Pixel is a stunning contemporary dance performance for 11 dancers in a virtual and living visual environment. A work on illusion combining energy and poetry, fiction and technical achievement, minimal music and hip-hop. It opens a dialogue between the synthetic world of digital projection and the real bodies of dancers. Pixel appeals to fans of contemporary dance, urban and hip-hop moves, with elements of circus too. Artistic Director and choreograper Mourad Merzouki, together with his Compagnle Kafig has elevated hip-hop to the world stage. In doing so he has created a multicultural contemporary dance form which takes equal place with modern dance and other idioms of the genre. He has incorporated circus elements, martial arts, contemporary dance and puppetry, and brought in performers from Algeria, Brazil and Taiwan in order to develop his ideas. The music was composed by French composer Armand Amar won a Cesar award for his original soundtrack.
Limited 180gm vinyl LP pressing. An undisputed yet underrated architect of what we now know as modern rock and roll, 1956's Gospel Train was an innovative release for Sister Rosetta Tharpe in more ways than one. For starters, her first release on the Mercury Records label was also her first available from any label on the then-new 12" long-playing format, still the industry standard for vinyl albums today. Most importantly, Gospel Train took Sister Tharpe's distinctive blend of primordial electric guitar-driven blues and traditional gospel and harnessed it's power in a polished studio setting, backed by first-call session musicians including the vocal quartet the Harmonizing Four. The Verve Vault series is all-analog, cut from the original master tapes by Ryan K. Smith at Sterling Sound and pressed on 180-gram vinyl.
Limited 180gm vinyl LP pressing. The Velvet Fog meets The Great White Way! Mel Torme was at the height of his powers on 1960's Swings Shubert Alley, a collection of Broadway standards backed by the renowned Marty Paich Orchestra. This stunning union of musical theatre and jazz is regarded as one of the jewels of Torme's work for Verve Records, and his unforgettable vocal delivery elevates familiar chestnuts from the songbooks of Lerner and Loewe ("On the Street Where You Live"), Rodgers and Hammerstein ("Hello, Young Lovers," "The Surrey with the Fringe on Top") and Cole Porter ("Too Darn Hot"). The Verve Vault series is all-analog, cut from the original master tapes by Ryan K. Smith at Sterling Sound and pressed on 180-gram vinyl.
Jon Batiste - "Monk Movements" [LP] On the fourth volume of the Batiste Piano Series, multi-Grammy® and Oscar® winner Jon Batiste returns to some of the music that first shaped his voice at the piano, expanding upon the majestic, contemplative beauty at the heart of some of Thelonious Monk's most iconic works. Verve; Jazz
Giblet Gravy, released in 1968 on Verve Records, documents guitarist George Benson during his early period with the label. Produced by Esmond Edwards and featuring arrangements by Tom McIntosh, the sessions draw on a range of jazz and studio musicians, including pianist Herbie Hancock, bassists Ron Carter and Bob Cranshaw, drummer Billy Cobham, percussionist Johnny Pacheco, and baritone saxophonist Pepper Adams, alongside a brass and rhythm section assembled for selected tracks. Across these varied settings, Benson's fluid articulation, blues-inflected phrasing, and rhythmic dexterity remain the music's central focus. The repertoire blends contemporary popular material, standards, and original compositions, illustrating the stylistic breadth that would inform his later crossover success while remaining grounded in the late-1960s jazz ensemble format. The Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.
Meditations, released in 1966 on Impulse! Records, captures John Coltrane's late-period quartet in transition, expanding into new sonic territory while retaining the core intensity of his classic lineup. Recorded in 1965 at Rudy Van Gelder's Englewood Cliffs studio with producer Bob Thiele, the session features pianist McCoy Tyner, bassist Jimmy Garrison, drummer Elvin Jones, tenor saxophonist Pharoah Sanders, and drummer Rashied Ali. Across the suite-like program, the music flows as a continuous meditation on transcendence and collective expression, pushing Coltrane's spiritual jazz into heightened realms of energy and abstraction. It marks one of the final appearances of his "classic quartet" members Tyner and Jones before they departed, leaving Coltrane to pursue new directions with Sanders and Ali. The Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.
Clara Haberkamp does not like to be categorized and describes herself as a genre-open pianist and composer. Hailed as 'one of the most distinctive pianists on the German jazz scene' (radio DLF), she has recently made waves internationally with her latest record, Plateaux (TYXart, TXA24184). Blending jazz, classical music, and New Music, her sound is direct, intimate, and unmistakably her own. Occasionally, she adds her voice as another color in her musical palette, speaking directly to the listener. Clara Haberkamp's solo piano album LOVE MAPS (including also two vocal tracks) is a masterpiece of musical navigation-a beautifully crafted sonic map bridging jazz, classical music, and multifaceted improvisation. Familiar pieces and original compositions are transformed through her unique artistic sensibility.
Spike Wilner makes a striking SteepleChase debut as a leader with Bird's Words, an album that distils the essence of Charlie Parker into something both reverent and freshly alive. Recorded in Paris with longtime colleagues Dmitry Baevsky, Yves Brouqui, Paul Gill, and Joe Strasser, the session embraces bebop's original discipline: concise, melodic soloing and a shared commitment to speaking Bird's language without modern embellishment. Wilner-steeped in the lineage of Walter Davis Jr., Jaki Byard, and Barry Harris-brings clarity and deep historical insight to every track. The band's tight interplay, crisp articulation, and unforced authority make Bird's Words a vibrant homage that reclaims the art of the concise, meaningful solo. A joyful celebration of Parker's enduring legacy.
Grammy-nominated pianist/composer Michael Eckroth makes his long-awaited SteepleChase debut as a leader with Contrafacto, joined by veteran bassist Ron McClure and dynamic drummer Steve Johns. Long recognized on the label as a versatile sideman, Eckroth steps forward with a program that highlights his refined touch, modern harmonic sense, and deep grounding in the jazz tradition. The trio explores originals and reimagined forms with clarity, swing, and understated fire, allowing Eckroth's melodic imagination to unfold in conversation with McClure's seasoned authority and Johns's responsive drive. Contrafacto introduces a mature, distinctive pianist whose writing and improvising balance structural elegance with spontaneity, marking a compelling new chapter in the SteepleChase piano trio lineage.
On September 18, Storyville Records releases a newly remastered edition of Circular Chant, percussionist Marilyn Mazur's 1994 recording made in connection with the Jazzpar Project, featuring new liner notes by saxophonist Fredrik Lundin and new album cover art. Marilyn Mazur (1955-2025) was a singular presence on the international jazz scene. Few percussionists have commanded such a wide range of instruments. She reshaped the role of percussion in improvised music and developed a personal musical language that expanded it's expressive scope. Recorded in March 1994 at Sun Studio in Copenhagen and at the Jazzpar Prize Concert at the SAS Falconer Center, the album documents a specially assembled ensemble featuring Nils Petter Molvær, Per Jørgensen, Michael Riessler, Hans Ulrik, Bugge Wesseltoft, Mikkel Nordsø, Klavs Hovman, Jacob Andersen, and Mazur herself. The album contains 13 tracks in total: nine compositions by Marilyn Mazur and four co-composed group pieces. Although the group was formed for the Jazzpar concerts, the recordings show a high degree of cohesion. The ensemble, often referred to as Pulse Unit, combines composed material by Mazur with ensemble pieces and shorter interludes. Mazur worked throughout her career at the intersection of composition and improvisation, and Circular Chant reflects this approach to ensemble writing and performance. The album places strong emphasis on group interaction, with the ensemble frequently functioning as a responsive collective. The three wind players, Molvær, Ulrik, and Riessler, play a central role throughout, moving between melodic and textural roles. They are supported by Wesseltoft on keyboards, Nordsø on guitar, Hovman on bass, and the rhythmic interplay between Andersen and Mazur on percussion and drums. The recording moves between composed ensemble works, vocal-led sections, electric group passages, and shorter interludes. More than thirty years after it's original recording, Circular Chant stands as a distinctive collaborative release from European jazz in the 1990s, bringing together a group of musicians who were central to the Scandinavian and wider European scene at the time.
SteepleChase originally released in 1984 this Shirley Horn's live tribute to songwriter Curtis Lewis (1918-1987), who was one of the first Black composers and lyricists to emerge on the Broadway scene in the early 1940s. Shirley Horn (1934-2005), long connected to Lewis's music, brings deeply personal readings of 'He's Gone Again,' 'Old Country,' and 'Roaming Lover,' before unfolding the dramatic, story-like suite The Garden of the Blues, quoting Lewis's own linking prose. Her trio-Charles Ables (bass) and Steve Williams (drums)-provides subtle, breathing support, leaving space for Horn's unhurried phrasing and emotional clarity. Newly remastered in 24-bit/96 kHz and pressed on 180g vinyl, this edition restores the concert's warmth, poise, and luminous detail. 'Shirley Horn has one of the most alluring voices in jazz - she let's the lyrics melt into a violet haze as she slowly unwraps the melody - and she's an exceptional pianista wonderful, moving combination of voice and song.' (Cash Box)
With Rain, Flowers and New Beginnings, trumpeter, composer and bandleader Maik Krahl presents a deeply personal and beautifully balanced album about growth, change and resilience. Inspired by the idea that no flower blooms without rain, the music reflects the quiet strength that can emerge from difficult seasons, transforming experience into sound with warmth, clarity and lyrical depth. Krahl's trumpet playing is marked by a rich, flexible tone, elegant phrasing and a calm emotional intensity. Across the album, he moves through spacious, melodic landscapes, playful rhythmic passages and moments of reflective stillness, always maintaining a sense of openness and natural flow. His compositions are adventurous yet grounded, shaped by contrast, silence and release. The album features an exceptional ensemble: Constantin Krahmer on piano, Jakob Kuhnemann on bass, Fabian Rosch on drums and glockenspiel, and Tamara Lukasheva on vocals. Together, they bring Krahl's music to life with sensitivity, imagination and a strong collective voice. From the opening 'Blue Dots Descending' to the closing 'The Journey of Serenity,' Rain, Flowers and New Beginnings unfolds like a musical meditation on renewal. It is an album about what is endured, what is absorbed, and what eventually blossoms.
With Rain, Flowers and New Beginnings, trumpeter, composer and bandleader Maik Krahl presents a deeply personal and beautifully balanced album about growth, change and resilience. Inspired by the idea that no flower blooms without rain, the music reflects the quiet strength that can emerge from difficult seasons, transforming experience into sound with warmth, clarity and lyrical depth. Krahl's trumpet playing is marked by a rich, flexible tone, elegant phrasing and a calm emotional intensity. Across the album, he moves through spacious, melodic landscapes, playful rhythmic passages and moments of reflective stillness, always maintaining a sense of openness and natural flow. His compositions are adventurous yet grounded, shaped by contrast, silence and release. The album features an exceptional ensemble: Constantin Krahmer on piano, Jakob Kuhnemann on bass, Fabian Rosch on drums and glockenspiel, and Tamara Lukasheva on vocals. Together, they bring Krahl's music to life with sensitivity, imagination and a strong collective voice. From the opening 'Blue Dots Descending' to the closing 'The Journey of Serenity,' Rain, Flowers and New Beginnings unfolds like a musical meditation on renewal. It is an album about what is endured, what is absorbed, and what eventually blossoms.
Vinyl LP pressing. Pianist and composer Aaron Parks expands his trio with bassist Ben Street and drummer Billy Hart into a quartet with the addition of tenor saxophonist Ben Solomon on his luminous third Blue Note album, By All Means. Although Parks has made his band Little Big the center of his recorded output in recent years, he never stopped writing music that belonged to a different harmonic universe influenced by the likes of Wayne Shorter, Horace Silver, Duke Ellington, Joe Henderson, and others.
Leo Parker was the first bebop baritone sax player and a member of Billy Eckstine's Unholy Four saxophone section with Dexter Gordon in the mid-40s. Sidelined in the '50s due to personal troubles, he made a tragically brief comeback in 1961 recording two Blue Note dates, including Rollin' With Leo months before he died. This stereo Blue Note Tone Poet Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.
