Fischer performs works by Beethoven, Chopin, Liszt, and Mozart in live performances from the 1960s and 1970s.

All-new remasterings of live and previously unissued recordings: a Mendelssohn concert from 1962 demonstrates Thomas Jensen’s undimmed power to galvanize an orchestra towards the end of his life. From his very last concert, given a fortnight before his death in 1963, works by Handel and Mozart find him (and pianist Annie Fischer) on fluent, sparkling form. Novelettes by ‘the Danish Mendelssohn’ Niels W. Gade make a neat coupling, and the set closes with the Dvorák overture which launched the DRSO on the international scene. Another landmark album in the wider appreciation of a conductor whose legacy has been too narrowly restricted to the music of his homeland.

Bryce Morrison, the celebrated critic and authority on piano music, described the pre-eminent Hungarian pianist as follows: ‘Annie Fischer was among the greatest and most richly comprehensive of all pianists’. The distinguished Russian pianist Sviatoslav Richter, notoriously critical, described her as ‘an artist imbued with a spirit of greatness and with genuine profundity’.

Bryce Morrison, the celebrated critic and authority on piano music, described the pre-eminent Hungarian pianist as follows: ‘Annie Fischer was among the greatest and most richly comprehensive of all pianists’. The distinguished Russian pianist Sviatoslav Richter, notoriously critical, described her as ‘an artist imbued with a spirit of greatness and with genuine profundity’.

Fischer was universally acclaimed in Mozart, Beethoven, Schumann, Schubert and Chopin as well as her own compatriots, Liszt, Bartók and Kodály. Despite her international reputation, however, in comparison with other pianists of her generation she is probably the least represented on disc. This was mainly due to a distaste for the recording process - she preferred the freedom and spontaneity of live performances. It is a well known that her studio recordings of the complete Beethoven Piano Sonatas were made over many years and with many different producers. She was never satisfied with the results, so in this BBC recital of selected Beethoven sonatas, Annie Fischer is heard as she would have wanted - live and caught on the wing, making this recording very valuable. Misha Donat, her producer for Sonata No.30, said: “she hated working in the studio so these are real performances; they were always done in a complete ‘take’, though sometimes she would play through a movement twice”.

For five decades Wolfgang Sawallisch (1923-2013) held a central position in the musical world. That centrality was reflected in a series of top orchestral and operatic posts and in his interpretations, free of self-regarding eccentricities. His modest but highly effective conducting technique also made him the ideal recording artist. Sawallisch was a Bavarian born in Munich, city of orchestras and a great opera company, which he headed for 21 years. He started his career as an outstanding pianist and remained a sought-after accompanist to great Lieder singers and instrumentalists. Volume 1 of a complete conspectus of his Warner Classics recordings (made for Electrola and EMI Classics between 1954 to 1997) includes wonderful Lieder and song collaborations, as well as famous concerto accompaniments for eminent soloists and a heartwarming traversal of Schubert's secular vocal and sacred choral music with Bavarian Radio colleagues. But the main focus among the 65 discs is on his symphonic achievements: Beethoven, Schumann, Mendelssohn, Brahms, Bruckner and Dvor�k - the latter's Eighth Symphony was his first published recording, from 1954. Richard Strauss, an early influence, is strongly represented. This 65CD-box brings together all the non-operatic recordings that the German conductor and pianist Wolfgang Sawallisch (1923-2013) made in the years from 1954 to 1997 for EMI Classics and Electrola (now Warner Classics).