The fashionable literary salons of Paris were centres of experimentation in the refined art of conversation that expressed an idealised vision of love as well as a most poetic depiction of aristocratic society. The women who founded these salons, such as the Marquise de Rambouillet and Madeleine de Scudery, exerted a considerable influence on social culture and it's fashion for preciosite, creating a poetic style whose inevitably plaintive accents would swiftly lead lovers who frequented such salons down the winding paths of the pays de Tendre. "The true character of those who love is composed of tenderness and plaintiveness", according to Abbe Charles Cotin - and music was employed as a means of expressing every nuance of amorous feeling that many poets of the style galant took great pains to depict. The musicians who were most in vogue would then take their galant verses and set them to song in the form of airs serieux, a genre which dominated all secular French music for most of the reign of Louis XIV. This album, a world premiere recording, is devoted to the airs serieux of Joseph Chabanceau de La Barre, a scion of one of the most prestigious families of French musicians of the 17th century.

Classical Music

Classical Music

Classical Music

Classical Music

Classical Music

Classical Music

Classical Music

Classical Music

Classical Music

Classical Music

Classical Music

Classical Music

In addition to works attributed to the lutenists active at the Royal Polish court of the late 16th c., there is a substantial repertoire of compositions identified as 'Polish dances' or 'Polish songs' preserved in numerous sources of late Renaissance lute music. Characterized by melodic charm and straightforward harmonic and rhythmical textures, such musical polonica spread across Europe, achieving what may have been the widest distribution of musical 'Polishness' pre-Chopin.Polish lutenist Michal Gondko presents a selection of 40 of these polonica, many never previously recorded.

Classical Music