This recording contains the complete recital given by Clara Haskil at Ludwigsburg Castle in April, 1953. The Debussy works and the encores have never been previously released. The performance is musically outstanding and features engaging repertoire, thus being an impressive record of a legendary musician. The eminent Romanian pianist, Clara Haskil began, her career as a child prodigy and entered at the Bucharest Conservatory when she was 6. At age 7 she was sent to Vienna and profited from the tutelage pf Richard Robert (whose memorable pupils included Rudolf Serkin and George Szell) and briefly with Ferruccio Busoni. She was only 7 (or 10) when she made her public debut there. At 10 she was sent to Paris to continue her training with Morpain, and, at 12, entered the Paris Conservatoire. A celebrated interpreter of classical and early romantic repertoire, many considered Clara the foremost interpreter of W. A. Mozart in her time. She was also widely known for her interpretation of Beethoven and Schumann, both of which can be heard on this recital.

This recording of the 1993 Schwetzingen Festival has already achieved cult status. The then, 78 year old Sviatoslav Richter plays for the first and last time in public Gershwin's jazzy Concerto in F-sharp. Gershwin's works had always been suspect under the Soviet regime. All the more surprising was Richter's decision to perform this work in his maturity. Needless to say, Richter never made a formal, studio recording of this work. It is not only a unique recording, but also a document of Richter's expansive interest in all musical repertoires than came under his purview. The Fifth Piano Concerto by Camille Saint-Saëns was eclipsed by the same composer's more popular "Second" Concerto throughout Richter's performing career. With the exception of one album, he never again recorded this work and there is no record that he ever again performed it internationally. With this concert, there can be no dispute that we are dealing with a real rarity.

Annie Fischer enjoys a singular reputation within the great tradition of Hungarian pianists due to her deeply moving and romantically intimate performances. She became famous and admired on account of her uncompromising spiritually absorbing interpretations. Like many other musicians, Fischer only left behind a few studio recordings however the few that were left became benchmark interpretations.

Les Vendredis is a collection of string quartets by several Russian composers, who played a key role at the famous Friday evening concerts organized by the music publisher Belaieff at the end of the 19th century. Alexander Glazunov, Anatoli Liadov and Rimsky-Korsakov are among the illustrious names that formed that musical society. Belaieff, son and heir of a wealthy wood trader, was a music enthusiast and an excellent violist. Thus, it was only natural that he hosted string quartet concerts in his house and commissioned composers for new string quartet works. Some of these works were published in 1899 by Belaieff’s own publishing house, which he had founded in the 1880s. The works of this collection continue to fascinate to this day, but are, unfortunately, only rarely performed. The Szymanowski Quartet, who are known for their exciting and cleverly compiled concert programmes, perform this repertoire with both pleasure and passion. Their technical perfection suits the musical challenges and their soulful performance highlights the lyrical emotions of these Russian musical treasures.