Edvard Grieg' idiom is firmly rooted in Norwegian folk music, especially in his numerous short pieces. The Sl tter are Norwegian folk dances and tunes, originally played on the peasant violin, and notated by Johan Halvorsen.

On Haik Kazazyan's first album for Delos, Opera Fantasies, the brilliant American violin virtuoso demonstrated the fiery, passioante, and technically astonishing sides of his artistry. And the same musical virtues are certainly on display here, in his glowing rendition of the three violin sonatas by the Norwegian master Edvard Grieg. In this new album - with dazzling and soulful collaboration from the rising young Russian piano wizard Philipp Kopachevsky - he also applies the sensitivity, subtlety, and interpretive insight needed to bring these three chamber masterpieces to vibrant life. Composed across a period ranging from Grieg's early twenties through middle age, these comparatively unfamiliar pieces not only confirm the composer's winning ways with melodic invention and nationalistic impulse, but also serve as a revealing guide to Grieg's evolution as a composer.

Garrick Ohlsson scales the heights in this 1996 recording of the Grieg concerto, his prodigious technique more than a match for the demands of the solo part. Sir Neville Marriner and the Academy of St. Martin-in-the-Fields provide a suitably grand accompaniment, and it’s all brought home on a warm, spacious recording with impressive weight and presence. The main coupling, an exuberant account of the Symphonic Dances, makes an attractive companion piece to the concerto. – Ted Libbey, author of The NPR Guide to Building a Classical CD Collection.

Classical Music

Classical Music

Edvard Grieg and his librettist Bjurnstjerne Bjurnson were both fascinated by a great period in Norway's past: The Viking Age, whose sagas, and fierce conflicts between Christianity and the old Norse religion, inspired all three of Grieg's works recorded here. Landkjenning depicts the moment when Olav Trygvason (960s-1000) and his men sight the Norwegian coast for the first time on their voyage from England to Norway. As King from 995 to 1000, Olav worked single-mindedly to Christianize Norway. Conceived as a true Norwegian national opera, but left unfinished, the three scenes from Olav Trygvason explore pagan rituals and tributes to the Norse gods in anticipation of King Olav's entrance into the pagan temple. Includes the world premiere recording of Edmund Neupert's Resignation orchestrated by Grieg.

Frank Almond’s life is intertwined with that of his violin, the “Lipin´ski” Strad, an exceptional instrument named for the famed 19th-century Polish violinist Karol Lipin´ski and first owned by legendary 18th-century Italian composer-violinist Giuseppe Tartini, represented on A Violin’s Life, Volume 3 by his Sonata Prima in D, Op. 2, a trio sonata in all but name. The masterful Piano Trio in E flat by 19th-century Swedish virtuosa Amanda Meier connects with the instrument that had passed on to her future father-in-law Engelbert Ro¨ntgen. Another great Nordic composer, Edvard Grieg, opens the album with his great Sonata No. 3 in C minor.

The legend of the Lipin´ski Strad went viral in 2014 when, following a concert, walking towards his car, Frank Almond was tasered by an assailant and the prized instrument was stolen. An FBI pursuit resulted in the recovery of the instrument within weeks. International media ensued on the BBC, NPR, and a feature in Vanity Fair. An award-winning documentary film “Plucked” premiered at the 2019 Tribeca Film Festival. Frank Almond’s critically acclaimed and chart-topping recordings of A Violin’s Life are now a trilogy. The “Lipin´ski” Strad lives on.

The newly formed Zilliacus Quartet (Cecilia Zilliacus, violin I, Julia-Maria Kretz, violin II, Ylvali Zilliacus, viola, and Kati Raitinen, cello) now release an exclusive album with rare string quartets by Edvard Grieg, Amanda Maier, and Julius Röntgen. It's the first time Julius Röntgen's original manuscript of his completed version of Grieg's F major quartet has been recorded, including Röntgen's coda of the final movement. This CD with romantic string quartets of three close friends is a must for all string quartet lovers!

With his "Lyric Pieces", Edvard Grieg kept a kind of poetic piano diary: between 1867 and 1901 he wrote 66 short character pieces, which were published in ten booklets. Pieces such as "Wedding Day at Troldhaugen", "Train of Dwarfs" or "To Spring" are among Grieg's most famous works ever. In addition to these quite virtuoso pieces, however, there are also numerous simpler dances and melodies that can be mastered and successfully performed by piano students at a fairly early age.

The Israeli-American pianist Daniel Gortler has selected his personal 21 favourites of the "Lyrical Pieces" for his debut album on Prospero Classical. Pianist Daniel Gortler delights audiences and critics worldwide with memorable performances and his technical mastery as well as his musical ingenuity. He has performed worldwide as a soloist with orchestras such as the Rundfunk-Sinfonieorchester Berlin, the Symphonieorchester des Bayerischen Rundfunks, the NDR Sinfonieorchester, the Nord West German Philharmonic Orchestra and other orchestras. Career highlights have included a debut with the London Philharmonic Orchestra, a recital at Wigmore Hall in London and tours of South Africa, Brazil, South Korea and Turkey.

Kathrin Hottiger is a Swiss soprano. She studied with Liliane Zürcher at the Lucerne University of Applied Sciences and Arts. Since graduating, she has continued her studies with Malin Hartelius. Kathrin Hottiger won third prize at the 2018 "Pietro Antonio Cesti" international competition for baroque opera in Innsbruck, Austria, and was a semi-finalist at the "New Voices" competition in 2019. She received a scholarship from Migros Kulturprozent in 2017 and 2018 In various master classes, Kathrin Hottiger has worked with Bernarda Fink, Edith Mathis, Ton Koopman, and Evelyn Tubb. In the summer of 2022, Kathrin Hottiger performed the role of Zelmira in Joseph Haydn's opera "Armida" at the Bregenz Festival. Further highlights of her career have included engagements in Moscow, Washington DC and Jerusalem. She has worked with ensembles such as the Thomanerchor and Gewandhausorchester Leipzig, the musica viva orchestra Moscow, Camerata Bern, the Orchester de chambre de Lausanne, the Südwestdeutsche Philharmonie Konstanz, and the argovia philharmonic under the baton of Rune Bergmann and Jan Willem de Vriend. In 2019, she sang the role of Eurydice in Gluck's opera "Orphée et Eurydice" at the Tchaikovsky concert hall in Moscow and in the Opera of Komi. In 2020, she gave her debut as Adele ("Die Fledermaus") at the Neues Theater in Dornach and in 2021 she sang Fortuna, Pallade and Damigella in Monteverdi's "L'incoronazione di Poppea" at Waldegg Castle. The CD produced during this production was released by Rondeau Production in Leipzig and is listed in the longlist 1/2023 of the German Record Critics in two categories. Further engagements include the roles of Amore ("Orfeo ed Euridice"), Venus ("Venus and Adonis"), and Gretel ("Hänsel und Gretel") at the Luzerner Theater, Switzerland. Kathrin Hottiger also enjoys singing in a chamber music setting. She regularly performs with the ensemble I Pizzicanti, based in Basel, which specializes in early music. In addition, she has a special love of the song, in particular of French and Scandinavian repertoire. Since spring 2022 she has been making music with the American-French pianist Pierre-Nicolas Colombat. Since 2017 she has given regular recitals as a duo with Edward Rushton.

Maurice Abravanel’s recordings of Grieg’s orchestral music with the Utah Symphony set the benchmark for these works in the mid-1970s. Newly remastered from the original tapes, these classic Vox recordings now sound better than ever.

The Elite Recordings for Vox by legendary producers Marc Aubort and Joanna Nickrenz are considered by audiophiles to be amongst the finest sounding examples of orchestral recordings.

Maurice Abravanel and the Utah Symphony Orchestra are joined by Grant Johannesen in this classic Vox recording of Grieg's Piano Concerto. The programme is completed with the overture In Autumn, the Two Lyric Pieces and the Old Norwegian Melody with Variations. Newly remastered from the original tapes.

Edvard Grieg’s ambitiously scaled Symphonic Dances use a compelling selection of regional melodies and jaunty rhythms to brilliant effect. Elsewhere, his music ranges from the eloquent drama of Sigurd Jorsalfar to the deeply felt intimacy of the Two Elegiac Melodies and the popular Lyric Suite. These classic Vox recordings by Maurice Abravanel and the Utah Symphony Orchestra were originally issued in 1976 and have been newly remastered from the original tapes.

The Elite Recordings for Vox by legendary producers Marc Aubort and Joanna Nickrenz are considered by audiophiles to be amongst the finest sounding examples of orchestral recordings.

Nikita Volov's new GENUIN album, "Out of Place", features vibrant, complex, and often outcast characters from famous novels. Volov's innovative program includes an imaginative arrangement of Edvard Grieg's "Peer Gynt" Suite, Erich Wolfgang Korngold's pieces about the mad idealist "Don Quixote", and Robert Schumann's "Kreisleriana", a portrayal of the tragicomic conductor Kreisler from E.T.A. Hoffmann's books. These unique "out of place" individuals continue to inspire the world. With masterful interpretation and deep understanding, Volov brings these fascinating characters to life, showcasing their timeless relevance.

Edvard Grieg, arguably the most popular composer ever to emerge from the Scandinavian peninsula, made substantial contributions to the chamber music canon with his violin sonatas rather than with his works for cello: only one sonata for cello and piano (Op. 36) was written for this line-up. Daniel Müller-Schott, always driven to expand the musical repertoire for his instrument and with a keen sense of transcriptions, for this all-Grieg album – which is his 20th album on the label Orfeo – hence transcribed and recorded for the first time the violin sonata in C minor, Op. 45, No. 3, for the cello. Accompanied by his long-standing duo-partner Herbert Schuch on piano, the short Intermezzo in A minor (EG 115) guides us to the second part of the album, where the duo presents selected songs of various characters transcribed for cello and piano.

REVIEWS:

Cello originals and borrowings played with great allure… The instrument’s cantabile qualities ensure that the selection of Grieg song transcriptions works equally well, with Müller-Schott presenting a nicely wide-ranging choice.

-- The Strad

Edvard Grieg’s cello sonata ekes out a shadowy existence in his oeuvre. Daniel Müller-Schott and Herbert Schuch enter the music with the Allegro agitato in such a furious and energetic way that one is carried away by this inner fire and its power. Even in the Andante, for all its lyricism, there remains much nervousness. The finale is buoyant and dance-like, all nervousness has gone, but the energy remains.

Grieg himself considered the violin sonatas his most important works. Daniel Müller-Schott has rewritten the third for cello. Müller-Schott and Schuch play with the greatest expressivity, very full of contrasts, and thus create a tension even through the second movement that does not even dissolve in the Allegro animato.

Also in the smaller pieces, there are two Agitatos, so that even this part of the CD is not characterized by charm throughout. And so there is one thing we probably retain from this release: the exceptional energy and intensity with which the performers play their Grieg. I think even the composer would have been amazed.

-- Pizzicato

After her award-winning album "Røta", Ragnhild Hemsing dedicates herself to the Norwegian national epic "Peer Gynt" and its musicalization by Edvard Grieg. Through the collaboration with the Trondheim Soloists the world-famous melodies resound in new arrangements for violin and Hardanger fiddle with string orchestra. "Edvard Grieg himself has said that his Peer Gynt music is inspired by Norwegian folk music. With that in mind, my desire through this project has been to penetrate deeper into the sound world of the Peer Gynt music and explore the exciting intersection between folk and classical music", says the Norwegian artist. From "In the Hall of the Mountain King" to "Morning Mood", her new album has everything you need to immerse yourself in the Nordic soundscapes and mythical sagas.

REVIEW:

Ragnild Hemsing once again makes a strong case for the Hardanger fiddle and, through Tormood Tvete Vik’s clever and tasteful arrangement of Edvard Grieg’s Peer Gynt music, brings it very close to Norwegian folk music. The 12 individual movements are played alternately by Hardanger fiddle and the violin.

Ragnild Hemsing plays beautifully and creates indescribably atmospheric moments that have never been heard before. The Trondheim Soloists accompany the soloist with beautiful sound that exactly reflects the mood of the music. This somewhat short CD (48') is a must, and not only for those who like to explore. There are also informative booklet texts.

-- Pizzicato

Grieg’s four Symphonic Dances are a late work, completed in 1898. Grieg takes his inspiration (as in so much of his output) from traditional Norwegian folk tunes, and the four movements together deliver a symphonic unity in their overall effect. Both Bergliot and Before a Southern Convent are written on texts by Grieg’s good friend the author Bjørnstjerne Bjørnson, who was also a theatre manager in Oslo. Bjørnson is considered one of the four great Norwegian authors alongside Ibsen, Lie, and Kielland, received the 1903 Nobel Prize for literature, and wrote the words for the Norwegian national anthem. Bergliot – a declamation with orchestra – tells the story of a dramatic episode involving the chieftain Einar Tambarskjelve and his son Eindride, killed by King Harald Hårdråde. Before a Southern Convent is a more traditional setting – requiring two vocal soloists, female choir, and orchestra rather than the narrator of Bergliot – of the story of the folk-hero and barbarian Arnljot Gelline. In the course of his wild escapades, he killed a chieftain, but allowed the chieftain’s daughter, Ingigerd, to live. This daughter left the homestead and wandered southwards in poverty – through Europe. At long last she arrived at a convent which granted her admittance. The album is completed by the Funeral March for Rikard Nordraak – a friend of Grieg’s, who died of tuberculosis in 1866. Grieg conceived it first for solo piano, but whilst travelling by train to Bergen to attend Grieg’s funeral, Johan Halvorsen made the orchestral arrangement heard in this recording.

The poet Henrik Ibsen and Edvard Grieg met in Rome in 1866. At this time, Ibsen was working on the dramatic poem "Peer Gynt" based on Norwegian fairy tales by Peter Christen Asbjornsen. Ibsen reworked it into a stage play and commissioned Grieg to write the music for it. The premiere took place on 24 February 1876. A few years later, Grieg used this music to create two purely orchestral suites, which are among the best-known works of Romantic music - and finally a very colourful and atmospheric arrangement for four-hand piano. Grieg was inspired to write his Piano Concerto in A minor op.16 as a student when he heard Clara Schumann play her husband Robert's piano concerto in Leipzig in 1858. He became a great admirer of Schumann. Grieg chose the same key as Schumann, A minor, for his own piano concerto, which was written 10 years later in Denmark. The premiere in Copenhagen in 1869 was enthusiastically celebrated. When E. Grieg met Franz Liszt in Rome in 1870, the latter played his piano concerto - a great honour and joy for Grieg - and the piano concerto and the two Peer Gynt suites are among the most beautiful and popular piano works of Romantic music. Margarita Hohenrieder have known the Icelandic composer Hjalmar Helgi Ragnarsson and his music for several years. She became acquainted with his piano pieces through his sister, her long-time friend, the pianist Anna Ragnarsdottir-Hoffmann. She was also the wife of her former teacher and well-known piano virtuoso Ludwig Hoffmann. Hohenrieder herself was looking for several pieces specifically for the left hand at the time: she was planning joint performances entitled "2 linke Hande " (2 left hands) together with the painter Bernd Zimmer. While Bernd Zimmer painted a picture live in front of an audience using only his left hand, Margarita Hohenrieder played pieces for the left hand. It is a creative and unique project. Hjalmar Helgi Ragnarsson wrote the left-hand piece "Stilla" for her, which for the artist on a trip to Iceland was a fascinating and mysterious reflection of the mostly light green moss-covered volcanic landscape with it's glaciers and the endless expanse and silence. When she played Stilla, she even felt as she can briefly see the northern lights again in some places. Mrs. Hohenrieder first heard the Finnish-born pianist Antti Siirala as a juror at the 1997 International Beethoven Competition in Vienna. He was 17 years old at the time and won first prize. He is now her colleague at the University of Music and Performing Arts in Munich.

Each composer on this album encounters the season differently: Schumann with rapture, Grieg with grace, Schubert with introspection, Suk with radiant yearning, Sinding with luminous vitality. In "Fruhlingsrauschen", Nareh Arghamanyan brings together these diverse voices to celebrate not one single vision of spring, but a dialogue of many: an unfolding of human feeling in harmony with the turning of the seasons. Lieder are at the centre of the album: from Schumann's Spring Night to songs about spring by Schubert, transcribed for solo piano by Liszt, Godowsky, Frederic Meinders, and Nareh herself.

Acclaimed Signum artist Alexandra Dariescu brings a new combination of concertos: Clara Schumann's Concerto in A minor Op. 7 coupled with Grieg's A minor concerto Op. 16. Alexandra Dariescu is a trailblazing pianist who demonstrates fearless curiosity and ground-breaking innovation. As part of her artistic journey, Dariescu has achieved gender equality in her concerto programming for three consecutive seasons, reviving and premiering important works by both male and female composers, championing inclusion and diversity. "I got to know Clara Schumann's Concerto and fell in love with this youthful piece, full of dreams, fiendish virtuosity and a testament to what an innovative performer and composer Clara was, even as a teenager. [Recording these works] It made me realise once again what a responsibility we all have to show both sides of history, to mirror our society in concert programmes and to shine a light on the often-overlooked brilliance of women composers" - Alexandra Dariescu.

Composers' conclave in Leipzig - chamber music by Edvard Grieg, Ethel Smyth and Amanda Maier "An expression of the deep friendship by Maier, Grieg and Smyth may be felt in the linking momentum of their composing: although each of these creative figures embodied their own personal style, each of them draws from the living waters of their country's folk music, which throbs through their works as it's primal impulse."

Die Geigerin Natalia van der Mersch und die Pianistin Natalia Kovalzon spielen in dieser Aufnahme die drei Sonaten fur Violine und Klavier von Edvard Grieg bieten. Ihre Spielweise, brillant, dynamisch und zugleich der interpretativen Tradition verpflichtet, fuhrt dazu, die Eigenheiten und Starken dieser drei Sonaten neu zu entdecken, die sich in ihrer Sprache und in ihrer Aussagekraft sehr voneinander unterscheiden - mit Momenten lyrischer Abschweifung, aber auch mit Hohepunkten virtuoser Gestaltung, insbesondere in der dritten Sonate, einem charakteristischen Werk aus der vollen Reifezeit des Komponisten. Grieg schreibt: "Die drei Sonaten gehoren zu meinen besten Kompositionen und reprasentieren verschiedene Perioden meiner musikalischen Entwicklung: die erste ist naiv und ideenreich; die zweite ist von nationalem Schwung inspiriert; die dritte ist die mit dem weitesten Horizont."

Charlie Siem returns with a new recording of Violin Sonatas, accompanied by his regular recital partner Itamar Golan – featuring Vaughan Williams' Violin Sonata in A Minor and Grieg's Violin Sonata No. 2 in G Major, Op. 13. Charlie Siem is one of today’s foremost young violinists, with such a wide-ranging diversity of cross-cultural appeal as to have played a large part in defining what it means to be a true artist of the 21st century. Siem has appeared with many of the world’s finest orchestras and chamber ensembles, including the Bergen Philharmonic, Camerata Salzburg, Czech National Symphony, Israel Philharmonic, London Symphony, Moscow Philharmonic, Oslo Philharmonic, Rotterdam Philharmonic, and the Royal Philharmonic Orchestra. He has worked with top conductors such as Charles Dutoit, Edward Gardner, Zubin Mehta, Yannick Nézet-Séguin, Sir Roger Norrington, Libor Pešek and Yuri Simonov. International festival appearances to date include Spoleto, St. Moritz, Gstaad, Bergen, Tine@Munch, Festival Internacional de Santa Lucía, and the Windsor Festival.

This was something I'd had in mind for a long time..." says pianist Alexandre Tharaud, "to put together an album for the sheer pleasure of it, in collaboration with dear friends and paying tribute to the wonders of the piano duet repertoire." The aptly named 4 Hands offers 18 tracks, each just a few minutes in length, each featuring Tharaud sharing a piano keyboard with a different partner. The repertoire ranges wide - from Bach to Glass by way of such composers as Schubert, Tchaikovsky, Grieg, Fauré, Satie, Debussy, Ravel, Rachmaninoff, Ravel, and Piazzolla. 15 of Tharaud's fellow performers are celebrated pianists - among them the late Nicholas Angelich, Mariam Batsashvili, Bertrand Chamayou, David Fray, Víkingur Ólafsson, and Beatrice Rana. The other three, all stars in their musical fields, are shown in a new, pianistic light: cellist Gautier Capuçon, countertenor Philippe Jaroussky and singer-songwriter Juliette. "The piano duet is one of life's miracles," continues Tharaud. "First and foremost, it is the most intimate way of playing chamber music... It was a joy to record this album... If hearing these pieces prompts people to buy some sheet music and enjoy playing duets together - just as we did in the recording studio - then I will have achieved my aim.

Lars Vogt (1970-2022) early recordings collected here provide a document of an artist who always remained authentic, both to himself and to music. Lars Vogt never sought absolute truth, but truthfulness instead meant all the more to him. The man and the artist were always very close, never currying favour and never detached from the world. He was, instead, open and natural. "It's incredibly gratifying when you notice that you can perhaps light a little spark, a little flame for music in people, and when music helps you to find the path to your own soul."

A 70 minute selection of Lyric Pieces. Pletnev's highly acclaimed mid 1980s performance. "This masterly recital... contains playing of great poetic feeling and sensibility. Bell-Ringing has a remarkable range of color and dynamics... there are many (other) individual insights... nothing is routine, and there is a concentration that gives these miniatures a freshness and depth that few artists can match" (Penguin Guide - 3 stars).

Classical Music

The most distinctive characteristic of Scandinavian Romantic music is its explicit tie with the Nordic folk music, which gave the music of this period full of charm and accessibility. Gems of Romantic repertoire are highlighted here by this unusual duo of violin and organ. Since 1988 German violinist Jochen Brusch and Danish organist Sven-Ingvart Mikkelsen have given numerous concerts together throughout Europe successfully achieving their goal of “ reaching out to a wider audience without compromising music’s quality”.

Sonatas For Cello And Piano

Classical Music