When lockdown was imposed in 2020 many artists began streaming performances from their own homes. In response, pianist Francesco Piemontesi and director Jan Schmidt-Garre launched a concert series to showcase artists living in Berlin, given in the renowned Schinkel Pavillon with an expert technical team assembled at short notice. Fourteen concerts were held, without audiences, under the name Home Music Berlin featuring some of the world’s leading instrumentalists and singers. In addition, a documentary film captured rehearsals and private backstage scenes. This collection of performances is a testament to the resilience and solidarity of these artists during the pandemic.

This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.

Also available on standard DVD

Jean-Baptiste Lully’s Atys, a tragédie en musique, became known as the ‘king’s opera’ due to Louis XIV’s fondness for it. The work stands as a testament to the Sun King’s courtly refinement, as well as his moves to make France the center of European artistic culture. The opera’s themes of romantic dilemmas and ultimate tragedy, set amidst the poetic atmosphere of Ovid’s classical mythology, create the perfect vehicle for a narrative filled with dramatic intensity combined with a myriad of moving and expressive arias and duets. William Christie conducts this acclaimed production – hailed by The New York Times as being ‘as satisfying it is bold’.

REVIEW:

The role of Atys is physically as well as vocally taxing, but is here superbly realised by the German tenor, Bernard Richter, while the French soprano, Emmanuelle De Negri, is an excellent Sangaride, with the creamy voice of the mezzo, Stephanie D’Oustrac, as Cybele completing the love triangle. The cast list is large, and with the Compagnie Fetes Galantes providing the dancers, the stage is at times totally filled. The reviews at the time of filimg (2011) were suitably euphoric regarding the casting, and equally of the presence of the period instrument orchestra, Les Arts Florrissants, with the idiomatic conducting of William Christie. The filming itself is immaculate in its ideal mix of full stage and close-up images, while the sound quality is gorgeous.

– David's Review Corner (David Denton)

The All-Star Orchestra gives you a front row seat to the world’s greatest music, performed by top players chosen from over 30 great American orchestras, and conducted by Gerard Schwarz. The programs feature complete performances of popular masterpieces and world premieres of new works by leading American composers. Filmed in High-Definition with multiple cameras in and around the orchestra, the All-Star Orchestra celebrates the symphonic experience in the 21st century. The first work on this release is Edward Elgar’s Enigma Variations. The score is dedicated to “my friends pictured within,” and each Variation represents a real person. As he was finishing the work, Elgar wrote: “The enigma I will not explain- it’s ‘dark saying’ must be left unguessed, and I warn you that the apparent connection between the Variations and the Theme is often of the slightest texture.” A musical mystery of great beauty and endless fascination. The next piece is Benjamin Britten’s Young Person’s Guide to the Orchestra. The perennial family favorite showcases- one by one- all the instruments of the orchestra. Next is Alan Hovhaness’ Symphony No. 2, opus 132 “Mysterious Mountain.” The composer wrote: “Mountains are symbols, like pyramids, of man’s attempt to know God. Mountains are symbolic meeting places between the mundane and spiritual world.” Finally is Eugene Goossens’ Jubilee Variations. This is a world premiere video recording of this unpublished 1944 work created by Eugene Goossens with contributions from ten composer friends, including Aaron Copland, Howard Hanson, William Schumann, and more.

This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.

Also available on standard DVD

The works of award-winning composer Chaya Czernowin have been performed worldwide at significant new music festivals and prestigious venues, and she is the first woman to be appointed composition professor at Harvard University. Commissioned by Deutsche Oper Berlin and widely acclaimed in the critical press, ‘Heart Chamber’ uses voice and stage as internalized sonic and visual landscapes to create a genuine multi-sensory musical experience. With only two characters and a hint of a narrative, this is a grand opera on the smallest of transformations, focusing on the intense beauty and vulnerabilities of falling in love. ‘It is seldom that audiences at the Deutsche Oper Berlin have listened with such rapture to a new commission’ (Online Merker). Director Uli Aumüller’s feature film ‘I did not rehearse to say I love you’ is also included and takes a behind-the-scenes look at the creation of the opera.

Beethoven’s Missa solemnis is the one work the composer admired above all his compositions. It was written for his great patron and friend Archduke Rudolf of Austria at around the same time that he embarked on his Ninth Symphony and as the writer Donald Tovey noted, ‘there is no choral and no orchestral writing, earlier or later, that shows a more thrilling sense of the individual colour of every chord.’ This insightful documentary follows Frieder Bernius on a journey of discovery as he immerses himself in Beethoven’s monumental masterpiece in preparation for a recording.

A 2020 Grammy nominee for best opera recording!

This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.

Also available on standard DVD
Based on Oscar Wilde’s story The Birthday of the Infanta, Zemlinsky’s single-act opera Der Zwerg is the tragic tale of a dwarf who is presented at court, falls in love with the beautiful Donna Clara, but is ultimately forced to see himself as others see him and to die of a broken heart. Preceded by Schoenberg’s Accompaniment to a Cinematographic Scene, Op. 34 (1930), Zemlinsky’s Romantic score is full of psychological intrigue. Is Der Zwerg a critique of society’s superficiality? Is it the composer’s self-portrait in his doomed affair with Alma Schindler? Director Tobias Kratzer’s stunning, transparent production creates a space in which each character is thrown into sharp relief in this ‘fine, noble and melancholy work’. (Bachtrack.com)