The Atse Tewodros Project, which bore this album, was initiated with the intent of forging collaboration between Ethiopian and Italian musicians.; Singer, writer, and performer Gabriella Ghermandi was born in Ethiopia, but grew up in Italy. Her music binds her cultural heritage together in new and exciting ways.; “…the jaunty music is jazzy, purely Ethiopian, and rich with great rhythms and melodies… It’s a must for anyone with an interest in innovative and traditional Ethiopian music…” (Matthew Forss, Inside World Music)

The inspiring group Afrika Mamas are three-time South African Music Awards nominees, and have toured all over the world. They sing in an a cappella or Mbube style, featuring rich textures, thick harmonies, reminiscent of Ladysmith Black Mambazo. The twelve tracks featured on this disc are a fantastic representation of the works of this moving group.

'Daa Dee' is the first groove a baby learns in Ethiopia as it takes it's first steps. It is the sound the mother makes to help her baby in it's first attempt into independence. Minyeshu explores her own upbringing and the resulting positive changes in this uplifting album of strength, vulnerability, faith and doubts overcome. Daa Dee is Minyeshu's fourth album, a collection of dance songs exalting love, spiritualism, and what it means to be a woman- especially a mother and daughter- in today's times. Drawing from her cultural life experiences in Africa and Europe, Minyeshu has sculpted her signature tone- a hypnotic and modern hybrid of Ethiopian grooves and melodies, delicately mixed with Western instruments and styles. "Minyeshu manages to sound both accessible to a wider audience yet still authentically and proudly Ethiopian at the same time." (Songlines) "... brave and new musically stimulating and exciting experience." (NetRhythms UK)

Musicians from the UK travel to The Gambia in this unique cultural exchange. Under the guidance of Gambian percussionist and vocalist Musa Mboob, musicians from both countries create an inspired, energetic, tribal, West African soul music. "... captivating sounds of West Africa in it's most innovative masterpiece of artistic creativity... " (ebonyonline. Net) Musa Mboob and XamXam aim to bring you the perfect blend of traditional West African music with a modern twist. Musa has made it his aim in life to continue the family tradition of playing percussion and promoting traditional music from The Gambia. In 2017 Musa returned to The Gambia with a new set of musicians and returned with this collection of new songs that capture the exciting Gambian vibe.

In the spirit of Paul Simon’s epic, this new release from ARC features a collection of African songs. A potpourri of music has been chosen, from a capella to instrumentals, these songs hail from all over the great continent, including tunes from Zimbabwe, Namibia, South Africa, and more. The songs are sung in a variety of native African languages, showing the immense diversity that exists throughout the African countries.

Dumisani “Ramadu” Moyo started his career as a professional musician in 1990 in the City of Kings- Bulawayo in Zimbabwe. The city is in the South of Zimbabwe where the Ndebele language is spoken. The music in this city is very much like South African music because of the Zulu language which has similiarities with Ndebele such as the “clicks” which can be heard in Miriam Makeba’s songs for example. His name “Dumisani” means “to praise” and the family name “Moyo” means “heart.” “Ramadu” is his chosen artistic name which he prefers to use as a musician. Ramadu dropped out of school at fourteen and decided to make music his career. In 1990 he joined the a cappella group Insingizi Emnyama who specialized in iMbube and traditional dances like Indlamu and “Gumboot Dance.” Today Ramadu runs a music label and studio working with different musicians from within Zimbabwe and around the globe, in a variety of styles from pop to classical music, from blues to Afro-pop to traditional roots music from southern Africa. Ramadu recorded this, his first solo album, in the summer of 2001. It is a mixture of traditional and self-composed songs from his hometown, mostly in the Ndebele language combining traditional and modern sounds. His focus is to develop and popularize the traditional music of his culture throughout the world by staging live performances and recordings and producing music.