Sigismond Thalberg was a Wunderkind and one of the most accomplished virtuoso pianists of the 19th century. Mendelssohn, Chopin and Clara Schumann were impressed by his technical skills. As legend goes there was a big rivalry between Thalberg and Liszt, though mostly fomented by the press. Thalberg was also a composer whose focus laid mainly on fantasies on operatic themes. In the 19th century this was a genre aiming to delight audiences with the familiarity of known melodies, the ingenuity of the transcriptions and their spectacular virtuosity. Thalberg wrote fantasies on quite a number of opera by Italian composers. These fantasies and other works are presented now in a comprehensive set by the Italian pianist Francesco Nicolosi. Nicolosi specializes in the interpretation of Thalberg's composition and the result is truly remarkable. With an exquisite technique, a wonderful sound and an impeccable legato these recordings have no rival. They came to be in the 1990s as individual releases and brought Nicolosi the Bellini Golden Prize. They are now being made available for the first time as collector's item.

The acclaimed English Song Series celebrates the richness and diversity of British composers, performed by leading interpreters of the repertoire. Growing out of an ancient tradition that still echoes in the folk song arrangements of Benjamin Britten, the British art song draws its inspiration from the English poetic language, the nation’s unique land and seascapes, and the suffering and joy of human emotions. From the delightfully light-hearted songs of Liza Lehmann to the abundance of invention and imagery from today’s composers, this collection is a repository of the essence of British musical craftsmanship at its finest.

REVIEWS:

There is so much is here that is central to the genre, and it is all almost uniformly well done. In addition, there is enough here that is less well-known, assuming many collectors will have the main works of, say, Butterworth, Finzi, Vaughan Williams, and others, that even that collector will grow their knowledge and pleasure through acquiring this collection. It is to be hoped that this issue does not signal an end to Naxos’s recordings of this repertoire. There are many other composers and songs that could be added to its catalog. Meanwhile we have this superb anthology of many of the finest English songs from the late Victorians to the present day.

-- MusicWeb International

This superlative set's roster is impressive, with turns from Felicity Lott, Thomas Allen, Susan Bickley, Gerald Finley and even Judi Dench.

– BBC Music Magazine

This set will surely provide many hours of listening pleasure.

-- Gramophone

This is a hugely ambitious and successful project that deserves many hours of attention and appreciation. I recommend it wholeheartedly.

– Opera Now

Composer and novelist; Anthony Burgess; was a remarkably diverse artist. The three guitar quartets on this album range from the well-crafted First Quartet intended as a homage to Ravel; while the Second and Third Quartets explore virtuoso technique alongside adventurous and at times haunting harmonies and polytonality. A selection of Burgess’s arrangements for guitar quartet are also featured; including Holst’s Mercury; the Winged Messenger from The Planets. Three of Burgess's orchestral works can be heard on 8.573472 and The Bad-Tempered Electronic Keyboard: 24 Preludes and Fugues on Grand Piano GP773.

Francesco Durante’s psalm settings stand out for their astoundingly modern contrapuntal tensions and expressive nuance. Coupled with Giovanni Salvatore’s uniquely inventive organ works, these world premiere recordings revive sacred works by a composer considered in his day to be ‘the greatest master of harmony in Italy’.

You can’t go wrong with 68 minutes of gentle, relaxing, and intelligent music.

Brazilian composers in the 19th century often sought state scholarships to enable them to study in Europe where they were to become influenced by the German, Italian and French compositional schools. They also became involved in the vogue for writing suites based on ancient dances, such as Nepomuceno’s delightful Ancient Suite, premiered at Grieg’s home, or Braga’s Madrigal-Pavana which evokes the belle époque ballrooms of Rio de Janeiro. Miguéz’s Suite in the Old Style is polyphonic and lively, while Gomes’ Sonata for Strings is his finest non-operatic work.

REVIEWS:

Though these Brazilian composers—all born from 1836 to 1868—aren’t household names, they’re well worth your attention. Carlos Gomes's perky, witty Sonata for Strings reminds me a lot of Rossini; the melodies are reserved almost solely for the violins, and they sound like they should be arias instead of a sonata. Alberto Nepomuceno studied in Italy and Germany, but his Suite Antique is a cousin to the Holberg Suite by his friend Grieg. Brass, winds, and timpani join strings in Leopoldo Miguez’s Suite a Antiga, and the oboe solo in the “Aria e Double” is spare yet beautiful. His tunes are fetching, and his countermelodies are inventive and attractively detailed. He gets more chromatically adventurous than the others, too. You can’t go wrong with 68 minutes of gentle, relaxing, and intelligent music. The sound is reverberant though not plush.

-- The Absolute Sound

The English Chamber Orchestra give suitably refined performances, its elegant sound being ideal for this repertoire.

-- Gramophone

The delightful Sonata for Strings by Carlos Gomes (1836–96) that opens the disc may remind some of, say, Tchaikovsky’s Souvenir de Florence. The good humor continues thereafter in this enjoyable snapshot of the 19th-century Brazilian chamber orchestra music, all seemingly played with relish by the ECO.

-- BBC Music Magazine

Schumann’s studies into counterpoint during 1845 climaxed in what he described as a ‘Fugenpassion’, with the resulting character pieces becoming a significant cornerstone of the organ repertoire. They are performed here by Tom Winpenny, who has also written the booklet notes, on the historic and recently restored Furtwängler organ in Gronau, Germany.

Ernesto Halffter, one of Manuel de Falla’s most admired disciples and a student of Stravinsky and Ravel, was a close associate of iconic figures such as Dalí, García Lorca, and Buñuel on the 20th century Iberian cultural scene. His magnificent score for Jacques Feyder’s 1926 silent film, Carmen, is one of the great impressionistic Spanish masterpieces of its era. More sombre and tragic than the music for Bizet’s opera, Halffter’s vivid panorama depicts the range and depth of the powerful emotions encompassed within the Carmen story, a tale of thwarted love, passion, jealousy, and violence set in the heart of Andalusia in southern Spain. This is not only the work’s world première recording but the first performance to realise the composer’s musical intentions in full.

The folk music of Greece is the ‘topos’ shared by the four composers on this album, part of Naxos’s Greek Classics series. Greek-Cypriot composer Solon Michaelides’s evocative Dawn at the Parthenon is infused with impressionist elements whereas Manolis Kalomiris, the leading figure in Greek national music, turns more to the voluptuous richness of Rimsky-Korsakov in his Island Pictures. Yannis Constantinidis’s two suites are notable for their subtle dance rhythms and expert orchestration while Nikos Skalkottas’s ingenious Greek Dances, one of his most popular works, are heard here in Walter Goehr's edition for string orchestra.

On its first appearance on the Marco Polo label, this recording was acclaimed as ‘a model of what these things should be’ (Fanfare) and that no release on the label was ‘better or more important than this’ (ClassicsToday.com). It presents a definitive restoration of Korngold’s music for the 1938 Warner Bros.’ production of The Adventures of Robin Hood, starring the ultimate swashbuckler, Errol Flynn, and still one of the most-loved of all motion pictures. Throughout—and to an unprecedented degree—Korngold captures its lavish spectacle, romance, colour, pageantry and humour in his magnificent score. Also included is the Original Theatre Trailer Music, not previously available on CD.

Set in mid-nineteenth-century Italy during a turbulent period of pre-Unification political unrest, The Gadfly drew from Shostakovich one of his most dazzling and popular film scores, heard hitherto on record only in a suite arranged and reorchestrated by Levon Atovmian. This recording presents the full, original score for the first time, as closely as possible to shostakovich’s original conception. Reconstructed by Mark Fitz-Gerald from the original manuscript and the Russian film soundtrack, it calls for a large orchestra including church bells, an organ, two guitars and a mandolin, all excluded from the Atovmian suite. The excerpts from The Counterplan, which marked the fifteenth anniversary of the 1917 Revolution, include the infectious hit-tune The Song of the Counterplan.

Dario Salvi continues his exploration of Marschner’s overtures and stage music in this second volume in an ongoing series. Salvi conducts the Hradec Králové Philharmonic Orchestra in its first recording on the Naxos label. Volume 1 is available on 8574449. Discover the missing link in the German Romantic opera tradition, between Weber and Wagner, via this album of world premiere recordings.

Stellar violist Anna Serova pays homage to Sir William and Lady Walton, and to ‘La Mortella’ – the beautiful garden they created at their home on the island of Ischia. The album features Walton’s Cello Concerto transcribed by Serova for viola, plus three new works by Italian composer Roberto Molinelli dedicated to La Mortella; World Premiere Recordings.

The 20th-century Lithuanian composer’s dialogue between modern forms of expression and folk motifs is well represented in the four works in this recording. There is a sense of playful lightness in the Romantic aesthetic of Gruodis’s work, while Banaitis incorporates national lyricism with personal grief in his Sonata. Composed under the restrictions imposed by Soviet occupation, Vainiunas’s Sonata, Op. 38 is suffused with tragedy and sorrow, while Juzeliunas’s distinctive style had an enormous impact on the future of Lithuanian music. All of these pieces are symbolic of survival and represent being truthful to one’s creative identity while under the harshest of conditions.

JoAnn Falletta conducts the National Orchestral Institute Philharmonic in works by four extraordinary mid-20th-century American composers who helped shape the country’s musical destiny: Aaron Copland, Walter Piston, Paul Creston and Ulysses Kay. Includes two world premiere recordings – Paul Creston's Saxophone Concerto and Ulysses Kay’s poignant and elegiac Pietà.

Sebastian Weigle conducts this acclaimed Oper Frankfurt production of Rimsky-Korsakov’s operatic rarity Christmas Eve. This CD version is taken from the same live performances as the DVD/Blu-ray, released in November 2022 (2.110738 and NBD0154V). Rimsky-Korsakov blends Christian and pagan elements, Ukrainian folk songs and carols, and atmospheric orchestral interludes in this vivacious and fantastical village romance.

The next instalment in this popular series now focuses on the life and music of Mendelssohn. This insightful biography explores the breadth of his achievements, the complexities of his privileged upbringing, and the reasons for the fluctuating nature of his reputation. Written by Davinia Caddy, narrated by Leighton Pugh, and featuring many musical excerpts include the Violin Concerto, String Octet and Elijah, as well as his choral works, symphonies, sonatas and songs.