Acoustic guitar masters from East and Central Africa, an expansion of Mississippi's beloved African Guitar Box project. In 1979 and 1980, a young British-Kenyan musician named John Low hit the road to learn finger-style guitar from his heroes. He traveled across Kenya, Tanzania, Congo, and Zambia. He visited giants like Jean-Bosco Mwenda, Losta Abelo, and Emmanuel Mulemena, whose records sold hundreds of thousands of copies across the continent in the 1950s and 60s. He also documented brilliant but previously under-recorded artists like Tanzania's Francis Kitime and Kenya's Mtonga Wanganangu. Regardless of status, John approached each artist humbly, as a student. He recorded in homes, village squares, and watering holes. The sessions are intimate and casual, the artists at ease. It's a transporting and profound listening experience - children laughing, glasses clinking, the thump of the Marantz cassette deck, and John's single mic moving through space, sometimes documenting the vocals, sometimes zeroing in on the right hand against the strings. Five decades later, these practice tapes provide a rare glimpse into how fingerstyle guitar was actually played for family and friends, outside the tense confines of commercial studios. Some of these songs appeared on John Storm Roberts' out-of print Original Music compilations, which inspired the African Guitar Box. Others have never been made publicly available. All have been expertly restored and remastered from the original tapes by Andrew Walter (Honest Jon's, Abbey Road). John Low's liner notes and lyric translations provide insights into the recording context, and Tanzanian music scholar John Kitime's intro gives the musicians' perspective. Licensed from John Low and the artists, pressed at Chicago's Smashed Plastic.
Sublime private-press piano improvisations channeled from another world by Willem Nyland. Remastered from the original tapes and reissued for the first time, with in-depth liner notes by Matt Marble of the American Museum of Paramusicology. A Columbia-educated chemist by profession and a self-taught pianist by affinity, Willem Nyland (1890-1975) is known as a spiritual teacher in the tradition of Greek-Armenian mystic George Gurdjieff. In the mid/late 1960s, a split with Gurdjieff led Nyland to start his own group in upstate New York. There, after a Friday night lecture on "The Work" and a shot of brandy, Nyland would launch into remarkable piano improvisations on a specially tuned baby grand, sometimes playing for over an hour. Each improvisation was meticulously recorded and cataloged, a major part of Nyland's teachings. 16 of these recordings were released as standalone LPs on Nyland's own Gauge Hill Press, with artwork by Hungarian American decorative artist Ilonka Karasz, Nyland's wife of over 50 years. These records, with their cascading, deeply emotional playing and beautiful cover art, have become highly coveted by collectors and "paramusicologists." Each contains depths of spiritual information and lyrical, almost visual instrumental storytelling. Nyland deftly and subtly shifts moods and tones throughout these truly inspired extended improvisations.
Deeply resonant spiritual music transmitted via piano, organ, and harmonium by beloved composer and Ethiopian Orthodox nun Emahoy Tsege Mariam Gebru. Church of Kidane Mehret collects all the musical work from Emahoy's 1972 private press album of the same name, alongside two additional unreleased piano recordings, exploring Emahoy's take on "Ethiopian Church Music." Recording herself in churches throughout Jerusalem, Emahoy engages directly with the Ethiopian Orthodox musical liturgy. For the first time, we hear Emahoy on harmonium and massive, droning pipe organ, alongside some of her most moving piano work.
Deeply resonant spiritual music transmitted via piano, organ, and harmonium by beloved composer and Ethiopian Orthodox nun Emahoy Tsege Mariam Gebru. Church of Kidane Mehret collects all the musical work from Emahoy's 1972 private press album of the same name, alongside two additional unreleased piano recordings, exploring Emahoy's take on "Ethiopian Church Music." Recording herself in churches throughout Jerusalem, Emahoy engages directly with the Ethiopian Orthodox musical liturgy. For the first time, we hear Emahoy on harmonium and massive, droning pipe organ, alongside some of her most moving piano work.
The first vocal album by beloved Ethiopian nun, composer, and pianist Emahoy Tsege Mariam Gebru - profound and deeply moving home cassette recordings made amidst political upheaval and turmoil. These songs, recorded between 1977-1985, are different from anything previously released by the artist. Rich with the sound of birds outside the window, the creak of the piano bench, the thump of Emahoy's finger on the record button, they create a sense of place, of being near the artist while she records. Emahoy dreamt of releasing this music to a larger audience before her passing in March of 2023. We are proud to release this music, in collaboration with her family, now, in what would have been her 100th year. LP comes with a 16-page booklet full-color booklet. Gold cover first edition, pressed in both black and gold vinyl editions.
