Time Is Slipping Away is an album by American R&B/jazz fusion producer, composer, keyboardist and vocalist Dexter Wansel. It is the last of four studio albums released at Philadelphia International Records. The album contains songs with different styles from P-funk to sophisticated quiet storm music to instrumental jazz-funk. It features the two popular songs "The Sweetest Pain" and "I'll Never Forget (My Favorite Disco)". The former song features vocals by soul singer Terri Wells. Time Is Slipping Away is available as a limited edition of 500 copies on translucent blue coloured vinyl and includes an insert with lyrics.

In 1955 Miles Davis played an all-star jam session at the Newport Jazz Festival with Thelonious Monk on piano, Gerry Mulligan on baritone sax and Zoot Sims on tenor sax. This performance immediately drew the attention of Columbia Records' George Avakian, who was so impressed that he immediately offered Davis a contract if he could form a regular band. The group he then assembled would go down in history as Davis' so-called "First Great Quintet", consisting of John Coltrane on tenor sax, Red Garland on piano, Philly Joe Jones on drums, Paul Chambers on bass and of course Miles himself on trumpet. 'Round Midnight is Miles Davis' first record for Columbia and also the first studio recording of the First Great Quintet. The recording sessions began on October 26 1955 but the album wasn't released until 1957 as Davis was still under contract at Prestige at the time. These respective sessions yielded Steamin', Workin', Cookin' and Relaxin'; albums that would go down in history as quintessential blueprints of late 1950s hard bop. The record is made up of a collection of standards and one traditional song ("Dear Old Stockholm", from the 19th century). Notably, it features what may be considered the most well-known versions of Thelonious Monk's "'Round Midnight" and "Bye Bye Blackbird". That Avakian made a golden signing was sufficiently clear from the start, but no one could foresee that it would be this quintet on Columbia that would go on to change the course of modern jazz forever with Kind of Blue. 'Round Midnight is available as a limited edition of 1500 individually numbered copies on crystal clear vinyl.

Limited edition on translucent purple coloured 180-gram audiophile vinyl. As one of the Netherlands' most famous saxophonists and the daughter of Hans Dulfer, Candy needs no introduction. The self-taught musician started playing at age six and made her first recordings already in 1981, at 11 years old. In 1990 she released her hit album Saxuality (selling more than a million copies worldwide) for which she received a Grammy nomination, and followed this record up with Sax-a-Go-Go in 1993. This is the follow-up to Big Girl, and is a continuation of the funk, R&B, and dance path she started following. But make no mistake: Candy's blowing is as fierce, gritty, direct as ever, providing a striking juxtaposition. Like on Big Girl, Dutch vocal mainstays Trijntje Oosterhuis and Berget Lewis are featured again. The album features the songs "Saxy Mood" and "Smooth" and reached #8 on Billboard's Top Contemporary Jazz albums for the year 1998.

Limited edition of 1500 numbered copies on pink coloured 180-gram audiophile vinyl. In 1978, Muddy Waters released one of his most essential works towards the end of his career. Titled "I'm Ready", the album was produced by Johnny Winter and followed Hard Again, their first collaboration. It was immediately hailed as a blues classic. The collaboration between Winters and Waters resulted in three albums, which blues fans describe as a unique combination that showcased Muddy Waters' rawness and years of experience to perfection. The impressive roster of featured artists included "Pine Top" Perkins on piano and Walter Horton on the harmonica, making it a dream late-career collaboration. I'm Ready won the Grammy Award for Best Ethnic or Traditional Folk Recording.

Celebrate 25 years of smooth sophistication with GOLD, the definitive Best Of vinyl compilation by Gare du Nord. A journey through their finest moments in lounge, nu-jazz, blues and cinematic soul supervised by the creators themselves. From golden hits such as 'Pablo's Blues' and 'Marvin & Miles' to legendary deep cuts such as 'Rock Your Baby'; this brand-new anniversary collection captures the band's unmistakable flair for stylish storytelling and elegant soundscapes. Faithfully mastered from the original sources to deliver the most authentic vinyl experience possible, GOLD is a richly curated set for both longtime fans and new listeners. Released as an individually numbered limited edition of 1,000 copies on gold-colored vinyl, GOLD includes personal track-by-track commentary from the creators - making this a truly collectable release. LISTEN: https://youtu. Be/KfG8CXPES5Q * RELEASED IN CELEBRATION OF THE 25th ANNIVERSARY OF GARE DU NORD * PERSONALLY COMPILED AND CURATED BY THE ORIGINAL CREATORS * FAITHFULLY REMASTERED FROM THE ORIGINAL MASTER SOURCES * INCLUDES EXCLUSIVE, PERSONAL TRACK-BY-TRACK COMMENTARY * LIMITED EDITION OF 1000 INDIVIDUALLY NUMBERED COPIES ON GOLD COLORED VINYL Track listing: A1 Marvin & Miles (Blue Note version) A2 Pablo's Blues A3 You're My Medicine (Blue Note version) A4 Groove Me Up (Tarantino mix) A5 Beautiful Day (Blue Note version) A6 Love Of My Life B1 How Was It For You B2 I'm Not A Woman I'm Not A Man B3 Yo... Que Pasa B4 Summertime B5 Rock Your Baby

140-gram black vinyl. Released in 1976, this landmark debut redefined the electric bass through Jaco Pastorius's revolutionary fretless technique, virtuosic harmonics, and sophisticated jazz-fusion compositions. The album features an elite lineup of collaborators, including Herbie Hancock and Wayne Shorter, and is anchored by iconic tracks like the solo masterpiece "Portrait of Tracy."

Limited edition of 500 numbered copies on blue coloured 180-gram audiophile vinyl. Saci Perere is an album by Banda Black Rio, a Brazilian music group from Rio de Janeiro, formed in 1976. The group pioneered the soul-funk movement in Brazil led by renowned saxophonist Oberdan Magalhaes and is known for it's danceable blend of samba, jazz, and Brazilian rhythms. They have been compared to other soul funk bands such as Kool and the Gang and Earth, Wind & Fire. This summer is the perfect time to rediscover this album.

Limited edition of 750 numbered copies on translucent green coloured 180-gram audiophile vinyl. The Max Roach Trio Featuring the Legendary Hasaan is an album by American jazz drummer Max Roach with pianist Hasaan Ibn Ali, recorded in 1964 and released 1965. This is a classic of it's kind and it is fortunate that it was made, but it is a tragedy that Hasaan would not record again and that he would soon sink back into obscurity This is the only record where you can hear pianist Hasaan. We owe Max Roach this miraculous session where we can discover new pianistic sounds that lay somewhere between Art Tatum and Thelonious Monk, soon wishing we had a whole discography of this to explore. Making this is a rare gem. But beyond the historic nature of the session comes the music and for that the word "legendary energetic" seems more appropriate.

Carlos Santana's nineteenth studio album Shaman was released in 2002 and debuted at #1 on the Billboard 200. Just like it's predecessor Supernatural, Santana invited contemporary artists to collaborate with him across genres including neo-soul, pop, rock, metal, and opera. Artists such as Seal, P. O. D. , Chad Kroeger, Dido, Michelle Branch, Macy Gray, Music, Citizen Cope, Alejandro Lerner, Placido Domingos, and Ozomatli can be heard on the album. Four tracks were released as singles: 'The Game Of Love', 'Nothing At All', 'Why Don't You & I', and 'Feels Like Fire'. Shaman is available as a limited edition of 1500 individually numbered copies on yellow, red & orange marbled vinyl and includes an insert. LISTEN: https://youtu. Be/HKLnmMacEB4 * 180 GRAM AUDIOPHILE VINYL * INCLUDES INSERT * DOUBLE PLATINUM CERTIFIED STUDIO ALBUM WITH THE SINGLES 'THE GAME OF LOVE', 'NOTHING AT ALL', 'WHY DON't YOU & I', AND 'FEELS LIKE FIRE' * FEATURES COLLABORATIONS WITH SEAL, P. O. D. , CHAD KROEGER, DIDO, MICHELLE BRANCH, MACY GRAY, MUSIQ, CITIZEN COPE, ALEJANDRO LERNER, PLACIDO DOMINGO, AND OZOMATLI * LIMITED EDITION OF 1500 INDIVIDUALLY NUMBERED COPIES ON YELLOW, RED & ORANGE MARBLE COLORED VINYL Track List: Side A 1. Adouma 2. Nothing At All 3. The Game of Love (Main / Radio Mix) 4. You Are My Kind Side B 1. Amore (Sexo) 2. Foo Foo 3. Victory Is Won 4. Since Supernatural Side C 1. America 2. Sideways 3. Why Don't You & I 4. Feels Like Fire Side D 1. Aye Aye Aye 2. Hoy Es Adios 3. One Of These Days 4. Novus

'There's something about sitting there-just me, the keys, and the silence. No beats, no drops. Only raw emotion. ' Amid the euphoric rush of electronic dance music, Armin Van Buuren found space in the quiet to write his most honest music yet. As someone who knows better than anyone what moves a crowd, he set out to discover what moved him. And often, that instrument is the piano. Containing 15 intimate piano songs, this album shows a different side to the world-famous DJ and producer: more personal, more emotional. First recorded on his Steinway, then arranged into proper scores alongside piano teacher Geronimo, this body of work is saturated with the vulnerability of stepping beyond his comfort zone: swapping the grandiosity of the mainstage for rich piano tones lingering in silence. It's pure, reflective, and as much as the beat-driven music he's released over his storied career-100% Armin Van Buuren. Piano is available on a 2LP set, complete with 16-page booklet including pictures and liner notes by Armin. LISTEN: https://www. Youtube. com/user/arminvanbuuren * 180 GRAM AUDIOPHILE VINYL * DELUXE HEAVYWEIGHT SLEEVE * INCLUDES 16 PAGE BOOKLET * BRAND NEW ALBUM FEAT. 15 INTIMATE PIANO SONGS, INCLUDING A COVER OF ROBERT MILES 'CHILDREN' * BLACK VINYL Track listing: Side A 1. Here For you 2. Longing 3. Sonic Samba 4. Fathers and Sons Side B 1. Be My Lighthouse 2. Waltz 3. Temporality 4. Setting Sail Side C 1. Autumn Leaves 2. Equanimity 3. Ballerina 4. Synchronicity Side D 1. Clouded Window 2. Soaring Kite 3. Children

Limited edition of 750 copies on white coloured 180-gram audiophile vinyl. As one of the Netherlands' most famous saxophonists and the daughter of Hans Dulfer, Candy needs no introduction. The self-taught musician started playing at age six and made her first recordings already in 1981, at 11 years old. In 1990 she released her hit album Saxuality (selling more than a million copies worldwide) for which she received a Grammy nomination, and followed this record up with Sax-a-Go-Go in 1993. Big Girl is Candy Dulfer's third album and marks her transition to a sound more informed by funk, hip hop and R&B. The album includes a collaboration with Trijntje Oosterhuis before she became widely known as a singer and features the single "Wake Me When It's Over", written by bass virtuoso Marcus Miller.

Limited edition of 2000 numbered copies on crystal clear 180-gram audiophile vinyl. The immensely talented Chet Baker had a complex relationship with the music scene and after almost 20 years of performing he withdrew from the business. In 1973 he vowed to make a comeback, returning to the straight-ahead jazz that started his career. She Was Too Good To Me was released in 1974 by Creed Taylor's legendary CTI label, by then home to Freddie Hubbard, Stanley Turrentine, Deodato and many others, and is considered Baker's comeback album. This record is indeed a beautiful homage to the bop sound of the early 50s but with the unmistakeable forward-thinking attitude for which CTI became famous. Bob James here plays on electric piano for example, injecting a dose of funk into the tunes to move them into the 70s zeitgeist. As always, Baker employed a star-studded lineup consisting among others of Ron Carter on bass, Jack DeJohnette on drums (both alumni of Miles' fusion period), Paul Desmond on alto saxophone and Hubert Laws on flute. Throw master arranger Don Sebesky in the mix and you have yourself a vintage CTI record.

Limited edition of 1000 numbered copies on silver coloured 180-gram audiophile vinyl. It's hard to believe that it has been over 35 years since Candy Dulfer rose to fame with her high-profile collaborations with Dave Stewart (the worldwide number 1 smash "Lily was here") and of course, the legendary Prince, whose tongue-in-cheek recommendation ("When I want sax, I call Candy") in the "Partyman" video made the world sit up and notice the young, glamorous and talented sax player at his side. Candy has been fortunate to work - both in the studio and on stage - with some of the biggest names in music, including Van Morrison, Maceo Parker, Sheila E., Mavis Staples, Lionel Richie, Beyonce, Pink Floyd, Chaka Khan, Aretha Franklin, and many others. Despite these high-profile collaborations, Candy mainly focused on her solo career, starting her own band at age 13 and touring the world ever since. The Essential contains an overview of all the fantastic songs she recorded both solo as in collaboration with other musicians. This 17 tracks double LP includes famous songs like "Sax-a-Go-Go", "Lily Was Here", and "Saxuality".

Limited edition of 2500 numbered copies on crystal clear 180-gram audiophile vinyl. Thelonious Monk once famously said "the piano ain't got no wrong notes", and this mantra is evident in his playing: full of angular, challenging harmonies combined with a harsh and percussive technique. Though his style of playing was unorthodox, he could also play runs and arpeggios with great speed and accuracy. All in all Monk would prove to be a long-lasting influence on jazz piano. All this is highlighted on 1967's Straight, No Chaser, Monk's sixth album for Columbia. On it, you'll find the album's namesake "Straight, No Chaser", a composition by Thelonious himself that became one of the most important blues-based standards in the jazz repertoire. Furthermore, the album features "Japanese Folk Song", a two-century old tune that Ryan Gosling's character is practicing in the movie La La Land. Charlie Rouse plays the tenor saxophone and the liner notes are writing by jazz writer and producer Orrin Keepnews.

Limited edition of 1000 numbered copies on white coloured 180-gram audiophile vinyl. Free Jazz: A Collective Improvisation is a studio album by American jazz saxophonist Ornette Coleman, released in September 1961. The recording session took place on December 21, 1960, at A&R Studios in New York City. The album is named after the then-nascent free jazz movement. The music is a continuous free improvisation with only a few brief pre-determined sections, recorded in one take with no overdubbing or editing. The album features what Coleman called a "double quartet, " i.e., two self-contained jazz quartets: each with a reed instrument, trumpet, bass, and drums. The two quartets are heard in separate channels, with Coleman's working quartet at the time in the left channel, and the second quartet, including the former Coleman rhythm section of Charlie Haden and Ed Blackwell, on the right. The two quartets play simultaneously. Free Jazz was the first album-length improvisation at thirty-seven minutes, unheard of at the time. The original LP package incorporated Jackson Pollock's 1954 painting The White Light. The cover is a gatefold with a cutout window in the lower right corner allowing a glimpse of the painting; opening the cover revealed the full artwork, along with liner notes by critic Martin Williams.

Limited edition of 2000 numbered copies on moss green coloured 180-gram audiophile vinyl. This album is one of Herbie Hancock's first departures from the traditional idioms of jazz, as well as the beginning of an original and creative style which eventually appealed to a wider audience. In addition, Mwandishi was Hancock's attempt at continuing the musical principles and styles he explored in his previous experiences with Miles Davis. Mwandishi was recorded at Wally Heider Studios Studio C, in San Francisco, California in January 1971, by Hancock's Mwandishi Sextet. The recording incorporated progressive notions of funk, jazz, and rock. Herbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played with greats such as Donald Byrd and Miles Davis. He was one of the first to embrace and master the electric piano.

Consecration I is a posthumous live album by the legendary jazz pianist Bill Evans. The recordings were captured during Evans' final performances at the Keystone Korner in San Francisco between August 31 and September 7, 1980. Consecration 1 showcases Evans' signature introspective style, blending lyrical phrasing with intricate harmonic progressions. The album features Evans alongside bassist Marc Johnson and drummer Joe LaBarbera, forming a trio that delivered deeply expressive interpretations of jazz standards and original compositions. Tracks like 'You and the Night And the Music', 'Emily', and 'Someday My Prince Will Come' highlight Evans' delicate touch and masterful improvisation. LISTEN: https://youtu. Be/mRX8EYhrH-0 * 180 GRAM AUDIOPHILE VINYL * CLASSIC JAZZ ALBUM RECORDED LIVE AT JAZZ CLUB KEYSTONE CORNER, 1980, SAN FRANCISCO, USA * FEATURING 'EMILY', 'YOU AND THE NIGHT' AND THE MUSIC AND SOMEDAY MY PRINCE WILL COME' Track listing: Side A 1. You And The Night And The Music 2. Emily 3. The Two Lonely People 4. I Do It For Your Love Side B 1. Re: Person I Knew 2. Polka Dots And Moonbeams 3. Knit For Mary 4. Someday My Prince Will Come

180-gram black vinyl. Originally released in 1995, Message From Home is a transcendent journey through sound, blending Pharoah Sanders' spiritual jazz legacy with hypnotic hip-hop grooves and rich African rhythms. Produced by the visionary Bill Laswell, this album is a testament to Sanders' boundary-pushing artistry in the later stages of his career. The lineup is as impressive as the music itself: Foday Musa Suso brings the shimmering textures of the kora, Bernie Worrell infuses funk and soul through his unmistakable keys and vocals, while Charnett Moffett, William Henderson, Dominic Kanza, and Jeff Bova round out a dynamic ensemble that moves effortlessly between tradition and innovation. Highlights include the mesmerizing Our Roots (Began in Africa) - a hypnotic, groove-laden meditation on cultural origin - and five other deeply immersive tracks that explore themes of ancestry, unity, and transcendence.

Pharoah 'Farrell' Sanders was a leading figure in the world of jazz and his tenor saxophone playing earned him a legendary status among jazz circles. This 2LP compilation Welcome To Love features the master saxophonist playing straight-up jazz ballads and includes the bonus track 'Moonlight In Vermont'. Sanders is accompanied by William Henderson on piano, Stafford James on bass and Eccleston W. Wainwright on drums. Welcome To Love is available as a double album on black vinyl. LISTEN: https://youtu. Be/fuaLidIjAw0 * 180 GRAM AUDIOPHILE VINYL * 2LP COMPILATION FROM THE LEGENDARY AMERICAN JAZZ TENOR-SAXOPHONIST * FEATURING 'YOU DON't KNOW WHAT LOVE IS', ' THE NEARNESS OF YOU', ' SOUL EYES' AND THE BONUS TRACK 'MOONLIGHT IN VERMONT' Track listing: Side A 1. You Don't Know What Love Is 2. The Nearness Of You (dedicated to Eddy Moore) 3. My One And Only Love Side B 1. I Want To Talk About You 2. Soul Eyes Side C 1. Nancy (With The Laughing Face) 2. Polka Dots And Moonbeams 3. Say It (Ove And Over Again) Side D 1. Lament 2. The Bird Song (Solo) 3. Moonlight In Vermont (Bonus track)

Pharoah Sanders' Moon Child was released in 1990 and bookended a decade of musical soul searching for Sanders. The acclaimed free jazz player is known to have a raw and abrasive sound but reinvented himself on this album as a more traditional improviser capable of thoughtful deliberations. Moon Child is a grand old time throughout, and Sanders has never been more eminently sing-along-able as he is on it's title track. The record was co-written with Horace Silver, George Gershwin and Abdullah Ibrahim and recorded with William Henderson, Stafford James, Eddie Moore, and Cheikh Tidiane Fall. Moon Child by Pharoah Sanders is available as a limited edition of 1000 individually numbered copies on translucent red colored vinyl and is printed on heavy cardboard with linen laminate finish. LISTEN: https://youtu. Be/34fQfd_6b4M * 180 GRAM AUDIOPHILE VINYL * SLEEVE PRINTED ON HEAVY CARDBOARD WITH LINEN LAMINATE FINISH * CLASSIC JAZZ ALBUM FEATURING WILLIAM HENDERSON, STAFFORD JAMES, EDDIE MOORE, AND CHEIKH TIDIANE FALL * LIMITED EDITION OF 1000 INDIVIDUALLY NUMBERED COPIES ON TRANSLUCENT RED COLORED VINYL Track listing: Side A 1. Moon Child 2. Moon Rays 3. The Night Has A Thousand Eyes Side B 1. All Or Nothing At All 2. Soon 3. Moniebah

Acclaimed jazz artist Bill Evans' Momentum album is the 1972 live album recorded at a concert at Stadsschouwburg in Groningen, the Netherlands. The trio includes, next to Bill Evans on piano, Eddie Gomez on bass and Marty Morell on drums. The ensemble plays compositions by Bill Evans, Miles Davis' 'Nardis' and Michel Legrand's 'What Are You Doing The Rest Of Your Life'. The album received the prestigious German award Preis Der Deutschen Schallplattenkritik. Momentum is available as a limited edition of 1000 copies on blue coloured vinyl and includes a 4 page booklet with extensive liner-notes. LISTEN: https://youtu. Be/6kc0q_pmcqE * 180 GRAM AUDIOPHILE * INCLUDES 4-PAGE BOOKLET WITH LINER-NOTES * RECORDED LIVE AT STADSSCHOUWBURG IN GRONINGEN, THE NETHERLANDS. 1972 * TRACKS AND COMPOSITIONS BY BILL EVANS, MILES DAVIS, AND MICHEL LEGRAND * RECEIVED THE PRESTIGIOUS GERMAN AWARD PREIS DER DEUTSCHEN SCHALLPLATTENKRITIK * AVAILABLE AS A LIMITED EDITION OF 1000 COPIES ON BLUE COLORED VINYL Track listing: SIDE A 1. Re: Person I Knew 2. Elsa 3. Turn Out The Stars SIDE B 1. Gloria's Step 2. Emily 3. Quiet Now SIDE C 1. My Romance 2. Sugar Plum 3. The Two Lonely People SIDE D 1. Who Can I Turn To 2. What Are You Doing The Rest Of Your Life 3. Nardis

Blue Night is the expanded edition of Art Blakey and The Jazz Messengers recording released in 1985. Art Blakey led the Jazz Messengers for 35 years, mentoring countless musicians and encouraging their growth into influential bandleaders. By 1984-85, his band included five prodigious talents: Terence Blanchard (trumpet), Donald Harrison (alto/soprano sax), Jean Toussaint (tenor sax), Lonnie Plaxico (bass), and Mulgrew Miller (piano). Despite being 65, Blakey remained as vibrant as his young bandmates, inspiring and pushing them to develop their distinct musical voices. Blue Night showcases the Art Blakey and The Jazz Messengers hard bop excellence, featuring originals by Blanchard, Harrison, Toussaint alongside the classic 'Body An Soul'. The 2LP expanded edition of Blue Night features alternate takes of 'Two Of Kind', 'Blue Minor' and 'Mr. Combinated', includes liner notes by Scott Yanow and is available on vinyl for the first time. LISTEN: https://youtu. Be/oo0-MkrtVuc * 180 GRAM AUDIOPHILE * EXPANDED EDITION AVAILABLE ON VINYL FOR THE FIRST TIME * INCLUDES INSERT WITH NEW LINER NOTES BY SCOTT YANOW * FEATURING 'TWO OF A KIND', 'BLUE MINOR', 'BLUE NIGHT' AND ALTERNATE TAKES OF 'TWO OF A KIND', 'BLUE MINOR' AND 'MR. COMBINATED' Track listing: SIDE A 1. Two Of A Kind 2. Blue Minor SIDE B 1. Blue Night 2. Body And Soul SIDE C 1. Mr. Combinated 2. Two Of A Kind (Alternate Take) SIDE D 1. Blue Minor (Alternate Take) 2. Mr. Combinated (Alternate Take)

Limited edition of 2000 individually numbered copies on translucent blue coloured 180-gram audiophile vinyl. Agharta was recorded on the afternoon in 1975, at one of two concerts Miles Davis performed at the Osaka Festival Hall in Japan. He performed with his septet-flautist and saxophonist Sonny Fortune, bassist Michael Henderson, drummer Al Foster, percussionist James Mtume, guitarist Reggie Lucas, and Pete Cosey, who played guitar, synthesizer, and percussion. Produced and recorded by Teo Macero, the album's four seemingly unstructured segments emphasize the playing of Davis' sidemen rather than his own trumpet. It eschews both melody and harmony in favor of a combination of riffs, crossing polyrhythms, and Funk-oriented grooves for soloists to improvise throughout. The album has received retrospective acclaim as an important and influential Jazz-Rock record. It's abrasive music and Cosey's innovative playing influenced a generation of young musicians, including those in the British Jazz scene.

Limited edition of 1000 individually numbered copies on blue coloured 180-gram audiophile vinyl. "Beyond a Dream" is a live jazz album by saxophonist Pharoah Sanders and drummer Norman Connors, recorded on July 22, 1978, at the Montreux Jazz Festival in Switzerland and released in 1981 by Arista Novus. The album showcases a blend of spiritual and free jazz elements characteristic of Sanders' style, complemented by Connors' dynamic drumming. A reviewer from Dusty Groove described it as "a dream of a record from this legendary spiritual jazz duo."

Limited edition of 1000 numbered copies on orange coloured 180-gram audiophile vinyl. Released in 1975, Visions of the Emerald Beyond is the second album by the second lineup of the Mahavishnu Orchestra, led by legendary guitarist John McLaughlin. A fusion of jazz, rock, funk, and orchestral elements, the album showcases the band's virtuosic musicianship and complex compositions. Standout tracks like "Eternity's Breath," "Lila's Dance," and "Be Happy" highlight McLaughlin's blazing guitar work, Jean-Luc Ponty's mesmerizing violin, and Narada Michael Walden's dynamic drumming. The album expands on the orchestral approach introduced in Apocalypse (1974), incorporating lush string and horn arrangements for a cinematic feel. Visions of the Emerald Beyond remains a landmark in jazz fusion, offering a mix of high-energy improvisation and intricate compositions. For fans of progressive jazz and fusion, this album is an essential listen, capturing the Mahavishnu Orchestra at their most innovative and ambitious.

When considering the jazz vibraphone giants of the 20th century, seven stand out: Lionel Hampton, Red Norvo, Milt Jackson, Terry Gibbs, Cal Tjader, Gary Burton, and Bobby Hutcherson. Bobby Hutcherson (1941-2016), originally inspired by Milt Jackson, emerged from Los Angeles in the late 1950s. After a stint with the Billy MitchellAl Grey sextet in 1962, Hutcherson moved to New York, becoming the house vibraphonist for the Blue Note label. His foundation in hard bop did not limit him, as he also played in avant-garde sessions with artists like Eric Dolphy and Jackie McLean. On December 11, 1983, the 42-year-old Hutcherson performed seven standards with a stellar group. Pianist George Cables, consistently excellent throughout his career, had been working with Hutcherson since 1977. Bassist Herbie Lewis, a versatile musician, had collaborated with Hutcherson since 1966. Drummer Philly Joe Jones, known for his work with Miles Davis, also contributed to the session. The recording of the Four Seasons album features seven standards, starting with Thelonious Monk's 'I Mean You, ' which showcases each musician. Hutcherson's solo on Cole Porter's 'All Of You' is particularly adventurous. 'Spring Is Here' receives a beautiful interpretation, and 'Star Eyes' is taken uptempo. Hutcherson's introduction on 'If I Were A Bell' is notable, as is Jones's solo. The session spotlights Cables on 'Summertime' and concludes with a vibrant version of 'Autumn Leaves. ' Decades later, the music remains a timeless classic. Four Seasons is available on black vinyl, celebrates it's 40th Anniversary, and includes an insert with newly written liner-notes by Scott Yanow. LISTEN: https://youtu. Be/laV453vUhd4 * 180 GRAM AUDIOPHILE VINYL * INCLUDES AN INSERT WITH NEWLY WRITTEN LINER-NOTES * 40th ANNIVERSARY EDITION * FEATURING GEORGE CABLES, HERBIE LEWIS AND PHILLY JOE JONES * INCLUDES 'I MEAN YOU', 'ALL OF YOU' AN 'AUTUMN LEAVES' Track listing: SIDE A 1. I Mean You 2. All Of You 3. Spring Is Here 4. Star Eyes SIDE B 1. If I Were A Bell 2. Summertime 3. Autumn Leaves

Limited edition of 1000 numbered copies on translucent pink coloured 180-gram audiophile vinyl. "Keep Your Soul Together" (1973) is Freddie Hubbard's fifth studio album released on Creed Taylor's CTI label. The album features Hubbard alongside an ensemble that includes Junior Cook on tenor sax, George Cables on keyboards, Aurell Ray on guitar, Kent Brinkley or Ron Carter on bass, Ralph Penland on drums, and Juno Lewis on percussion. The album's sound, though occasionally funky, is rooted in creative jazz, showcasing Hubbard in peak form across four of his original compositions. Though some writers have often underrated Hubbard's CTI recordings, mistaking them for his later, more commercial output on Columbia, this particular album stands out as a testament to his ingenuity. Hubbard's blend of bravado and subtlety shines through, as does his ability to fuse technical mastery with emotional depth. His ability to maintain a consistent, rich tone across both slow and fast passages placed him among the greatest trumpeters in jazz history. Influenced by legends such as Miles Davis and Clifford Brown, Hubbard nonetheless crafted a sound entirely his own, becoming one of the boldest and most inventive trumpeters of the bop, hard-bop, and post-bop eras. His impact on jazz extended far beyond his solo recordings, as he collaborated with many of the genre's greats, leaving behind a powerful legacy. Down Beat magazine described Hubbard as "the most powerful and prolific trumpeter in jazz" shortly after his passing in 2008. His influence continues to shape the world of jazz, inspiring generations of trumpeters and musicians alike.

180g Black Vinyl. Comes in a sleeve finished with linen laminate. Recorded live at the Philharmonic Hall at Lincoln Center, New York, February 12, 1964. Featuring Herbie Hancock, George Coleman, Ron Carter and Tony Williams. Recorded at the same Feb. 12, 1964 New York concert that yielded the more balladic album My Funny Valentine, Four & More showcases the Miles Davis quintet at their blistering best. The great trumpeter and bandleader (1926-1991), and his stellar group, which was less than a year old at the time of this recording, mostly essayed tempos that ranged from Indianapolis 500 to Bonneville Salt Flats. Offering a well-balanced, albeit reconfigured, repertoire featuring the familiar hard-bop strains of "Four" and "Walkin', " newer, original free bop compositions like "Joshua" and "Seven Steps To Heaven, " and the standard "There Is No Greater Love, " which the ensemble performed relatively infrequently and is the only tune herein not taken at a supersonic pace, the quintet electrified a sold out Philharmonic Hall. Spurred on consistently by the mercurial rhythm section of pianist Herbie Hancock (23 years old at the time), bassist Ron Carter (then 26), and especially by the cross rhythms of 18-year old genius drummer Tony Williams, Davis' work, particularly in the upper register, was seldom more commanding. As for his front line partner, tenor saxophonist George Coleman, Davis would write in his autobiography that he "played better that night than I ever heard him play."

Limited edition of 1500 numbered copies on red & clear marble coloured 180-gram audiophile vinyl. You're Under Arrest is a 1985 album recorded by Miles Davis, presenting a mixture of pop covers (including Cyndi Lauper's "Time After Time" and Michael Jackson's "Human Nature"), and original material dealing with politics, racism, pollution and war. It is the first Davis album since On the Corner in 1972 to include electric guitarist John McLaughlin.

Limited edition of 750 numbered copies on smoke coloured 180-gram audiophile vinyl. Lonnie Smith (1942 - 2021), was an American jazz organist. He was part of several vocal ensembles in the 1950s, including the Teen Kings which included Grover Washington Jr. Art Kubera, the owner of a local music store, gave Smith his first organ, a Hammond B3. Smith's affinity for R&B mixed with his own personal style as he became active in the local music scene. In 1965 he met guitarist George Benson. The two connected on a personal level and formed the George Benson Quartet, featuring Lonnie Smith, in 1966. After two albums under Benson's leadership, Smith recorded his first solo album 'Finger Lickin' Good (Soul Organ)' with George Benson and Melvin Sparks on guitar, Ronnie Cuber on baritone sax, and Marion Booker on drums. This combination remained stable for the next five years. After recording several albums with Benson, Smith became a solo recording artist and subsequently recorded over 30 albums under his own name. Numerous prominent jazz artists joined Smith on his albums and in his live performances, including Lee Morgan, David "Fathead" Newman, King Curtis, Blue Mitchell, and Joe Lovano. The album 'Finger Lickin' Good (Soul Organ)' showcases Lonnie Smith's virtuosity and his innovative approach on the organ, with tracks that feature intricate solos and groovy rhythms so typical of the soul jazz and jazz funk genres. Lonnie Smith was named 9 times "the best organist of the year" by the Jazz Journalists Association.