“Brooklyn pianist enjoys first rate bass and drums backup…He’s one of the giants of the bop era, but his stylings are contemporary and entertaining.” (Recommended album, Billboard) “…while Jordan’s elegantly simple playing is a delight, his compositions are equally intriguing. …the album has the best work I’ve ever heard from Pedersen and solos from Jordan that proceed with the serene clarity of a mountain spring.” (Larry Kart, Chicago Tribune)

Duke Jordan (1922-2006) famous for his intense lyricism embarked on the world jazz scene as a member of the classic Charlie Parker Quintet in the late 40s with his trademark introduction to “Embraceable You”. Jordan unlike many other American jazz musicians in Bebop era found his artistic and personal living space in Europe since the early 70s. His extensive recording output on SteepleChase including this album from 1985 recorded in Denmark makes up the huge part of his discography. “A most agreeable set that is both eminently listenable and very enterprising .… Jordan was always a fleetly swinging but subtle pianist whose all-round musicianship has never got the recognition it merits. This fine trio deserves to sell well and spared his name further afield.” (Richard Palmer, Jazz Journal International)

Catalan pianist Vincente Tete Montoliu (b. March 28, 1933 in Barcelona) “swings like no other pianist in Europe”, once remarked Ben Webster. Jazz Journal confirmed Ben’s opinion in reviewing this album, “...he could blow most contemporary pianists into the ground technically...”. And Radio Free Jazz of USA (the predecessor of JazzTimes) concluded, “...This is the best piano record in many years and one that will certainly rank with the best of any era.”

Pianist/composer Irving Sidney “Duke” Jordan (April 1, 1922 – August 8, 2006) was most noted for his association with Charlie Parker in the late 40s and for his compositional talent as the author of “Jordu” and “No Problem”, among others. “Always a great jazz composer as well as a unique pianist, Duke is forever developing and growing … A fully integrated trio disc that nevertheless has the leader’s personality and style stamped firmly on every track.” (Derek Ansell – Jazz Journal International) “Every piece here was written by Jordan, and everyone is as worthy of jazz standard status …” Larry Kart – Chicago Tribune) “He’s one of the giants of the bop era, but his keyboard stylings are contemporary and entertaining.” (Billboard Recommended LP)

“El Grand Señior from Catalonia” was the way Dexter Gordon used to introduce Tete Montoliu to the audience at Club Montmartre in the 60s. Vincente Montoliu Massana, better known as Tete Montoliu (1933-1997) was born blind and learned to play piano at age 7 by Braille method. He studied music at the Conservatori Superior de Música de Barcelona (1946-1953). His remarkable international career took off in 1956 when Lionel Hampton invited him for his big band and since then Tete played all over the world with host of jazz luminaries. “Listen to the superb interaction between a man and his piano in the utmost sublimity... Montoliu shares the same pulse, sincerity, talent with his illustrious predecessors Art Tatum and Earl Hines...” (Pierre Steve, The Lion on SCS 1216) “Like the previously released album from the same session – “That’s All” (SCS1199) this Spanish pianist shows his grandiose and virtuoso side…” (Erik Wiedemann – Information on SCS 1216)

Dexter In Radioland vol. 5 This fifth volume finds Dexter with his best rhythm section. “...This collection of recordings from the Montmartre Club in Copenhagen in the Sixties...captures Gordon in full bloom....when Gordon hits his stride, as he does on the blues choruses of “Soul Sister”, there is every reason to join in the cheering of the audience. Remember him this way.” (Clive Davis, The Arts)

Dexter In Radioland vol. 3 “Those were the nights in the summer of 64, sitting home in your pad turning the dial on the radio, and suddenly the mighty Dexter Gordon is on the air. You are in Radioland with one of the godfathers of bebop...”(Ib Skovgaard - from the linernotes.) “....an impressive document of the time.” (Barry McRae, Jazz Journal International November 1990)

Dexter In Radioland vol. 1 Dexter In Radioland is a mini series within the 36000 “classic” series and there are 7 volumes capturing Dexter in the very best period of his career. Copenhagen was his adoptive home in the 60s and the recordings here took place in the famous jazz club Montmartre with packed with enthusiastic audiences night after night. “...it is difficult to forget the staggering impact made by Dexter Gordon during his early sorties before European audiences....These splendid recordings celebrate Dexter’s first year in Europe and confirm that what we heard then was every bit as good as it seemed....There is a bonus...Atli Bjørn’s highly economical and individual style deserved a wider audience...” (Jazz Journal) “...there is every reason to join in the cheering of the audience. Remember him this way.” (The Times)

Dexter In Radioland vol. 4 “...This music here, recorded for Danish radio, all comes from 1964, when Dexter was at what we see with hindsight to have been both the zenith of his career and probably the happiest time of his life....” (Steve Voce, JAZZ FM)

“This excellent series of records which starts with a Montmartre Jazzhus live date from 1962 documents the way in which Gordon was playing when he arrived in Europe....his big tone failing to disguise his natural lyricism and his ability to brand a ballad his own. ....The support he received throughout this series was good and one can almost race the main group’s progress as the series unfolds...” (Barry McRae, Jazz Journal)

“Some might criticise that Dexter put out too many albums but this recording I cannot do without...” (Jyllandsposten) “...a thoroughly satisfying late-night-set.” (Michael Tucker, Jazz Journal International) Previously issued on SCCD 31224 & SCCD 31226

“Admirable!” (Jazz Magazine) “..Miles Davis is not a notable enthusiast of singers, but one exception was Shirley Horn, a Washington-based improviser (on piano as well)...” (Nat Hentoff, Modern Recording & Music) Previously issued on SCCD 31257 & SCCD 31164