Memories Unsettled explores music that has too often been marginalized from the historical musical canon. Sun Min Kim and Hilary Glen joined forces during the height of the pandemic, forming the Gibbs Street Duo. This piano-cello duo tours colleges and universities across the country, sharing their inspiring music with students, faculty, and other patrons of the arts. The album features composers from diverse backgrounds including Dorothy Rudd Moore, James Lee III, Ching-chu Hu, and HyeKyung Lee. Moore’s Dirge and Deliverance is a sonata in two movements written in 1971 that uses music to reflect on the Black experience in 1960s America. Abraham’s Sons written by James Lee III was written in 2013 to express horror and outrage at the killing of Trayvon Martin. Through these pieces and more like them, the Gibbs Street Duo demonstrate the power and relevance of music as a catalyst for change.

Australian composer Mark John McEncroe and Navona Records present SYMPHONIC SUITE NO. 3: THE FOREST AND THE MOUNTAINS featuring three orchestral movements that draw inspiration from the natural world- “Meandering in the Forest I,” “Running Mountain Streams II,” and “Wandering in the Mountain Wilderness III.” Brought to life by Zagreb Festival Orchestra, McEncroe’s unique voice and filmic quality flow throughout, with musical illustrations painted by striking crescendos and gentle string and woodwind melodies. Born in Sydney, Australia, Mark John McEncroe commenced music studies in his adulthood. He had a varied interest in many kinds of music, not just classical, which led him to working in the music/record business for EMI Records in his early 20s and 30s. For much of that time he was a Label Manager, first with EMI Australia and then with EMI Sweden. To date McEncroe has recorded and released 12 albums of piano and orchestral works.

When four musicians of high caliber join forces, one can generally expect favorable results; but only the truly splendid manage to create a musical experience greater than the sum of its parts. Such is the nature of The Opus Project, founded in 2020 and already rated as one of Canada’s most eminent Early Music quartets. On MICHEL DE LA BARRE, the four musicians masterfully perform rarely-heard, unsung suites by the eponymous French flute virtuoso and composer, who broke new ground in Baroque music by merit of being the first to publish solo pieces for his instrument. Zesty yet courtly, refined yet effervescent, these works please at once, not least owing to the lucid and charming interpretation by The Opus Project. A match made in heaven.

Composer Ferdinando DeSena is no stranger to variation; from his previous electro-acoustic concoctions to this dynamic blend of chamber orchestrations in TOCCATA MIAMI, a world of enticing conversation between tonal opposites begs to be uncovered in these expressive compositions. Oboe and piano dance in an ominous sonata soundscape, harps and flutes seek to sooth in Three Attitudes, and solo piano works shine with a Latin flair in the album’s titular track.

On IMPRESSIONS OF SPAIN from Navona Records, the critically acclaimed guitar trio enchants and excites with their performance of Spanish-influenced works from master composers of the late 19th and early 20th centuries. Arranged and adapted for guitar trio by Gregg Nestor, the unexplored repertoire of five composers cascades across guitar frets in this recording, communicating themes of love, poetry and literature, Spanish dance, and the spirit of Spain itself through music. Experience the works of Isaac Albéniz, Maurice Ravel, Enrique Granados, Joaquín Turina, and Manuel de Falla through a new and virtuosic voice.

Composer Michael Murray’s album PASSAGES brings the words of iconic 19th and 20th century poets to life through stirring music for solo soprano and instruments. Murray has selected poetry from the likes of Robert Louis Stevenson, William Butler Yeats, William Wordsworth, John Keats, and Walt Whitman, with poems detailing childhood adventure, hope, and tragedy. Celebrated soprano Genevieve Fulks performs throughout; most of the music heard on the album was written specifically with her voice in mind. Murray’s music has been lauded for its meticulously crafted yet ultimately approachable style. Through familiar themes and time-honored poetry, Murray invites listeners to engage with, and even be challenged by, this collection of thoughtful compositions.

On FADING SOUNDS, composer Georges Raillard turns a creative eye towards the simple wonders of the world with a deep appreciation for the fleetingness of each moment. The aptly titled album presents 10 works for solo guitar, each of which take full advantage of the instrument’s tone and timbre. As the pieces conjure images and memories of landscapes, experiences, and thoughts, every cheerful chord, harmonic passage, and lyrical progression inevitably ends with a haunting resonance that leaves the ear wanting more. The compositions are dexterously played by guitarist David William Ross, whose gentle confidence on the instrument lets Raillard’s musical ideas ring out with clarity and precision.

With Gregory Brown's FALL AND DECLINE on Navona Records, the composer chronicles the heights to which humanity can soar-but also the depths to which it may come crashing down. Scored for the solo voices of virtuosic vocal sextet Variant 6 and electronics, the sounds range from typical choral textures (though peppered with microtones) to angular and aggressive electronic soundscapes. The lyrics may span two-and-a-half millennia, but their spirit and subjects are abiding: humankind's struggle against the limitations of time, conflict, inevitable decay. Persian rulers of the fifth century BCE, Baroque historians, poets of the Victorian age, contemporary wordsmiths, they are all caught in a grander, timeless labor-as is every one of us. FALL AND DECLINE is a stern reminder of Humanity's ephemerality, but even more, it's a harbinger of hope, a celebration of creative endeavors despite perpetual adversity.

Spanning landscapes from Mexico to Canada, the Pacific Crest Trail covers thousands of miles of natural beauty, creating a transformative journey captured in FROM WILDERNESS from Navona Records. Choral Arts Initiative, conducted by Brandon Elliott and joined by cellist Kevin Mills, paints these landscapes from composer Jeffery Derus with vibrant color, with vocal soloists giving identities to the spirit animals one may encounter on the trail. A concert-length work and meditation, the listener will hear a wash of sounds that allow for introspective reflection on the sacredness of nature, the profound text, and themselves.

REVIEWS:

A Textura Top 20 Album of 2022!

Jeffrey Derus is both a founding board member of Choral Arts Initiative and one of the esteemed ensemble's tenors. He's also, however, the composer of From Wilderness, a glorious choral work brought to magnificent realization by twenty-five CAI singers, eight crystal bowl players, and cellist Kevin Mills. The company earlier distinguished itself with the release How to Go On: The Choral Works of Dale Trumbore and now equals that achievement with a stellar realization of Derus's work. From Wilderness is a multi-hued meditation that lives up to its transformative billing: it's almost impossible to imagine someone hearing it and not being profoundly moved.

-- Textura

On RISE: MUSIC IN TIMES OF UNCERTAINTY, composer David Colson employs conventional and innovative chamber combinations alike to express a wide array of emotional content. Drawing upon years of experience as a performer, conductor, and composer, his command over the music and ability to adapt is present on each piece. How We Change for brass quintet pays homage to a dear friend with quick-changing tempos and unequal phrases, which represent the flood of emotions caused by sudden loss. The Wind Is Rising, the Earth lets itself be inhaled for bassoon and percussion, simultaneously primitive and cosmic, calls for respect for the earth. The micro-concerto RISE for piano and percussion quartet highlights various percussion elements to emphasize the performers’ skill and versatility. Finally, Dionysian Mysteries, composed freeform with minimal methodology, allows the saxophone quartet to plumb the depths of their instruments’ capabilities to render raw, emotional sound.

Navona Records presents HAMLET: An Opera in Three Acts from Joseph Summer. In this installment of the Shakespeare Concert Series, composer Joseph Summer brings us along to Elsinore with The Bard’s classic play in an all new setting complete with the lyric integrity of Shakespeare’s words in a contemporary musical arrangement. Performed by Bulgaria’s State Opera Ruse orchestra, choir, and selected Bulgarian soloists with nine international soloists singing the lead roles, the celebrated revenge tragedy bursts with a new modern flair while keeping the spirit and riveting narrative of the original alive.

Acclaimed pianist Elaine Greenfield dazzles with originality, virtuosity and exuberant tone richness on her album RAVEL COMPARED on Navona Records. The French composer's works are brilliantly analyzed and brought to novel clarity with Greenfield's ingenious idea of recording the same repertoire twice, on two very different pianos - and juxtaposing them on this two-disc album. The first album presents Ravel's music on an 1893 Erard from Paris, the same make and model as the composer's personal piano, from which Greenfield coaxes a mellow, full-bodied tone with an almost liquid quality. This rendition is contrasted with a second on an American Ivers & Pond parlor concert grand from 1917, brightly highlighting Ravel's idiosyncratic harmonies with modern, almost contemporary exactitude. Put together, RAVEL COMPARED palpably illustrates the depth of both Greenfield's skill as a performer as well as Ravel's aptitude as a composer - as lively and vivid as perhaps never before.

With narration by award-winning actor Rob Dean, Jan Järvlepp brings classic tales to life on THREE STORIES BY HANS CHRISTIAN ANDERSEN. The Steadfast Tin Soldier, The Little Match Girl, and The Emperor’s New Clothes, along with other works by Järvlepp, open a new world of imagination for the youth of today and conjoin the countless capabilities of oral and musical storytelling. Join the Janácek Philharmonic Orchestra and Moravian Philharmonic Orchestra on this thrilling ride through these childhood classics. Composer Jan Järvlepp began playing pop guitar at the age of 12 and took up cello in high school at the age of 14. He also learned to play bass guitar and harmonica at this time. In university he majored in composition while developing his cello playing skills. As his studies progressed, he realized that he was not on the same wavelength as his modernist composition teachers. Järvlepp has been delving deeper and deeper into the world of pop-influenced contemporary "classical" composition. He has completely turned his back on the avant-garde modernism that he was rigorously trained in to concentrate on the emerging neo-tonal style. He has also taken an interest in Hispanic, flamenco, Arab and Nordic folk styles. The result has been a variety of accessible pieces of music that appeal to a surprisingly wide cross section of the public.

A primeval forest, unaltered by man and teeming with natural greens and ancient oaks, and its power struggle between chaos and order is unearthed in OERBOS from composer Peter Greve. His third volume of all original compositions, the composer offers a wide variety of works for solo, chamber, choral, and orchestral performers, along with a riveting narrative of forest life in the album’s titular symphonic poem. Join the Janácek Philharmonic Orchestra as they guide you through a turbulent passage of music, beginning with a calm sunrise and ending with an ode to the unity of mankind and nature, a celebratory movement after a ravaging storm.

The long-awaited release from the chamber ensemble Duo Sequenza, YES…IT’S A THING!, includes works by five critically acclaimed contemporary composers. David Noon is one of the most prolific composers in the U.S.; Jerry Owen’s numerous achievements include two Pulitzer Prize nominations; Jorge Muñiz has had his music performed by chamber ensembles, chorales and orchestras throughout the world; Marc Mellits is one of the leading American composers of his generation and one of the most performed and recorded living composers in the United States; and Amin Sharifi’s recent works have been performed in the United States, Europe, and his native Iran. The program opens with David Noon’s Partita Op. 103 containing four movements reminiscent of Baroque dance forms, capturing their rustic charm in a reimagined context that makes use of chromatic harmonic and lyric melodic materials. The soaring work Mesquanowat’, composed by Jerry Owen and named for the Mesquakie word for the red-tailed hawk, captures the spirit of both the majestic bird and the Mesquakie tribe. The two pieces that comprise Marc Mellits’ humbly named Two Pieces for Flute and Guitar highlight his unique musical style: an eclectic combination of driving rhythms, sumptuous lyricism, and vibrant orchestrations that combine to communicate deeply with the listener. “Fast” exploits changing meters and rhythmic minimalism in a way that is distinctively his own, while “Elegy for Lefty; Expressive” is compellingly poignant and haunting. Duets Exhibition, composed by Amin Sharifi, is comprised of a set of short pieces designed to put listeners inside an experience in which all their other senses are engaged beyond mere listening. The album concludes with Jorge Muñiz’s South Shore Suite, written as a metaphor for a journey on the South Shore Rail Line. It draws upon diverse musical elements from the Midwest and Indiana vernacular: jazz, blues, country, R&B, and even rock. Its first movement, “Prologue: South Bend, Indiana” establishes the train metaphor as a rhythmic ostinato with unexpected meter changes, and in its final movement, “Epilogue: Chicago,” played attacca, the sense of the train’s motion is more and more apparent as the train draws closer to its destination of Chicago.