“Buck Hill is one of the most notable ‘regional’ jazzmen in America…” (The Penguin Guide to Jazz) “…the saxophonist is continuously improving…his contribution is ever convincingly superb..” (Jazz Magazine) Previously issued on SCCD 31160 & SCCD 31173

Guitar Legacy

The Garden Of The Blues

This is the second release from the night at Montmartre Jazzhus (earlier release is “Daybreak” SCCD 31142) by the best Chet Baker Trio of this period. “...he sounds masterful, and is ably accompanied by Raney’s soft-bop guitar and NHØP’s towering bass...” (The Penguin Guide to Jazz - new edition)

Tivoli One

Never Let Me Go

The Shadow Of Your Smile

Almost Everything

Swiss Nights, Vol. 3

Swiss Nights, Vol. 2

My Man

Catalonian Fire

All Of Three

Person To Person

Flight To Japan

Here is a classic example of SteepleChase’s “re-discovery” endeavour. This is Miss Shirley Horn’s first recording on SteepleChase after a long absence from the recording studio. Lazy Afternoon turned out to be a tremendous success critically and commercially and together with her three subsequent releases on the label (All Night Long - SCCD 31157, Viloets For Your Furs - SCCD 31164, Garden Of The Blues - SCCD 31203) had firmly established her as a major artist. “One of the greatest jazz singers and singer-pianists in years...”(Jazz Journal International)

Truth

Cables Fables

My Romance

Wire Walker

Very Early

Wait And See

Tivoli Two

The Backbeat

Introducing Doug Raney

Inner Space

Doug Raney (Aug. 29, 1956 – May 1, 2016) moved to Copenhagen, Denmark from New York when he was 21 after a European tour with his famous guitarist father Jimmy Raney. Doug spent the rest of his rather short life in Copenhagen. He collaboration with SteepleChase started shortly after his move to Denmark in 1977 with the debut album “Introducing Doug Raney” (SCCD 31082/SCS 1082). Since then he released 17 highly acclaimed leader album during the 80s and 90s. This album recorded in 1984 finds Raney in a comfortable company of his regular Danish rhythm section. “Blue And White is probably the best of (Raney’s early releases in the 80’s – ed) them, dominated by titanic performances of Jimmy Heath’s ‘Gingerbread Boy’ and Coltrane’s ‘Straight Street’…” (Richard Cook & Brian Morton – The Penguin Guide to Jazz) “Players of Doug Raney’s depth and talent don’t come along very often, making their absence, when their end does come, something almost tactile….” (Larry Grinnel)

“… ‘Something Different’…finds Gordon at the top of his form…While melodic continuity has always been one of Gordon’s trademarks, the seamless passion of his playing here makes ‘Something Different’ one of the tenor giant’s essential albums.” (Larry Kart, Chicago Tribune) “… The great tenor saxophonist is in grand form in a quartet in which he is complemented and challenged by the young Belgian guitarist Philip Catherine and by Gordon’s favourite drummer, Billy Higgins …” (Doug Ramsey, Chronicles Of Culture) 180g Audiophile Vinyl

Dexter Gordon used to introduce his favorite pianist Tete Montoliu (1933 – 1997) on stage as “El grand senior from Catalonia!” The first volume of the celebrated series of live recordings from Zelesta, the famed club in Barcelona, was highly acclaimed by the critics and audience alike. “The album captures Tete at the peak of his powers, in inspirational company and among a warmly sympathetic audience…. Thanks to tracks like these we can continue to celebrate his diamond bright lines of compelling logic and vivid beauty.” (Mark Gardner) "… his extraordinary virtuosity permits him to keep the breathtaking speed while playing beautiful melody line with great confidence of improvisations. Here in 1980 trio he explodes with a bang!" (Pierre Schavey, The Lion)

Doug Raney (Aug. 29, 1956 – May 1, 2016) a son of famed American guitarist Jimmy Raney made his album debut “Introducing Doug Raney” SCCD 31081 at the age of 18. He lived most of his adult life in Denmark but performed and recorded all over the world both as a leader and a sideman. “… Raney’s measured approach satisfies everywhere, whether heated up on Trane’s Lazy Bird or cool reflective in Theme For Ernie. Raney, an honorable name.” (Frank-John Hadley, Downbeat ****) “Backed by a driving rhythm section of Danish jazzmen, Raney burns through this set of six original and standard tunes.” (Guitar Player magazine)