Paul Cornish - "You're Exaggerating!". You're Exaggerating! Features Cornish with the rhythm tandem of bassist Joshua Crumbly and drummer Jonathan Pinson, performing nine original compositions, most of them inspired by personal memories, reflections and idols. Helmed by a generous, uplifting bandleader, the trio chops up and reinvents the groove at will and embarks on unforeseen detours. Cornish's approach, in it's even-keeled texture and shrewd harmony, is a sort of mastery that entices rather than merely impresses.
Openness Trio is the debut album by a unique collective comprised of guitarist and producer Nate Mercereau, saxophonist Josh Johnson, and percussionist Carlos Nin-o. Free-thinking creators who bring a depth of experience from wide-ranging collaborations with the likes of Andre 3000, Meshell Ndegeocello, Kamasi Washington, Shabaka, Jeff Parker, Makaya McCraven, and many more, the trio presents a profound musical offering born of deep communication, immersive emoting, exploration, discovery, and trust. The album is five recordings from five different sessions all around Los Angeles and Ventura county - outdoors in the hills of Ojai with a view of the Topatopa Mountains, an intimate living room setting in Elysian Park, in an Oak Tree Cathedral at the Churchill Orchard in Ojai, a Garden of Electronics in the courtyard of an Echo Park home, and a recording session under a pepper tree at Elsewhere in Topanga Canyon.
Grammy nominated harpist Brandee Younger has announced a new album, Gadabout Season. Produced by bassist Rashaan Carter, the 10-track record features special guests Shabaka, Courtney Bryan, Niia, and Josh Johnson. The title track, which features vibraphonist Joel Ross, Makaya McCraven on percussion, and Shabaka on clarinet, is out now. Gadabout Season is Younger's third album for the legendary Impulse! Label.
Vinyl LP pressing. 2025 release. Aron!'s debut EP 'cozy you (and other nice songs)' is a collection of timeless pop jazz songs touching on romance, heartbreak, and life's complexities- all with an inviting warmth and charm. His memorable voice and clever songwriting bring a decidedly modern perspective to jazz that is somehow simultaneously classic and fresh. 'It's singer-songwriter jazz. I've always resonated with the real romantics from the old school. I realized people are going through the same things now as they were back then. Heartbreak is heartbreak, and love is love. We're all humans. I'm doing what feels authentic to me'. - aron!
Limited 180gm vinyl LP pressing. 2025 release. For The Love Of It All is more than trumpeter and composer Brandon Woody's recording debut; it is a manifesto, a ritual, a hymn to the enduring power of love. Joined by his band Upendo - Troy Long (piano, organ, Rhodes, keyboards), Quincy Phillips (drums), and Michael Saunders (bass), with special guests Imani Grace (vocals), and Vittorio Stropoli (aux synth) - Woody extends an invitation into communion through six captivating original compositions.
Bennie Maupin has been an inventive contributor to iconic records, including Miles Davis's Bitches Brew, Herbie Hancock's Mwandishi and Headhunters, and Marion Brown's Afternoon Of A Georgia Faun. His recordings under his own name have been infrequent but his leader debut, is indeed a jewel. "A more selfless album is hard to imagine," said DownBeat in 1975. "On The Jewel In The Lotus, the sound is supreme, and all the players strive to achieve a thorough blending." Recorded in New York in 1974, it is a long overdue addition to the ECM Luminessence Series.
'My Ideal' is powerhouse saxophonist Sam Dillon's second quartet album for Cellar Music. Recorded at the Mecca of recording studios, Rudy Van Gelder's, the music on this album is a combination Dillon originals, standards and combinations of both. Accompanied by David Hazeltine on piano, Alexander Claffy on bass and Rodney Green on drums, Dillon is on fine form and shows it's not without good reason that he is renowned in the jazz world as 'the burning tenor saxophone player'.
CD. THE BEST OF TOMMYSONGS is a double album that features some of Tommy Emmanuel's best original songs. Emmanuel solely wrote, produced, and recorded all the tracks on this record. Emmanuel has been playing some of these songs for over 30 years, and they have evolved over time. He wanted to rerecord them to suite the modern arrangements and to make them sound bigger than ever. The album features some of EMMANUEL's most well-known works such as "Angelina," "Lewis & Clark," and "It's Never Too Late" along with fan favorites such as "Mombasa" and "Train to Dusseldorf. " It also has 5 brand new songs including the heart-thumping "Fuel" and the beautifully melodic "Song For A Rainy Morning. " Watch the album trailer here which focuses on TOMMY's unique ability to tell stories without words: https://www. Youtube. com/watch?v=-SOQEMWYAQ4&feature=youtu. #be
Tenor saxophonist Hank Mobley was on a serious roll when he recorded his 1960 album Roll Call, the follow-up to his classic Soul Station, which reconvened the same rhythm section of pianist Wynton Kelly, bassist Paul Chambers and drummer Art Blakey, with the addition of Freddie Hubbard on trumpet for an invigorating 6-song hard bop masterclass. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Limited 180gm vinyl LP pressing. Hammond B3 organist Freddie Roach began a run of Blue Note leader dates with his excellent 1962 debut, Down To Earth. The deeply soulful set was a showcase of his nuanced, bluesy sound and thoroughly enjoyable original tunes like "Althea Soon," that were ideal vehicles for this swinging band with Percy France, Kenny Burrell and Clarence Johnston. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
2025 release. For The Love Of It All is more than trumpeter and composer Brandon Woody's recording debut; it is a manifesto, a ritual, a hymn to the enduring power of love. Joined by his band Upendo - Troy Long (piano, organ, Rhodes, keyboards), Quincy Phillips (drums), and Michael Saunders (bass), with special guests Imani Grace (vocals), and Vittorio Stropoli (aux synth) - Woody extends an invitation into communion through six captivating original compositions.
Buddy Guy/Junior Wells/Junior Mance - "Buddy And The Juniors (Verve Acoustic Sounds Series)" [180g Heavy Vinyl LP] In 1969, guitarist Buddy Guy got together with his old Chicago blues pal Junior Wells, added in jazz pianist Junior Mance, and cut a loose for an "unplugged" session for Blue Thumb Records that would become the now-legendary album, Buddy And The Juniors. Buddy and the two Juniors were relaxed, cutting familiar tunes like Willie Dixon's "Hoochie Coochie Man" and their own off-the-cuff originals, including "Buddy's Blues." Additionally, two improvised tracks were recorded in a single burst of creative energy: "Riffin'" and "Talkin' 'Bout Women Obviously," all making for a fresh, inviting and inspiring album. Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
Limited 180gm vinyl LP pressing. Openness Trio is the debut album by a unique collective comprised of guitarist and producer Nate Mercereau, saxophonist Josh Johnson, and percussionist Carlos Nin-o. Free-thinking creators who bring a depth of experience from wide-ranging collaborations with the likes of Andre 3000, Meshell Ndegeocello, Kamasi Washington, Shabaka, Jeff Parker, Makaya McCraven, and many more, the trio presents a profound musical offering born of deep communication, immersive emoting, exploration, discovery, and trust. The album is five recordings from five different sessions all around Los Angeles and Ventura county - outdoors in the hills of Ojai with a view of the Topatopa Mountains, an intimate living room setting in Elysian Park, in an Oak Tree Cathedral at the Churchill Orchard in Ojai, a Garden of Electronics in the courtyard of an Echo Park home, and a recording session under a pepper tree at Elsewhere in Topanga Canyon.
Grammy Winner Jeff Lorber is famous for launching the career of Kenny G, and his productions and collaborations with such greats as Dave Koz, Janet Jackson, Lalah Hathaway and Miles Davis! Grammy Nominated Paul Jackson, Jr. Is one of the world's most sought after guitarists, having been featured Michael Jackson's Thriller, many Whitney Houston hits, and much more. Grammy Nominated Everette Harp has recorded and shared the stage with such musical giants as Aretha Franklin, Luther Vandross, Billy Joel, and Patti LaBelle. Jazziz magazine hails his "amazing virtuosity" and Jazz Time calls him "a rare talent." Simpatico is overflowing with soaring saxophone solos, brilliant guitar riffs, super funky piano solos and incredibly compelling melodies. Highlights include the uber-funky "Get Up With JFS," the romantic, heartfelt "Janyce," the spirited, joyful "Dreaming My Life Away," and much more !
Hammond B3 organist Baby Face Willette debuted his swinging sound on 3 consecutive Blue Note sessions in January 1961: Lou Donaldson's Here 'Tis, Grant Green's Grant's First Stand, and his own debut Face To Face. For his 2nd leader date, Stop And Listen, the organist convened a trio with Green on guitar and Ben Dixon on drums for a soul jazz symposium. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Stanley Turrentine - "In Memory Of (Blue Note Tone Poet Edition)". Stanley Turrentine's stellar 1964 album, In Memory Of, traversed swinging hard bop, beautiful balladry and African rhythms with the saxophonist fronting a tremendous sextet with Blue Mitchell (trumpet), Curtis Fuller (trombone), Herbie Hancock (piano), Bob Cranshaw (bass), and Otis "Candy" Finch (drums). This stereo Blue Note Tone Poet Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.
Multi-award-winning saxophonist/composer Julian Arguelles approaches each new project with nothing to prove, his international reputation already documented through a formidable discography. Yet there's still an appeal in the classic album format: a band of players, time booked in the studio, a set of compositions, all combining to create an artistic palette with clearly defined boundaries. With Echo Fields Julian returns to a line-up that offers the simplest soundscape but the richest possibilities for deep improvisation - the chordless trio. The restrictions paradoxically act as a spur to creativity, and the choice of players reveals the breadth of Julian's ambition. Larry Grenadier on bass and Jorge Rossy on drums both stand in the top tier of international artists with a matchless ability to capture each nuance of the compositions and develop them into genuine spontaneous group improvisation. Echo Fields is the sound of three masters at work, rich in melody, full of rhythmic vitality, with a real sense of urgency and of music that just has to be played.
For his last solo record 'Through a Room', Bill Nace shifted his usual saturated guitar sound and added tapes, hurdy gurdy, doughnut pipe, bird calls and the mysterious Japanese taishogoto. Setting up for the final night of his three day residency at OTO with only the taishogoto soundchecked, Nace hoped that Parker would arrive with his small soprano as it's opposite. "I've been interested in state change, you know, playing until there's a shift in time." Known for his development of multiphonics to produce a constantly shifting pattern, Evan Parker has evolved an instantly recognizable sound - his work the soprano most distinct. Happily, it was the soprano Evan brought with him and as soon as the two start to play they entwine - taking off in a double helix of keys and reed primed for endless reconfiguration. Space warps under the velocity of playing, the pitch rising unrelentingly. It felt like unending lift off in the room, sheer energy until the last note makes remember your feet have been on the floor the whole time. Total time bending shredding.
Oh Snap is the new album from the McArthur Fellow and 3-time Grammy winning singer/songwriter/multi-instrumentalist Cecile McLorin Salvant. Oh Snap features twelve original songs by Salvant-plus one short "cover" of a verse from the Commodores' 1977 hit "Brick House"-mostly recorded outside of a traditional studio environment. The album features longtime musical collaborators Sullivan Fortner, Yasushi Nakamura, and Kyle Poole, as well as cameos from singers June McDoom and Kate Davis. The album is an eclectic mix of genres from indie to folk to jazz to experimental pop, all anchored by Salvant's otherworldly voice. Oh Snap shows that she will never be pigeonholed into one genre and proves, once again, that Salvant is one of the most daring and creative artists currently making music.
Harold Lopez-Nussa - "NUEVA TIMBA". On NUEVA TIMBA, the new Blue Note album from the Cuban-born pianist Harold Lopez-Nussa, the jazz vanguard meets multiple eras of Cuba's musical history with results that are at once accessible, life-affirming and strikingly accomplished. Featuring a core of unmatched talent - Harold's brother, Ruy Adrian Lopez-Nussa, on drums; Luques Curtis on bass; and the harmonica virtuoso Gregoire Maret - it presents a definitive vision for the future of Latin jazz.
