World renowned Tony nominee, New York Cabaret Award "Best Jazz Vocalist" winner, and Theater World Award winner Ann Hampton Callaway delivers a must have not just for jazz and cabaret, but for lovers of great music the world over! Finding Beauty, a stirring collection of original compositions and collaborations by this brilliant Women Songwriter Hall of Fame inductee, overflows with warmth, passion and intimacy, revealing the inner feelings of this great artist!! Highlights include the joyous "The Moon Is A Kite," the uplifting duet with Kurt Elling "Love and Let Love," Ann's brilliant collab- oration with Tierney Sutton "You Can't Rush Spring," and much more

Smooth Urban Jazz superstar Kim Waters has sold over two million albums in his more than 20 years of touring and recording. Loved by R&B and Jazz fans alike, his crossover appeal, Smooth Jazz #1 radio hits, and dynamic performances have placed him among the elite in his field. That Special Touch has special significance to the artist because the album features the young smooth jazz hit maker, Kim's daughter Kayla! The energy and joy of this occasion have inspired and elevated Kim's writing and playing to new heights! Highlights include Kim and Kayla's dream-like remake of Adele's smash hit "Go Easy On Me," the ebullient "Joy Dance," the intensely pulsating "House Call," and more Kim Waters originals!

2018 release. World renowned Tony nominee, New York Cabaret Award "Best Jazz Vocalist" winner and Theater World Award winner Ann Hampton Callaway delivers a must have album. "Jazz Goes To The Movies is a spectacular collection of all-time great movie songs lovingly performed by Ann and her ensemble led by Ted Rosenthal, winner of the Thelonious Monk International Jazz Competition." Jazz Goes To The Movies" conjures stirring images from the golden age of Hollywood. Highlights include the iconic "As Time Goes By" from Casablanca, Irving Berlin's immortal "Blue Skies" from The Jazz Singer, Jerome Kern's "The Way You Look Tonight" from Swing Time and many more movie classics!

2017 release. Poetry In Motion is the highly anticipated follow up to Najee's much loved You, Me and Forever which was #1 both on the Billboard chart and at Smooth Jazz radio. As the title implies, the album represents Najee's exploration into the world of sensuality and romance, interspersed with some fantastic spirited grooves that have made Najee a favorite the world over!

With over 25 Top 10 Smooth Jazz radio hits to his credit, including an incredible 15 #1 smash hits, Chuck Loeb is truly an icon and pioneer of the Smooth Jazz genre. As the newest member, lead guitarist, and producer of the super group Fourplay, as well as leader of his own all star touring ensemble, Chuck performs in front of hundreds of thousands of fans every year and his popularity continues to grow. Silhouette features guest appearances by such notables as Fouplay band mate Nathan East, Will Lee (of David Letterman fame), legendary drummer Steve Gadd (Steely Dan), Eric Marienthal, Andy Snitzer (Rolling Stones), and others. In addition, the album features vocals from Carmen Cuesta (Mrs. Loeb) whose sensuous delivery has resulted in her own growing fan base.

Smooth Jazz superstar Marion Meadows is without question one of the most popular and unique talents on the Jazz scene today. Blessed with movie star looks and the smoothest saxophone tone on the planet, Marion has sold close to one million albums in his brilliant career. WHISPER is probably Marion's most intimate and sensuous album yet. In support of this album, Marion Meadows will be touring coast to coast as part of Sax and the City with special guest Paul Taylor.

Triple threat guitarist, producer and composer Chuck Leob is the quintessential Smooth Jazz artist. Leob's CDs are quite possibly the most played on Smooth Jazz radio. His 5th album on Shanachi is entitled All There Is. Featuring special guest Krik Whalum First single "As Is"

2021 release. Smooth jazz superstar Marion Meadows is without question one of the most popular and unique talents on the jazz scene today. Blessed with movie star looks and the smoothest saxophone tone on the on the planet, Marion has sold over one million albums in his brilliant career. His constant string of radio hits and relentless touring have garnered legions of fans, and his appearances with such varied artists as The Temptations, Michael Bolton and Will Downing are a testament to his broad audience appeal. Twice As Nice, Marion's most intimate and heartfelt album to date, takes the listener on a sensuous journey through a soundscape of brilliant original compositions and masterful improvisations. The album is produced by smooth jazz superstars in their own right: Grammy winners Jeff Lorber and Paul Brown plus Marion's long-time collaborator, Chris "Big Dog" Davis (Will Downing, Gerald Albright, Maysa).

2023 release. This live solo album features the pianist and composer's interpretations of nine songs by John Lennon and Paul McCartney and one by George Harrison. Although other Beatles songs have long been staples of Mehldau's solo and trio shows, he had not previously recorded any of the tunes on Your Mother Should Know. The album ends with a David Bowie classic that draws a connection between The Beatles and pop songwriters who followed. Your Mother Should Know was recorded in September 2020 at Philharmonie de Paris.

'The Absence' is the third record from grammy-nominated Melody Gardot. Produced by Heitor Pereira, renowned for his work as a film composer ('Despicable Me', 'It's Complicated', 'From Prada to Nada') and world-class session guitarist (Sting, Seal, Caetano Veloso), the Brazilian-born, US-based artist shared Melody's enthusiasm for driving off the beaten path of western pop, jazz, blues and soul. And he was as adventurous as melody when it came to inventive sonic ideas. From the deserts of Morocco to the streets of Lisboa, from the tango bars of Buenos Aires to the beaches of Brazil, 'The Absence' captures the essence of each of these exotic locales, while at the same time remaining quintessentially Melody Gardot.

Wesla Whitfield is known for her deft sense of swing and incisive ballad readings. Now she returns to release IN MY LIFE, a gorgeous collection of 15 wonderful works by such diverse composers as Leonard Bernstein, Vernon Duke and Lennon/McCarney.

The release of a Mark Murphy recording renders hyperbole superfluous. Other people have said it all: Murphy is "a hipster's hipster," writes the New York Post. Featuring his latest effort Links, Mark performs classic tunes and original lyricst and otehr adventurous choices make this mark's finest record to date.

Playing jazz is a lot like love itself. It is as much about poignancy as it is about joy. It is Jeremy Pelt's understanding of this dichotomy of passion and restraint that makes this album so compelling. The set list is as all-encompassing as a love affair - from the straight-ahead feeling of "I Can't Escape from You" to the breathless stillness of his muted trumpet on "There'll Be Other Times." His sly, half-valve effects on "Blues in Sophistication" show an impish delight while Henry Mancini's "Slow Hot Wind" throbs with an ever so discreet Latin feel. This may be considered a "with strings" record but Pelt does not let this descend into a vibrato-laden string sound. There is an unusually classical feel to this album with the string quartet supporting, reinforcing and commenting on Pelt's playing rather than sugar-coating it. Buddy Rich once said, "Jazz should be treated the same as classical music." He was right. He "got it" and, as evidenced herein, so does Jeremy Pelt.

Tomorrow's Another Day may be trumpeter and composer Jeremy Pelt's most experimental recording to-date, with greater emphasis on the dynamic aspects of sound. This thought-provoking record gets a huge lift from the participation of drummer/technologist Deantoni Parks, who previously has lent his remarkable talents to such visionaries as Meshell Ndegeocello and Andre 3000. Pelt's newest band features Jalen Baker (vibes), Wintz (gtr), Leighton McKinley Harrell (bs) and Allan Mednard (dms), with Frank LoCrasto (pno) on two tracks. The ensemble seamlessly works together to produce a unique galaxy of sounds which have the ability to evoke gritty scenes that pulse with primal energy or surge transcendently skyward. Through it all, it is the trumpet and creative presence of Pelt which provides a sense of ballast to the myriad sounds and textures, with an intensely personal and mesmerizing weave of arguably some of the most stunningly imaginative and communicative work he has given us so far.

Walking the tightrope that is stretched between history and progress is a difficult task for a young jazz musician. During the last five years, Jeremy Pelt has explored many post-war jazz trends, but for his HighNote debut recording he has settled into the acoustic, post-bop format with his regular band that includes the tenor sax of J.D. Allen with the rhythm section of Danny Grissett, piano, Dwayne Burno, bass and Gerald Cleaver, drums. One listen and it is easy to see why he was voted Rising Star on the Trumpet five years in a row by Downbeat and the Jazz Journalists Association.

When Mark Murphy died in October 2015, the obituaries claimed that he had been almost the last of his kind. Murphy, it was said, was a man who embodied the spirit of postwar bohemia, the 'On The Road' Kerouac generation who fought against the straight life of prosperity and numb consumerism they saw all around them. With a catalogue of more than 40 albums under his own name as well as numerous collaborations, Mark Murphy resisted orthodoxy. He could very likely have enjoyed a successful mainstream career had he remained a crooner in the vein of Mel Torme or Jack Jones, but he had greater ambition to carry the jazz vocal flame. He was a consummate improviser, who never sang a song the same way twice. It is that Mark Murphy we encounter here in a historic engagement at the Keystone Korner which was his only performance in the club. Familiar Murphy favorites are here along with a few surprises with Mark's voice alternately thundering and whispering through the inspired setlist.

Jazz trumpeter, composer and author Jeremy Pelt has certainly never shied away from themed albums so one might expect something cinematic from the enigmatically-titled Soundtrack. However, as Pelt himself explains, "I've certainly done plenty of concept albums, but in this case there's nothing I'm on a soapbox about. It's been a tough time for all of us, so let's not worry about sending messages for a minute. Here we are, playing some songs and having some fun." Having fun the band may be but along the way they make some compelling jazz weaving a beguiling tapestry of kaleidoscopic colors with Pelt's sultry and communicative trumpet to the fore surrounded by Chien Chien Lu's hypnotic vibraphone and pianist Victor Gould's subtle splashes of the Fender Rhodes. The inclusion of Brittany Anjou on Moog synthesizer and the rarely-heard Mellotron may imply a real electronica aspect present on the recording but, quite to the contrary, Pelt uses them sparingly and incorporates them brilliantly into the group's tonal palette. Their appearance does occasionally bring a certain 70s independent jazz vibe to the proceedings but they far from define the sound of the group. Anne Drummond's silvery flute on two tracks adds yet another dimension to the already wide spectrum of colors on this latest album in the discography of the sometimes surprising but always inspired Jeremy Pelt.