Double 180gm vinyl LP pressing. An Afternoon in Norway: The Kongsberg Concert is a previously unreleased recording of alto saxophone icon Art Pepper, captured live at the Kongsberg Jazz Festival in Norway in 1980, featuring pianist Milcho Leviev, bassist Tony Dumas and drummer Carl Burnett. 2 LP set on 180g vinyl with audio transferred from the original tape reels. An elaborate booklet features liner notes by acclaimed author and jazz scholar Marc Myers, plus interviews with artists who knew or were inspired by Art Pepper.

FURTHER AHEAD: LIVE IN FINLAND (1964-1969), PREVIOUSLY UNRELEASED BILL EVANS RECORDINGS, DUE FROM ELEMENTAL MUSIC ON RECORD STORE DAY 2025. - This 2CD set produced by Zev Feldman in cooperation with the Bill Evans Estate features performances by Bill Evans' working trios of the '60s and a 1965 date with guest alto saxophonist, Lee Konitz. "Further Ahead: Live In Finland (1964-1969)" [2 CD] Further Ahead: Live In Finland (1964-1969) is a collection of never-before-released recordings of jazz piano icon Bill Evans captured live in Finland in the mid-to-late 1960s. An official Elemental Music release in collaboration with the Bill Evans Estate, Further Ahead is a major discovery of recordings being released for the very first time as a 2 CD Digipak set with 28-page booklet included. Limited Edition.

Released in 1973, Neither One of Us, the ninth studio album by Gladys Knight & the Pips, was their most successful work, reaching No. 9 on the Billboard Top LPs chart and No. 1 on the Soul LPs chart. By the time of it's release, the group had already left Motown and signed to Buddah Records, making the title song (which peaked at No. 2 on the US Pop charts and led the R&B charts) all the more poignant. "Daddy Could Swear, I Declare" was also a Top 20 hit on the Billboard Hot 100. Available on 140g virgin vinyl. Limited Edition.

Vinyl LP pressing housed in gatefold jacket. Released by Motown in 1972, The Temptations' Solid Rock features vocals by Dennis Edwards, Melvin Franklin, Otis Williams, Damon Harris, and Richard Street. A #1 Soul LP smash, it was the first recorded by the group without original lead singers Eddie Kendricks and Paul Williams.

A complete, previously unreleased performance in brilliant stereo sound quality by the legendary Bill Evans Trio. Audio transferred from the original stereo tape reels and mastered by Matthew Lutthans at the Mastering Lab. Recently found in the Kongsberg Jazz Festival archives, it was widely believed that this concert had not been recorded, and as such it doesn't appear on any of the Bill Evans discographies! Featuring Eddie Gomez on bass and Marty Morell on drums.

MORE STOCK ARRIVING SOON VIA VENDOR RESTOCK! A COMPLETE NEVER BEFORE RELEASED PERFORMANCE IN BRILLANT STEREO SOUND QUALITY BY THE LEGENDARY Bill Evans TRIO. REMASTERED AUDIO TRANSFERRED FROM THE ORIGINAL STEREO TAPE REELS. RECENTLY FOUND IN THE KONGSBERG JAZZ FESTIVAL ARCHIVES, IT WAS WIDELY BELIEVED THAT THIS CONCERT HAD NOT BEEN RECORDED, AND AS SUCH IT DOESN't APPEAR ON ANY OF THE Bill Evans DISCOGRAPHIES! FEATURING EDDIE GOMEZ ON BASS AND MARTY MORELL ON DRUMS. 2-LP SET - 180-GRAM HIGH QUALITY VIRGIN VINYL Recorded live at the Kongsberg Jazz Festival at Kongsberg Kino, Kongsberg, Norway, Friday, June 26, 1970. Includes COMPREHENSIVE BOOKLET with original never before published photos from the actual concert, as well as especially prepared essays.

In Perfect Harmony: The Lost Album is a previously unreleased studio album from West Coast trumpet icons Chet Baker and Jack Sheldon. Recorded in Tustin, California, in 1972 with pianist David Frishberg, bassist Joe Mondragon, drummer Nick Ceroli and guitarist Jack Marshall.

Two CDs. Sun Ra At The Showcase: Live In Chicago contains previously unissued live recordings of the legendary intergalactic composer/pianist Sun Ra captured live at Joe Segal's Jazz Showcase in Chicago, IL. Between 1976 and 1977. This is an official release on producer Zev Feldman's Jazz Detective record label, in partnership with Elemental Music, and in cooperation with the Sun Ra Trust. Researched and compiled by longtime Sun Ra archivist Michael D. Anderson, and transferred from the original tape reels. Liner notes by James Corbett, and interviews and statements from photographer Hal Rammel, Michael Weiss, Marhall Allen, Thurston Moore, Jack DeJohnette, David Murray, Dave Burrell, Matthew Shipp, Amina Claudine Myers, and Reggie Workman.

Deluxe two CD set. Never-before-released 1972 Concert at L'Olympia. Featuring Nat Adderley, George Duke, Walter Booker & Roy McCurdy. Include a 20-page booklet with rare photos; essays by jazz author Bob Blumenthal and producer Zev Feldman plus testimonies by Roy McCurdy, Tia Fuller, Lou Donaldson, & Vincent Herring, and a never-before-published Nat Adderley interview.

Deluxe two CD set. First official release of Cannonball Adderley's 1969 concert in Bordeaux. Featuring Nat Adderley, Joe Zawinful, Victor Gaskin, and Roy McCurdy. Includes an extensive booklet with rare photos; essays by jazz author Bob Blumenthal and producer Zev Feldman; plus testimonies by Roy McCurdy, Hal Galper, Chris Potter, and Michael Wolff.

Two CD set. A truly sensational find, this set presents a never before heard performance recorded in Avignon, France, featuring Yusef Lateef in a quartet set with fellow stars Kenny Barron, Bob Cunningham, and Albert "Tootie" Heath. Among the highlights are a fantastic flute/piano duet by Lateef and Barron playing the pianist's beautiful ballad "A Flower", as well as extended readings of the classic "I'm Getting Sentimental Over You" (which Lateef recorded just one more time in 1971), Lateef's blues "Yusef's Mood" and Barron's "The Untitled." This project, produced by the renowned Zev Feldman, is released with the full collaboration of the Yusef Lateef Estate, as well as those of the other artists involved. The audio has been transferred and newly remastered from the original concert tapes licensed from the archives of the Institut National de l'Audiovisuel (INA).

Jimmy Smith & Wes Montgomery - Jimmy & Wes: The Dynamic Duo - Vinyl LP pressing. Jimmy & Wes: The Dynamic Duo is a 1966 collaborative album by American jazz guitarist Wes Montgomery and electric organist Jimmy Smith, with arrangements by Oliver Nelson. It is frequently listed among Jimmy Smith's best albums

For this amazing 1965 album (released by the Verve label in February of 1966), Bill Evans and his trio (featuring bassist Chuck Israels and drummer Larry Bunker) meet a 48-piece symphony orchestra conducted and arranged by Claus Ogerman. The Symphony Orchestra album includes compositions by Granados, Bach, Scriabin, Faure, and Chopin as well as two by Evans and one by Ogerman. The results are just beautiful.

Two CDs. Third release of previously unissued recordings of the iconic pianist Ahmad Jamal captured live at Penthouse jazz club in Seattle between 1966-1968 with bassist Jamil Nasser and drummer Frank Gant. Produced for release by "Jazz Detective" Zev Feldman and supervised by Ahmad Jamal himself, these recordings were transferred from the original tape reels and mastered for vinyl by the legendary Bernie Grundman. This 2-CD set includes an extensive booklet with rare photos, essays, and interviews.

Never-before-released recording of piano great Bill Evans with bassist Chuck Israels and drummer Larry Bunker captured live in Copenhagen at the Radiohuset and TV-BYEN studios in August 1964. Features Evans' only known version of "I Didn't Know What Time It Was," two different readings of "Sweet and Lovely" (only heard previously on the album, Explorations) and a previously unissued live version of "'Round Midnight" from 1969 that wasn't included in Elemental's previous Evans release, Treasures.

Boogie With Canned Heat, their second studio album, was released in 1968 and features the original lineup with Bob "The Bear" Lite (lead vocals), Alan "Blind Owl" Wilson (slide guitar/harmonica/vocals), Henry "Sunflower" Vestine (lead guitar), Larry "The Mole" Taylor (bass guitar) and Adolfo "Fito" de la Parra (drums), plus guest appearances by Dr. John and Sunnyland Slim. It includes the hits "On the Road Again," "Amphetamine Annie," and "Fried Hockey Boogie."

Live at Nick's was recorded in November 1978, however it wouldn't see the light until 1987, a year before Chet's untimely death. It finds the trumpeter in the company of New York-born pianist Phil Markowitz, with whom he had started working in February of that same year. He toured Europe with Chet in 1978 and 1979 and recorded with him for the last time at New York's Fat Tuesday's in 1981. The complete album plus 2 bonus tracks is now available for the first time on 180g virgin vinyl.

Released on the Impulse! Records label in early 1966, the songs are a mix of new compositions and re-workings of tunes John Lee Hooker had previously recorded, and includes a cover of Barrett Strong's 1959 Motown hit "Money (That's What I Want)." With Panama Francis on drums, Milt Hinton on bass, and Barry Galbraith on second guitar, the result is some of the best John Lee Hooker material with a band that you're likely to come across

Howlin' Wolf - "Message To The Young" / This was the 8th album by blues master Howlin' Wolf released by Chess Records in 1971. Often considered an attempt at offering the masses a psychedelic record, it's sound ranges from acid-rock, to blues, to funk, and back again. The title song is Wolf's attempt at reaching the youth of the era in a beautiful spoken word ballad which can easily be summed up in two words: Be Yourself. Arranged and conducted by Cash McCall, this album presents Wolf in the company of legendary pianist Sonny Thompson.

The Hunter is one of Ike & Tina's most blues oriented albums. It was cut during the blues revival period of the late 1960s. Released just a few years after the Phil Spector-produced River Deep Mountain High, The Hunter boasts several fine blues workouts in which the Stax sound figures prominently. The album features electric blues guitarist Albert Collins. This masterpiece earned Tina Turner her first solo Grammy nomination. This is the first official American LP re-issue in more than 40 years.

The classic 1967 Chess album Muddy, Brass & The Blues, adds horns and prominent organ to Muddy Waters' basic band format. Waters' earlier work had been built around his returning to sounds and influences from his past. Here, the label tried to give him a new sound. Stripped of his guitar, Waters proves what a great R&B singer he was. Featuring Otis Spann on piano, and Sammy Lawhorn and Pee Wee Madison on guitar. This is the first official American LP re-issue in more than 30 years.

Limited two CD set includes a booklet with photos, liner notes, essays and interviews. Blue Room: The 1979 VARA Studio Sessions in Holland features 2 recordings of Chet Baker at the VARA Studio 2 in Hilversum, the Netherlands for the KRO Radio program Nine O'Clock Jazz. The April 10th session features Phil Markowitz (piano), Jean-Louis Rassinfosse (bass) and Charles Rice (drums). The November 9th session features Frans Elsen (piano), Victor Kaihatu (bass) and Eric Ineke (drums).

Two CDs. Treasures: Solo, Trio & Orchestra Recordings In Denmark 1965-1969 is a set of previously unreleased recordings by jazz piano icon Bill Evans, either live or in Danish TV and radio studios. Highlights include trio performances from 1965 with bassist Niels-Henning Orsted Pedersen; the only solo piano version of "My Funny Valentine" by Evans known to exist; a 1966 orchestral suite with the trio accompanied by the Danish Radio Big Band and more! Includes rare photos, liner notes and interviews.

Limited two CD set includes an extensive booklet with rare photos, liner notes and an archival interview with Sonny Stitt. Boppin' In Baltimore: Live at the Left Bank is a previously unreleased recording of saxophone master Sonny Stitt captured live at the famous ballroom in Baltimore on November 11, 1973. Recorded by Left Bank founder Vernon Welsh, it features an all-star rhythm section of pianist Kenny Barron, bassist Sam Jones and drummer Louis Hayes.

Limited 180gm vinyl LP pressing. Philadelphia-born guitarist Kurt Rosenwinkel is best known for his multiple recordings on the Verve label. His 1998 LP Intuit marked his second album as a leader and the only one he recorded for the Criss Cross label. A quartet session devoted entirely to standards, it reveals the depth of the guitarist's expertise in the bop idiom. He is backed by pianist Michael Kanan, bassist Joe Martin, and drummer Tim Pleasant

Two CD set. Never before released Ahmad Jamal set from the 1960s recorded at the Penthouse Jazz Club in Seattle. Remastered audio transferred from the original tape reels. This set includes an extensive booklet with previously unpublished photos from Chuck Stewart and Don Bronstein; essays by jazz writer Eugene Holley Jr. And producer Zev Feldman; plus interviews with Ahmad Jamal, Jon Batiste, Kenny Barron, Aaron Diehl and Marshall Chess.