After her award-winning album "Røta", Ragnhild Hemsing dedicates herself to the Norwegian national epic "Peer Gynt" and its musicalization by Edvard Grieg. Through the collaboration with the Trondheim Soloists the world-famous melodies resound in new arrangements for violin and Hardanger fiddle with string orchestra. "Edvard Grieg himself has said that his Peer Gynt music is inspired by Norwegian folk music. With that in mind, my desire through this project has been to penetrate deeper into the sound world of the Peer Gynt music and explore the exciting intersection between folk and classical music", says the Norwegian artist. From "In the Hall of the Mountain King" to "Morning Mood", her new album has everything you need to immerse yourself in the Nordic soundscapes and mythical sagas.

REVIEW:

Ragnild Hemsing once again makes a strong case for the Hardanger fiddle and, through Tormood Tvete Vik’s clever and tasteful arrangement of Edvard Grieg’s Peer Gynt music, brings it very close to Norwegian folk music. The 12 individual movements are played alternately by Hardanger fiddle and the violin.

Ragnild Hemsing plays beautifully and creates indescribably atmospheric moments that have never been heard before. The Trondheim Soloists accompany the soloist with beautiful sound that exactly reflects the mood of the music. This somewhat short CD (48') is a must, and not only for those who like to explore. There are also informative booklet texts.

-- Pizzicato

“Mendelssohn is a challenge, because his music appears to be so deceptively easy,” says the pianist Claire Huangci, speaking about her new album. Together with violinist Marc Bouchkov she has recorded works by Mendelssohn for violin and piano: the two Violin Sonatas in F – one major, one minor – and the Double Concerto in D minor. They are accompanied in the latter work by the successful conductor Howard Griffiths and the Basel Chamber Orchestra. As Ms Huangci points out, this represents a program rich in contrasts highlighting Mendelssohn’s artistry and the versatility of such a combination of works: “A mix requiring wit and brilliance on the one hand, while also requiring the performers to go beneath the surface and reveal a deeper meaning including sorrow, compassion and nobility, and that is something that is not easy to detect at first glance. The young Felix Mendelssohn has such a feel for the dramatic.”

REVIEW:

This is the first recording I’ve heard by Marc Bouchkov, a violinist born in Montpellier in 1991. He won 1st Prize at the Queen Elizabeth Competition at Brussels and 2nd Prize at the Tchaikovsky Competition in Moscow. He is an excellent violinist with a fiery temperament and a highly polished technique. Claire Huangci studied at the Curtis Institute in Philadelphia with Eleanor Sokoloff and Gary Graffman and with Arie Vardi in Hanover. She is a perfect match for Bouchkov, and the two make this music exciting.

-- American Record Guide

With rich texture and bold femininity, Jeanine De Bique releases her debut album “Mirrors” on October 22, 2021 on Berlin Classics! Miss De Bique is accompanied by the renowned baroque orchestra Concerto Köln, with musical direction by Luca Quintavalle. The album focuses on baroque arias and includes three world premiere recordings. Arias of heroines such as Rodelinda, Alcina and Cleopatra, composed by George Friderich Handel and his contemporaries - Carl Heinrich Graun, Riccardo Broschi and Georg Philipp Telemann -  complete the program. The female protagonists are central to the album’s title and concept. “Mirrors” is the profound intimacy of Handel arias explored and juxtaposed with unknown arias of the same characters from the music of his contemporaries.

Yannis François, musicologist and concept creator for the album explains: “The listeners can experience different reflections of the same character as if they were looking at themselves through a broken mirror.” The arias tell of key moments in the psychological development of the protagonists, illuminate the diversity of the female experience and the relatable perspectives of their lives. The repertoire, adapts to the extraordinary temperament of Jeanine De Bique's voice, is designed to be rich in contrast and varied, allowing the versatile florescence of colors of her voice to stir and bloom. Mr. François remarks: “Not many sopranos can easily jump from Handel's Rodelinda to Weber’s Agathe to Maria von Trapp in The Sound of Music! The possibilities of developing a program for her debut album were endless!"

REVIEWS:

A wonderfully made program that turns both its musicological mining and its high-powered performances to sheer pleasure.

-- Gramophone (Editor;s Choice, February 2022)

The voice itself really is of quite glorious quality, with a lustrous, slightly viscous liquidity that does not preclude extreme agility in bravura arias...make no mistake, this is a genuinely thrilling talent.

-- Opera (Disc of the Month, March 2022)