Legendary jazz writer Nat Hentoff wrote in a lengthy article about Jeremy Pelt in the Wall Street Journal, "It is the beat of Jeremy Pelt's heart... that underscores the future of jazz." High praise indeed but Pelt lives up to it on every gig and with every new recording. FACE FORWARD, JEREMY is a multi-textured, thought provoking release which incorporates a sparing use of electronica along with unexpected acoustic instruments such as the cello and harp. The result is a wildly imaginative sonic landscape that exists in it's own time and space as defined by the artist and the leader himself.
Heralded for years as one of the rising stars in jazz, Jeremy Pelt has earned accolades for his staggering virtuosity, which has elicited comparisons to trumpet icons like Clifford Brown, Lee Morgan and Freddie Hubbard, as well as for his studious, cerebral approach to the music. While he's clearly the man in charge here, Soul is very much a band-focused release, with all five members of the group heard distinctively and insistently throughout.
Jeremy Pelt stands as a strikingly unique musician, his work consistently sleek and polished yet bristling with the spirit of invention flourishing in a lean, modernist language influenced by classic bebop phraseology. He delivers his lines with authority and economy, the pinpoint accuracy of his tone well-suited to the heightened elegance of his delivery. With pianist Simona Premazzi laying down the changes and Ben Allison's bass lines, Jeremy is joined by the twin drums of Billy Drummond and Victor Lewis for a session of originals, standards and music by Wayne Shorter and Clifford Jordan.
Weslia continues her traversal through the Great American Songbook with this tribute to composer McHugh, who never achieved the fame of Gershwin or Porter, but nonetheless created some true classics that were widely known, inc. "Don't Blame Me," "On The Sunny Side Of The Street" & "I Can't Believe That You're In Love With Me"
Young jazz lion, trumpeter, Russell Gunn reutns with this Blue on the D.L., a great blues-based, classic jazz album containing a fierceness of attack! It's refreshing to find jazz of such aggressive tension and darkenss amid today's "smooth" and "tehcno" trends.
2020 release. Jeremy Pelt's unquenchable curiosity has made him one of the most multi-faceted of jazz artists. Whether it be as a leader, a sideman, an accompanist or a composer, Pelt has investigated nearly every aspect and genre in jazz - from electric to eclectic, Be-Bop to Free-Bop. Here Pelt joins forces with the legendary George Cables on piano and Peter Washington laying down the bass lines. All but one tune on the setlist are slow-ish numbers but this is not your father's ballad record. Each member of the trio is able to pour some old wine into new bottles, aware of and perhaps shaped by the past but operating very much in the moment. Together with Cables' lush voicings and solid tone and Washinton's always-inspired bass lines and solos, Pelt's new recording sets a high bar for all trio recordings that follow in the remainder of 2020.
2018 release. Recorded live in Paris at the famed Sunside/Sunset Jazz Club, Jeremy and his colleagues deliver a set of searing intensity and unparalleled musicianship. Pelt's group is that rarest of all things in jazz, a working band, and the communication that comes from extensive time spent playing together is evident. All the players are among the foremost 30-something neo-bop players in jazz today giving the group an all-star-type reputation with a well-rehearsed sound that comes only with familiarity and countless gigs. Pelt's own playing has earned accolades for his staggering virtuosity, which has elicited comparisons to trumpet icons like Clifford Brown, Lee Morgan and Freddie Hubbard, as well as for his studious, cerebral approach to the music. On this particular night in Paris, Pelt focused all his attention on creating the perfect phrase to fit each musical moment, sculpting long lines that let the music breathe and while building spontaneous ideas into finely-crafted miniatures.
It is only natural that Jeremy Pelt's voracious curiosity would lead him to investigate the West African Griot tradition where stories, reminiscences and accomplishments from times past are handed down as oral histories. Researchers such as Art Taylor, William Russell and Alan Lomax have preserved interviews with older jazzmen but for his Griot odyssey, Pelt turns to his own peer group to record their thoughts on creating jazz, playing jazz and experiencing the life of a jazz musician of color in our own time. Each brief interview is followed by a composition by Pelt which perfectly captures the sentiments and emotions of it's spoken-word prelude. To help him bring his vision to life, Pelt has assembled a hand-picked group of colleagues, featuring vibraphonist Chien Chien Lu, pianist Victor Gould, bassist Vicente Archer, harpist Brandee Younger and others. The tunes themselves run the gamut from the remarkable mixing of the sacred and the secular in "Carry Christ Wherever You Are," to the Monk-like gallumphing opening unison in "Don't Dog the Source," and the urgent, "Underdog." As Pelt himself says, "I want people to understand that this is for everybody," that the project was undertaken to perhaps help them "understand that whatever they might be going through, their perspectives might run parallel to those of people who are generations apart from them. Maybe, to a certain extent, these younger people will find themselves in these stories."
Little Broken Hearts [Deluxe Edition 3 LP] - Norah Jones defied expectations with her 5th studio album Little Broken Hearts, a striking collaboration with Danger Mouse that arrived a decade after her debut Come Away With Me, prompting SPIN to call it "the 2nd essential record of Norah Jones' career." Deluxe Edition features an expanded 31-track set curated by Jones with rare bonus tracks, alternate versions, remixes, and a previously unreleased live version of the album recorded for Austin City Limits in 2012.
Born out of her time on the road, Samara Joy took her touring band into legendary Van Gelder Studios in February of 2024. This record, appropriately entitled Portrait, is a collection of standards (as well as one original) and features her singular voice, alongside arrangements from this tight-knit young group. The recording tells the story of the community she's created with a new generation of young players and is evocative of the energy of her incredible live show.
Vinyl LP pressing. Born out of her time on the road, Samara Joy took her touring band into legendary Van Gelder Studios in February of 2024. This record, appropriately entitled Portrait, is a collection of standards (as well as one original) and features her singular voice, alongside arrangements from this tight-knit young group. The recording tells the story of the community she's created with a new generation of young players and is evocative of the energy of her incredible live show.
Norah Jones -"Little Broken Hearts" - Norah Jones defied expectations with her 5th studio album Little Broken Hearts, a striking collaboration with the producer Danger Mouse that arrived a decade after her debut Come Away With Me, prompting SPIN to call it "the second essential record of Norah Jones' career." Highlights include "Good Morning," the single "Happy Pills" and the high-energy groove of "Say Goodbye." Now available on a single vinyl disc
Samara Joy -"Linger Awhile" - Samara Joy is a two-time Grammy winner - BEST NEW ARTIST and BEST JAZZ VOCAL ALBUM. At just 23 years old, her Verve debut 'Linger Awhile' shows that with a voice, tone, and phrasing that harkens back to the most legendary jazz vocalists. Samara belongs in the company of iconic label-mates from Ella Fitzgerald to Sarah Vaughan to Billie Holiday. The Deluxe version of this album includes never-before-heard b-sides as well as alternate arrangements of Linger Awhile material.
2024 release. Vintage George Benson vocals float over an orchestral reimagining of beloved American Standards & Soul Classics in this incredible collaboration with renowned composer and conductor, Robert Farnon. The brand new 10-track collection, once thought to be lost to history, was recently discovered in Benson's personal vaults and remastered to their original glory. With this new release, Benson also marks a musical return to the Warner Family - where he recorded such classic hits as "On Broadway" and "Breezin".
GREGORY PORTER / WATER - Gregory Porter's debut studio album, Water - originally released in 2010 under the Motema Music label - is now reissued on Blue Note Records. The tracks include love stories such as "Illusion and Pretty," and protests for African-American civil rights like "1960 What?" which recounts the 1967 Detroit riots. Water was hailed by fans and critics alike, elevating Porter to the status of the next great jazz star and marking the beginning of his successful career. 2 LP set pressed on clear vinyl.
2024 release. Visions is a vibrant and joyous 12-song set that finds Jones singing about feeling free, wanting to dance, making it right, and acceptance of what life brings. It's the yang to the yin that was Pick Me Up Off The Floor, Jones' last album of new original songs which was released early in the pandemic lockdown of 2020 and foreshadowed many of the dark emotions of that period. CD Softpak with 12-page booklet.
Norah Jones - "Visions" / [LP] / Visions is a vibrant and joyous 12-song set that finds Jones singing about feeling free, wanting to dance, making it right, and acceptance of what life brings. It's the yang to the yin that was Pick Me Up Off The Floor, Jones' last album of new original songs which was released early in the pandemic lockdown of 2020 and foreshadowed many of the dark emotions of that period.
The unforgettable sound of Sarah Vaughan is captured in this collection of essential recordings. From the swinging hits, "Lullaby Of Birdland" and "It's Crazy", to her best-loved recordings, including "Misty" and "Broken-Hearted Melody", this album highlights Vaughan's impeccable phrasing, emotional depth and remarkable range. Whether backed by a trio or a full orchestra, singing hits of the day or jazz standards, every track serves to remind us why Sarah Vaughan is still known as 'The Divine One'.
Norah Jones' seminal debut album, Come Away With Me, became a global phenomenon reaching #1 in 20 countries, selling nearly 30 million copies, and sweeping the 2003 GRAMMY Awards with 8 wins including Album of the Year, Record of the Year, Song of the Year, and Best New Artist. The remastered 20th Anniversary Edition captures the emergence of a singular talent on this now-classic album. Super Deluxe 3 CD Packaging: CaseBound book with 32-page booklet inside.
Vinyl LP pressing. Digitally remastered edition. Norah Jones' seminal debut album, Come Away With Me, became a global phenomenon reaching #1 in 20 countries, selling nearly 30 million copies, and sweeping the 2003 GRAMMY Awards with 8 wins including Album of the Year, Record of the Year, Song of the Year, and Best New Artist. The remastered 20th Anniversary Edition captures the emergence of a singular talent on this now-classic album.
Limited colored vinyl LP pressing. Classic Grammy winning album that contains 2 sought after classics: 'This Masquerad'e and 'Breezin'. Classic Grammy winning album that contains 2 sought after classics: This Masquerade and Breezin'. On blue/badge vinyl. George Benson is simply one of the greatest guitarists in jazz history, but he is also an amazingly versatile musician, and that frustrates to no end critics who would paint him into a narrow bop box. He can play in just about any style - from swing to bop to R&B to pop - with supreme taste, a beautiful rounded tone, terrific speed, a marvelous sense of logic in building solos, and, always, an unquenchable urge to swing. His inspirations may have been Charlie Christian and Wes Montgomery - and he can do dead-on impressions of both - but his style is completely his own. Not only can he play lead brilliantly, he is also one of the best rhythm guitarists around, supportive to soloists and a dangerous swinger, particularly in a soul-jazz format. Yet Benson can also sing in a lush, soulful tenor with mannerisms similar to those of Stevie Wonder and Donny Hathaway, and it is his voice that has proved to be more marketable to the public than his guitar. Benson is the guitar-playing equivalent of Nat King Cole - a fantastic pianist whose smooth way with a pop vocal eventually eclipsed his instrumental prowess in the marketplace - but unlike Cole, Benson has been granted enough time after his fling with the pop charts to reaffirm his jazz guitar credentials, which he still does at his concerts.
Vinyl LP pressing. 2019 release by the nine-time Grammy-winning singer/songwriter Norah Jones. Begin Again is a collection of singles that gathers seven eclectic songs that Jones has recorded over the past year with collaborators including Jeff Tweedy and Thomas Bartlett. Features the new song "Just a Little Bit," which was produced by Jones and features her on vocals, piano, and organ along with Brian Blade on drums.
Vinyl LP pressing. 2015 album from the acclaimed vocalist/pianist. WALLFLOWER is a collection of songs from the late 60's to present day that inspired Krall in her early years. Produced by 16-time Grammy Award-winning producer David Foster, the album finds Krall breaking new ground with her interpretations of some of the greatest pop songs of all time. On WALLFLOWER, Diana Krall showcases her considerable gifts as a vocalist in a bold and beautiful way. Krall sings a set of songs that include familiar popular classics like the Mamas and the Papas' "California Dreaming" and the Eagles' "Desperado," favorite vintage songs by Krall's musical heroes Bob Dylan (he inspired the album's title track "Wallflower") and Elton John ("Sorry Seems to Be the Hardest Word"). The album also features more recent gems like Crowded House's "Don't Dream It's Over" and a wonderful new composition from Paul McCartney ("If I Take You Home Tonight").
Double 180 gram vinyl LP pressing. The Very Best of Diana Krall collects an assortment of hits from the vocalist/pianist from 1996-2006. Krall covers classic tracks from America's songbook both intimately with a three piece band and on a large scale with a full orchestra. Standouts include Cole Porter's "I've Got You Under My Skin" and "The Look of Love" written by Burt Bacharach and Hal David. Krall has sold more than six million albums in the US and over 15 million worldwide. Krall is the only jazz singer to have eight albums debuting at the top of the Billboard Jazz Albums. To date, she has won three Grammy Awards and eight Juno Awards. She has also earned nine gold, three platinum, and seven multi-platinum albums.
