Tommy Flanagan was known for his tasteful, flawless and swinging piano playing. He added class to every session that he was involved with and fortunately it was well documented during the latter part of his career. Solo Piano was not initially released until decades after it's 1974 recording. It is significant historically because this outing was the pianist's first recording as a leader in 13 years and, most importantly, because it is very good music. Until the long delayed release of Solo Piano, it was believed that Tommy Flanagan's "comeback" began with 1975's The Tokyo Recital for the Pablo label and that his only full-length album of unaccompanied piano solos was 1977's Alone Too Long which was released by Denon in Japan. Solo Piano forced a slight readjustment of the jazz history books and, most importantly, offers listeners some very enjoyable music from the great pianist. It also includes a few surprises, particularly for those listeners who think of Flanagan as primarily a bop stylist. When swing was succeeded by bop as jazz's modern mainstream, the function of the piano changed from being a timekeeper to take part of the rhythm section. While the pre-1945 styles of jazz piano had the pianists keeping time with his or her left hand, usually by striding back and forth between bass notes and chords, in bebop that role is usually handled by the string bassist. Bop pianists use their left hands to hit chords on a more unpredictable basis, accenting beats like a drummer "dropping bombs, " while their right plays hornlike lines. That approach works perfectly in trio settings but can leave some pianists sounding incomplete when taking unaccompanied solos. Bud Powell, the leader in the field, was able to imply the beat and slightly adjust his style when playing solos. In the case of Tommy Flanagan, his ability to play swing was a major asset and in a solo setting he often added a modified stride, as can be heard on his version of Sleeping Bee. On swing-oriented numbers such as Isn't It Romantic, Sleeping Bee and Yesterdays, Flanagan always kept the melody close by even while creating improvised variations. One never has a problem knowing where the pianist is for he builds his improvisations off of the melody rather than simply discarding the theme in favor of jamming over it's chord changes. He follows those classic songs with an infectious version of Stompin' at the Savoy that manages to sound both vintage and modern. To conclude the enjoyable program, Flanagan performs a song apiece by three great composers of the bebop era (Dizzy Gillespie's Con Alma, Tadd Dameron's If You Could See Me Now, and Thelonious Monk's Ruby, My Dear) before ending the set with a joyful rendition of Lover. By the time Tommy Flanagan left Ella Fitzgerald's backup band in 1978, his series of trio recordings had reminded the jazz world that he was a brilliant and very musical pianist. He worked steadily during the next 23 years, touring Europe and Japan while being based in New York and remaining one of the most consistently satisfying of all jazz pianists. Flanagan passed away on Nov. 16, 2001 at the age of 71 but he has never been forgotten. Tommy Flanagan is remembered with love, respect and admiration for his playing and his classy nature. Solo Piano adds to his impressive musical legacy.

This album is a collection of classic melodies from the repertoire of Ben Webster’s famous employer of many years, Duke Ellington. The album is comprised of three live radio sessions with the Danish Radio Big Band in 1969 and 1971, plus live concert sessions with two different backing trios (Finland in 1967 and Denmark in 1969). Aside from one tune, all the performances with the Danish Radio Big Band are based on Ellington’s original scores. The quartet sessions are also great - one with Ben’s boss from the early 1930’s, Teddy Wilson, and the other with Kenny Drew. That Ben Webster was one of the undisputed jazz greats on the tenor saxophone - both in a big band and small group context - is amply illustrated on this fine album.

Jazz giant and tenor saxophonist Dexter Gordon bids Copenhagen farewell on his new album Copenhagen Coda – Live at Montmartre 1983. This album marks DG’s final farewell to friends and fans in the Danish capital, with which he had had a twenty year love affair. He is quoted as having said: “I don’t think they [his fellow American musicians living in Europe] got the love I got in Copenhagen” The concert was part of a TV production by the national Danish Broadcasting Corporation, who have documented this golden era in Danish jazz history.

On this recording, DG is accompanied by the accomplished and versatile pianist Kirk Lightsey, wonderful bass player David Eubanks and the master drummer Eddie Gladden. DG proves that he hasn’t lost a step, as he projects enormous authority on stage, being a fountain of sound and ideas, melodically as well as rhythmically. He generates a stunning energy, taking off on a flight that is able to captivate the audience with his tenacious be-bop, somewhere between Lester Young and Coltrane, with a bold, dry sound.

DG arrived in Copenhagen in 1962, where he settled and became a regular on the jazz scene, most often at the legendary Jazzhus Montmartre. During the years 1964 to 1967, he played Montmartre 6 nights a week during the summer months. One of those evenings, where DG was accompanied by Tete Montoliu, NHØP and Alex Riel, was recorded and subsequently released as the album Montmartre 1964 on Storyville Records. His year-long stint in Copenhagen helped remold and vitalize DG after his lean years. In return, he also helped Montmartre build and maintain its reputation as one of Europe’s premier jazz venues in the 1960’s, attracting many American jazz players, including Ben Webster, Bud Powell, Kenny Drew and many, many more. All of them contributing substantially to the vitality of the Danish jazz scene, but more than anyone, DG is the musician synonymous with folk’s perception of Montmartre.

Copenhagen Coda is a celebration of and a tribute to Dexter Gordon’s legacy in Copenhagen. The audience in the Danish capital loved the sophisticated giant “Copenhagen Slim” immensely, and their love was reciprocated - Copenhagen Coda is a testament to this intense year-long love affair!

With a shared history spanning decades and a sound rooted in both the jazz tradition and the Nordic spirit, the Danish jazz trio Sophisticated Ladies - pianist Marie Louise Schmidt, bassist Helle Marstrand, and drummer Benita Haastrup - unveil their new album, That Healin' Feelin', due out on October 10 on Storyville Records. Formed in 1987 under the mentorship of American trombonist and vocalist Richard Boone (Count Basie Orchestra, Danish Radio Big Band), the trio have built a repertoire that seamlessly blends the roots of jazz with the nuances of Nordic expression. The album consists of 10 tracks with freshly interpreted standards, original compositions, and beloved pieces from the early days of the ensemble. The album opens with Les McCann's soulful title track, a nod to the group's formative years. It continues with Mary Lou Williams' J.B.'s Waltz and A Grand Night for Swinging, two foundational works from the group's early repertoire. Other highlights include takes on Duke Ellington's Going Up, Thelonious Monk's Bemsha Swing, and Abdullah Ibrahim's Blue Bolero, a trio of towering jazz voices who have left a lasting imprint on the group's sound. The record is enriched by original compositions: Svaner i Maj (Swans in May) by Marstrand, Gar pa Sol (Walk on Sun) by Haastrup, and Uden Ord (Without Words) by Schmidt. These pieces are deeply rooted in Danish song traditions and reflect the trio's Nordic musical language. Closing with the timeless What a Wonderful World, the album pays loving homage to Richard Boone, who for more than a decade toured and performed with Sophisticated Ladies. In his words, always spoken at the end of a concert: "What a Wonderful World, and then we go home, children." That Healin' Feelin' is a heartfelt continuation of a musical dialogue that began nearly 40 years ago, and a testament to the vitality and versatility of three musicians still listening deeply to each other and the world around them.

Storyville Records proudly announces the release of Never Say Yes - 1986, a previously unreleased live-in-studio recording by the Doug Raney Quartet, captured in Studio 3 at the Danish Broadcasting Corporation on January 9, 1986. The album features Doug Raney on guitar, Ben Besiakov on piano, Jesper Lundgaard on bass, and Finnish drummer Jukkis Uotila. Never Say Yes - 1986 offers seven tracks of inspired modern jazz, full of interplay, elegance, and technical brilliance. Doug Raney, the son of jazz guitar legend Jimmy Raney, carved out a distinctive path of his own, particularly within the vibrant Scandinavian jazz scene, where he lived and worked for decades. This recording, unearthed from the archives of the Danish Broadcasting Corporation, captures Doug in strikingly fine form following a return to health, backed by some of the most intuitive players on the Scandinavian scene. "He had an incredibly refined technique on the guitar, I'd almost call it organically innate, " writes bassist Jesper Lundgaard in the liner notes. "His playing felt like an extension of his personality, effortless, and yet grounded in a deep understanding of jazz's inner architecture, which is so difficult to truly master. Doug had a special ability to voice chords, and in my opinion, there was a beauty in his soloing that only very few possess." The session was the culmination of a brief Danish tour and showcases Raney's wide-ranging repertoire, from the burning drive of John Coltrane's Giant Steps to the aching beauty of I'm Old Fashioned and a soulful take on Nat Adderley's title track. Raney's melodic instinct, rhythmic command, and harmonic depth shine throughout, with dynamic support from Besiakov, Lundgaard, and Uotila. Despite his remarkable talent, Doug Raney remains a somewhat overlooked figure in modern jazz. With this release, Storyville Records shines a new light on a singular voice whose artistry remain as vital and moving as ever.

On April 24, 2025, Storyville Records release Peter Vuust Quartet's brand new album Homage, their seventh album, recorded in January 2024 at the legendary Nilento Studios in Gothenburg, Sweden. This marks the quartet's first instrumental album in over two decades. The quartet features award-winning bassist, composer, and neuroscientist Peter Vuust, known for his unique ability to blend the complexity of jazz with a scientific understanding of music. In addition to his success as a musician, Vuust is widely recognized as a neuroscientist specializing in the impact of music on the brain. His creative vision and musical insight drive the quartet's sound and this new album. Joining Vuust are Swedish piano icon Lars Jansson, Danish top-streaming saxophonist Claus Waidtlow, and prolific drummer Morten Lund. The album is a heartfelt tribute to the power of music and the legendary figures who have shaped it's history. With a collection of new compositions by Vuust, Homage captures a dynamic interplay of rhythm, melody, and emotion. The recording session brought together four of Scandinavia's most celebrated jazz musicians in an intense yet joyful creative process, resulting in a collection of pieces that balance intricate musicianship with expressive depth. Beyond it's artistic excellence, Homage serves as a showcase for the exceptional talents of the quartet. Pianist Lars Jansson, a pivotal figure in Nordic jazz and a member of Peter Vuust Quartet since 1996, delivers performances that blend introspection with virtuosity. From the introspective piano openings on Homage to Keith and Monday to his brilliant virtuosity on more energetic tracks like Finca La Huerta and Oh, Jaco!, Jansson's playing is a cornerstone of this album. Saxophonist Claus Waidtlow, one of Europe's most accomplished tenor and soprano saxophonists, brings power and melodic sensitivity to the album. His recent success with widely streamed Danish jazz albums attests to his global reach and influence. Drummer Morten Lund, among the most versatile and sought-after percussionists of his generation, provides the rhythmic foundation that ties the album together, seamlessly transitioning between energetic grooves and delicate textures. The Homage recording session was marked by a unique synergy between the musicians, culminating in a deeply cohesive album that resonates with listeners on multiple levels. As Morten Lund remarked after hearing the final mix, "This is the best we've ever made, Peter." With Homage, Peter Vuust Quartet offers a vibrant and expansive musical statement-one that pays tribute to jazz legends while embracing forward-thinking composition and performance.

Storyville Records proudly announces the release of Never Say Yes - 1986, a previously unreleased live-in-studio recording by the Doug Raney Quartet, captured in Studio 3 at the Danish Broadcasting Corporation on January 9, 1986. The album features Doug Raney on guitar, Ben Besiakov on piano, Jesper Lundgaard on bass, and Finnish drummer Jukkis Uotila. Set for release on October 24, 2025, Never Say Yes - 1986 offers seven tracks of inspired modern jazz, full of interplay, elegance, and technical brilliance. Doug Raney, the son of jazz guitar legend Jimmy Raney, carved out a distinctive path of his own, particularly within the vibrant Scandinavian jazz scene, where he lived and worked for decades. This recording, unearthed from the archives of the Danish Broadcasting Corporation, captures Doug in strikingly fine form following a return to health, backed by some of the most intuitive players on the Scandinavian scene. "He had an incredibly refined technique on the guitar, I'd almost call it organically innate, " writes bassist Jesper Lundgaard in the liner notes. "His playing felt like an extension of his personality, effortless, and yet grounded in a deep understanding of jazz's inner architecture, which is so difficult to truly master. Doug had a special ability to voice chords, and in my opinion, there was a beauty in his soloing that only very few possess." The session was the culmination of a brief Danish tour and showcases Raney's wide-ranging repertoire, from the burning drive of John Coltrane's Giant Steps to the aching beauty of I'm Old Fashioned and a soulful take on Nat Adderley's title track. Raney's melodic instinct, rhythmic command, and harmonic depth shine throughout, with dynamic support from Besiakov, Lundgaard, and Uotila. Despite his remarkable talent, Doug Raney remains a somewhat overlooked figure in modern jazz. With this release, Storyville Records shines a new light on a singular voice whose artistry remain as vital and moving as ever.

The acclaimed Danish jazz trio Ginmanblachmandahl, consisting of pianist Carsten Dahl, bassist Lennart Ginman, and drummer Thomas Blachman, return with the album Play Ballads, a collection of fifteen jazz standards rendered in their signature, contemplative style on Storyville Records. The trio's deep musical rapport is immediately apparent. Each note and silence is measured with care, revealing a rare comfort and understanding cultivated over decades of collaboration. Play Ballads is distinguished by it's contemplative approach to well-known standards such as Matt Dennis' Angel Eyes, Vernon Duke's Autumn in New York, Billy Strayhorn's Take the "A" Train, Thelonious Monk's Blue Monk, and Duke Ellington's Satin Doll. Each track is performed at deliberately slow tempos, allowing the trio to explore the subtle beauty and emotional depth of each melody. Dahl's piano often leads with sensitive, improvisational statements, while Ginman's bass and Blachman's drums provide understated yet essential commentary. Highlights include a sparse and intimate Angel Eyes, the reflective melancholy of Gone with the Wind, and a subtle reinterpretation of Ellington's Things Ain't What They Used to Be. The album reveals new facets of these standards, balancing tradition with innovation and showcasing the trio's ability to make each melody their own. Their shared history stretches back to the late 1980s, encompassing projects with Page One, Thomas Agergaard, Claus Hempler, and numerous individual recordings. Separately, they have worked with American jazz luminaries including Ed Thigpen, Joe Lovano, and Eddie Gomez, and together they have explored standards and original compositions across multiple albums since 2004. Play Ballads is a testament to the trio's mastery, musical intuition, and their ability to make every note and every silence count. This album is not only a must-listen for longtime jazz aficionados but also an invitation for new audiences to experience the artistry of three of Denmark's finest jazz musicians at the height of their powers.

The acclaimed Danish jazz trio GinmanBlachmanDahl, consisting of pianist Carsten Dahl, bassist Lennart Ginman, and drummer Thomas Blachman, return with the album Play Ballads, a collection of 10 jazz standards rendered in their signature, contemplative style on Storyville Records. The trio's deep musical rapport is immediately apparent. Each note and silence are measured with care, revealing a rare comfort and understanding cultivated over decades of collaboration. Play Ballads is distinguished by it's contemplative approach to well-known standards such as Vernon Duke's Autumn in New York, Billy Strayhorn's Take the 'A' Train, Thelonious Monk's Blue Monk, and Duke Ellington's Satin Doll. Each track is performed at deliberately slow tempos, allowing the trio to explore the subtle beauty and emotional depth of each melody. Dahl's piano often leads with sensitive, improvisational statements, while Ginman's bass and Blachman's drums provide understated yet essential commentary. The album reveals new facets of these standards, balancing tradition with innovation and showcasing the trio's ability to make each melody their own. Their shared history stretches back to the late 1980s, encompassing projects with Page One, Thomas Agergaard, Claus Hempler, and numerous individual recordings. Separately, they have worked with American jazz luminaries including Ed Thigpen, Joe Lovano, and Eddie Gomez, and together they have explored standards and original compositions across multiple albums since 2004. Play Ballads is a testament to the trio's mastery, musical intuition, and their ability to make every note and every silence count. This album is not only a must-listen for longtime jazz aficionados but also an invitation for new audiences to experience the artistry of three of Denmark's finest jazz musicians at the height of their powers.

Renowned Danish pianist and composer Carsten Dahl is set to release his new album, Interpretations The Norway Sessions with his Golden Ratio Trio feat. Swedish bassist Daniel Franck and Danish drummer Jakob H�yer on September 27 on Storyville Records. This recording presents 13 original compositions, two by Dahl, one by Franck and ten by all three musicians. Interpretations presents two distinct recording sessions that offer contrasting textures. The first session is characterized by a warm, melodically precise ambiance, while the second session embraces a rawer, more aggressive edge. This duality in expression ensures that the music remains compelling and evocative, with every nuance and detail thoughtfully crafted. The interplay between H�yer's delicate drumming, Franck's resonant bass, and Dahl's emotive piano creates a rich tapestry of sound, revealing layers of meaning and intensity. Interpretations showcases Dahl's matured approach to the piano trio format. Over the years, Dahl's style has evolved from his early bop influences to a more nuanced and sophisticated voice, drawing comparisons to jazz luminaries such as Bill Evans and Keith Jarrett. Dahl's unique interplay of melody and rhythm now incorporates influences from European classical music, with inspirations ranging from Bach to Rachmaninoff, all while remaining deeply rooted in the jazz tradition. Dahl describes the album with his signature poetic and introspective approach, stating: "We interpret the wind's sigh and the blood that bubbles inside us." He likens the creative process to a spiritual excavation, seeking the profound roots of musical expression. The trio's approach is akin to the artistic philosophy of Pablo Picasso-where creativity emerges not from striving, but from a receptive and intuitive interplay. Dahl likens their work to "small paintings where the picture dictates the interpretations, and where the musician merely plays the role of paint and paintbrush." Interpretations challenges listeners to engage with music in new and profound ways. It is in the delicate balance between action and pause, expectation and surprise, that this music truly thrives.

Renowned Danish pianist and composer Carsten Dahl is set to release his new album, Interpretations The Norway Sessions with his Golden Ratio Trio feat. Swedish bassist Daniel Franck and Danish drummer Jakob Hoyer on vinyl on Storyville Records. This recording presents 13 original compositions, two by Dahl, one by Franck and ten by all three musicians. Interpretations presents two distinct recording sessions that offer contrasting textures. The first session is characterized by a warm, melodically precise ambiance, while the second session embraces a rawer, more aggressive edge. This duality in expression ensures that the music remains compelling and evocative, with every nuance and detail thoughtfully crafted. The interplay between Hoyer's delicate drumming, Franck's resonant bass, and Dahl's emotive piano creates a rich tapestry of sound, revealing layers of meaning and intensity. Interpretations showcases Dahl's matured approach to the piano trio format. Over the years, Dahl's style has evolved from his early bop influences to a more nuanced and sophisticated voice, drawing comparisons to jazz luminaries such as Bill Evans and Keith Jarrett. Dahl's unique interplay of melody and rhythm now incorporates influences from European classical music, with inspirations ranging from Bach to Rachmaninoff, all while remaining deeply rooted in the jazz tradition. Dahl describes the album with his signature poetic and introspective approach, stating: "We interpret the wind's sigh and the blood that bubbles inside us." He likens the creative process to a spiritual excavation, seeking the profound roots of musical expression. The trio's approach is akin to the artistic philosophy of Pablo Picasso-where creativity emerges not from striving, but from a receptive and intuitive interplay. Dahl likens their work to "small paintings where the picture dictates the interpretations, and where the musician merely plays the role of paint and paintbrush." Interpretations challenges listeners to engage with music in new and profound ways. It is in the delicate balance between action and pause, expectation and surprise, that this music truly thrives.

Storyville Records proudly announces the release of the album, New Views, by jazz bassist, composer and world-leading music brain scientist Peter Vuust in collaboration with the dynamic ensemble of Aarhus Jazz Orchestra, on June 14, 2024. The genesis of New Views traces back to 2021, when Aarhus Jazz Orchestra approached Peter Vuust with the idea of touring while he spoke on the intricate workings of the brain during jazz listening and performance. Originally intending to intersperse classic big band arrangements with scientific talks, Vuust and director/arranger Nikolai Bogelund soon recognized the potential for a more engaging experience by showcasing Vuust's original compositions. Working alongside arranger and trumpet player Jesper Riis, Bogelund crafted a signature set comprising Vuust's compositions alongside three new songs tailored for this occasion. The result was a two-hour show that not only entertained but also educated audiences on the intricacies of music cognition. New Views features ten of Vuust's compositions, from the energizing afrobeat groove of Marrakech to the tender ballad Young Blue Eyes dedicated to Vuust's son, the album traverses a spectrum of moods and rhythm. Tracks like High Five and Giving Birth highlight the virtuosity of the ensemble, while the album concludes with the contemplative The End of a Perfect Day, featuring a bass solo by Vuust himself. Vuust is an award-winning composer and bass player and has released seven albums as a solo artist, but this is his first record with a large-scale orchestra. Reflecting on the collaboration, Vuust expressed: "... to hear your own compositions arranged so beautifully and played by such an extraordinary set of musicians, each of them solo artists in their own right, is one of the most touching experiences of my career-an ambition I did not know, I had". With it's blend of pleasure and learning, New Views, offers a captivating exploration of musical textures and emotions. Whether you're a big band enthusiast or a music lover seeking new perspectives, this album is sure to leave a lasting impression!

Danish jazz pianist Jacob Christoffersen unveils his latest album, A Good Day, showcasing a seamless collaboration with fellow veterans Thomas Fonnesb�k on bass and Rasmus Kihlberg on drums on September 6 on Storyville Records. This recording marks a significant milestone in their collective careers, combining their individual expertise into a compelling musical narrative. On A Good Day, Christoffersen, known for his diverse musical journey and extensive contributions to the Danish music scene, presents eleven original compositions alongside reinterpretations of classics like legendary Danish rock band Gasolin's Hva' gor vi nu, lille du and Danny Boy. The album's eclectic mix traverses various moods, from introspective ballads to energetic funk-infused tracks and soulful Brazilian rhythms, capturing the trio's dynamic range and improvisational spirit. Jacob Christoffersen is a prominent Danish jazz pianist known for his inventive compositions and captivating performances, including his long running collaboration with famed Danish jazz singer Sinne Eeg. With a career spanning over more than 25 years, Christoffersen continues to push the boundaries of modern jazz expression. Thomas Fonnesb�k is one of Denmark's foremost jazz bassists, recognized for his virtuosic playing and dynamic style across numerous acclaimed recordings, and Rasmus Kihlberg, renowned for his versatile drumming style, contribute richly to the album's depth and cohesion. Their synergy is evident throughout, reflecting their intuitive musical dialogue and mutual respect as performers. This recording maintains a balance between studio precision and the spontaneity of live performance, offering listeners an immersive experience into the trio's musical camaraderie and creative exploration. A Good Day shows that they deserve to be celebrated anywhere creative modern jazz is enjoyed!

Renowned Danish composer and pianist, Frans Bak, unveils his latest project, the ballads album Softer Than You Know, on Storyville Records on May 3, 2024, marking a nostalgic return to his musical origins. Softer Than You Know is a collection of 10 songs featuring lyrics by Helle Hansen, performed by the internationally acclaimed vocalist Sinne Eeg. Bak describes the album as a fusion between jazz and pop, offering laid-back melodies and ample room for musical exploration. During the COVID-19 pandemic, Bak found himself longing for the sound of his own band. A chance online encounter with saxophonist Fredrik Lundin reignited his passion for music, leading to a collaboration with lyricist Helle Hansen. In turn, Sinne Eeg's captivating voice breathed life into the songs, inspiring Bak to create a full album. Recorded with a stellar line up, including Thomas Vang on bass, Emil de Waal on drums paired with contributions from American guitarist Peter Sprague, saxophonists Hans Ulrik and Fredrik Lundin, Softer Than You Know promises to enchant listeners with it's soulful melodies and heartfelt lyrics. During the 80's and 90's, Bak's career flourished as he balanced his roles as a pianist, bandleader and composer. He collaborated with Danish artists such as Trine Dyrholm, Hella Joof and Peter Frodin, while also gaining recognition for his film score compositions. Notably, Bak composed the music for the TV series Forbrydelsen and the US remake The Killing, sparking a 25 year international career into the world of cinematic soundtracks. Vocalist Sinne Eeg has garnered international acclaim for her mesmerizing performances, captivating audiences with her rich and emotive voice. With numerous awards and accolades to her name, including four Danish Music Awards for Best Vocal Jazz Album, Eeg's is considered one of the premier female vocalists in Scandinavia. Bak extends his gratitude to all involved in the project, emphasizing Fredrik Lundin's pivotal role in reigniting his creative spark and Eeg's transformative vocal performance.

Storyville Records proudly announces the release of the Danish Radio Big Band - XL-LX on September 20, 2024. A bold and expansive project that captures the essence of the band's sound in the 2020's. This ambitious collection features five commissioned compositions from five diverse composers, showcasing the versatility and modernity of large jazz ensemble music. Spanning nearly two hours of music, XL-LX illustrates the dynamic and distinctive voices within the Danish Radio Big Band. Recorded over the past eight years, the collection emphasizes the band's role as the unifying element amidst diverse compositions. The title, XL-LX, not only signifies the extra-large scope of the project but also commemorates the band's 60th anniversary, with "LX" representing the Roman numeral for 60. 1. Sparkles by Marilyn Mazur - this vibrant suite captures the synergy between Mazur's percussion and the big band, enhanced by the chemistry with young conductor Miho Hazama. Performed in Denmark and at international festivals in Bucharest and South Korea, Sparkles sets the energetic tone for the collection. 2. Roller Coaster by Carla Bley - inspired by Copenhagen's Tivoli Gardens, this piece reflects Bley's lifelong fascination with amusement parks. Commissioned for a Scandinavian tour, it was recorded in a chance studio session, adding to the magic of the album. 3. The Mind Behind by Palle Mikkelborg - celebrating Mikkelborg's 75th birthday, this piece features three flugelhorn soloists and contributions from guest artists Marilyn Mazur, Helen Davies, and Mike Sheridan. Premiered at the Danish Radio's Concert House, it is a testament to Mikkelborg's profound influence on jazz. 4. Reflections for Clarinet & Jazz Orchestra by Peter Jensen - a re-imagining of Carl Nielsen's Concerto for Clarinet and Orchestra, Opus 57, this composition highlights the talents of soloist Peter Fuglsang. It has captivated audiences in Denmark and at the Nordischer Klang Festival in Germany. 5. Suite Electus by Miho Hazama - comprising three movements played attacca, this suite marks Hazama's first composition for the big band. Debuted live alongside the release of XL-LX, it concludes the collection with a fresh and innovative perspective. XL-LX is akin to an art gallery's opening night, where each composition stands as an individual masterpiece while collectively creating a harmonious exhibition. Just as a gallery owner curates diverse artworks to complement each other, the Danish Radio Big Band seamlessly integrates these compositions, allowing each to shine while enhancing the overall listening experience. Each LP in this collection features a blank B-side, symbolizing the ongoing potential for new artistic expressions. Join us in celebrating 60 years of musical excellence with the release of XL-LX. This collection not only honors the Danish Radio Big Band's rich history but also heralds it's vibrant future.

Danish / Swedish jazz-vocalist and songwriter, Kira Martini is releasing her new album Open Wide on Storyville Records on May 31, 2024. On this recording, Martini serves us a handful of her own compositions in a borderland between genres - a fusion of Nordic folk and jazz with notes of the warm seventies songwriter sound and mentality, inspired by the likes of Carole King, Joni Mitchell and Nick Drake. Open Wide is about facing life with an open mindset. Personally. Musically. It's a soul-stirring fusion of genres, where Martini transcends boundaries and captivates listeners with her personal melodies and heartfelt stories. Her songs comes from a place of need for outlet, and they are deeply personal experiences. She firmly believes that music is the strongest way to heal and connect. Martini and her band takes us on an odyssey, exploring what happens when songwriting meets the free mentality of jazz, while touching themes like healing, transformation, love, friendship, anger and release. Behind she has a team of some of the finest musicians Danish jazz has to offer, including guitarist Johannes Wamberg, saxophonist Jakob Dinesen, bassist Anders Fjeldsted and drummer Morten �ro. They all hold a special place in her heart for their way of bringing themselves into every note, and being present in shaping and coloring the music. Besides the band, she has invited some special guests and dear friends to join as features on different tracks. Kira Martini has established herself as a prominent figure in the Scandinavian music scene over the past decade, known for her true warm voice, frank ways and versatility. In recognition of her talent, she was awarded the prestigious Pal� Jazz Award in 2023.

Danish / Swedish jazz-vocalist and songwriter, Kira Martini is releasing her new album Open Wide on Storyville Records on May 31, 2024. On this recording, Martini serves us a handful of her own compositions in a borderland between genres - a fusion of Nordic folk and jazz with notes of the warm seventies songwriter sound and mentality, inspired by the likes of Carole King, Joni Mitchell and Nick Drake. Open Wide is about facing life with an open mindset. Personally. Musically. It's a soul-stirring fusion of genres, where Martini transcends boundaries and captivates listeners with her personal melodies and heartfelt stories. Her songs comes from a place of need for outlet, and they are deeply personal experiences. She firmly believes that music is the strongest way to heal and connect. Martini and her band takes us on an odyssey, exploring what happens when songwriting meets the free mentality of jazz, while touching themes like healing, transformation, love, friendship, anger and release. Behind she has a team of some of the finest musicians Danish jazz has to offer, including guitarist Johannes Wamberg, saxophonist Jakob Dinesen, bassist Anders Fjeldsted and drummer Morten �ro. They all hold a special place in her heart for their way of bringing themselves into every note, and being present in shaping and coloring the music. Besides the band, she has invited some special guests and dear friends to join as features on different tracks. Kira Martini has established herself as a prominent figure in the Scandinavian music scene over the past decade, known for her true warm voice, frank ways and versatility. In recognition of her talent, she was awarded the prestigious Pal� Jazz Award in 2023.

The three renowned Danish jazz artists, bassist Lennart Ginman, drummer Thomas Blachman and pianist Carsten Dahl, collectively known under the moniker Ginmanblachmandahl, are set to release their new album on Storyville Records on April 5th. Bearing the title, "What's to Come!", this record is a testament to the power of spontaneity, unpredictability, and collaboration in the realm of jazz. The combination of these three masterful musicians has resulted in yet another album that simply oozes swing, timing, dexterity, and imagination. They are simply put - some of the most visionary and innovative Danish jazz musicians and composers, and their music reflects their never-ending quest to push the boundaries of what's possible. Unlike a conventional studio recording, this album was born out of raw spontaneity and creative synergy within the trio - every note, every chord, every rhythm was created in the spur of the moment. The result is a sonic journey into the heart and essence of improvisation. What's to Come! Invites listeners into the intimate dialogue between three masterful musicians. With a nod to the luminaries who have shaped the genre-Thelonious Monk, Miles Davis, Bill Evans-the trio infuses their compositions with a sense of homage and reverence, yet never shy away from boldly charting their own course. From the introspective melodies that stir the soul to the explosive bursts of energy that ignite the senses, this recording captures the full spectrum of human experience in all it's complexity and nuance. As the final notes fade into the ether, one cannot help but feel the palpable sense of anticipation lingering in the air-a promise of What's to Come!, and an invitation to join them on their ongoing odyssey of sound and expression.

The three renowned Danish jazz artists, bassist Lennart Ginman, drummer Thomas Blachman and pianist Carsten Dahl, collectively known under the moniker GinmanBlachmanDahl, are set to release their new album on Storyville Records on April 5th. Bearing the title, “What’s to Come!”, this record is a testament to the power of spontaneity, unpredictability, and collaboration in the realm of jazz.

The combination of these three masterful musicians has resulted in yet another album that simply oozes swing, timing, dexterity, and imagination. They are simply put - some of the most visionary and innovative Danish jazz musicians and composers, and their music reflects their never-ending quest to push the boundaries of what’s possible.

Unlike a conventional studio recording, this album was born out of raw spontaneity and creative synergy within the trio – every note, every chord, every rhythm was created in the spur of the moment. The result is a sonic journey into the heart and essence of improvisation.

What’s to Come! invites listeners into the intimate dialogue between three masterful musicians. With a nod to the luminaries who have shaped the genre—Thelonious Monk, Miles Davis, Bill Evans—the trio infuses their compositions with a sense of homage and reverence, yet never shy away from boldly charting their own course. From the introspective melodies that stir the soul to the explosive bursts of energy that ignite the senses, this recording captures the full spectrum of human experience in all its complexity and nuance.

As the final notes fade into the ether, one cannot help but feel the palpable sense of anticipation lingering in the air—a promise of What’s to Come!, and an invitation to join them on their ongoing odyssey of sound and expression.

Danish bassist Mads Vinding, Italian pianist Dado Moroni and Italian / Swedish drummer Niclas Campagnol join forces to deliver an exceptional, previously unreleased live performance in the form of the brand new album Quiet Yesterday on Storyville Records on November 17, 2023. In 2018, these three musical virtuosos united to record a live performance at the iconic Jazzhus Montmartre in Copenhagen. This release features five standards and an original composition by Moroni titled Quiet Yesterday. Their remarkable interplay showcases the power of jazz as a universal language and the profound connection that can be forged between artists who, despite not having worked together previously, communicate effortlessly on stage. On this recording, Vinding, Moroni and Campagnol display a level of synergy that is nothing short of awe-inspiring. Their seamless collaboration evokes the impression of a well-seasoned trio, one that has honed their craft over several years. What makes this trio's performance truly extraordinary is the fact that Moroni had never recorded with either Vinding or Campagnol prior to this, yet their musical chemistry is palpable, making the music sound effortless and natural. Throughout the recording, Vinding, Moroni and Campagnol communicate with an uncanny closeness, crafting music that is subtle, emotionally resonant, spontaneous and endlessly swinging. Each member of the trio has a distinguished track record of elevating the music of others across a multitude of settings throughout their careers. Their shared commitment to pushing boundaries, avoiding clich�s, and exploring new creative horizons is evident in their music. What's most remarkable is that, despite spanning three different generations, their collective chemistry feels timeless and boundless. Bassist Mads Vinding, born in 1948, is a prominent figure on the jazz scene. Over the years he has collaborated with an impressive roster of jazz greats, including Duke Jordan, Dexter Gordon, Enrico Pieranunzi, Toots Thielemans and many more. Pianist Dado Moroni, born in 1962, is one of Europe's most loved pianists. He has played as sideman with just about everyone from Clark Terry to Freddie Hubbard, but today he is considered a modern European giant that among many projects plays duo with Kenny Barron and trio with Eddie Gomez and Joe LaBarbera. Drummer Niclas Campagnol, born in 1973, comes from a long musical lineage. His versatility and musicality makes him a sought after musician that has worked with Thomas Fonnesb�k, Didier Lockwood and Antonio Farao. Quiet Yesterday is a testament to the e nduring power of jazz and the boundless creativity that can emerge when three exceptional musicians come together to create music that transcends generations. But as always it is the singing bass a stunning virtuosity of Mads Vinding that shines through. This is jazz of the highest order!

Recognized as one of the most accomplished musicians of his generation, Carsten Dahl pays a mesmerizing tribute to the legendary Keith Jarrett on his new album The Solo Songs of Keith Jarrett, due for release on August 25 on Storyville Records. This remarkable recording showcases Dahl’s extraordinary talent, as he collaborates with a host of acclaimed musicians, including trumpet virtuoso Palle Mikkelborg, versatile saxophonist Fredrik Lundin, expressive bassist Nils Bo Davidsen, melodic drummer Stefan Pasborg and musicians from Ensemble Midtvest to craft a mesmerizing tribute to the iconic Keith Jarrett, one of the most influential jazz instrumentalists of his generation.

This recording is set to be an exceptional addition to any jazz enthusiast’s collection, offering a captivating blend of technical brilliance, emotional depth and artistic innovation. Dahl’s profound musicality and his ability to connect with the audience on a deeper level are showcased throughout this remarkable album. It is a Wahlvervandschaft, a connection between spiritual and musical brothers – documented with love and respect on The Solo Songs of Keith Jarrett!

The Sisters of Jazz release their self-titled debut album on legendary Storyville Records on September 15, 2023. Sisters of Jazz is a dynamic all-female ensemble consisting of bandleader and renowned vocalist Anna Pauline, Danish Music Award-nominee saxophonist Pernille Bévort, accomplished trombonist Lis Wessberg, virtuosic pianist Catrine Ullerup Frølund, versatile bassist Ida Hvid and Ben Webster Prize winner, drummer Benita Haastrup.

The project began in 2014, when jazz singer, composer and lyricist Anna Pauline, as a bandleader, was commissioned to put together a band consisting solely of female musicians for a concert during International Women’s Day. The concert, which was a great success, led to the formation of the current Sisters of Jazz. This debut album consists of 13 tracks, one of them sung in Danish and another in Swedish. On this recording, they embark on a musical journey that celebrates and pays tribute to the contributions of oft-forgotten female jazz composers and musicians like Nancy Hamilton, Ann Ronell, Marian McPartland and Mary Lou Williams – just to name a few!

Many of these female musicians are incredibly important stylists in jazz, who in turn paved the way for others and have been mentors to several of the jazz icons considered role models of jazz, :Miles Davis, Dizzy Gillespie, Coltrane and many others. Sisters of Jazz brings together six remarkable women, who share an unwavering passion for jazz music. Individually, they have won accolades and garnered attention for their exceptional talents, but it is their collective energy that truly sets them apart. Their unique blend of musical prowess and unwavering dedication to highlighting the hidden ladies of jazz, who may not have received the proper limelight during their lifetime, is quite frankly inspiring.

Beyond paying homage to the underappreciated female jazz legends, Sisters of Jazz aim to contribute to the evolution of jazz music in the modern era. With their collective musicianship and individual voices, Pauline, Bévort, Wessberg, Frølund, Hvid and Haastrup are breaking barriers and redefining what it means to be women in jazz. Their performance on this album is characterized by fearless exploration, pushing the boundaries of convention, and embracing the freedom of expression that jazz offers. Through their interpretations of the works of the composers covered on this project, the ensemble showcases their profound respect for jazz history while bringing a fresh perspective to their compositions.

Sisters of Jazz’s commitment to celebrating the female jazz composers and their inspiring approach to jazz has garnered the attention of critics and audiences alike. By paying their respect to the past and shaping the future for women in jazz, Sisters of Jazz aim to leave an indelible mark on the jazz landscape! 

Only time can tell if a musical composition will be considered a “classical” piece by future audiences, but as Danish music critic Søren Schauser has predicted: “In a couple of years we will see pieces by an Ellington or a Peterson in regular concert programs in entirely classical contexts.” With “The Touch” Søren Kristiansen and Thomas Fonnesbæk present their take on a classical piece of jazz, playing the music of Oscar Peterson and Niels-Henning Ørsted Pedersen - classical but improvised! OP and NHØP gave us something unique and unforgettable, just as the classical composers did and still do. Being the world’s greatest virtuosos on piano and double bass respectively, their immense technique and ‘Touch’ made them unique. Their collaboration was likewise special because they were equals. For instance, Oscar Peterson’s arrangement for “On The Trail” (Great Connection, 1971) was presumably written because he had found a bassist that could keep up both musically and technically. OP & NHØP gave us something extraordinary and unforgettable, exactly like the great classical composers did and continue doing - and now Kristiansen and Fonnesbæk share their idea of how it could be played today.

REVIEW:

One of the swingingest pianists in jazz history, Oscar Peterson, is given tribute with one of his best bassists, Niels-Henning Orsted Pedersen ( better known as NHOP) on this concert of duets between Soren Kristiansen/p and Thomas Fonnesbaek/b. The May, 2021 recordings in Copenhagen mix originals by the two as well as a handful of standards, and the two converse and bounce like the original string trio with Ray Brown and Herb Ellis.

Kristiansen provides classy chords on the hip “Soft Winds” while Fonnesbaek delivers a rich bass line on “Nigerian Marketplace”. Peterson’s feel is captured well on “The Trail”, with bopping unison lines and a nifty left hand. Dark and dramatic moods are created for “On Danish Shore” with pretty melodies bouncing on “Wheatland”. Fonnesbaek is stately on the intro and lad on the uptown “There Is No Greater  Love”, and steps out for Kristiansen to give a heartfelt aria on the solemn “Hymn To Freedom”. Classy conversations.

-- JazzWeekly.com (George W. Harris)

Cool Sweetness could be a nice cold and tasty cocktail…or maybe an irresistible ice cream… But actually, it is the name of Danish trombonist Anders Jacobsen’s jazz sextet. “Cool” because the main inspiration comes from the cool jazz as they played it on the American West Coast in the fifties. “Sweetness” because that is how the sextet members really are. Six nice, good-natured and humorous men who love to play good jazz. The music on their new album “Shoehorn Shuffle” is primarily composed and arranged by Jacobsen and the album features a strong line-up of the coolest players on the Danish jazz scene, including Thomas Fryland (trumpet), Jens Søndergaard (sax), Pelle von Bülow (guitar), Ole Skipper (bass) and Aage Tanggaard (drums).

‘The music on this fine recording is quite simply - just wonderful! The beauty and spirit of quality is always evident. The writing, execution, soli, and recorded sound are a joy to experience! The sense of swing and great groove puts a big smile on my face. many thanks to Anders for his terrific writing and assembling all these superb musicians!’ (Jiggs Whigham)

REVIEW:

The group have all the right attributes, good sound, calm execution, and the correct solo power to place them alongside the iconic cool jazz players of yesteryear.

-- Jazzwise (UK)

Danish harmonica virtuoso Mathias Heise launches his highly anticipated acoustic jazz album, titled Mouth Games on Storyville Records. The project, described by Heise as his 'first acoustic jazz album', is a result of years of meticulous groundwork. Mouth Games features a captivating interplay between Heise and a carefully selected group of highly talented musicians, including accomplished pianist Jacob Christoffersen, master guitarist Pelle von B�low, acclaimed bassist Thomas Fonnesb�k and versatile drummer Jeppe Gram. With nine carefully chosen tracks, including seven original compositions and two standards, Mouth Games presents a captivating narrative that explores classical structural conventions of jazz with flair, innovation, taste and virtuosity. Heise's masterful harmonica playing effortlessly intertwines with the highly accomplished rhythm section. Their telepathic interplay results in memorable performances filled with muscular mature solos, deeply rooted in the language of modern jazz traditions. Heise states: "... I have always played a lot of jazz gigs, gathering tunes over a long time, finding musicians that I really connect with. I felt like now I have found the right musicians - heart to heart, we just speak to each other. In the studio there has to be a lot of interplay, spontaneous feeling and events that nobody can prepare in advance. To make this happen, I had to be on a certain level, prepared, focused. For the first time, I had the skills and maturity to make my first acoustic jazz album - not an easy task!" Mouth Games serves as compelling evidence of Heise's unwavering commitment to expanding the boundaries of jazz improvisation on the chromatic harmonica. This album represents a quantum leap in his musical evolution, displaying a deep immersion in the contemporary legacy of jazz rhythm, harmony and improvisation. Mathias Heise is internationally renowned for his groundbreaking approach to jazz improvisation on the chromatic harmonica, having won the 2013 Chromatic Harmonica World Championship, received the Danish Crown Prince Couple's prestigious Stardust Award in 2016 and being awarded the Ben Webster Prize in 2017. With four critically acclaimed albums under his belt, including three albums with his fusion band Quadrillion and one in collaboration with the Danish Radio Big Band, Heise continues to push the boundaries of musical creativity and innovation. Mouth Games gives rise to a new jazz harmonica solar system, comprising nine incomparably marvelous tracks whose significance goes beyond the sum of their parts. This profound modern jazz statement deserves the widest attention and recognition.