Bruno Walter conducts Mozart & Haydn – The Remastered Stereo Recordings
Sony Masterworks
CD
$35.98$39.98Save 10%Nov 22, 2024
The German Romantic classics - Beethoven, Brahms, and Mahler - had been central to Bruno Walter's middle years, but his life-long devotion to Mozart grew in his “post-retirement” days, beginning in 1958.
From 1958 to 1961, he recorded 55 works in the reverberant acoustic of Hollywood's American Legion Auditorium. Only the chorale finale of Beethoven's Ninth proved unsatisfactory, so Walter made one more trip to New York, this time with an East Coast version of the Columbia Symphony and the Westminster Symphonic Choir.
This box set of stereo recordings - with remasterings previously released in Bruno Walter - The Complete Columbia Album Collection - brings together some of the most treasured symphonic works of Mozart and Haydn, including two of Mozart's violin concertos played by the great French virtuoso Zino Francescatti.
Kaija Saariaho: Saarikoski Songs, Vista, Three Preludes
Ondine
CD
$17.09$18.99Save 10%Sep 04, 2026
WORLD PREMIERE RECORDINGS of three works by Kaija Saariaho (1952-2023) from soprano Anu Komsi, the BBC Symphony Orchestra and conductor Sakari Oramo, including the composer's final orchestral work, Vista, inspired by a scenic Interstate 5 highway to San Diego.
Anton Bruckner: Symphony No. 9 in D-minor Gerd Schaller, conductor, London Philharmonic Orchestra With a final movement, drawn from original sources and supplemented and completed by Gerd Schaller 'My work on completing the symphony drew upon compositional principles characteristic of Bruckner's later style. From the Seventh Symphony onwards, and certainly by the Eighth at the latest, this particular late style that he had developed became increasingly evident. I applied these principles by analogy and developed them further. Further sources of inspiration were Bruckner's 'Psalm 150' and his symphonic choral work 'Helgoland'. Ultimately, my decades of experience as a conductor and Bruckner exponent also found their way into this performance, although it should be noted that I had already performed an initial version of my completed work in concert and recorded it on CD in 2016. This experience gave me the opportunity to review the piece once again from a practical perspective.' Gerd Schaller
