SUMMER BLOWOUT SALE 2026
Over 1,000 titles from top classical labels are on sale now at ArkivMusic!
Celebrate summer with a collection of music filled with color, charm, and discovery. From the shimmering worlds of Debussy and Ravel to the folk-inspired melodies of Dvořák and Grieg, the vibrant landscapes of Respighi and Copland, and the timeless brilliance of Mendelssohn, Saint-Saëns, and Vivaldi, this sale brings together recordings perfect for the season. Browse titles spanning beloved classics, orchestral favorites, chamber music, and contemporary discoveries, and find something new to enjoy all summer long.
Shop now before the sale ends at 9:00am ET, Tuesday, July 28th, 2026.
969 products
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SaleThe Music Lover's Grainger / The President's Own U.S. Marine Band
Altissimo · Nov 2015CD$18.99$9.49 -
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SaleNielsen, Sibelius: Violin Concertos / Skride, Rouvali, Tampere Philharmonic
Orfeo · Sep 2015CD$20.99$10.49 -
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SaleHaydn: Symphonies No 57, 67, 68 / McGegan, Philharmonia Baroque
Philharmonia Baroque Productions · Sep 2015CD$19.99$9.99 -
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Bartok: The Works for Violin and Piano / Becker-Bender, Nagy
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REVIEW:
These players don’t seem to be among those who conceive Bartók’s music primarily as a rigorous exploration of dissonance; and their moving it from center stage, though hardly underplaying its jagged power (as in the Solo Violin Sonata), allows it to speak naturally and, in general, cogently. Highly recommended to admirers of the composer’s paradigm-shattering synthesis.
– Fanfare
Grainger: Music for Saxophones
Percy Grainger called the saxophone ‘the world’s finest wind-tone tool, the most voice-like’, and wrote for it a series of fascinating but hitherto little-explored works. These arrangements are special in that, unusually, Grainger largely abandoned his idea of ‘elastic scoring’ and noted specific instrumental configurations. The selections include the music of J.S. Bach, British and Norwegian folksongs, old polyphonic instrumental and vocal music, as well as two original compositions, each indelibly stamped with Grainger’s experiences as pianist, folk-song collector, and proponent of early music.
Milan Dvorák: Complete Jazz Piano Etudes
Born in 1934, the Czech jazz composer Milan Dvořák, no relation to his better-known classical composer namesake, has been active since the 1960s leading big bands and swing ensembles and remains active today. This is the debut recording of his 45 Jazz Piano Etudes which combine transcriptions of popular songs with classical influences and features the pianist Milan Franěk.
The Music Lover's Grainger / The President's Own U.S. Marine Band
Vivaldi: Sacred Music, Vol. 4
Mozart: Piano Concertos Nos 8, 11 & 13 / Brautigam
Review:
Ronald Brautigam and the Cologne Academy under Michael Alexander Willens offer stylish and enjoyable performances.
– BBC Music Magazine
Wagner: Das Rheingold, WWV 86A
Brahms: Works for Solo Piano, Vol. 5
This is the penultimate release in the Chandos series of Brahms works for solo piano, performed by Barry Douglas. | Brahms is often considered both a traditionalist and an innovator with his music being rooted in the structures and compositional techniques of Baroque and Classical eras. | These recordings are being performed in the finest international venues including the Wigmore Hall and Concertgebouw. | This fifth volume is the most virtuosic of the series, including the Scherzo in E flat minor, technically demanding variations, several intermezzi, and three Hungarian Dances. | Barry Douglas is gainging a reputation of one the few world-class piano virtuosi of the romantic repertoire. | Barry Douglas won the 1986 Tchaikovksy Competition in Russia.
Dvorak: Symphony No. 5; In Nature's Realm; Scherzo Capriccioso
Der Herr ist Konig: Baroque Bass Cantatas
Baroque Bass Cantatas from Mügeln Archive offers a representative sampling of cantatas for bass voice from St. John’s Kantorei Archive, established in Mügeln (Saxony) in 1571. The cantatas presented here are from the first half of the 18th c. and were copied during the tenure of the music director Daniel Jacob Springsguth. All the composers were from the Saxony and Thuringia regions. The CD, featuring bass baritone Klaus Mertens and the Accademia Daniel under conductor Shalev Ad-El, demonstrates that even minor masters operating in the countryside could compose on a very high level.
The Shepherd on the Rock
Ravel: L'Enfant et les sortileges; Ma Mere l'Oye - Complete Ballet
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Review:
The all-French cast articulate the text splendidly, with tenor Jean-Paul Fouchécourt doing his usual superb number as L'Arithmétique. Mezzo Hélène Hebrard as the Child sounds suitably young and fresh, soprano Annick Massis as the Fire negotiates her high coloratura with accuracy and élan.
– BBC Music Magazine
Nielsen, Sibelius: Violin Concertos / Skride, Rouvali, Tampere Philharmonic
Born into a musical Latvian family violinist Baiba Skride won First Prize at the 2010 Queen Elisabeth Competition, held annually in Belgium. Ms. Skride’s natural approach to her music making has endeared her to some of today’s most important conductors and orchestras. Following her debut at the BBC Proms with the Oslo Philharmonic and Vasily Petrenko playing the Szymanowski Concerto No. 1, The Times noted, ‘Latvian violinist Baiba Skride sailed over the orchestra with long lines of melody, silver and sweet.’ She was immediately re-invited, and at the 2014 Proms played the Stravinsky Concerto with the BBC Symphony and Ed Gardner. Baiba Skride debut recording with Orfeo of the Szymanowski Concertos and Myths was nominated for the 2015 BBC Music Magazine Awards in the Concerto section. For her Orfeo CD follow up she has recorded two Scandinavian violin concertos truly exciting, fresh and innovative – Jean Sibelius’s well-loved concerto and Carl Nielsen’s unjustly neglected companion work – with the Tampere Philharmonic and conductor Santtu-Matias Rouvali.
Mendelssohn: String Quartets Nos. 2 & 3 / Escher String Quartet
Ten years after the Op. 13 quartet, Mendelssohn composed the three quartets that make up his Op. 44. The D major quartet that closes the present disc was the last of these to be completed, but on publication, Mendelssohn placed it as the first in the set.
Mendelssohn also wrote four individual movements for string quartet. These were gathered together and published posthumously with the opus number 81, and on this second volume of their complete Mendelssohn cycle the Escher Quartet perform two of these pieces, both conceived in August 1847, only a couple of months before the composer’s death.
The first volume in the Eschers' series, released in April 2015, has been warmly received by the critics, with the internet site Pizzicato describing it as 'a noteworthy addition to the Mendelssohn discography'.
Reviewds:
The Eschers offer eloquent, full-blooded playing, with spacious tempos, earthy rhythms and rich, dug-in sound. Nothing is rushed or skittered over - and this is notably rewarding in music where an over-precious surface can risk missing the point…the four players offer a beautiful blend of individuality and accord, and BIS's famous SACD sound quality lets them gleam and glow.
– BBC Music Magazine
This young American group respond particularly vividly to the ebullience of the D major Quartet. Digging into the upward arpeggio with which it launches with infectious glee, while the first movement's coda is uproariously dispatched. Also impressive is their combination of finely honed interaction and a sense of playfulness.
– Gramophone
Glass – Glassworlds, Vol 2 / Horvath
"Nicolas Horvath, with precise playing and imaginative interpretation has made Glassworlds 2 an indispensable reference for the serious enthusiast as well as marking an important milestone in the evolution of the music of Philip Glass." -- Sequenza 21
Haydn: Symphonies No 57, 67, 68 / McGegan, Philharmonia Baroque
This doesn’t mean that the music lacks anything in the way of interest. No. 67 is one of Haydn’s most original creations, with a slow movement that features a delicious coda played by the strings “col legno” (with the back of the bow), a trio of the minuet for two muted solo violins–one of them retuned–and a finale with a central “development” that starts as a string trio in an adagio tempo. It’s an amazing piece, and this performance relishes every striking detail.
Symphony No. 57 starts with a surprisingly unsettling slow introduction whose eerie grace notes return, purged of their unease, in the fleet main theme of the finale. No. 68 places the minuet second because the slow movement is probably the longest that Haydn ever wrote. It lasts more than twelve minutes in this performance (fourteen under Harnoncourt), but it’s so full of variety that the time passes without a thought. The finale is a “variation” rondo whose episodes constitute a veritable concerto for orchestra.
In short, each symphony has something special and characteristic to offer, and each gives McGegan and his ensemble an opportunity to display their individual and corporate musicianship and virtuosity. The strings play with precision and warmth. McGegan clearly knows when to sound “authentic,” and when to let his players sing. The solo winds and horns are excellent, ensemble balances invariably what they ought to be to let each work communicate vividly. The live sonics, a touch close and maybe very slightly edgy, actually suit the boldness and panache of the music. Haydn lovers rejoice.
-- David Hurwitz, ClassicsToday.com
Fauré: Songs For Bass Voice & Piano / Schwartz, Howat
This collection of Gabriel Fauré’s mélodies is the first recording to be conceived for a bass voice. It juxtaposes some of the composer’s best-loved songs with some of his lesser-known works. This recital program draws out connections of poets and poetic themes, some of which restore the composer’s own original groupings. This is also the first recording to be based on the new Peters Edition, which eliminates countless errors in older publications. The young American bass Jared Schwartz received the 2013 ‘People’s Choice’ Award in the American Traditions Vocal Competition.
REVIEW:
There are a total of 25 songs on this disc and each of them has been recorded with care and affection for the music of this wonderful French songwriter. Schwartz’s excellent new recording on Toccata gives us pristine sound; it is a recording that should be in the collection of everyone who loves French song.
-- Fanfare