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COMPOSERHERMANN SCHEIN, JOHANN
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PERFORMERFoccroulle, Mayo-Felip, Van Mechelen, Colson
Johann Hermann Schein: Ich Will Schweigen
- Ramee
- January 27, 2015
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RELEASE DATEJanuary 27, 2015
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UPC4250128514019
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CATALOG NUMBERRAM1401
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LABELRamee
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NUMBER OF DISCS1
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GENRE
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Banchetto musicale: Canzon a 5 in A Minor, "Corollarium"
Composer: Johann Hermann Schein
Ensemble: Ensemble Inalto
Conductor: Lambert Colson
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Ich will schweigen, "Threnus"
Composer: Johann Hermann Schein
Ensemble: Ensemble Inalto
Conductor: Lambert Colson
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Fantasia in D Minor
Composer: Johann Krieger
Performer: Marc Meisel
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Exaudiat te, Dominus
Composer: Johann Hermann Schein
Ensemble: Ensemble Inalto
Performer: Alice Foccroulle, Beatrice Mayo-Felip, Reinoud Van Mechelen
Conductor: Lambert Colson
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Suite No. 7
Composer: Johann Hermann Schein
Ensemble: Ensemble Inalto
Conductor: Lambert Colson
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Erbarm dich mein, o Herre Gott
Composer: Heinrich Bach
Performer: Marc Meisel
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Erbarm dich mein, o Herre Gott
Composer: Johann Hermann Schein
Ensemble: Ensemble Inalto
Performer: Alice Foccroulle, Beatrice Mayo-Felip
Conductor: Lambert Colson
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No. 12. Fuga
Composer: Gottfried Reiche
Ensemble: Ensemble Inalto
Conductor: Lambert Colson
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Herr Christ der einig Gottes Sohn
Composer: Johann Hermann Schein
Ensemble: Ensemble Inalto
Performer: Alice Foccroulle, Beatrice Mayo-Felip
Conductor: Lambert Colson
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Nun komm der Heiden Heiland
Composer: Johann Schelle
Ensemble: Ensemble Inalto
Conductor: Lambert Colson
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No. 8. Sonatina
Composer: Gottfried Reiche
Ensemble: Ensemble Inalto
Conductor: Lambert Colson
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Mach dich auf, werde Licht
Composer: Johann Hermann Schein
Ensemble: Ensemble Inalto
Conductor: Lambert Colson
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Padouana a 4
Composer: Johann Hermann Schein
Ensemble: Ensemble Inalto
Conductor: Lambert Colson
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In dich hab ich gehoffet, Herr
Composer: Heinrich Scheidemann
Performer: Marc Meisel
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Durch Adams Fall ist ganz verderbt, BWV 705 (arr. for chamber ensemble)
Composer: Johann Sebastian Bach
Ensemble: Ensemble Inalto
Conductor: Lambert Colson
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When Johann Hermann Schein became Kantor at the church of Saint Thomas in Leipzig in 1616, he had, on the one hand, to satisfy the liturgical demands of his Lutheran parish and, on the other, compose music that was truly contemporary, sensible to the new style coming out of Italy. Schein exploited the new possibilities brought by the basso continuo, demonstrated his mastery of musical rhetoric and wrote extremely ambitious music of great expressive force. The instrumentation calls for instruments such as the cornet, trombone and dulcian, Schein drawing his musicians from the forces of the Stadtpfeiffer and Ratsmusiker, guilds of instrumentalists attached to the City of Leipzig since the 15th century. For this musical portrait of Schein, one of the greatest German composers of the 17th century and one of J. S. Bachs most talented predecessors, InAlto presents an itinerary to the sources of the German cantata and testimony to the extraordinary tradition of city musicians perpetuated over the centuries. In addition to Scheins music, this heritage is represented here by Johann Schelle, Gottfried Reiche and J. S. Bach.
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