)

The Messengers expanded to a sextet with the addition of Curtis Fuller in 1961 and went into their most fruitful period. This Copenhagen live concert from 1962 could be arguably “the best edition of the Jazz Messengers ever” as liner-note author Neil Tesser suggests. Hubbart, Shorter and Fuller on the front line flexing their young muscles were all on their way to stardom. Recorded during their 1962’s European tour this album with all unissued recordings will be a valuable addition to Messengers’ legacy.

Dexter Gordon’s European period (1962–1976) was mostly based in his beloved Denmark, where he led an active professional career and enjoyed a harmonious private life. Arriving in Europe after some turbulent times in the States he found new energy in performing and recording to build a large part of his discography at the top of his artistic strength. The recording output, however, during 1962 and 1964 was scarse and this album recorded in 1962 and 63 will be an adept document of the fresh start by the Towering Master of Tenor Sax. “The star billing, as always, goes to one of jazz’s master storytellers, Dexter Gordon; the performances contained here, which set the scene for the dramatic renaissance of his career, fill in one of the long missing chapters.” (from the liner notes by Neil Tesser - SCCD 36039 Soul Sister)

Billy Harper (b. 1943) is one of the most prominent figures in today’s jazz scene. He rose to his stardom through his stints with Gil Evans’ Orchestra, Art Blakey’s Jazz Messengers and the Thad Jones- Mel Lewis Orchestra. Harper started leading his own group in the late 70s and has been touring all over the world with his group since. Of this New York studio recording Chinyére Nealé wrote in the linernotes, “Nils Winther of SteepleChase has wanted to record Billy for fifteen years. Finally, destiny has made this recording possible.” French magazine COMPACT described this CD as “a real treasure which will bring you pleasure till the last day of your life.” 180g Audiophile Vinyl

Johnny Mbizo Dyani (bassist/composer) was born in East London, South Africa November 30, 1945 to grow up to be one of the most internationally acknowledged musicians. Since his arrival in England in 1965 as a member of South African jazz group called The Blue Notes Dyani had chosen Scandinavia as his home base and had built an active career until a rare disease shortened his life all too soon. He died in Berlin, Germany in 1986. This album recorded in the summer of 1978 with the powerful front line-up of Don Cherry and Dudu Pukwana. The album was dedicated to the martyred South African activist against apartheid Steve Biko (1946-1977) with whom Dyani shared a cultural and linguistic heritage of Xhosa. “Dyani wrote all of the material for this record and it proves to be a vital factor in the success of the date. Both Cherry and Pukwana react favourably, while bringing their own personalities strongly to bear... this fine record can be recommended without reservation.” (Barry McRae, Jazz Journal International July 1979) “...there are possibly a handful of albums every year which are worth living with. This is one of them.” (Brian Case, Melody Maker June 1979) 180g Audiophile Vinyl