This new release compiles the very best recordings from Hofi Geza, Hungarian actor and comedian. The most popular Hungarian parodist, he had a strong influence on the culture of Hungarian cabaret. Hofi G�za was for many years the highlight of Hungarian cabaret. He never followed any pattern or trend; he was always following his own trail. His unique performances made him the most popular comedian of his time in Hungary. His death created an enormous vacuum in Hungarian comedy, and it is a common consensus among people who witnessed his performances that there may never be another comedian like him. His style as a comedian was unique. It couldn't exactly be categorized as stand-up comedy, though it didn't fit any other category either. There are no current comedians in Hungary who would try to emulate his style-his legacy on Hungarian humor is somewhat analogous to that of Beethoven's on German music in the 1800s. His theatre shows were sold out many months in advance, and there was rarely an empty seat in the house.

There’s more than a hint of reality TV to this modern production of Shakespeare’s hilarious comedy of suburbia, wives and over-inflated egos directed by Fiona Laird. John Falstaff plans to hustle his way to a comfortable retirement by seducing the wives of two wealthy men. Unknown to him, it’s the women of Windsor who really pull the strings, orchestrating Falstaff’s comeuppance amidst a theatrical smorgasbord of petty rivalries, jealousies and overinflated egos. For a fat Englishman, a Welshman and a Frenchman, the only way is Windsor. “Fiona Laird’s production introduces new elements that chime deliciously with the spirit of Shakespeare’s play… risky, but it all pays off.” (The Financial Times)

The Donmar Shakespeare Trilogy began in 2012 with an all-female production of Julius Caesar led by Dame Harriet Walter. Set in a women’s prison, the production asked the question, ‘Who owns Shakespeare?’ Two further productions followed: Henry IV in 2014 and The Tempest in 2016, all featuring a diverse company of women. The Trilogy enthralled theatre audiences in London and New York and was shared with women and girls in prisons and schools across the UK. The film versions were shot live in a specially built temporary theatre in King’s Cross in 2016, and now offer screen audiences unique access to these ground-breaking productions. Power, betrayal, justice. Shakespeare’s great political drama Julius Caesar could not be more timely as it depicts the catastrophic consequences of a political leader’s extension of his powers beyond the remit of the constitution. What makes a King? What makes a father? The Bard’s monumental history play travels to the heart of family, duty and country in this bold, contemporary production, adapted from Shakespeare’s two plays about King Henry IV, Prince Hal and Falstaff. Set on an isle ‘full of noises’, this magical production of The Tempest sees Harriet Walter take on the role of Prospero in an evocation of the eternal struggle for freedom, morality and justice. ‘A glorious reminder that genuine diversity offers astonishing creative benefits’ (The Guardian) This set includes over 90 minutes of extra documentary features that were not included on the original releases.

Also available on Blu-ray

With Shakespearian operas all the rage in Paris during the 19th century, Ambroise Thomas and his librettists Michel Carre and Jules Barbier adapted Hamlet to create a romantic spectacle in which the character of Ophelie shines with a haunting radiance. With its virtuosic arias, stunning ensembles and vivid orchestration – with the colourful addition of the newly invented saxophone – Thomas composed one of the most successful operas in the French repertoire. This is further enhanced by director Cyril Teste’s multi-layered production, reinstating its powerful original ending, and including cinematic techniques to create ‘a very palpable hit’ (bachtrack.com).

This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.

Also available on standard DVD

With Shakespearian operas all the rage in Paris during the 19th century, Ambroise Thomas and his librettists Michel Carre and Jules Barbier adapted Hamlet to create a romantic spectacle in which the character of Ophelie shines with a haunting radiance. With its virtuosic arias, stunning ensembles and vivid orchestration – with the colourful addition of the newly invented saxophone – Thomas composed one of the most successful operas in the French repertoire. This is further enhanced by director Cyril Teste’s multi-layered production, reinstating its powerful original ending, and including cinematic techniques to create ‘a very palpable hit’ (bachtrack.com).

Dans cet ouvrage, l'islamologue Boumediene Benyahia nous presente la pensee de quatre figures majeures de l'histoire intellectuelle de l'islam : Avicenne, Al-Ghazali, Averroes et Ibn Arabi. Apres avoir retrace la genese de l'islam au VIIe siecle en Arabie et la formation des grandes ecoles de droit musulman aux VIIIe et IXe siecles, l'auteur met en lumiere l'influence de la philosophie grecque sur la pensee islamique et la maniere don't ces penseurs ont faconne un dialogue entre theologie, droit et metaphysique. � travers une analyse rigoureuse et accessible, il revisite les debats et controverses qui ont oppose ces figures intellectuelles et marque l'histoire de la pensee islamique. L'ouvrage souligne le r�le essentiel de ces penseurs dans la transmission et la circulation des idees entre l'Orient et l'Occident au Moyen �ge, temoignant de la richesse et de la complexite de cette tradition philosophique et spirituelle. Par cette approche historique et analytique, l'auteur offre aux lecteurs des cles pour mieux comprendre les dynamiques intellectuelles qui ont structure la pensee islamique et leur place dans l'histoire des idees. Claude COLOMBINI FReMEAUX In this work, Islamologist Boumediene Benyahia presents the thinking of four major figures in the intellectual history of Islam: Avicenna, Al-Ghazali, Averroes and Ibn Arabi. After tracing the origins of Islam in 7th-century Arabia and the formation of the great schools of Muslim law in the 8th and 9th centuries, the author highlights the influence of Greek philosophy on Islamic thought and how these thinkers shaped a dialogue between theology, law and metaphysics. Through rigorous and accessible analysis, he revisits the debates and controversies that divided these intellectual figures and marked the history of Islamic thought. The book highlights the essential role of these thinkers in the transmission and circulation of ideas between East and West in the Middle Ages, testifying to the richness and complexity of this philosophical and spiritual tradition. Through this historical and analytical approach, the author offers readers keys to better understanding the intellectual dynamics that structured Islamic thought and their place in the history of ideas. Audiobook, in French. Claude COLOMBINI FReMEAUX CD1 - LA GENeSE DE L'ISLAM : MOTS ET CONCEPTS DE L'ISLAM - L'ARABIE ET LA MECQUE AU VIIE SIeCLE - L'ENFANCE DE MUHAMMAD - L'HeGIRE ET LA PRISE DE LA MECQUE - LES QUATRE eCOLES JURIDIQUES SUNNITES - DROIT ET eMERGENCE DE LA PHILOSOPHIE - LA FEMME ET L'ISLAM. CD 2 - AVICENNE, AL-GHAZALI ET IBN ARABI : LA VIE D'AVICENNE - AVICENNE ET L'APPROCHE RATIONNELLE DE L'ISLAM - AL-GHAZALI, PHILOSOPHE, THeOLOGIEN ET JURISTE PERSE MUSULMAN - AL-GHAZALI, IBN ARABI ET LA QUESTION DE LA ReSURRECTION DES �MES. CD3 : AVERROeS : SON OEUVRE - IBN ARABI : SA RENCONTRE AVEC AVERROeS - SUR LA QUESTION DE L'�ME - LES DIMENSIONS DU NOBLE CORAN - SUR LA CROYANCE ET LA FOI - LE STATUT DE LA FEMME - LA RELIGION DE L'AMOUR - CONCLUSION : LE LEGS DES PENSEURS DE L'ISLAM. COLLECTION ISLAM DES LUMIeRES DIRECTION COLLECTION : CLAUDE COLOMBINI FReMEAUX EN PARTENARIAT AVEC LA GRANDE MOSQUeE DE PARIS

Ce recueil de textes sur la nature de George Sand, interpretes avec finesse par Marie-Christine Barrault, met en lumiere l'alliage harmonieux entre la nature, l'engagement ecologique et la modernite intemporelle de l'ecrivaine. a travers la diversite des sujets abordes et la richesse des styles, il devoile des facettes meconnues de son oeuvre prolifique. Ses ecrits sur la botanique temoignent d'une erudition remarquable en sciences naturelles, ou l'observation precise de la flore se mele a des reflexions metaphysiques empreintes de poesie. Voyageuse infatigable, elle relate ses explorations avec une curiosite profonde et un respect des ecosystemes qui traversent son ecriture. Son style litteraire, d'une elegance rare, capte les beautes de la nature et invite a une admiration emerveillee, revelant l'ame poetique d'une femme en resonance avec les enjeux de notre epoque. Claude COLOMBINI FReMEAUX This collection of George Sand's texts on nature, interpreted with finesse by Marie-Christine Barrault, highlights the writer's harmonious blend of nature, ecological commitment and timeless modernity. Through the diversity of her subjects and the richness of her styles, it reveals little-known facets of her prolific oeuvre. Her writings on botany bear witness to a remarkable erudition in the natural sciences, where precise observation of flora blends with metaphysical reflections imbued with poetry. A tireless traveler, she recounts her explorations with a deep curiosity and respect for ecosystems that run through her writing. Her literary style, with it's rare elegance, captures the beauty of nature and invites us to admire it in wonder, revealing the poetic soul of a woman in tune with the issues of our time. Audiobook, in French. Claude COLOMBINI FReMEAUX SeLECTION DES TEXTES ET MISE EN MUSIQUE PAR PATRICK SCHEYDER DIRECTION ARTISTIQUE : CLAUDE COLOMBINI

Civilizations are born, live, and die, and ours is no exception. If the pagan gods that inspired the construction of Stonehenge, Cheops, and the Parthenon are today relegated to pure mythology, is it reasonable to think that Christianity will be immortal? Studying these ruins makes it possible to think about civilizations and to face with discernment the dynamic of decadence that is imposed after 2,000 years of Judeo-Christianity. Michel Onfray presents here the historical origins of these belief systems. The philosopher details the birth of this common base of values forged by the fathers of the Church, more so than by Jesus, during the first centuries of our era, and who continue to define, in spite of themselves, the identity of our civilization.

This release is the second installment in Veronica Roth's renowned Divergent series. Abandoning a city with fire and blood, Tris is on the run. Thanks to her faculties, she managed to escape from the Erudite's program, which manipulated and launched the Bold soldiers to attack the Altruists. In three days, Tris lost her faction, his friends, his parents. With her brother, Caleb, and her boyfriend, Tobias, she has to find allies among the other factions. Marine Royer reads the book in French.

With the conversion of the Roman Empire to Christianity, the multitude of sects claiming Jesus gives way to a state religion, imposed by the sword and unified by the doctrine. For the young Judeo-Christian civilization, time is a conquest. Philosophy places itself at the service of faith to explain, justify and transmit the divine mysteries. In this second volume of Decadence, Michel Onfray allows us to navigate a period often known by the unique prism of church art, and to discover the mechanisms of subjection of bodies and minds implemented by a civilization then expanding. Following Cosmos, philosophy of nature, Decadence proposes a philosophy of history and is part of the great cycle 'Brief encyclopedia of the world' that stops with this latest release. "Decadence is neither a history book nor a manifesto. It's an inner novel."

Of the modern novelists, Fyodor Dostoevsky is among the greatest Russian writers of the nineteenth century. In ''Les Carnets du sous-sol'', he tells the story of a reclusive man who, from his basement, observes the world in a low angle. The narrator spits out his words with bitterness, his obstinate refusal of happiness, pours out his anxieties and his hatred towards humanity. Written in 1864, there is a condensed version of the barbaric fury that is the work of the author and the basis of the great novels to come: ''Crimes and Punishments'', ''The Player'', or ''The Brothers Karamazo''. Produced by Maya Heuse of Editions Theeleme, Hubert-Felix Thiefaine, with his constant and solemn expression of emotion and bitterness, succeeds in transmitting to the listener all the melancholy, sincerity and violence of the novel. It depicts all the poetry of this work, which one would describe as a proto-punk, by its disillusionment, it sdisenchanted vision of the world, and which, as the author indicated, was intended as the narrative of a ''generation in survival''.

Julie has not believed in fairy tales for a long time. A cashier in a supermarket, the only sunshine in her life is raising her little Lulu. Yet, on a particularly dark day, fate reaches out to her. Moved by their situation, a generous man invites them to his seaside house in Brittany. Could luck be changing for Julie? Agnes Ledig, author of this work, and Coup de Coeur of the women's magazine, has a singular talent: that of mixing the most dramatic episodes with optimism, humor, and tenderness. In this novel where emotion is present on every page, she makes us laugh until we cry and reconciles us to life. This is one of those rare novels that we want to start again just because they are so good!

At the age of eight, Rose had to leave France behind to follow her uncle to New York after the accidental death of her parents. But at 26, when she has no memory of her childhood, her past resurfaces brutally when she inherits her family home. And she begins to wonder, what if she hadn't been removed from her environment by chance? Can Alex, her childhood friend, help her discover the truth? What dangerous secret has Rose buried in the depths of her memory and is haunted by in her dreams? And this house that makes her so uncomfortable: is she haunted as the thinking souls of the city seem to think? The murder of a man in her house leaves no choice for Rose. She must discover the truth and remember- even if it causes her to sink into madness. Isabelle Rozenn-Mari is an independent writer who lives in Brittany. Her pen has seduced an audience of over 30,000 readers with this novel, a thriller with a fantastic touch that keeps you guessing until the last minute.

An emasculated corpse who opens his eyes on the autopsy table. A cell phone that starts ringing in the body of a young drug addict who died of unexplained burns. Despite fifteen years of duty in Seine-Saint-Denis, Victor Coste, police captain, is preparing for the worst. And what about these anonymous letters that reference a mysterious file: the "Code 93?" Coste will cross the limits of the job, and of reason. Author Olivier Norek is also a lieutenant of the Criminal Investigation department of Seine-Saint-Denis. Code 93, his first novel, meets the success of the public and critics with an astounding and ultra-realistic introduction to the world of crime and the police of today. The Express writes: "A story that holds in suspense until the last page. Great art of crime."

Olivier Norek pushes his characters to their breaking points in his novel ‘Surtensions.’ Will this sister accept the risky deal that is proposed to her to break her brother out from the most dangerous prison in France? What will this father be able to do to save his family from the four predators who have burst into his house and intend to stay there? How do five criminals (a pedophile, a murderer, a former Serbian legionnaire, a kidnapper and a robber) find themselves in the same story and why does Coste enter the nest of vipers, endangering those who count on him for everything? Lost souls, murder for love, redemption through revenge… this audiobook, read in French, will have listeners on the edge of their seats.

For the first time, a publisher offers the essence of the work of Marcel Proust, presenting an audio version of 'In search of lost time.' Fr�meaux & Associ�s puts at the disposal of the public the quintessence of Marcel Proust's masterpiece, here selected with care and finesse by Paul Desalmand then transmitted, with a precision and mastery of the remarkable language, by Daniel Mesguich who puts all his talent in the service of beauty and the meaning of the text. A journey to the heart of this immense and grandiose work in which Marcel Proust paints with precision, humor and subtlety the convolutions of human psychology. In order to close the series of recordings of "In Search of Lost Time", Fr�meaux & Associ�s proposes a complementary album containing the exclusive interview of Daniel Mesguich by F�lix Libris on "The Art of Reading," which won the READ Award for best audiobook book of the year.

In this set, Luc Ferry tells how the greatest thinkers of antiquity, Plato, Aristotle or the Stoics, took over the legacy of Greek mythology to achieve a magnificent doctrine of wisdom, a secular spirituality that will cross centuries and who still speaks to us today. Essentially, it is a question of showing that the good life lies in the setting in harmony of oneself with the harmony of the world, this harmonious, just, beautiful and good cosmic order which forms in the eyes of the Ancients as a model to follow for the organization of the city. With the thought of Epicurus, sophists and atomists, we also see how a counter-culture, a "counter-philosophy" is being put in place, which already contests the idea of a harmonious cosmos and which, at once, proposes another conception of the good life.

Petronius' Satyricon is a rampant and vivacious Roman adventure dating back to the first century, during the reign of Nero. It follows the exploits of Encolpius, an impoverished ex-gladiator, and his boy-lover Giton. The action is fleet and the narrative sweeping: over the course of their journey we meet a host of lewd and comical rogues, including beggars, prostitutes, poets, sodomites and pedants, and witness many strange and curious events, including a remarkably vulgar multi-course feast, hosted by the pompous nouveau riche Trimalchio. Considered the Odyssey of the illicit and debaucherous, the Satyricon is an exhilarating look at the underbelly of Roman society. Jonathan Keeble captures the energy and spirit of this ancient comedic romance.

Presses Universitaires de France and Fremeaux & Associates offer this biography of Caligula by Nicolas Tran, professor at the University of Poitiers and specialist of the Roman Empire in the first centuries of our era. Caligula is an infamous Roman emperor. He embodies a model of tyrant, from ancient times to the present day. It is interesting to analyze the violence attributed to this emperor as revealing the political and institutional tensions peculiar to the imperial regime during the first century of it's history. For a truly historical biography is not about judging but about placing a singular personality and work in their historical context. Despite the scarcity and complexity of historical sources, Nicolas Tran traces the course of Caligula, the prince to the monster, the emperor to the black legend.

Wealthy Maggie Verver has everything she could ever ask for - except for a husband, and a title. While in Italy, acquiring art for his museum back in the states, Maggie's millionaire father Adam decides to remedy this and acquire a husband for Maggie. Enter Prince Amerigo, of a titled, but now poor, aristocratic Florentine family. Amerigo is the perfect candidate. Delighted, Maggie then reciprocates by choosing a partner for her widower father: childhood friend Charlotte Stant. The stage is set, and what unfolds is a deep and gripping exploration of fidelity and the politics of love and marriage. Published in 1904, The Golden Bowl displays Henry James at his finest: James weaves scene upon scene, set piece upon set piece, into a seamless whole, through a richly dense tapestry of beautiful, flowing prose. Along with The Ambassadors and The Wings of the Dove, it constitutes James's final, and most rewarding, phase as a novelist. Juliet Stevenson is an outstanding narrator. She is consistently showered with critical acclaim for her thoughtful, intelligent performances.

On May 8, 1373, 30-year-old Julian of Norwich, sick and near death, had a series of visions of Christ. In these 16 visions she learnt about God's loving nature. God in Julian's visions was not angry and wrathful. Instead, the three properties of God were presented as life, love and light, and all of His creation was good, including his servant, man. In Julian’s version, Man is not to blame for his sin; instead it is something that he must experience and overcome in his spiritual journey with God. The version of Christian theology presented in Revelations of Divine Love – the first published book in English attributed to a woman – was highly liberal and incredibly progressive for its time. The book contains some of the most profound spiritual writing ever written and remains a perennial favourite among Christians.

In 1964, the jury of the Venice Biennale awarded its American Grand Prix for the first time to an American artist, Robert Rauschenberg. This was an initiative that was commonly interpreted as a definitive recognition of the migration of the world art scene from Paris to New York. However, if it is undeniable that from the sixties on, artists from across the Atlantic triumphed, European creators were not outdone. As proof, the plethora of movements of which they revealed themselves at the foundations: New Realism, Lyric Abstraction, Narrative Figuration, New Figuration ... Nineteen major artists, from Adami to Zao Wou-Ki, via Arman , Buren, Corneille or Combas, testify here for us and elucidate the meaning of their respective practices. Produced from the holdings of the Audiovisual Encyclopedia of Contemporary Art (Imago), Michel Onfray wanted the Gallery and Frémeaux & Associates to publish this essential sound document on the history of contemporary art.

Set in the court of Urbino in 1507, Castiglione's The Book of the Courtier presents an invaluable look at court life and culture during the Renaissance. Over four nights of dialogue, the book explores the key question, 'What should a courtier be like?' and presents a deep and timeless discussion that is reminiscent of Plato's Symposium and Aristotle's Nicomachean Ethics, and invites comparisons with Machiavelli's The Prince. It is absorbing and enlightening, and encompasses a wide range of topics that include dancing, fencing, war, religion, culture, courtly and corporeal love and gender relations, with a surprisingly modern defense of women and equal rights. Nicholas Boulton is an exemplary narrator. He leads us through Castiglione's fascinating courtesy book with great fluency.

After the collapse of her marriage to an illustrious German prince, Baroness Eugenia Münster arrives in America with her brother, in search of wealthy New England relatives. The duo have an immediate impact on their American cousins, the Wentworths. The Baroness captures the eye of young Clifford Wentworth, and his girlfriend’s older brother Robert; meanwhile, Felix falls for his American cousin Gertrude. The Wentworths are overawed by their European cousins and their frivolous lifestyle. What unfolds is a delightful comedy of manners that contrasts the apparently sophisticated and light-hearted Europeans with the serious and puritanical Americans. At times reminiscent of Jane Austen, The Europeans contains beautiful and vivid descriptions of mid-19th century upper-class New England life. Adam Sims trained at LAMDA. His screen and theatre credits include Band of Brothers, Lost in Space and Alice in Wonderland. For Naxos Audiobooks, he has read Mowat’s Never Cry Wolf, and James’s Washington Square and The Aspern Papers, among other titles.

Written from the perspective of an unbeliever, Fear and Trembling explores the paradox of faith, the nature of Christianity and the complexity of human emotion. Kierkegaard examines the biblical story of Abraham, instructed to sacrifice his son Isaac, and forces us to consider Abraham's state of mind. What drove Abraham, and what made him carry out such an absurd and extreme request from God? Kierkegaard argues that Abraham's agreement to sacrifice Isaac, and his suspension of reason, elevated him to the highest level of faith. He explores more comprehensible alternatives, but in each one Abraham fails the test of faith, thus showing that true faith cannot be explained, understood, or made rational. His thesis is a compelling counterpoint to Hegel, who maintained that reason was the highest form of thought, and proved a significant source of inspiration to later existentialist philosophers such as Camus and Sartre.