Classical Music

William Thomas Dupree was born in 1909 in New Orleans, Louisiana. His father was from the Belgian Congo and his mother was part African-American, part Cherokee. His parents ran a grocery store in the Irish Channel neighborhood and the family lived upstairs. When he was about one year old, the house was set on fire by the Ku Klux Klan and both his parents were killed. He grew up in the Colored Waifs Home in New Orleans where he received no schooling, but learned about music, cooking and fighting. When he came out of the orphans home, he learned to play barrelhouse piano, especially from a pianist called Willie Drive 'Em Down Hall. He made his living playing piano and fighting in the street for bets. He returned to Chicago in 1939 and joined a circle of recording artists including Big Bill Broonzy and Tampa Red, who introduced him to record producer Lester Melrose. After WWII he moved to New York, where he made multiple recordings for many labels, including his legendary 1958 album for Atlantic Records, Blues from the Gutter.

Classical Music

Classical Music

Storyville Records proudly presents the previously unreleased album, Michel Petrucciani Trio - Jazz Club Montmartre - CPH 1988 on two separate vinyl LPs containing the first and second set, by the legendary French pianist Michel Petrucciani. Recorded during a memorable performance at Copenhagen's Jazzhus Montmartre on July 3rd, 1988, the albums capture Petrucciani in the company of two jazz icons, Gary Peacock on bass and Roy Haynes on drums. While the trio only came together for a brief European tour in the summer of 1988, the chemistry they shared on stage was undeniable. The trio, propelled by a studio session the previous autumn, radiates synergy, as they explore six of Michel's original compositions with a sense of grace and spontaneity. On these recordings, listeners will rediscover Petrucciani's unique lyrical universe, as well as his reverence for modern jazz icons, paying tribute to Bill Evans, Keith Jarrett, and Paul Bley with special arrangements of classics like Someday My Prince Will Come, Mr. K.J. and Turnaround. From the explosive energy of She Did It Again to the introspective beauty of Autumn Leaves, Petrucciani's virtuosic playing reveals a rare sense of urgency, joy, and an unrelenting passion for life. As Gary Peacock and Roy Haynes were at the height of their careers - Haynes playing with Chick Corea and Peacock with Keith Jarrett - they were drawn to Petrucciani, recognizing the greatness of his artistry. Together, they formed a trio, bound by a shared intuition and respect for one another, and this performance at Montmartre is a testament to that fleeting moment of jazz brilliance. This concert took place at the midpoint of Petrucciani's meteoric career, 12 years after his Paris debut and 11 years before his untimely passing. Despite the physical challenges posed by glass bone disease (osteogenesis imperfecta), Petrucciani's fierce determination, boundless love for music, and infectious laughter inspired all who knew him. Now, more than 35 years after that magical evening in Copenhagen, we invite listeners to close their eyes and step back in time. July 3rd, 1988 it could have been last night, or it could be tomorrow morning! A monument over one of the most creative and joyful pianists in jazz ever! BIOGRAPHY Michel Petrucciani (1962-1999) was one of the most brilliant pianists to emerge from Europe's jazz scene. Despite his short stature due to glass bone disease, he rose to international acclaim, performing with the likes of Charles Lloyd, Wayne Shorter, Joe Lovano, Tony Williams, Stephane Grappelli and many other greats. Known for his lyrical style, rhythmic power, and infectious joie de vivre, Petrucciani's legacy continues to enchant listeners around the world.

Brazilian songstress Ros�lia de Souza joins forces with pianist Peter Rosendal (Denmark), bassist Craig Earle (Canada), and drummer Jonas Johansen (Denmark) to form Ros�lia de Souza Quarteto 55�, presenting their self-titled debut album of twelve tracks, set for release on November 14, 2025, on Storyville Records. This vibrant ensemble blends Brazilian, North American, and Scandinavian musical traditions into a fresh, irresistible sound. After three years of sold-out concerts, the album promises a musical experience that radiates energy, sophistication, and joy. The album balances original compositions with Brazilian classics, brought vividly to life with guest appearances. Hans Ulrik's saxophone enriches the opening Samba Do Amor Que N�o Existe, the classic O Neg�cio � Amar, and the reflective Dormilh�o, while Flemming Agerskov contributes flugelhorn on Maria and trumpet on Sugar Reef. Tracks such as Choro Sambado and Dorme, Dorme Meu Menino showcase the quartet's fluid interplay and Ros�lia's agile phrasing, highlighting a unique blend of bossa nova elegance and jazz spontaneity. Named after Copenhagen's latitude, 55� reflects the group's geographical and cultural meeting point, where diverse traditions converge. Born in Rio de Janeiro in 1966, Ros�lia de Souza is recognized worldwide as one of the most compelling interpreters of samba, bossa nova, and Brazilian music traditions. With thirteen albums to her name, she has collaborated with icons such as Marcos Valle and Roberto Menescal, bringing the essence and refinement of 1960s Rio into the present. Her performances are infused with silk-smooth vocals, precise control, and a modern sensibility, bridging deep-rooted Brazilian tradition with explorations into jazz. The trio supporting Ros�lia adds distinctive character and depth. Peter Rosendal blends folk, world, and jazz influences, enriched by his extensive experience living and recording in Brazil. Craig Earle anchors the group with a warm, agile, and virtuosic bass sound. Jonas Johansen, whose career spans more than four decades and over 200 albums, brings orchestral precision and a truly global perspective to the music. After years of international performances, Ros�lia de Souza Quarteto 55� is ready to bring their unique sound to the global stage, inviting audiences everywhere to experience Brazilian jazz reimagined through cross-cultural collaboration.

Storyville Records proudly presents the previously unreleased live double album, Michel Petrucciani Trio, Jazz Club Montmartre - CPH 1988, by the legendary French pianist Michel Petrucciani, due for release on November 15, 2024. Recorded during a memorable performance at Copenhagen's Jazzhus Montmartre on July 3rd, 1988, the album captures Petrucciani in the company of two jazz icons, Gary Peacock on bass and Roy Haynes on drums. While the trio only came together for a brief European tour in the summer of 1988, the chemistry they shared on stage was undeniable. The trio, propelled by a studio session the previous autumn, radiates synergy, as they explore six of Michel's original compositions with a sense of grace and spontaneity. On this recording, listeners will rediscover Petrucciani's unique lyrical universe, as well as his reverence for modern jazz icons, paying tribute to Bill Evans, Keith Jarrett, and Paul Bley with special arrangements of classics like Someday My Prince Will Come, Mr. K.J. and Turnaround. From the explosive energy of She Did It Again to the introspective beauty of Autumn Leaves, Petrucciani's virtuosic playing reveals a rare sense of urgency, joy, and an unrelenting passion for life. As Gary Peacock and Roy Haynes were at the height of their careers-Haynes playing with Chick Corea and Peacock with Keith Jarrett-they were drawn to Petrucciani, recognizing the greatness of his artistry. Together, they formed a trio, bound by a shared intuition and respect for one another, and this performance at Montmartre is a testament to that fleeting moment of jazz brilliance. This concert took place at the midpoint of Petrucciani's meteoric career, 12 years after his Paris debut and 11 years before his untimely passing. Despite the physical challenges posed by glass bone disease (osteogenesis imperfecta), Petrucciani's fierce determination, boundless love for music, and infectious laughter inspired all who knew him. Now, more than 35 years after that magical evening in Copenhagen, we invite listeners to close their eyes and step back in time. July 3rd, 1988... it could have been last night, or it could be tomorrow morning!

Storyville Records proudly presents the previously unreleased live double album, Michel Petrucciani Trio - Jazz Club Montmartre - CPH 1988, by the legendary French pianist Michel Petrucciani. Recorded during a memorable performance at Copenhagen's Jazzhus Montmartre on July 3rd, 1988, the album captures Petrucciani in the company of two jazz icons, Gary Peacock on bass and Roy Haynes on drums. While the trio only came together for a brief European tour in the summer of 1988, the chemistry they shared on stage was undeniable. The trio, propelled by a studio session the previous autumn, radiates synergy, as they explore six of Michel's original compositions with a sense of grace and spontaneity. On this recording, listeners will rediscover Petrucciani's unique lyrical universe, as well as his reverence for modern jazz icons, paying tribute to Bill Evans, Keith Jarrett, and Paul Bley with special arrangements of classics like Someday My Prince Will Come, Mr. K.J. and Turnaround. From the explosive energy of She Did It Again to the introspective beauty of Autumn Leaves, Petrucciani's virtuosic playing reveals a rare sense of urgency, joy, and an unrelenting passion for life. As Gary Peacock and Roy Haynes were at the height of their careers-Haynes playing with Chick Corea and Peacock with Keith Jarrett-they were drawn to Petrucciani, recognizing the greatness of his artistry. Together, they formed a trio, bound by a shared intuition and respect for one another, and this performance at Montmartre is a testament to that fleeting moment of jazz brilliance. This concert took place at the midpoint of Petrucciani's meteoric career, 12 years after his Paris debut and 11 years before his untimely passing. Despite the physical challenges posed by glass bone disease (osteogenesis imperfecta), Petrucciani's fierce determination, boundless love for music, and infectious laughter inspired all who knew him. Now, more than 35 years after that magical evening in Copenhagen, we invite listeners to close their eyes and step back in time. July 3rd, 1988.it could have been last night, or it could be tomorrow morning! A monument over one of the most creative and joyful pianists in jazz ever!

A piece of music history comes alive on Friday, May 10, as Storyville Records releases a new recording capturing the legendary Duke Ellington live in Copenhagen, Denmark, 1958. This recording, Copenhagen 1958 (Bonus: After Hours 1950), offers a rare glimpse into Ellington’s genius during a pivotal period in jazz history. In the late autumn of 1958, Ellington and his orchestra embarked on a whirlwind tour across Europe, leaving a trail of musical brilliance in their wake.

Among the highlights of this tour were two electrifying concerts held at Copenhagen’s iconic sports center, KB Hallen, on November 7. Although the original tapes have been lost to time, segments of these historic performances were broadcasted on separate occasions. Now, these broadcast recordings serve as the foundation for this release, transporting listeners back to a time when Ellington’s music redefined the jazz landscape.

The album opens with Ellington’s signature tune, "Take the A Train," over the vibrant energy of "Newport Up" to the soulful strains of "My Funny Valentine," each track showcasing the orchestra’s talent and Ellington’s innovative compositions. The orchestra was in great form in the late '50s, with the mixture of veterans like Johnny Hodges and Harry Carney, and modernists like Jimmy Hamilton, Clark Terry, and Paul Gonsalves.

One of the highlights is the rendition of "Diminuendo and Crescendo in Blue," featuring Paul Gonsalves’ legendary solo. In addition to the live recordings from the 1958 tour, this album also includes bonus tracks from after-hours settings in 1950; three tracks from a jam session at the dance restaurant Sct. Thomas in Copenhagen and two solo Ellington tunes recorded at a social charity event in Aarhus.

Copenhagen 1958 stands as evidence of Ellington’s enduring musical legacy, demonstrating that his music remains as pertinent and influential today as it was during its inception!

The legendary tenor saxophonist, Johnny Griffin's electrifying performance in Valencia, Spain in 1992 is set to be immortalized on the upcoming release, Live in Valencia 92 on June 7, 2024 on Storyville Records. Accompanied by an all-star trio with French pianist Herve Sellin, bassist Reggie Johnson and Doug Sides on drums, this recording, consisting of 6 tracks, is a chance to hear Johnny Griffin at his best, enjoying being out there live with an enthusiastic Spanish audience. The recording made in a defunct savings bank auditorium adorned with warm fabrics and wood accents, sounds great with it's cozy ambiance and impeccable acoustics. From the moment Griffin stepped onto the stage, his charisma was palpable, captivating audiences with his inimitable style, sense of humor and swing. Griff at his best! Live in Valencia 92 offers a glimpse into Griffin's artistry, showcasing a mastery of the tenor saxophone across a repertoire of standards by his favorite composers like Duke Ellington and Thelonious Monk, but we also get The Cat, one of his own compositions and almost considered a theme Song for Johnny Griffin. Johnny Griffin loved the European way of living and the Europeans loved him back. He settled in France, but spent time in Amsterdam and Copenhagen as well. As Herve Sellin writes about playing jazz "we don't take it too seriously, but we do it very seriously". That was what Johnny Griffin was known for, A little giant making everybody have a good time. And that's exactly what you experience on this recording. Johnny Griffin (1928-2008) was an American jazz tenor saxophonist known for his blistering speed and technical prowess. A prolific performer and recording artist, Griffin's career spanned over six decades, during which he collaborated with some of the most prominent figures in jazz, including Art Blakey, Thelonious Monk and John Coltrane. This recording serves as a poignant reminder of Griffin's enduring impact on the jazz world. For jazz enthusiasts, Live in Valencia 92, is a must have addition to any collection, offering a glimpse into the brilliance of one of jazz music's true icons.

Mulgrew Miller, one of the most important pianists of jazz' modern era, proudly delivers his brand-new album Solo in Barcelona via Storyville Records. The occasion of a present-day release of a sol o recording by this remarkable musician is a very rare and extraordinary occasion. This album, which was recorded on February 2, 2004 in Barcelona, is truly a rare gem for the admirers of a man and piano player, who was loved by so many fans and the entire jazz global community. With his unique take on arrangements from Monk, Dizzy Gillespie, Cole Porter, Miles Davis and Duke Ellington, MM shows us why he is considered a modern legend. On this solo album, MM's piano embarks on an extraordinary musical journey. With each note, he effortlessly paints a vivid tapestry of emotions, traversing a rich musical landscape that spans genres and styles characterized by versatility, proficient soloing and tasteful restraint. He plays like a modern-day exponent of Art Tatum with the deepest musical roots, but with the freshest, most forward-thinking, profoundly original voice that's uniquely his own. Live in Barcelona shows how he is able to tell us a story and swing like very few others. A real master on the piano. The highlight is perhaps his 'Excursions in Blue', playing the blues like it should be done - in the moment! Solo in Barcelona is a beautiful documentation of Mulgrew Miller playing solo material that has not been recorded before. MM was one of the most influential jazz pianists of his generation. Renowned for his technical mastery, improvisational genius and deep musicality, Mulgrew Miller worked with Miles Davis, Betty Carter, Woody Shaw, Niels-Henning �rsted Pedersen and his own trio around the globe. Still missed by his big audience. Mulgrew Miller (1955-2013) was a world-renowned jazz pianist and composer. His illustrious career spanned over four decades, during which he performed with legendary jazz artists and received critical acclaim for his exceptional musicianship. His unique approach to the piano and his profound contributions to jazz have solidified his place as one of the greatest pianists in the history of the genre. With this exceptional solo album, MM invites listeners on a personal and intimate musical journey, as he displays his extraordinary command of the piano. His nuanced phrasing, exquisite dynamics and deep understanding of harmony create an enchanting and captivating listening experience.

Storyville Records is pleased to announce the release of In Rome, a new album by Danish bassist Thomas Fonnesbaek alongside esteemed jazz musicians, pianist Enrico Pieranunzi, saxophonist Rosario Giuliani, drummer Roberto Gatto and singer Valentina Ranalli. The album is set for release on November 1, 2024. This recording consists of 11 original compositions, 9 by Pieranunzi, 1 by Fonnesbaek and 1 by Gatto. Thomas Fonnesbaek is considered one of the most important and distinctive bassists on the European jazz scene today. His virtuosic technique, "Nordic sound" and ability to craft cohesive solos place him in the lineage of Danish bassists like Niels-Henning orsted Pedersen, Bo Stief and Jesper Lundgaard, while also showing kinship with greats like Dutch bassist Hein van de Geyn and prominent Swedish bass players. Nevertheless, Fonnesbaek's style is uniquely his own, honed through a self-taught journey that captivates audiences with a rare ability to evoke Duende - the inexplicable power of attraction that moves listeners emotionally, a concept coined by Spanish poet Federico Garcia Lorca. For those who have had the privilege of experiencing Fonnesbaek live, they will recognize this Duende in his playing. He often takes risks that challenge both his fellow musicians and audiences, creating moments of magic. In Rome captures these moments, highlighting Fonnesbaek's collaboration with some of Europe's finest musicians. At the core of the album is the partnership between Fonnesbaek and Enrico Pieranunzi, one of Europe's most revered pianists. Pieranunzi, known for his collaborations with the likes of Chet Baker, Mark Johnson, Paul Motian, and the legendary film composer Ennio Morricone, brings his extensive jazz and classical music background to this recording. Having recorded numerous albums together, Pieranunzi and Fonnesbaek share a musical chemistry that fuels this project. Joining the trio is Roberto Gatto, a drummer celebrated in European jazz circles. His elegant, sensitive approach enhances the group's interplay, while Rosario Giuliani on saxophone and Valentina Ranalli on vocals further elevate the music. In Rome is a testament to the creativity and mastery of European jazz. This album is jazz at it's finest!

Storyville Records is pleased to announce the release of In Rome, a new album by Danish bassist Thomas Fonnesbaek alongside esteemed jazz musicians, pianist Enrico Pieranunzi, saxophonist Rosario Giuliani, drummer Roberto Gatto and singer Valentina Ranalli. This recording consists of 11 original compositions, 9 by Pieranunzi, 1 by Fonnesbaek and 1 by Gatto. Thomas Fonnesbaek is considered one of the most important and distinctive bassists on the European jazz scene today. His virtuosic technique, "Nordic sound" and ability to craft cohesive solos place him in the lineage of Danish bassists like Niels-Henning �rsted Pedersen, Bo Stief and Jesper Lundgaard, while also showing kinship with greats like Dutch bassist Hein van de Geyn and prominent Swedish bass players. Nevertheless, Fonnesbaek's style is uniquely his own, honed through a self-taught journey that captivates audiences with a rare ability to evoke Duende - the inexplicable power of attraction that moves listeners emotionally, a concept coined by Spanish poet Federico Garcia Lorca. For those who have had the privilege of experiencing Fonnesbaek live, they will recognize this Duende in his playing. He often takes risks that challenge both his fellow musicians and audiences, creating moments of magic. In Rome captures these moments, highlighting Fonnesbaek's collaboration with some of Europe's finest musicians. At the core of the album is the partnership between Fonnesbaek and Enrico Pieranunzi, one of Europe's most revered pianists. Pieranunzi, known for his collaborations with the likes of Chet Baker, Marc Johnson, Paul Motian, and the legendary film composer Ennio Morricone, brings his extensive jazz and classical music background to this recording. Having recorded numerous albums together, Pieranunzi and Fonnesbaek share a musical chemistry that fuels this project. Joining the trio is Roberto Gatto, a drummer celebrated in European jazz circles. His elegant, sensitive approach enhances the group's interplay, while Rosario Giuliani on saxophone and Valentina Ranalli on vocals further elevate the music. In Rome is a testament to the creativity and mastery of European jazz. This album is jazz at it's finest!

Mulgrew Miller, one of the most important pianists of jazz’ modern era, proudly delivers his brand-new album Solo in Barcelona via Storyville Records. The occasion of a present-day release of a solo recording by this remarkable musician is a very rare and extraordinary occasion. This album, which was recorded on February 2, 2004 in Barcelona, is truly a rare gem for the admirers of a man and piano player, who was loved by so many fans and the entire jazz global community. With his unique take on arrangements from Monk, Dizzy Gillespie, Cole Porter, Miles Davis and Duke Ellington, MM shows us why he is considered a modern legend.

On this solo album, MM's piano embarks on an extraordinary musical journey. With each note, he effortlessly paints a vivid tapestry of emotions, traversing a rich musical landscape that spans genres and styles characterized by versatility, proficient soloing and tasteful restraint. He plays like a modern-day exponent of Art Tatum with the deepest musical roots, but with the freshest, most forward-thinking, profoundly original voice that’s uniquely his own. Live in Barcelona shows how he is able to tell us a story and swing like very few others. A real master on the piano. The highlight is perhaps his ‘Excursions in Blue’, playing the blues like it should be done - in the moment! Solo in Barcelona is a beautiful documentation of Mulgrew Miller playing solo material that has not been recorded before.

MM was one of the most influential jazz pianists of his generation. Renowned for his technical mastery, improvisational genius and deep musicality, Mulgrew Miller worked with Miles Davis, Betty Carter, Woody Shaw, Niels-Henning Ørsted Pedersen and his own trio around the globe. Still missed by his big audience. Mulgrew Miller (1955-2013) was a world-renowned jazz pianist and composer. His illustrious career spanned over four decades, during which he performed with legendary jazz artists and received critical acclaim for his exceptional musicianship. His unique approach to the piano and his profound contributions to jazz have solidified his place as one of the greatest pianists in the history of the genre. With this exceptional solo album, MM invites listeners on a personal and intimate musical journey, as he displays his extraordinary command of the piano. His nuanced phrasing, exquisite dynamics and deep understanding of harmony create an enchanting and captivating listening experience.

Storyville Records presents the legendary American saxophonist Buddy Tate in a meeting with the Danish quintet White Label on the new album Tate’s Delight – Groovin’ at the JASS Festival. The meeting took place at the Holstebro JASS Festival in September 1982. JASS stands for Jutland’s Active Musicians’ Society. For almost 20 years since the foundation in 1975, the society presented an annual jazz festival during the last week of September. The concerts took place at the Holstebro Hall and the nearby Restaurant Laksen. Tate’s Delight was recorded at Restaurant Laksen with no rehearsals. Some tunes, but not all, were agreed upon, when White Label took the stage. It became one of those spontaneous events, where the music is created on the spot, but one for which the musician has been preparing throughout his career as an improvising jazz musician. In this context, Buddy Tate was a fine acquaintanceship. He was in good form, friendly, easy to play with, and super cool in his elegant brown-and-yellow stage outfit with matching two-tone shoes. The album is separated into two parts. First, Tate is heard with the rhythm section, showcasing his beautiful, but rarely heard clarinet on magnificent renditions of the Duke Ellington tunes In A Mellow Tone and Mood Indigo. On the second part of the album, Jens Søndergaard and Poul Valdemar Pedersen join in on the last three songs, recreating the intense jam session spirit of the golden age of swing. This session is an excellent example of the musical encounters that have taken place in Denmark over the years. Buddy Tate was among the many legendary international stars, who came and played with Danish musicians, thus contributing to the special bond between Danish and American jazz.

Storyville Records proudly present the new album Danish Rain from two of the most exciting new artists in jazz, the supreme Scandinavian bassist Thomas Fonnesbæk and the young jazz superstar, pianist Justin Kauflin. This latest addition to the two gentlemen’s musical partnership builds on and expands the soundscape of their previous releases together. This recording consists of 9 tracks, 7 modern and older standards and 2 original compositions from the two players respectively. TF and JK have a shared history going back to 2015, where they were introduced to each other at a gig at the legendary Jazzhus Montmartre. Since then, the two have played, recorded and toured together, increasing their mutual understanding in the process. They both perceive music as colour, a form of synesthesia, where one sense stimulates another. It is an aptitude that permeates this record and boosts the level of interplay to new heights.

This recording is the embodiment of modern and melodic jazz, where musicians from opposite sides of the globe bring their own unique flavour to the table. Certain European aesthetics – evident in Fonnesbæk’s Danish Rain and John Lennon’s Imagine – merge perfectly with Kauflin’s potent American jazz and the beautiful grounds in between. The acrobatic Scandinavian Fonnesbæk displays a sense of swing and propulsion that mingles expertly with the precision and playfulness of the laid-back and elegant Kauflin. Their understated approach makes a powerful statement in itself. Danish bassist Thomas Fonnesbæk is a fascinating musician, who exudes technical brilliance and a superior sense of rhythm, as well as a melodic and harmonic sensitivity reminiscent of Niels-Henning Ørsted Pedersen that never overshadows his own unique style. Justin Kauflin is one of the greatest piano talents of recent times. Renowned trumpetist Clark Terry and Quincy Jones have both taken the young prodigy under their wings, playing a crucial part in his success. The maturity he displays and focus with which he plays is exceptional. It is a joy to listen to the interplay and the myriad of sounds and emotions created by these wizards of music – a global dance; leaving you wanting even more!

Storyville Records is proud to present one of master saxophonist Phil Woods’ most impressive projects, Bird With Strings … And More! The recording of this album took place in Tonhalle Zürich on June 13, 2005 with the help of pianist Ben Aronov, bassist Reggie Johnson, drummer Douglas Sides and the fantastic Zürich Chamber Orchestra. The beautiful and characteristic sound of jazz and pop supported by a string orchestra is a very special and rare experience. Bird With Strings … And More! uses the classic album Charlie Parker With Strings as a point of departure. Charlie Parker, also known as Bird, recorded the original Charlie Parker With Strings in 1949 with a rhythm section plus a very small string section.

On this recording, PW has written all new arrangements based on the original scores, and expanded the original arrangements to a much larger string section of 24/30 pieces and added a small woodwind section of oboe, flute and clarinet. Woods also proceeded to write a dozen extra arrangements with the same instrumentation. PW pays perfect tribute to Bird and his original project, but with his very own sound signature, sometimes warm and sometimes volcanic.

PW was not only an extraordinary alto saxophonist, but also an incredible composer and arranger. He is a modern jazz giant and one of the most important alto saxophonists in the history of jazz. Woods was known for a lyrical and beautiful sound making him one of the most popular musicians in mainstream jazz. This is emotional music for lovers, so savor the moment and relax in the company of one of the true masters!

Monk, also known as “Toot”, leads his sextet with an innovative and dynamic approach. Since 1992, the drummer has worked exclusively with his co-players, making the sound of the sextet incredibly tight. When they roll out their arsenal, they soar and swing, and are indeed exciting to hear. In that regard, it might be quite surprising to learn that this is Monk’s very first live album! “This is my first live recording, ever! It’s daunting and an uncertain kind of product. Most live albums aren’t that good. I’ve been lucky to always have great people working with me.”

The seven songs on the album are taken from two performances at two similar jazz rooms over a two-year period; three are from “Harlem’s Jazz Shrines Festival: Jazzmobile presents Minton’s Playhouse” at Ginny’s Supper Club on May 7, 2014, while others were recorded at Marians Jazzroom in Bern, Switzerland on April 24, 2016. Drummer, percussionist, composer, producer and bandleader, T. S. Monk has taken his place in the pantheon of jazz royalty, to which he was born. The swing is DNA inherited and absorbed in this master drummer’s persona. Monk spent the late 70’s and 80’s in various R&B groups, scoring his biggest hit Bon Bon Vie (Gimme the Good Life) in 1982, but by the 1990’s he decided to return to his jazz roots.

REVIEW:

Two Continents One Groove has superb sound reproduction for a live disc. But that would be for nought without great performances, and this band delivers. With its well chosen covers and strong member compositions, it’s a perfect blend of foundational and forward looking. Best of all, it’s great fun, with all kinds of swing and funk. Highly recommended.

-- A Green Man Review (Gary Whitehouse)

Clark Terry is one of the greatest and most important trumpeters in jazz history. Now, Storyville Records presents a live recording with his fantastic orchestra, Clark Terry’s Big Bad Band – Live in Holland 1979. The whole band is in great form, and besides Clark Terry himself, this recording showcases many of the very best musicians from the heyday of big bands. The band is SWINGING, that also goes for CT’s introductions of the music and the band. The live setting of this performance, containing 13 tracks, clearly inspires both CT and his 16-piece orchestra to even greater heights than in the studio. The performance culminates with the hit “Mumbles”, a track made famous during the many years CT was one of the leading members of “The Tonight Show Band”. The repertoire presented here makes way for the entire band with arrangements by Phil Woods, Billy Strayhorn and Duke Ellington among others. CT is not just a brilliant soloist, but also a charming entertainer, engaging in friendly banter with both the musicians and the audience.

CT’s original style and technique has had a major influence on many great jazz musicians, including Wynton Marsalis, Art Farmer, Miles Davis and not least Quincy Jones, who has written a very personal piece for the liner notes, praising the lifelong mentorship of CT for many of the greatest American jazz musicians. CT has played with both Count Basie’s and Duke Ellington’s orchestras. He made his mark on both orchestras with his great swing and as a soloist, both on the trumpet and the flugelhorn. CT continued from his stints with the forementioned big bands to become one of the most beloved and sought-after soloists in the history of jazz. Both with his own orchestras and as a soloist with big bands globally.

The Danish piano auteur Carsten Dahl and the dynamic American trumpeter Tim Hagans meet the acclaimed Swedish bassist Johnny Åman and the Finnish master drummer Jukkis Uotilaon on the new album A Beautiful Blue Moment, now available on Storyville Records. This rare quartet had never played together before they gathered at the scene of the historic jazz club Montmartre in Copenhagen and played the music recorded here over three sold-out evenings in August 2021. Quite the beautiful moment indeed!

The quartet mainly played free music with an original searching idea of being composing musicians and playing composers, who constantly found new horizontal and vertical directions in music. The original idea for the quartet arose, when Dahl and Hagans taught together at a jazz college in 2019, and realized that they shared musical understanding, humor, fervor and curiosity, when it comes to exploring the essence of music creation. They have been close friends ever since. Dahl, Uotila and Åman had their very first musical encounter at Montmartre, but it turned out to be a truly magical and flying journey. The combination of the four musicians is simply an explosive, poetic and ground-breaking meeting, where their common breathing in music is free, effortless and at the same time linked to their great habitus in tradition and in the many expressions of jazz music. After three great evenings, where musical sparks flew in abundance, the four musicians went directly in the studio for a 6 hours spontaneous recording session. The result is a once in a lifetime jazz voyage, so fasten your seatbelt and get ready for a ride!

Brazilian bossa nova queen Rosa Passos’ highly anticipated album Samba Sem Você is due for release on February 3rd, 2023 on Storyville Records. For years, the Brazilian vocalist and guitarist has had a devoted global following, including fans who proclaim she is Brazil’s answer to Ella Fitzgerald or the female João Gilberto. So, expectations were high, when she performed two sets at Copenhagen Jazzhouse on July 7th, 2001.

The tracks on Samba Sem Você come from the second set, while the songs of the first set were released as the album Dunas in 2021. RP is a prolific, distinct vocalist with a playful yet sophisticated style marked by perfect pitch, spacious elegance and natural flair. Her musicality is an inspiration to singers all over the world. She is intimate and powerful at the same time, and the tunes she plays, a mixture of her own compositions and bossa nova classics, support her means of expression in the best way possible.

On this recording, she has gathered some of the finest musicians in the business of bossa nova, including pianist Fábio Torres, bassist Paulo Paulelli and drummer Celso de Almeida. The three provide the pleasing musical backdrop for RP to spread her wings and seduce the audience with her charming smile, infectious warmth and delicate voice.

Passos began playing piano at age thirteen, but after listening to Dorival Caymmi and João Gilberto, she abandoned the instrument to become a singer. She recorded her debut album in 1978, and has since worked with the likes of Ron Carter and performed with master pianist Kenny Barron among many others. Her music speaks to everyone, you don’t need to know anything about bossa nova to appreciate her music as there is something universal about her vocals and approach that instantly makes the listener go along on the journey she sets out for. It’s always soul-soothing and beautiful, and if you press play and close your eyes you can almost feel the Brazilian soul and see the sandy beaches for your inner eye.

Acclaimed Italian pianist Enrico Pieranunzi is at the zenith of his career and has now joined forces with the legendary French drummer André Ceccarelli and the acrobatic Danish double bass player Thomas Fonnesbæk. This new trio encounter combines three of the very best European jazz stars and makes for an album played with dramatic coherence - a seldom sight when three major personalities meet. Something Tomorrow is available on Storyville Records.
Playing with Fonnesbæk seems to give wings to Pieranunzi, the two men listen and talk to each other like two accomplices, who meet again after a long absence. Fonnesbæk enjoys this intuitive game, where they listen intensely to each other, propose another tempo or a new melody. And they can count on the rhythmic precision and great musicality of André Ceccarelli, one of Pieranunzi’s favorite drummers.
Pieranunzi is one of, if not the most, popular European pianist, likely due to a unique combination of influences, from his formative years in classical and Italian music to his collaborations with iconic film composer Ennio Morricone and output with the likes of Chet Baker and Lee Konitz. Pieranunzi never renounces bold and elegant music, for he is a poet of black and white. In the breath of his piano, there is a reflexive expression, a harmonic treatment full of subtleties. A lush romanticism lies deep at the heart of his music, when he lets his hands dance on the keys.
Thomas Fonnesbæk is a formidable bassist with an astonishing technique. He impresses with his virtuosity and harmonic choices, and his bass lines inspire both Pieranunzi and Ceccarelli. Not only is Fonnesbæk one of Pieranunzi’s favorite collaborators, he has also recorded and toured with musicians such as Monty Alexander, Aaron Parks, Sinne Eeg, Lars Jansson and many others.
Drummer André Ceccarelli is one of the most important figures on the European jazz scene. He has not only played with Pieranunzi in many other musical constellations, but also with giants like Enrico Rava and Chick Corea, and popular music stars like Sting, Aretha Franklin and Tina Turner. Here, Ceccarelli expresses his joy by a rare delicacy of touch in a performance with no discordant element. It is quite frankly evident that the trio enjoys the musical company of each other making ‘Something Tomorrow’ an important milestone in the career of a pianist, who never ceases to amaze us.

Acclaimed Italian pianist Enrico Pieranunzi is at the zenith of his career and has now joined forces with the legendary French drummer André Ceccarelli and the acrobatic Danish double bass player Thomas Fonnesbæk. This new trio encounter combines three of the very best European jazz stars and makes for an album played with dramatic coherence. Something Tomorrow is available on Storyville Records.

Playing with Fonnesbæk seems to give wings to Pieranunzi, the two men listen and talk to each other like two accomplices, who meet again after a long absence. Fonnesbæk enjoys this intuitive game, where they listen intensely to each other, propose another tempo or a new melody. And they can count on the rhythmic precision and great musicality of André Ceccarelli, one of Pieranunzi’s favorite drummers.

Enrico Pieranunzi is one of, if not the most, popular European pianist, likely due to a unique combination of influences, from his formative years in classical and Italian music to his collaborations with iconic film composer Ennio Morricone and output with the likes of Chet Baker and Lee Konitz. Pieranunzi never renounces bold and elegant music, for he is a poet of black and white. In the breath of his piano, there is a reflexive expression, a harmonic treatment full of subtleties. A lush romanticism lies deep at the heart of his music, when he lets his hands dance on the keys. Thomas Fonnesbæk is a formidable bassist with an astonishing technique. He impresses with his virtuosity and harmonic choices, and his bass lines inspire both Pieranunzi and Ceccarelli. Drummer André Ceccarelli is one of the most important figures on the European jazz scene. He has not only played with Pieranunzi in many other musical constellations, but also with giants like Enrico Rava and Chick Corea.

Internationally renowned Italian pianist Dado Moroni collaborates with prominent Danish bassist Jesper Lundgaard and versatile American drummer Lee Pearson on the brand new release There Is No Greater Love.

The story behind the release is a number of concerts commemorating the Danish bassist Niels-Henning Ørsted Pedersen, who would have been 70 years old in April, 2015. NHØP was a virtuoso, who innovated the art of playing the double bass, both technically and musically. He was a grand man of decisive importance to jazz history. An essential part of NHØP’s career was his musical partnership with Oscar Peterson, who loved him for his natural drive, making any creative idea viable instantly. Consequently, we had to find musicians cut from the same cloth in order to give the audience the same feeling – the moment, where the crowd is captivated by the swing. Dado Moroni, Jesper Lundgaard, and Lee Pearson are more than capable musicians. In fact, their preparations merely consisted of a dinner before the concert. They did not rehearse – not even a soundcheck. Their professionalism lies in their sympathy for each other and naturally in years of training in the great American piano trio tradition. The music speaks for itself!

Rosa Passos is considered one of the most important and loved Brazilian singers. Many music fans view her as the queen of modern bossa nova and samba, and she's equally loved in South America, Japan, USA and Europe. Whether she's playing with Kenny Barron or Yo Yo Ma she easily sells out Carnegie Hall in New York. She also enjoys touring with her quartet at jazz festivals and jazz clubs around Europe. Rosa Passos is part of the golden generation of Brazilian musicians that includes Joao Bosco, Joyce Moreno, Gilberto Gil, Gal Costa, Maria Bethania, Milton Nascimento, Ivan Lins and many other great artists. Rosa Passos is especially loved for her elegance and soft touch. Her musicality is an inspiration to singers all over the world. Her music speaks to everyone, you don't need to know about jazz or music to understand and enjoy - there is something universal to her vocal and approach that instantly makes the listener go along on the journey Rosa sets out for. It's always beautiful and if you close your eyes you can feel the Brasilian soul and see the beaches for your inner eyes. On July 7th, 2001 Rosa Passos played two sets at the famous Copenhagen Jazzhouse, one of the best jazz clubs in Europe for more than 25 years. The concerts took place as part of a bigger summer tour of Europe, with Rosa Passos playing all the important jazz festivals. In 2001 she was still unknown to the audience in Copenhagen, but Steen Rasmussen, a Danish pianist who was there, remembers: "Her playing was flawless and sophisticated - and it swung like crazy. It was already the best music I'd ever heard. Then she began to sing - and I was almost in a trance. That voice, that phrasing, that swing, that empathy, that way she accompanied herself - and that low volume. I could tell everyone present felt the same. Rosa Passos had changed all our lives forever" The experience speaks to the impact Rosa Passos has on people when they have the honor of experiencing her talent first-hand. She's intimate and powerful at the same time, and the tunes she plays, a mixture of her own compositions and Bossa Nova-classics, support her means of expression in the best way possible. This recording from Jazzhouse presents her and her band at her best. The sound is crisp, and the presence allows for the pure expression to shine through, and makes you wish that you had been there to experience this very special night in Copenhagen. "Imagine you are rocking a baby to sleep. For me, that's Bossa Nova" - Rosa Passos