JOHANN SEBASTIAN BACH: CHRISTMAS

JOHANN SEBASTIAN BACH: CHRISTMAS

These special concerts with the award-winning SWR Vokalensemble represent two Christmas gifts from the Gaisburg Church, considered to be one of the most beautiful churches in Stuttgart. Michael Praetorius’ In dulci Jubilo exemplifies an ancient European tradition for Advent music that has inspired composers to express seasonal beauty and joy from medieval times to the present. English conductor Marcus Creed brings an authentic depth of experience with these works and in the fine selection of popular Christmas Carols from the British Isles.

A CHRISTMAS HISTORY Simon Russell Beale takes a journey through Italy, Britain, Germany and Austria as he explores how the sound of Christmas has evolved in response to changing ideas about the Nativity. His story takes us through two millennia of music, from a fragment of papyrus preserving the earliest known piece of Christian music to the stories behind Hark! The herald angels sing, Silent Night and In the bleak midwinter, and the work of popular Christmas composer, John Rutter all performed by Harry Christophers and The Sixteen. A CHORAL CHRISTMAS Simon Russell Beale introduces a programme of choral music for Christmas from across the centuries, featuring performances of some of the works featured in the accompanying documentary. Harry Christophers and The Sixteen, perform music including J.S. Bach's harmonisation of the medieval carol In dulci jubilo, A spotless rose by Herbert Howells and the Christmas text O magnum mysterium, set as a motet by Tomás Luis de Victoria.

Also available on Blu-ray

One of the most vibrant, colourful and eye-catching productions staged at London’s Royal Opera House who offered it as the 2009 Christmas presentation. Starting out life as Vakula the Smith, whatever its title, Tchaikovsky’s opera was based on Gogol’s story, Christmas Eve, its lighthearted fairytale aimed at creating an evening of delightful fantasy. The plot is complicated and requires a large cast, but taken down to its bare bones, it tells the story of Vakula, whose mother is courted by many men including the Devil, she too being something of a witch. He falls for the young village wench, Oxana, a rather highly-strung filly who says he will have to get the Empresses shoes before she will marry him. With the help of the Devil, who carries him on his back to St. Petersburg, he does successfully obtain a pair of the Empresses shoes. Victorious he returns only to find a contrite Oxana who has missed him greatly, and wants him as her husband with or without the Empresses shoes. Though it was heavily revised by Tchaikovsky to create Cherevichki (The Tsarina’s Slippers), he thought very highly of the finished product, but it has never found a place in the international opera repertoire. With a largely Russian cast, the Royal Opera House turned it into a visual spectacular, presenting one big scene after another, with big ballet scenes and a massive extravaganza at the Empresses palace. The cast is superb throughout, with Vsevolod Grivnov a heroic heldontenor as Vakula; Olga Guryakova a charming and typical Russian soprano as Oxana; Larissa Diadkova is a fulsome Solokha in voice and stature, but it is the big voice of Vladimir Matorin as Chub that almost steals the show. Maybe the chorus is just a little tentative at times, particularly at the return of Vakula, but with the range of magnificent costumes they still make a visual delight. A joint BBC/Royal Opera House product, the whole presentation is superb, the costume’s colours so thrillingly brought to your screen.

Solokha – Larissa Diadkova
The Devil – Maxim Mikhailov
Chub – Vladimir Matorin
Panas – John Upperton
Oxana – Olga Guryakova
Vakula – Vsevolod Grivnov
Pan Golova – Alexander Vassiliev
The Schoolmaster – Viacheslav Voynarovskiy
Odark – Olga Sabadoch
Wood Goblin – Changhan Lim
Echo – Andrew Macnair
His Highness – Sergey Leiferkus
Master of Ceremonies – Jeremy White

The Royal Ballet Royal Opera House Orchestra
Alexander Polianichko, conductor

Francesca Zambello, stage director
Alastair Marriott, choreography

Recorded live at the Royal Opera House, Covent Garden, November 2009.

Bonus: - Introducing Cherevichki by Francesca Zambello
- Cast and Characters
- Staging Gogol's world

Picture format: NTSC 16:9 anamorphic
Sound format: LPCM Stereo / DTS 5.1
Region code: 0 (worldwide)
Menu language: English
Subtitles: English, French, German, Spanish
Running time: 154 mins
No. of DVDs: 1

This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.

It is also available in DVD format.

One of the most vibrant, colourful and eye-catching productions staged at London’s Royal Opera House who offered it as the 2009 Christmas presentation. Starting out life as Vakula the Smith, whatever its title, Tchaikovsky’s opera was based on Gogol’s story, Christmas Eve, its lighthearted fairytale aimed at creating an evening of delightful fantasy. The plot is complicated and requires a large cast, but taken down to its bare bones, it tells the story of Vakula, whose mother is courted by many men including the Devil, she too being something of a witch. He falls for the young village wench, Oxana, a rather highly-strung filly who says he will have to get the Empresses shoes before she will marry him. With the help of the Devil, who carries him on his back to St. Petersburg, he does successfully obtain a pair of the Empresses shoes. Victorious he returns only to find a contrite Oxana who has missed him greatly, and wants him as her husband with or without the Empresses shoes. Though it was heavily revised by Tchaikovsky to create Cherevichki (The Tsarina’s Slippers), he thought very highly of the finished product, but it has never found a place in the international opera repertoire. With a largely Russian cast, the Royal Opera House turned it into a visual spectacular, presenting one big scene after another, with big ballet scenes and a massive extravaganza at the Empresses palace. The cast is superb throughout, with Vsevolod Grivnov a heroic heldontenor as Vakula; Olga Guryakova a charming and typical Russian soprano as Oxana; Larissa Diadkova is a fulsome Solokha in voice and stature, but it is the big voice of Vladimir Matorin as Chub that almost steals the show. Maybe the chorus is just a little tentative at times, particularly at the return of Vakula, but with the range of magnificent costumes they still make a visual delight. A joint BBC/Royal Opera House product, the whole presentation is superb, the costume’s colours so thrillingly brought to your screen.

Solokha – Larissa Diadkova
The Devil – Maxim Mikhailov
Chub – Vladimir Matorin
Panas – John Upperton
Oxana – Olga Guryakova
Vakula – Vsevolod Grivnov
Pan Golova – Alexander Vassiliev
The Schoolmaster – Viacheslav Voynarovskiy
Odark – Olga Sabadoch
Wood Goblin – Changhan Lim
Echo – Andrew Macnair
His Highness – Sergey Leiferkus
Master of Ceremonies – Jeremy White

The Royal Ballet Royal Opera House Orchestra
Alexander Polianichko, conductor

Francesca Zambello, stage director
Alastair Marriott, choreography

Recorded live at the Royal Opera House, Covent Garden, November 2009.

Bonus: - Introducing Cherevichki by Francesca Zambello
- Cast and Characters
- Staging Gogol's world

Picture format: 1080i High Definition
Sound format: LPCM Stereo 2.0 / DTS-HD Master Audio 5.1
Region code: 0 (worldwide)
Menu language: English
Subtitles: English, French, German, Spanish
Running time: 154 mins
No. of Discs: 1

Plenty of interesting content, well photographed, complements the musical arrangements of popular Christmas tunes.

Might as well get my grumble out of my system at the start, particularly as I enjoyed much of the photography, most of the locations and all the musical arrangements. It is just that the title could be deemed misleading as only two Chapters of the thirteen are not of Switzerland and two of the remaining eleven are not focused on Zurich. No problem though about the preponderance of Zurich.
 
Switzerland has existed as the world’s oldest democracy for some seven hundred years. It is the most linguistically and culturally diverse western European nation. Its diversity derives from its history; having experienced internal religious conflict, the Congress of Vienna guaranteed independence and neutrality in 1815. A new federal state of Cantons was formed in 1848 with Bern as the capital. The Cantons reflect cultural and linguistic variety. With borders with France, Germany and Italy these are the appropriate languages of the population who usually speak at least two along with English. The Romantsch dialect is also spoken by about one percent of its people. Zurich is the largest city, located at the north-western end of Lake Zurich, and has long been the industrial and banking centre of the country as well as a magnet for tourism. Its history includes being a centre of Protestantism.
 
It is on Zurich that the opening Chapters focus with views of the city streets at night dressed in resplendent Christmas decorations (CH.1). In the daylight, dusted in snow with a misty hue, the city looks less inviting albeit the bridge over the river Lammat and the mighty twin towers of the Cathedral are imposing (CH.2). The tradition of Christmas is central in December and the film visits the mechanical Father Christmas, a wonderful Christmas crib and the various toyshops with captivated children peering through the windows (CHs. 3-5). The great Minster, in all its internal magnificence appears to the melody of God Rest Ye Merry Gentlemen played in a baroque manner (CH.6). After brief visits to the Toy Museum in Nuremberg, a city well known as the centre of the German toy-making industry (CH.8), it’s back to Zurich to one of their leading toy emporia with a final visit to a window display of model trains zipping around snowy mountain scenery and model houses; captivating for the children, and, I do not doubt, their parents (CH.13). In between these last two visits, filming takes in a Brussels restaurant where seafood, not just moules and frites, is being prepared and where one can lust over the chocolates, not all Pralines (CH.10). Swiss winter landscapes (CH.12) and the Einsieden Monastery, an important centre of Catholic pilgrimage, are further diversions from Zurich. The monastery church is largely baroque in form (CH.11). The other interesting church visited is that at Engadine, a Romantsch-speaking district set in mountains and popular with visitors (CH.7). Both religious buildings have interesting frescoes and murals.
 
Each visit throughout this tour is accompanied by Baroque-type arrangements of mainly well-known Christmas music. Those chosen include Good King Wenceslas, The First Nowell, Jingle Bells, Silent Night and We Wish You A merry Christmas. With the arrangements being based on Baroque practice, brass is prominent but not overdone. Once or twice, as with O Tannenbaum (CH.12) the arrangement loses the underlying melody, for me at least.
 
-- Robert J Farr, MusicWeb International

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Picture format: NTSC 4:3
Sound format: PCM Stereo 2.0 / Dolby Digital 5.1 / DTS 5.1
Region code: 0 (worldwide)
Running time: 54 mins
No. of DVDs: 1

Note: This Blu-ray Disc is only playable on Blu-ray Disc players, and not compatible with standard DVD players.

Also available on standard DVD

Pyotr Il'yich Tchaikovsky
NUTCRACKER
(Blu-ray Disc Version)

Uncle Drosselmeyer – Damian Smith
Clara – Elizabeth Powell
The Nutcracker Prince – Davit Karapetyan
King of the Mice – David Arce
Queen of Snow – Yuan-yuan Tan
King of Snow – Pierre-François Vilanoba
Sugar Plum Fairy – Vanessa Zahorian

San Francisco Ballet
San Francisco Ballet Orchestra
Martin West, conductor

Helgi Tomasson, choreographer

Recorded live at the War Memorial Opera House, San Francisco, California, on 19 and 20 December 2007.

Bonus:
- Illustrated synopsis and cast gallery
- Interviews with Helgi Tomasson, Michael Yeargan and Martin Pakledinaz
- Documentary: 1915 World's Fair

Picture format: 1080i High Definition
Sound format: 2.0 and 5.0 PCM
Region code: 0 (all regions)
Menu languages: English
Subtitles (extras only): German, French, Spanish, Italian
Running time: 133 mins
No. of Discs: 1 (BD 50)

R E V I E W:



TCHAIKOVSKY Nutcracker & • Martin West, cond; Damian Smith ( Drosselmeyer ); Elizabeth Powell ( Clara ); Davit Karapetyan ( Nutcracker ); David Arce ( Mouse King ); Yuan Yuan Tan ( Snow Queen ); Pierre-François Vilanoba ( Snow King ); Vanessa Zahorian ( Sugar Plum Fairy ); Maria Kochetkova ( Grand pas de deux ); San Francisco Ballet O • BBC/OPUS ARTE BD7044D (Blu-ray: 132: 00) Live: San Francisco 12/19–20/2007


& Illustrated synopsis, cast gallery, artist interviews, documentary on 1915 World’s Fair


David L. Kirk gave the DVD release of this production a thorough review in Fanfare 32:5, rightly declaring this to be “a first-class production with brilliant dancing, imaginative special effects, colorful costumes, and attractive scenery,” and numbering it among his three preferred video Nutcrackers . I second that notion.


In order for the San Francisco Ballet to take possession of this ubiquitous classic, choreographer Helgi Tomasson and his superb design team moved the action to San Francisco in 1915, the year the city hosted the World’s Fair. What this means in practical terms is that the women’s costumes in the first act are much slimmer and more dance-worthy than when the ballet is set in its original, earlier period, and that the action in the second act takes place in what seems to be a fairy-infested World’s Fair exhibition hall. As fine as the dancing is (from soloists and corps alike), it’s really the costumes of Martin Pakledinaz (including a Ballets Russes touch in the act II getups) and the scenic design of Michael Yeargan that make this production so vivid.


Now, it must be said that Tomasson’s choreography doesn’t entail much deep psychology (aside from establishing some motifs that really pull the developments in act I together). There’s nothing at all sinister about Drosselmeyer, who here is just an odd toymaker who likes to entertain kids with magic tricks (and serves as Clara’s chaperone through act II). There are no psychosexual shenanigans involving Clara and the Nutcracker, and despite the 1915 setting, the battle with the mice follows the conventions of 18th-century warfare, with nary a sniff of the trench or mustard gas.


Conductor Martin West’s work with the company orchestra is good, although the conducting and playing tend to lose focus in low-key numbers like the Arabian Dance. The best musical contribution to a video Nutcracker I know is Charles Mackerras’s account for the Pacific Northwest Ballet production, with its pointed rhythms and intense yearning. You can obtain the audio alone from Telarc.


The extra features here are truly interesting, not just filler. The audio is PCM only (choice of two or five channels), and the 16:9 picture is derived from a film transfer of multicamera video. There are a couple of sloppy little video edits that probably occurred when the show was being rushed onto PBS a couple of years ago, and should have been corrected before the home-video release, but they’ll slip by most viewers.


This endearing production deserves to be a basic Nutcracker for every household.


FANFARE: James Reel

Note: This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.

Also available on standard DVD

Pyotr Il'yich Tchaikovsky

Pyotr Il'yich Tchaikovsky
THE NUTCRACKER


The Sugar Plum Fairy – Miyako Yoshida
Nephew / Nutcracker – Ricardo Cervera / Steven McRae
The Prince – Steven McRae
Drosselmeyer – Gary Avis

The Royal Ballet
The Orchestra of the Royal Opera House
Koen Kessels, conductor

Peter Wright, choreographer and director
(after Lev Ivanov)

Recorded live at the Royal Opera House, November and December 2009.

Bonus:
- Cast gallery
- Rehearsing at White Lodge
- Peter Wright tells the story of The Nutcracker

Picture format: 1080i High Definition
Sound format: LPCM Stereo 2.0 / DTS 5.0
Region code: 0 (worldwide)
Menu language: English
Subtitles: English, French, German, Spanish
Running time: 127 mins
No. of Discs: 1 (BD 50)

R E V I E W:



TCHAIKOVSKY The Nutcracker • Koen Kessels, cond; Iohna Loots ( Clara ); Ricardo Cervera ( Nutcracker ); Gary Avis ( Drosselmeyer ); Genesia Rosato ( Dancing Mistress ); David Pickering ( Mouse King ); Miyako Yoshida ( Sugar Plum Fairy ); Steven McRae ( Prince ); Royal Op O • OPUS ARTE 1036 (DVD); OA BD7072D (Blu-ray) (127:00 Text and Translation) Live: Covent Garden 11/26 and 12/2/2009


& Rehearsing at White Lodge (10:12); Peter Wright tells the Nutcracker story (8:56)


If you are one of those who think there’s nothing new under the sun, particularly so far as The Nutcracker goes, this production will turn your world on its ear. Moreover, it is the very best Nutcracker production, and performance, I’ve ever seen in my life, and I’ve seen some good ones (Cincinnati Ballet’s classic 1970s production, elements of which were “borrowed” by ballet companies around the country; Balanchine’s not-so-classic New York production of the same decade; and Baryshnikov’s unusual but ultimately failed attempt at it in the 1980s).


Choreographer Peter Wright, now 81, has first and foremost revamped the narrative of the plot to make it more sensible and, in both plot restructuring and staging, managed to make the usually fragmented and boring act II more continuous with act I. Second, it is, in costuming and set design, both lavish and traditional, yet with numerous little touches that clearly point to an updating. And third, it is so well cast, from the principal roles down to the very last flower, mirliton, mouse, and child dancer, that it is almost mind-boggling. In short, this is as close to a perfect Nutcracker as you are likely to see in your lifetime.


It’s so good, in fact, that I must say this, it was not merely a pleasure but a privilege for me to review it. If it weren’t so obvious that every single cast member is really enjoying himself or herself in addition to being brilliant onstage, it might have been one of those cold-but-perfect experiences that continue to crop up on video, but everyone certainly looks as if they enjoy giving this performance as much as the audience enjoys watching it.


Pride of place goes to Miyako Yoshida as the Sugar Plum Fairy rather than Iohna Loots as Clara, but only because Yoshida is jaw-droppingly stunning whereas Loots is “merely” fabulous. Principal ballerina of the Royal Ballet for at least a decade, Yoshida gives here a performance on par with late-period Margot Fonteyn. There are a few very tiny breaks in form, but otherwise, she is perfect. And I mean PERFECT. I even get the impression that Loots herself enjoys watching this performance—how could she not? Yet Loots is an exceptional dancer, with outstanding entrechats and excellent form. It also helps, from the believability standpoint, that she is a very small woman with a youthful face, so it is quite easy for her to play a 14-years-old without the audience thinking, “14, my eye.” Ricardo Cervera, as her nutcracker and, later, prince, is equally outstanding. He’s the best I’ve seen in many a year, capable of extraordinary leaps, fancy footwork, and spins that put me in mind of Roman Jasinski. In the second act, he even joins the Russian dancers and takes center stage during the kazatsky!


Wright’s genius is in rethinking the entire Nutcracker plot, divorcing the first act from the shattered remnants of E. T. A. Hoffmann’s story (which had been thoroughly diluted by Marius Petipa in the first place) and creating a new narrative structure into which everything fits. In Wright’s Nutcracker, Drosselmeyer had previously invented a trap for a royal household that killed off half the mouse population. In revenge, the wicked Mouse Queen cast a spell over his nephew, Hans-Peter, turning him into an ugly nutcracker doll. The only way to break the spell is for a young girl to love and care for him despite his awful appearance, and have him slay the Mouse King. In this context, Wright creates a prelude scene played out during the overture, showing Drosselmeyer in his study, looking longingly at a portrait of his cursed nephew and wrapping up the “nutcracker” as a Christmas gift for his favorite niece, Clara. In this production, Drosselmeyer forsakes the usual grotesque makeup and costuming borrowed from Hoffmann; he is older but distinguished-looking, wearing a flowing cape (which Gary Avis really knows how to throw around the stage!), performing numerous magic tricks for his family at the Christmas party (and which he pulls off splendidly), and continuing his appearance after most Drosselmeyers have disappeared for the duration. He comes out of the standing “owl clock” to direct the scene during the growing of the tree, sprinkles glitter across the stage to presage the appearance of angels (who really do appear to be floating across the stage … watch their controlled positions in these and other scenes!), and brings in the magic carriage that takes Clara and the now-transformed Hans-Peter to the second act, where Drosselmeyer puts on an entertainment to salute both of them for their bravery.


This new scenario works brilliantly and, as I said, it establishes continuity in the second act by having Cervera and Loots participate in some of the dances. Costuming and lighting are flawless, and the entire production has the quality of a dream. Not just the angels, but everyone else as well, appears to be literally floating across the stage as they move with the gossamer lighting effects and their controlled body positioning. Mother Goose is dispensed with (thank goodness). At the end, Hans-Peter puts his cloak over Clara’s bare shoulders as a keepsake, then returns to his uncle’s study—the very scene of the opening—to be embraced by the older man and bring closure to the entire production.


If you are a Nutcracker fan, or know someone who is, you MUST buy this DVD. If you are a choreographer or set designer, you must see how Wright and set designer Julia Oman work hand-in-glove to produce a masterpiece. And if you’re a dancer, you need to have this disc in your collection to watch, over and over and over again. You won’t believe your eyes at the sheer perfection of it all. Your jaw will drop, too, and you’ll understand how the usually staid Covent Garden audience goes absolutely berserk, screaming and applauding this Nutcracker —and particularly Yoshida—in a way British audiences rarely do. The bonus rehearsal sequence shows, as usual, some of the hard work behind the perfection, but also shows how Wright prods, cajoles, and encourages the children into giving their best—and, as he puts it, “for heaven’s sake, enjoy yourself!”


FANFARE: Lynn René Bayley

CHRISTMAS IN AUSTRIA

The Places
The tour starts in Steyr, in Upper Austria, bringing scenes associated with Christmas there, in Salzburg, the Salzkammergut and finally Switzerland.

The Music
The music chosen for this tour is principally taken from baroque concertos evoking Christmas.
Picture format: NTSC 4:3
Sound format: PCM Stereo 2.0
Region code: 0 (worldwide)
Running time: 57 mins
No. of DVDs: 1

Ho, ho, ho boy, Christmas never looked like this before! In these four merry tales, Santa's got his work cut out for him, trying to convince the non-believers that he really does exist.

Choir of King’s College, Cambridge / Stephen Cleobury
The essential Christmas disc for every lover of traditional seasonal music is set in the candlelit chapel of King’s College Cambridge, with the college’s famous choir superbly directed and recorded in its premiere Surround Sound release (dts).The Millennial recording from December 2000 is complemented with an historic tele-cast from 1954, in which the legendary Boris Ord conducts the choir’s first-ever televised recording. extra features include • New 30-minute conversation between Sir David Willcocks, Sir Philip Ledger and Stephen Cleobury, the three Directors of Music at King’s College since 1957. • ‘Carols only’ or ‘complete service’ user options ‘...as for the musical standards,they are surely as high as ever.’ gramophone ‘...one almost feels privileged to watch...If you have a 5.1 surround system,you can enjoy this DVD in ‘true surround sound mix’ - guaranteed to get you in the mood for Christmas.’ classic fm

Also available on Blu-ray

Pyotr Il'yich Tchaikovsky
THE NUTCRACKER

"One of the very best seasonal treats for children and adults alike, the Royal Ballet’s Nutcracker is a handsome, magical, thoroughly traditional rendering of ETA Hoffmann’s immortal if deeply strange story." -- Sunday Express

This all-time ballet favourite, in which young Clara is swept into a fantasy adventure when one of her Christmas presents comes to life, is at its most enchanting in Peter Wright’s glorious production – as fresh as ever in its 25th year. Tchaikovsky’s ravishing score, period designs by Julia Trevelyan Oman (including an ingenious magical Christmas tree), an exquisite Sugar Plum Fairy (Miyako Yoshida) and chivalrous Prince (Steven McRae), the mysterious Drosselmeyer (Gary Avis) and vibrant dancing by The Royal Ballet make for a captivating performance. Filmed in High Definition and recorded in true surround sound.

The Sugar Plum Fairy – Miyako Yoshida
Nephew / Nutcracker – Ricardo Cervera / Steven McRae
The Prince – Steven McRae
Drosselmeyer – Gary Avis

The Royal Ballet
The Orchestra of the Royal Opera House
Koen Kessels, conductor

Peter Wright, choreographer and director
(after Lev Ivanov)

Recorded live at the Royal Opera House, November and December 2009.

Bonus:
- Cast gallery
- Rehearsing at White Lodge
- Peter Wright tells the story of The Nutcracker

Picture format: NTSC 16:9 anamorphic
Sound format: LPCM Stereo 2.0 / DTS 5.0
Region code: 0 (worldwide)
Menu language: English
Subtitles: English, French, German, Spanish
Running time: 127 mins
No. of DVDs: 1

CHRISTMAS WITH WINCHESTER COLLEGE CHAPEL CHOIR

Sara Macliver, soprano
Winchester College Chapel Choir
Hong Kong Philharmonic Orchestra
William Lacey, conductor
Recorded live at the Hong Kong Cultural Centre Concert Hall, 22-23 December 2004

Picture format: NTSC 4:3
Sound format: PCM Stereo / AC3 5.1 / DTS
Region code: 0 (all)
Booklet notes: English, German (sung text included)
Running time: 102 mins
No. of DVDs: 1

* This selection of music for Christmas brings together East and West in the collaboration of Winchester College Chapel Choir and the Hong Kong Philharmonic Orchestra. Recorded live in Hong Kong in December 2004, this disc features a selection of perennial favourites from the Baroque period, including Bach cantatas and Handel’s Messiah, and three exquisite modern carols.

Chapter 1:
Arcangelo Corelli: Concerto Grosso, Op. 6 No. 8 ‘Christmas Concerto’

Chapter 2:
From Praetorius to Weir
Michael Praetorius: Come, thou Redeemer of the earth
Richard Rodney Bennett: Out of your sleep
John Tavener: The Lamb
Judith Weir: Illuminare, Jerusalem

Chapter 3:
O Come All Ye Faithful
Anonymous, arr. Willcocks: O come all ye faithful

Chapter 4:
Works by Johann Sebastian Bach
Sinfonia from Cantata, BWV 42
Kyrie from Mass in G, BWV 236
'Herr, der du stark and mächtig bist' from Cantata, BWV 10
'Jesus bleibet meine Freude' from Cantata, BWV 147

Chapter 5:
George Frideric Handel: Concerto Grosso in F, Op. 6 No. 2

Chapter 6:
G.F. Handel: Messiah (excerpts)

Chapter 7:
Joy to the World and The First Noel
Lowell Mason, arr. Rutter: Joy to the World
Anonymous: The First Noel

This recording is in the DVD Audio format and will only play on hardware specifically compatible with the DVD Audio format. Standard CD players will not play this CD.

This new Christmas DVD was recorded in the stylishly distinctive setting of Jerwood Hall in LSO St Luke’s, London.

The King’s Singers are world-renowned for their live performances, and this concert captures the charm and skill that you’d expect from a group of this calibre. It is a musical treat as well as a visual one, recorded in both CD quality stereo and in 5.1 surround sound.

The DVD also features a 10-minute bonus documentary feature, titled “Life as a King’s Singer”.

Tchaikovsky’s unforgettable score combines with the magical choreography inspired by Lev Ivanov in an atmosphere of fantasy and the supernatural. Hoffmann’s Christmas story unfolds with breathtaking splendour and beauty in the most festive and enduring of all ballets. The Royal Ballet, whose Director, Sir Anthony Dowell, plays Drosselmeyer, is joined by the Orchestra of the Royal Opera House.

Anthony Dowell, Alina Cojocaru, Ivan Putrov, Miyako Yoshida, Jonathan Cope The Orchestra of the Royal Opera House / Evgenii Svetlanov

FORMAT: NTSC; REGION 1 | PICTURE FORMAT: 16:9 | APPROX RUN TIME: 133 MINS | SOUND: DOLBY SURROUND / LPCM STEREO

Extra features include
• The Transformation Revealed Behind-the-scenes secrets of the spectacular Christmas tree scene
• Producer Sir Peter Wright on the production and Sir Anthony Dowell on the role of Herr Drosselmeyer
• Fixed wide shots of the Snowflakes and Transformation scenes

R E V I E W S:

‘...gorgeously staged Nutcracker.’ -- The Guardian

‘…fabulously entertaining. …a deliciously mysterious Herr Drosselmeyer played by Dowell. I plan on returning to this ‘Nutcracker’ many,many times.’ -- The San Francisco Chronicle

‘Peter Wright’s traditional production of The Nutcracker is lovely Christmas stuff, with lots of tutus and tiaras.’ -- The Mail on Sunday

‘Now you don’t have to leave the comfort of your armchair to enjoy one of the most magical productions of recent years whenever you wish – in pin-sharp widescreen with CD-quality Dolby Digital surround sound. …Needless to say, the dancers are top class, the costumes exquisite, the music delightful and the sets as sumptuous as a wedding cake. Enjoy the best that ballet has to offer from the best seat in the house – your own.’ -- HMV Choice

The celebration of YULE in Northern Europe harks back to a transition from ancient Pagan Germanic culture to the more formal spirituality of the newer Christian rite. On this album the two traditions sit side by side, creating a matrix where acappella voices meet improvising instruments in a synthesis of secular and sacred.

Trio Mediæval - Anna Maria Friman - Linn Andrea Fuglseth - Jorunn Lovise + Husan Sinikka Langeland, kantele; Vegar Vårdal, hardanger fiddle and violin; Arve Henriksen, trumpet and organ; Anders Jormin, double bass; Helge Norbakken, percussion.

Advent and Christmas are for many people a time for light and hope and warmth. Yet the world around us is cold and turbulent. Wars are being fought. People are fleeing from their homes. Children are dying. Thousands of people lack food and medicine. Our prayers are for peace. We sing "Beautiful is our Earth! Glorious is God's heaven!" as a protest song for peace and justice, the world being unjust. During Advent many of us are fond of the familiar and much-loved Christmas carols as we remember them from our childhood, and as they have been sung for generations. There are carols in these traditional arrangements on this album, but there are others in completely new arrangements, made specially for Uranienborg Vokalensemble and for this recording. Christmas can be a festival that intensifies our feelings - what is good seems even better, and what hurts feels even more painful. Perhaps we have lost someone close to us: can we then sing "Oh, Christmas, so cheerful"? We know that there are people who look forward to Christmas but at the same time dread it, and we believe that Kjetil Bjerkestrand's arrangement brings out this element of equivocation and irony. The birth of Jesus - this is the message of Christmas! - a birth that changed the world for ever. May your Christmas be peaceful! Uranienborg Vokalensemble Elisabeth Holte, conductor Kjetil Bjerkestrand, synthesizers �ystein Moen, synthesizers Torun Torbo, flute Henriette Viktoria Eide Skagen, organ Morten Lindberg, balance engineer and recording producer Disc 1 Hybrid SACD MCH 5.1 DSD Stereo DSD RedBook PCM: MQA CD Disc 2 Pure Audio Blu-ray 2.0 LPCM 192/24 5.1 DTS HDMA 192/24 7.1.4 Auro-3D 96kHz 9.1.4 Dolby Atmos 48kHz mShuttle: MQA + FLAC + MP3 Region: ABC - worldwide