Decker Plays Decker, Vol. 4

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Reviewed by the American Organist as... decidedly a composer to reckon with an organist who writes originally and idiomatically for her instrument Pamela Decker (Professor of Organ/Music Theory at the University of Arizona in Tucson Arizona) is a virtuoso organist and composer who has had commission by acclaimed performers across the globe.

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San Francisco-based organist Jonathan Dimmock enjoys an international career, a fact made abundantly clear by his truly worldwide vision for repertoire and recording. For his fifth recording with the Loft records family he performs on the glorious organ at the Cathedral of Saint Bavo, the “Grote Kerk” of Haarlem, Netherlands.

What were the first organ concertos? The concerto style can first be heard in interior movements of Handel's oratorio Il trionfo del Temp e del Disinganno (1707). In Bach's case it has been assumed that the concerto evolved from instrumental sinfonias from his cantatas. Dirst, however, demonstrates another possibility- concerts in Dresden (1725) before the cantata sinfonias were written. Prepared from the earliest sources, Dirst and Ars Lyrica reconstruct the musical soundscape of this important event, which ultimately spawned Bach's most popular harpsichord concerto. Noted for his stylish playing of Baroque music in particular, praise for Matthew Dirst and Ars Lyrica include "an extremely taut and accurate traversal" (The New York Sun), "a technically dazzling, deeply moving performance" (Houston Chronicle), "of irresistible rhythmic impulse and dazzling virtuosity." (Dallas Morning News)

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