Vinyl LP pressing. 2019 archive release. In 1964, the National Film Board of Canada asked John Coltrane to record the soundtrack for a French-language film titled Le Chat Dans Le Sac (The Cat in the Bag). In June of that year, Coltrane's classic quartet entered Rudy Van Gelder's studio and recorded five previously-recorded Coltrane originals. For many years, viewers of the film who recognized the music thought that they were listening to the original recordings, though in fact they were new and had never been heard.

Live archive release from the Jazz legend. Thelonious Monk Paris 1969 is a fascinating and important late-career document of the legendary Jazz pianist and composer in performance with his Quartet at the Salle Pleyel concert hall in Paris, France on December 15, 1969. The concert also featured a surprise guest appearance from renowned drummer Philly Joe Jones.

Trombone Shorty, 2011 Grammy Nominee, follows up his last album BACKATOWN, with his latest release FOR TRUE. The 14 track album includes appearances by Lenny Kravitz, Jeff Beck, Ledisi, Kid Rock and more!

Incognito album for sale by Spyro Gyra was released Jun 07, 1994 on the Amherst label. Recorded at Secret Sound Studio, New York. Personnel: Steve Love (guitar, electric guitar); Chet Catallo, Hiram Bullock, John Tropea (guitar); Peter Dimitriades, Matthew Raimondi, Harry Lookofsky (violin); Guy Lumia (viola); Jonathan Abramowitz, Jesse Levy (cello); Frederick Buldrini, Marvin Morgenstern, Lewis Eley, Richard Young, Regis Iandiorio, Harold Kohon (strings); Larry Williams, Tom Scott (flute, saxophone); Toots Thielemans (harmonica, synthesizer); Jay Beckenstein (saxophone, percussion); Gary Grant, Jerry Hey (trumpet, flugelhorn); William Frank Bill Reichenbach Jr. Incognito CD music contains a single disc with 8 songs.

Carnaval album for sale by Spyro Gyra was released Jun 07, 1994 on the Amherst label. All songs written by members of Spyro Gyra. Carnaval songs Live Recording Recorded at Secret Sound Studio and Power Station, New York. Carnaval album for sale Producers: Jay Beckenstein, Richard Calandra (tracks 1-8). Carnaval CD music Engineers: Michael Barry, Jack Malken, Neil Dorfsman. Personnel: Hiram Bullock, John Tropea (guitar, electric guitar); Chet Catallo, Rick Strauss (guitar); Harold Kohon, Matthew Raimondi, Richard Sortomme (violin, strings); Peter Simitriades, Sanford Allen, Harry Lookofsky (violin); Lamar Alsop, Guy Lumia (viola, strings); Jonathan Abramowitz (cello, strings); David Darling, Jesse Levy (cello); Jay Levy, Allen W.

Spyro Gyra, a jazz fusion band from Buffalo, NY formed in 1974 and created the framework for contemporary jazz in the 80s and 90s. Celebrating this milestone 50th anniversary of the band's formation, comes Jubilee, a new collection featuring 16 songs that capture the band's ever-expanding palette in it's first decade of recording (1978-87) and includes fan favorites "Shaker Song", "Morning Dance" which have had chart success in multiple countries plus tracks the band continues to perform across the globe. The new LP and CD contains never before seen photos from the band's early days and more recent world tours, liner notes from veteran music journalist Jonathan Widran and a newly recorded song, "50/50" - a riff on the title of the band's 1997 release 20/20, which marked 20 years and 20 albums.

Alternating Currents album for sale by Spyro Gyra was released Jun 07, 1994 on the Amherst label. Featured is great songwriting and playing, and nice work by keyboardist Tom Schuman. Alternating Currents songs - Paul Kohler Live Recording Recorded at Bear Tracks Recording Studio, Suffern, New York. Alternating Currents album for sale Personnel: Julio Fernandez (guitar); Jay Beckenstein (saxophone, lyricon); Tom Schuman (keyboards); Dave Samuels (vibraphone, marimba); Richie Morales (drums); Gerardo Velez (percussion). Recording information: Bear Tracks Recording Studio, Suffern, NY (1985). Photographer: William Coupon.

Morning Dance album for sale by Spyro Gyra was released Jun 07, 1994 on the Amherst label. Live Recording Personnel: Gordon Grody, Diva Gray, Lani Groves (vocals); John Tropea (guitar, electric guitar); Chet Catallo, Rick Strauss (guitar); Charles Libove, Matthew Raimondi, Harry Cykman, Harry Lookofsky (violin); Alfred Brown (viola); Charles McCracken (cello); Lew Del Gatto (flute); Jay Beckenstein (saxophone, alto saxophone, percussion); Michael Brecker (tenor saxophone); Randy Brecker (trumpet); John Clark (French horn); Tom Bones Malone (trombone); Tom Schuman (piano, electric piano, keyboards); Jeremy Wall (electric piano, keyboards, percussion); Suzanne Ciani (synthesizer); Dave Samuels (marimba, steel drum); Steve Jordan, Eli Konikoff, Ted Reinhardt (drums); Gerardo Velez (congas, bongos, percussion); Rubens Bassini (congas, percussion); Larry Fast (programming).

Access All Areas album for sale by Spyro Gyra was released Jun 07, 1994 on the Amherst label. All songs written or co-written by members of Spyro Gyro except Islands In The Sky (Jeremy Wall). Access All Areas songs An excellent live double album, it includes live versions of songs from early albums. Access All Areas album for sale - Paul Kohler Recorded live in Florida from November 17-19, 1983. Personnel: Chet Catallo (guitar); Jay Beckenstein (saxophone, percussion); Jeremy Wall (keyboards, percussion); Tom Schuman (keyboards); Dave Samuels (vibraphone, marimba); Eli Konikoff (drums); Gerardo Velez (percussion). Access All Areas CD music contains a single disc with 10 songs.

Maynard Ferguson - With His Own Bands: Early Years 1954-57 / Canadian jazz trumpeter Maynard Ferguson was something of a prodigy as a youngster, playing solos with the Canadian Broadcasting Corporation Orchestra broadcasts when he was 13 years old, and was always destined for a career in music, training at the Conservatoire in Montreal until 1948. He moved to the USA and played with the bands of Boyd Raeburn, Jimmy Dorsey and Charlie Barnet before joining Stan Kenton for an extended stint in the early '50s. The recordings featured here represent his first forays into recording leading his own bands. This 43-track 2-CD collection comprises all the titles (excluding one which could not be included for reasons of space) from his albums on the Emarcy label "The Maynard Ferguson Octet", "Dimensions", "Around the Horn with Maynard Ferguson" and "Boy with Lots of Brass", with line-ups ranging from an octet to a 13-piece big band. It features many original compositions, with a number by tenor saxophonist and arranger Bill Holman, along with arrangements of classic Songbook standards, with the musicians involved including Bud Shank, Shelly Manne, Milt Bernhart, Herb Geller, Georgie Auld, Red Callender, Nino Tempo, Ray Linn, Bill Holman, Ray Brown, Alvin Stoller, Bobby Timmons, Larry Bunker and many more. It's an intriguing and entertaining insight into his work as he leads his own bands on record for the first time

DUKE ELLINGTON - ALL THE HITS AND MORE 1927-54 - It's a comprehensive overview of his most successful output during a primary era of his career Duke Ellington was one of the most important and influential figures in the entire history of jazz, as pianist, bandleader, composer and innovator, his career spanning half century as the genre evolved from the early days of electric recording. However, while critics and commentators focus on his over-arching significance as a giant of the medium, it's easy to forget that he was a genius at composing tune and songs for the medium of the 3-minute 78rpm single, and during the first three decades of his career before rock 'n' roll changed the pop landscape irrevocably, he had more than 70 records that were credited as chart hits. This great-value 4-CD set comprised all those 77 recordings which are listed in recognised sources as hits, plus another 20 or so which are regarded as significant compositions which became standards, or were hits for other artists. It includes his No. 1s with "Three Little Words", "Cocktails For Two", "I Let A Song Go Out Of My Heart", and the Billboard R&B No. 1s "Don't Get Around Much Anymore", "Sentimental Lady", "Do Nothin' Till You Hear From Me" and "Main Stem", along with classics like "Mood Indigo", "Sophisticated Lady", "Moon Glow", "Solitude", "Caravan", "Take The 'A' Train" and "I Got It Bad And That Ain't Good". It's a comprehensive overview of his most successful output during a primary era of his career, and a great showcase for the artistry which made the Duke such a revered and iconic personality.

Coleman Hawkins was a hugely influential exponent of the tenor saxophone in jazz, being widely regarded as the first artist to establish the instrument as an essential component of the genre's sound. Beginning his career in the early days of jazz in the late '20s, he became a major figure during the swing and big band eras spanning WWII, but also made a significant contribution to the bebop scene into the 1950s. His distinctive but highly adaptable style and sound enabled him to perform over the years in small bands and large orchestras alike both as sideman, leader and featured soloist, and this collection draws on examples of all those elements of his career, from his early recordings with Fletcher Henderson's Orchestra in 1927 through to bebop sessions alongside lush recordings with strings in the mid-'50s. It's a great value 48-track 2-CD, and along the way, there are contributions from many great names of the genre, too numerous to list here, but including Miles Davis, Dizzy Gillespie, Glen Miller, Benny Goodman, Cozy Cole, J.J. Johnson, Charlie Christian, Benny Carter, and many more. It's a worthy addition to the Fabulous label's Jazz Legends series. It does not duplicate any tracks included on our existing Fabulous label Coleman Hawkins CD 'Bean Soup' (FABCD 136).

In 1958, the first issue of a new magazine named Jazz Review contained an essay by musicologist Gunther Schuller, titled "Sonny Rollins and Thematic Improvisation". The piece's premise was simple - to examine a single Rollins' solo on a recording called Blue 7 (heard on the saxophonist's iconic 1956 LP Saxophone Colossus), whose title gave away the basic structure of the performance - that of the back-bone of jazz, the twelve bar blues. Rollins was already one of the most talked-of jazzmen of his generation, seen by many as a genuine heir to Bebop's founding father Charlie Parker, but Schuller's painstaking analysis elevated him further still, to the rank of innovator whose blues improvisations had a level of compositional cogency of one "who spends days or weeks writing a given passage". Rollins, Schuller believed, had provided a defining example of the art of jazz. Yet, like all good critics, he was aware that such a performance didn't come out of nowhere. Although Blue 7 was undoubtedly a high spot, it was a peak that dominated a landscape littered with other such achievements. Indeed, it was just the latest in a series of classic blues solos Rollins had been setting down on record with his own groups and those led by others since the early 1950s. This new collection collates a selection of those great performances - the first ever issue to concentrate solely on Rollins; blues specialist. Well-regarded for his musical wit and penchant for oddball song choices, since Blue 7 remarkably little has been written about the great saxophonist's ability to wring pure invention from the most fundamental format in jazz, yet the blues (part of his artistic DNA since his days as a teenage Louis Jordan fan) has been at the back of all Rollins' stylistic shifts over a sixty year career. Packaged with period photographs and a fascinating booklet note by saxophonist Simon Spillett, this anthology charts a course through some of his greatest musical encounters - with other giants like Dizzy, Miles, Coltrane and Monk - as well as documenting his never-ending quest for the most stimulating of instrumental contexts. There are pianoless trios, a series of classy quartets and quintets and one especially memorable session, a two-piano sextet. Whatever the setting though, and whatever the tempo (which ranges from a roar through Sonnymoon For Two to the slow purr of Sumphin'), this is Sonny Rollins proving time and again that the blues is at the very core of his immense contribution to the music. Number of Discs: 2

FOUR CLASSIC ALBUMS

Four Classic Albums (2 CD) by Wes Montgomery

FOUR CLASSIC ALBUMS

IMPROMPTU

William Parker's Universal Tonality documents an epic performance which brings his titular concept to full, vibrant life. An exquisite example of this system in practice, it features a truly once-in-a-lifetime assembly of creative music luminaries and legends. Clocking in at nearly two hours and featuring six extended pieces flowing across two discs, this Universal Tonality happening took place in December 2002. Parker invited 16 musicians of various ages, cultures and musical backgrounds - to join him in an experiment of "breathing together." Many of them met on stage for the first time that evening. While he provided a score (wonderfully illustrated pages from same are included in the package), all were advised that there need not be adherence to it. Parker's hope with this approach is that each musician will trust their own instincts - and those of the musicians around them - enough to let the sound find it's shape in real time. Ranging from roof-raising big band to intimate cross-cultural exchanges, that constant current of inspiration, and open, receptive communication was wholly present at Roulette that night, and is on full display on this magical recording. Lyrics and personal writings by Parker - which Leena Conquest sings, recites, or dramatically interprets - also play a key role in this work. Parker gave Conquest the same freedom of choice he afforded the instrumentalists, supplying her with materials to draw on as she saw fit. When discussing or writing on his Universal Tonality concept as a whole (as on the enclosed, extensive liner notes), Parker can sound like he's outlining a life philosophy. It is both telling and fitting that author Cisco Bradley chose to title his 2021 biography of William Parker after this concept. The results of this one-night-only communion can now take their place among Parker's many landmark works spanning the past three decades, including previously released Universal Tonality-driven pieces like Double Sunrise Over Neptune, and Red Giraffe with Dreadlocks (released on the box set For Those Who Are, Still).

POESIA

For his fifth Criss Cross recording, Alex Sipiagin assembles a top-shelf quintet of generational peers, all colleagues who rank at the top of the pack on their respective instruments, to play a program of original music. The mood is melodic, polyphonic, rhythmically intense, more simmering than fiery, defined by Sipiagin's burnished, golden sound, the individualistic voice-like statements of tourist Seamus Blake and guitarist Adam Rogers, and the intuitive accompaniment of bassist Scott Colley and drummer Antonio Sanchez.

As he has done on his three previous Criss Cross dates, Russian trumpeter Alex Sipiagin brings together a cohort of New York's finest - here reedmen Chris Potter and David Binney, keyboardist David Kikoski, bassist Scott Colley, and drummer Gene Jackson - to perform on "Equilibrium." Comprising seven stimulating Sipiagin originals, a Monk tune and a bossa, the album features not only the ensemble interplay and virtuosic soloing we've come to expect from Sipiagin's albums, but also several tunes on which the trumpeter brings his rich imagination and ravishing tone to the forefront.

Perhaps no contemporary pianist blends Latin and Jazz vocabulary with the deftness and fluency of Ed Simon, who demonstrates the point on his second Criss Cross outing. Bassist Avishai Cohen and drummer Adam Cruz, both equally versed in the art of telling stories in swing and clave, join Simon on a program of six originals and a standard "You're My Everything." Guitarist Adam Rogers, himself a Criss Cross artist, and vocalist Luciana Souza augment the trio on the tune "Unknown Path."

25-year-old trumpeter Jeremy Pelt has garnered notice for his superb charts and professionalism since landing in New York four years ago. "Insight," his Criss Cross debut, demonstrates that he's also a composer with a point of view. Helping him articulate it are a take-no-prisoners ensemble of New York's finest callers, all 30-and-under, with the exception of veteran drum avatar Ralph Peterson. Features tenor saxophonist Jimmy Greene, alto saxophonist Myron Walden, pianist Rick German son and bassist Vincente Archer.

One of the more ideal ensemble combinations in jazz is the piano trio, with David Kikoski serving as a major proponent of the genre. For his fourth Criss Cross album, Kikoski leads a powerhouse trio with bassist James Genus & master drummer Jeff "Tain" Watts. This is easily Kikoski's best album to date, giving him space to romp through a diverse set of tunes, covering everything from Brazilian sambas to pop masterpieces by Frank Zappa & Brian Wilson.

This is Russian trumpet star Alex Sipiagin's third outing on Criss Cross. This time, as before, in the company of a group of New York jazz greats: tourist Seamus Blake and guitarist Adam Rogers plus a rhythm section consisting of piano star David Kikoski, bassist Boris Kozlov and drummer Jonathan Blake. Listen to the beautiful rendition of "Holland," a piece composed and arranged by Sipiagin and dedicated to bassist Dave Holland. The CD offers five Sipiagin originals and one Charles Mingus composition, "Tijuana Gift Shop".

On his Criss Cross debut, 29-year-old Detroit-born saxophonist J.D. Allen brings his own perspective to the aesthetic rumblings that stamped middle '60s jazz music. Boasting an open, richly textured tone, a meticulous, thoughtful approach, and a definitive sense of time, Allen interacts continuously with pianist Orrin Evans, bassist Eric Revis and drummer Gene Jackson over a stimulating hour of original music. On three titles as guest, the great new trumpeter Jeremy Pelt.

Long renowned as a sideman for Roy Haynes, the astute & insightful pianist/composer Kikoski is finally coming into his own as a leader in a quartet setting, inc. Seamus Blake, Scott Colley & Jeff "Tain" Watts.

Winner in the International Thelonius Monk Competition in 1999 presents his 4th recording as a leader for Criss Cross, with a band made up of creative improvisers like Nasheet Walt's, Reid Anderson, Duane Eubanks, Ralph Brown & Sam Newsome.

Pianist has the ability to improvise lines that have the natural quality of an ear player, voiced & executed w. The sophistication & clarity of a conservatory-trained virtuoso, w. his quintet feat. Steve Wilson, Jim Rotondi, Peter Washington, Joe Farnsworth.

Two-saxophone setting is burning & atmospheric in the Cannonball & Coltrane mode, feat. Walt Weiskopf-sax, David Hazeltine-pno, Peter Washington-bss, Tony Reedus-drms.